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292 The Making of Kubrick's 200<br />

authorized the money. Although he was bothered constantly<br />

by the problem of maintaining control of the company, warding<br />

off various attempts at usurpation of his authority, and having<br />

to win the affection of the stockholders, he never burdened<br />

me with any of these problems; he was very strong in not passing<br />

on his problems to me. He realized that it was necessary for<br />

us, somehow, to overcome the previously unsolved problem<br />

of making special effects in the film look completely real-<br />

istic, and he understood that new techniques were being devised,<br />

engineered, and so forth, and that somebody had to get<br />

these right, otherwise the film would be expensive at any price.<br />

O'Brien had seen a lot of the film in sort of isolated form, but<br />

once the film was being cut— well, first of all, the film never<br />

was cut much before I left for California, and because of the<br />

slowness in getting the special effects completed there were<br />

huge sections of the film missing, and I didn't want to show it to<br />

anyone in that form. O'Brien had enough confidence that he<br />

would get what he was hoping for that he never insisted on seeing<br />

anything except whatever I wanted to show him. Nobody<br />

saw the cut film until it was finished, because there really<br />

wasn't any time for anyone to see it."<br />

Were the stockholders growing restive and applying pressure<br />

to Mr. O'Brien because of the time it took you to complete<br />

2001?<br />

Kubrick: "Well, I don't know of any specific cases, and he<br />

never said there were, but I wouldn't be surprised if the film<br />

was an embarrassment to him during the making of it. It certainly<br />

hasn't been an embarrassment since then, but before anybody<br />

saw it I'm sure that they wondered what was going on."<br />

Nearly thirty minutes pass before the first words are spoken in<br />

2001. Kubrick: "I tried to work things out so that nothing im-<br />

portant was said in the dialogue, and that anything important in<br />

the film be translated in terms of action/'<br />

The first speech:<br />

Orion hostess (to Dr. Floyd): Here you are, sir. Main level, please.<br />

Floyd: See you on the way back.<br />

Space station hostess: Did you have a pleasant flight?<br />

Floyd: Yes, very nice, thanks.<br />

Miller (of space-station security): Sorry I'm late [as though he had<br />

had far to go].<br />

1

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