- Page 3: October 8th - November 7th, 2010 Ș
- Page 7 and 8: POLICE THE POLICE MICA GHERGHESCU -
- Page 9 and 10: POLICE THE POLICE MICA GHERGHESCU -
- Page 11 and 12: OCHI PENTRU OCHI: A OBSERVA PRIVIRE
- Page 13 and 14: EYE FOR AN EYE: OBSERVING THE GAzE
- Page 15 and 16: PENTRU O ARHEOLOGIE A PRIVIRILOR LE
- Page 17 and 18: subiect şi obiect, între mainstre
- Page 19 and 20: FOR AN ARCHEOLOGY OF THE GAzE LE pE
- Page 21 and 22: mediactivism and poLyphonic setting
- Page 23 and 24: PANOPTICUL SUBVERSIV DIN SPATELE FO
- Page 25 and 26: „de jos”, vedem cu atât mai bi
- Page 27 and 28: earn their living - a task with whi
- Page 29 and 30: DESpRE SUpRAVEGHERE ŞI DESPRE A FI
- Page 31 and 32: ABOUT SURVEILLANCE AND BEING SURVEI
- Page 33 and 34: HERMAN ASSELBERGHS 32
- Page 35 and 36: T E O D O R G R A U R În timpul ev
- Page 37 and 38: N I C U I L F O V E A N U 36
- Page 39 and 40: C H R I S TO p H wA C H T E R Insta
- Page 41 and 42: P E T E R W E I B E L 40
- Page 43 and 44: F A N I z G U R O „Broken Threads
- Page 45 and 46: C H T O D E L A T ? ( w H A T o dec
- Page 47 and 48: telectualul nu trebuie să îndepli
- Page 49 and 50: instituţiile puterii, le demonstra
- Page 51 and 52: nism, and equality do not go withou
- Page 53 and 54: We believe in the continuous re-exa
- Page 55 and 56:
MARIA LUIzA ALECSANDRU Proiectul
- Page 57 and 58:
E L E N A C I O B A N U 25 aprilie
- Page 59 and 60:
d i S T R U K T U R A “Here and T
- Page 61 and 62:
C A R L A Å H L A N D E R “Untit
- Page 63 and 64:
ARTSTATION (ANNE HAYES & GLENN DAVI
- Page 65 and 66:
z O L T Á N B É L A “The X key
- Page 67 and 68:
M A R C B I j L Ceea ce mă preocup
- Page 69 and 70:
R O B E R T O B E L L I N I “Jard
- Page 71 and 72:
L E V E N T E B E N E D E K Proiect
- Page 73 and 74:
DAVID BÖHM & jIŘÍ FRANTA 72
- Page 75 and 76:
E M A N U E L B O R C E S C U Insta
- Page 77 and 78:
j A S M I N A C I B I C O acţiune/
- Page 79 and 80:
ALEXANDRA CROITORU “ROM_” (2004
- Page 81 and 82:
N E M E S C S A B A Opera recentă
- Page 83 and 84:
U R O Š Đ U R I Ć „...Conform
- Page 85 and 86:
HARM VAN DEN DORPEL În „Ethereal
- Page 87 and 88:
A L D O G I A N N O T T I & 86
- Page 89 and 90:
Ł U K A S Z G R O N O w S K I Lucr
- Page 91 and 92:
D R I T O N H A j R E D I N I “Wh
- Page 93:
O L I V E R L A R I C “Versions
- Page 96 and 97:
O L I V I A M I H ă LŢ I A N U
- Page 98 and 99:
“Untitled (Ufo)” (2008) 40x60cm
- Page 100 and 101:
Lupul cel Rău este un vânător su
- Page 102 and 103:
politica Scopul fundamental al poli
- Page 104 and 105:
p A V E L K O p R I V A Dincolo de
- Page 106 and 107:
105
- Page 108 and 109:
“PlaySureVeillance” (2008) mixe
- Page 110 and 111:
“New disasters 2” (2002) digita
- Page 112 and 113:
K A S I A K R A K O w I A K “Asha
- Page 114 and 115:
Imaginile din Niger şi Liban sunt
- Page 116 and 117:
Un-Claimed În “Un-Claimed”, ca
- Page 118 and 119:
După cum ştim cu toţii, prin pun
- Page 120 and 121:
Shadi Habib Allah questions the sta
- Page 122 and 123:
“A child’s play” (2010) video
- Page 124 and 125:
C O L L E C T I V E (SONAL jAIN AND
- Page 126 and 127:
”The End of All Resistance” (20
- Page 128 and 129:
Gaylan Abdullah Ismail face parte d
- Page 130 and 131:
129
- Page 132 and 133:
131
- Page 134 and 135:
„reprezentativitatea şi democra
- Page 136 and 137:
RUTI SELA & MAAyAN AMIR “Beyond G
- Page 138 and 139:
MIHAI CHIRILă VICTOR ION „A tuli
- Page 140 and 141:
„Police, adjective” 110’07’
- Page 142 and 143:
MIRCEA REŞTEA DRAGOŞ TOADER Polic
- Page 144 and 145:
pETRUŢ CăLINESCU MARIUS NEMEŞ Ca
- Page 146 and 147:
Kunstmuseum Bonn, Bonn, Germany. In
- Page 148 and 149:
Gallery, Montreal, Canada; ReadyMad