expressive oil paintings of shropshire and the south of ... - Rob Pointon
expressive oil paintings of shropshire and the south of ... - Rob Pointon
expressive oil paintings of shropshire and the south of ... - Rob Pointon
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ROB POINTON<br />
<strong>expressive</strong> <strong>oil</strong> <strong>paintings</strong> <strong>of</strong> <strong>shropshire</strong><br />
<strong>and</strong> <strong>the</strong> <strong>south</strong> <strong>of</strong> france<br />
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
Millard & Lancaster<br />
8 St. Mary’s Street<br />
Shrewsbury, SY1 1EB<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
Preview Evening: 2 Feb 2012, 6pm - 8pm<br />
Exhibition Runs: 3 Feb - 28 Feb 2012
This exhibition at Millard <strong>and</strong> Lancaster is thanks to<br />
previous successes working with <strong>the</strong> gallery co-owner<br />
Gareth Lancaster Williams who is also <strong>the</strong> curator at Weston<br />
Park. I won <strong>the</strong> Regional Artist Award for Staffordshire <strong>and</strong><br />
Shropshire in <strong>the</strong> Halls Fine Art Open Competition at <strong>the</strong><br />
Granary Gallery at Weston, <strong>and</strong> took part in a joint exhibition<br />
celebrating 25 years <strong>of</strong> <strong>the</strong> Weston Park Foundation last<br />
year.<br />
For that exhibition I painted live at <strong>the</strong> 2011 V Festival <strong>and</strong><br />
also inside <strong>the</strong> House at Weston. This enabled me to capture<br />
<strong>the</strong> atmosphere <strong>and</strong> excitement <strong>of</strong> a live music event as<br />
well as <strong>the</strong> splendour <strong>and</strong> history <strong>of</strong> a stately home, a total<br />
contrast <strong>of</strong> subject but each as fascinating to paint. These<br />
Weston house interior works led to introductions to <strong>the</strong><br />
residents <strong>of</strong> two separate John Nash houses in Atcham,<br />
both <strong>of</strong> which <strong>of</strong>fered opportunity to capture on canvas his<br />
bold architectural statements. These pieces form part <strong>of</strong><br />
this exhibition along with examples <strong>of</strong> <strong>the</strong> Weston Park <strong>and</strong><br />
V Festival work.<br />
The varied architecture, different levels <strong>and</strong> <strong>the</strong> relationship<br />
<strong>of</strong> <strong>the</strong> town to <strong>the</strong> River Severn have made Shrewsbury one<br />
<strong>of</strong> my favourite towns. It also retains a magic quality for me<br />
as being a gateway to Wales, as a result <strong>of</strong> family car trips<br />
<strong>and</strong> my university days studying Fine Art at Aberystwyth,<br />
where <strong>the</strong> 3½ hour train journey from Stoke-on-Trent was<br />
<strong>of</strong>ten broken by a stop or change in Shrewsbury.<br />
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
ROB POINTON 2012<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
The Old Market Hall, Shrewsbury<br />
Oil on Canvas<br />
Unframed<br />
Signed<br />
24” x 32”<br />
2012<br />
£1500 SOLD<br />
I enjoy setting up in <strong>the</strong> heart <strong>of</strong> a town<br />
where I am due to stage an exhibition<br />
<strong>and</strong> so <strong>the</strong> Old Market Hall in Shrewsbury<br />
seemed like an ideal location <strong>and</strong><br />
subject matter for this upcoming show<br />
at Millard <strong>and</strong> Lancaster. I was able<br />
to give out postcards advertising <strong>the</strong><br />
show to interested passers by.
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
Shrewsbury Railway Station<br />
Oil on Canvas<br />
Unframed<br />
Signed<br />
48” x 30”<br />
2012<br />
£1800 SOLD<br />
I wanted to capture <strong>the</strong> drama <strong>of</strong><br />
looking up at <strong>the</strong> impressive façade <strong>of</strong><br />
Shrewsbury Railway Station <strong>and</strong> castle<br />
<strong>and</strong> also relate it to <strong>the</strong> movement <strong>of</strong><br />
<strong>the</strong> taxis <strong>and</strong> short term parking in<br />
front <strong>of</strong> station <strong>and</strong> <strong>the</strong> queuing traffic<br />
underneath <strong>the</strong> dark railway bridges<br />
on <strong>the</strong> left. The winter light meant I<br />
was <strong>of</strong>ten getting shafts <strong>of</strong> <strong>the</strong> low sun<br />
spotlighting <strong>the</strong> station façade <strong>and</strong><br />
giving <strong>the</strong> stonework a golden quality.<br />
A passer-by informs me that this station<br />
is unusual because <strong>the</strong> Victorians<br />
extended <strong>the</strong> building downward by<br />
adding an additional story underneath.
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
Cronkhill<br />
Oil on Canvas<br />
Unframed<br />
Signed<br />
48” x 30”<br />
2012<br />
£1800<br />
This John Nash designed property at<br />
Atcham seems striking to me because<br />
<strong>of</strong> <strong>the</strong> setting <strong>and</strong> in particular <strong>the</strong><br />
view <strong>of</strong> The Wrekin as much as <strong>the</strong><br />
property’s distinctive Mediterranean<br />
appearance. I have attempted to<br />
combine <strong>the</strong> property <strong>and</strong> its view in a<br />
single composition. I enjoy <strong>the</strong> winding<br />
road leading up to <strong>the</strong> gate <strong>and</strong> <strong>the</strong> low<br />
winters sun bouncing <strong>of</strong>f <strong>the</strong> lawn.
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
The Staircase at Longner Hall<br />
Oil on Canvas<br />
Unframed<br />
Signed<br />
48” x 30”<br />
2012<br />
£1800<br />
This spectacular staircase designed by<br />
famous architect John Nash (Brighton<br />
Pavilion, Marble Arch) presented an<br />
ideal subject matter for my love <strong>of</strong><br />
wide-angle multi-level representation<br />
with many routes for your eye to travel<br />
down. The brightly painted walls,<br />
stained glass <strong>and</strong> mixture <strong>of</strong> natural<br />
<strong>and</strong> artificial light sources create some<br />
interesting unusual colour work.<br />
Staircase Hall: corridor has 5 plaster<br />
fan vaults with pendants, <strong>and</strong> fireplace<br />
with quatref<strong>oil</strong> surround <strong>and</strong> shields;<br />
staircase <strong>of</strong>f rising to l<strong>and</strong>ing in one<br />
flight <strong>and</strong> returning in 2 with wrea<strong>the</strong>d<br />
wrought iron balustrade <strong>and</strong> apsidal<br />
end with ribs rising to Gothic frieze;<br />
staircase window contains glass by<br />
David Evans depicting 3 figures, one<br />
<strong>of</strong> <strong>the</strong>m Edward Burton who died at<br />
Longner in 1558 <strong>and</strong> whose memorial<br />
is set in <strong>the</strong> grounds.
The Library<br />
Oil on Canvas<br />
Unframed<br />
Signed<br />
40” x 20”<br />
2011<br />
£1950 SOLD<br />
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
This room in The House at Weston Park is<br />
quite a dark space. I wanted to contrast<br />
this with <strong>the</strong> harsh light flooding in from<br />
<strong>the</strong> exterior. The bright summery colours <strong>of</strong><br />
<strong>the</strong> formal gardens are visible though <strong>the</strong><br />
window.<br />
Courtesy <strong>of</strong> Karen Sayle<br />
Climbing Hen Cloud<br />
Oil on Board<br />
Unframed<br />
Signed<br />
61cm x 91cm<br />
2012<br />
£900
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
Courtesy <strong>of</strong> Karen Sayle<br />
The Dining Room at Weston<br />
Oil on Canvas<br />
Framed<br />
Signed<br />
30” x 40”<br />
2011<br />
£2400<br />
The height is what first strikes you<br />
when you first walk into this room, I<br />
have tried to translate that with <strong>the</strong> use<br />
<strong>of</strong> wide-angle perspectives, keeping<br />
<strong>the</strong> crystal ch<strong>and</strong>elier central to <strong>the</strong><br />
composition.
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
Courtesy <strong>of</strong> Karen Sayle<br />
The Conservatory at Weston Park<br />
Oil on Canvas<br />
Unframed<br />
Signed<br />
48” x 30”<br />
2011<br />
£1950 SOLD<br />
The unusual architecture <strong>of</strong> this 1930s<br />
conservatory, a combination <strong>of</strong> wood<br />
<strong>and</strong> cast iron, filled with exotic plants,<br />
attracted me instantly. Unusual patterns<br />
<strong>of</strong> light cast through <strong>the</strong> glazing slowly<br />
move across <strong>the</strong> space.<br />
The Church visible across <strong>the</strong> lake,<br />
adjoined to The House at Weston<br />
Park, is St. Andrew’s Parish Church <strong>of</strong><br />
Weston-under-Lizard
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
Courtesy <strong>of</strong> David Nelson<br />
V Festival 2011 - Outside <strong>the</strong> Arena<br />
Oil on Canvas<br />
Framed<br />
Signed<br />
40” x 26”<br />
2011<br />
£1750 SOLD<br />
This <strong>oil</strong> painting was started on <strong>the</strong><br />
Friday <strong>of</strong> last years V festival as <strong>the</strong><br />
weekend campers arrived <strong>and</strong> trudged<br />
past <strong>the</strong> stalls to <strong>the</strong> campsites. The<br />
shear amount <strong>of</strong> people kicked up a<br />
dust in <strong>the</strong> sunny dry conditions.<br />
Recognisable figures were formed<br />
from multiple passers by. The guy<br />
in front <strong>of</strong> me gave out thous<strong>and</strong>s <strong>of</strong><br />
free contraceptives, <strong>the</strong>re was an<br />
abundance <strong>of</strong> fake tan <strong>and</strong> bright<br />
wellies, some purchased from ‘Welly<br />
Bob’s’, <strong>the</strong> large stall on <strong>the</strong> right.
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
The Breakfast Painting<br />
Oil on Board<br />
Framed<br />
Signed<br />
28” x 36”<br />
2009<br />
£1600<br />
I worked on this piece throughout most<br />
mornings on <strong>the</strong> 2009 Provence trip.<br />
The great wea<strong>the</strong>r allowed <strong>the</strong> set up<br />
to be left up outside over night <strong>and</strong><br />
it was just a case <strong>of</strong> picking a brush<br />
up in <strong>the</strong> mornings whilst <strong>the</strong> o<strong>the</strong>rs<br />
were getting breakfast. The dappled<br />
sunlight moving through <strong>the</strong> trees kept<br />
<strong>the</strong> colours moving across <strong>the</strong> entire<br />
scene. I have tried to exaggerate a<br />
tunnel into <strong>the</strong> middle with directional<br />
brushstrokes.
First Sun <strong>of</strong> <strong>the</strong> Day<br />
Oil on Board<br />
Framed<br />
Signed<br />
48” x 24”<br />
2011<br />
£1400<br />
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
This painting depicts <strong>the</strong> small harbour <strong>and</strong> boat huts at Cabasson with <strong>the</strong><br />
first <strong>of</strong> <strong>the</strong> day’s sun inside <strong>the</strong> bay lighting up <strong>the</strong> right-h<strong>and</strong> side. I have<br />
tried to highlight <strong>the</strong> difference between shade <strong>and</strong> sunlight with obviously<br />
different brush strokes. Painting light on water encourages abstraction, as<br />
it is <strong>of</strong> course impossible to accurately depict over a period <strong>of</strong> time. The fun<br />
downward waves <strong>of</strong> bright colours on <strong>the</strong> right pay homage to <strong>the</strong> influence<br />
<strong>of</strong> <strong>the</strong> abstracted water <strong>paintings</strong> <strong>of</strong> Egon Schiele <strong>and</strong> David Hockney.
Rocky Coastline<br />
Oil on Board<br />
Framed<br />
Signed<br />
48” x 24”<br />
2011<br />
£1700<br />
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
10am – Midday, over 6 days<br />
I was left almost completely undisturbed on this spectacular<br />
coastline. I was interested in how <strong>the</strong> energy <strong>of</strong> <strong>the</strong> incoming<br />
water dissipated as it navigated <strong>the</strong> rocks, from right to left. The<br />
rocky coastal work <strong>of</strong> Claude Monet was an influence here.
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
Reflection Study<br />
Oil on Board<br />
Framed<br />
Signed<br />
36” x 24”<br />
2011<br />
£1550 SOLD<br />
Midday – 2pm, over 6 days<br />
The benefit <strong>of</strong> this location was that<br />
I was able to paint extremely similar<br />
sunlight on water conditions over 5 or 6<br />
days, staying a short distance from <strong>the</strong><br />
coast. I wanted to use this opportunity<br />
to build up a water study <strong>of</strong> intense<br />
coloured brush strokes neighbouring<br />
one ano<strong>the</strong>r, following <strong>the</strong> work <strong>of</strong><br />
Monet <strong>and</strong> <strong>the</strong> Impressionists, I wanted<br />
to explore sea/water painting for many<br />
years <strong>and</strong> this trip was ideal.<br />
.
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
Shallow sunlit water by<br />
Boat Huts<br />
Oil on Board<br />
Framed<br />
Signed<br />
24” x 18”<br />
2011<br />
£900<br />
Mid Afternoon<br />
A cacophony <strong>of</strong> colour as brightly<br />
painted boat huts are reflected in sunlit<br />
water. The painting equipment was<br />
stored overnight underneath <strong>the</strong> white<br />
upturned boat in this painting which<br />
saved carrying <strong>the</strong> equipment each<br />
day.
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
Daniel Painting<br />
Oil on Board<br />
Framed<br />
Signed<br />
24” x 18”<br />
2011<br />
£900<br />
Late Afternoon<br />
A quick study <strong>of</strong> a fellow-painter on<br />
<strong>the</strong> trip, spot lit by <strong>the</strong> sun against<br />
<strong>the</strong> crumbling plaster <strong>and</strong> tiles <strong>of</strong> <strong>the</strong><br />
old boat huts <strong>of</strong> Cabasson. We were<br />
reading about <strong>the</strong> Bloomsbury Group <strong>of</strong><br />
painters in London who would regularly<br />
paint one ano<strong>the</strong>r working. This<br />
could well have been a subconscious<br />
influence on <strong>the</strong> subject.
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
Painting on <strong>the</strong> Rocks<br />
Oil on Board<br />
Framed<br />
Signed<br />
24” x 18”<br />
2011<br />
£900<br />
Early Afternoon<br />
John was getting wet feet <strong>and</strong> kept on<br />
losing paintbrushes to <strong>the</strong> sea. We were<br />
reading about <strong>the</strong> Bloomsbury Group <strong>of</strong><br />
painters in London who would regularly<br />
paint one ano<strong>the</strong>r working. I am<br />
pleased with <strong>the</strong> feeling <strong>of</strong> movement<br />
<strong>and</strong> character in this study. There is<br />
a hint <strong>of</strong> Honoré Daumier’s caricature<br />
influence in this, whose work I adore.
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
The Boat Huts from <strong>the</strong><br />
Rock<br />
Oil on Board<br />
Framed<br />
Signed<br />
36” x 24”<br />
2011<br />
£1100<br />
Late Afternoon<br />
The sun baked l<strong>and</strong>scape <strong>of</strong> Cabasson’s<br />
boat huts <strong>and</strong> bays in <strong>the</strong> warmer glow<br />
<strong>of</strong> <strong>the</strong> late afternoon / early evening. The<br />
sea appeared almost a licorice black up<br />
here against <strong>the</strong> bleached white dried<br />
seaweed coated coast. I was playing<br />
with repetition <strong>of</strong> brushstroke pattern<br />
within <strong>the</strong> water.
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
Bormes Les Mimosas<br />
Oil on Board<br />
Framed<br />
Signed<br />
36” x 24”<br />
2011<br />
£1100 SOLD<br />
This in an unusual subject but <strong>the</strong><br />
multilevel space, changing light <strong>and</strong><br />
movement <strong>of</strong> traffic appealed to me. I<br />
was positioned half way up a dog-leg<br />
staircase leading up to <strong>the</strong> elevated<br />
Longton Railway Station lit by flickering<br />
yellow light.<br />
I started this piece 2 years previously<br />
when I was painting around Stokeon-Trent<br />
with ano<strong>the</strong>r en plein air<br />
painter - Roger Taylor. We can see<br />
Roger painting on <strong>the</strong> top level. I enjoy<br />
including <strong>the</strong> motif <strong>of</strong> an on-location<br />
painter whenever possible. I came<br />
back to finish this painting in winter<br />
2011/12.
Sunlight Through Trees<br />
Oil on Board<br />
Framed<br />
Signed<br />
30” x 48”<br />
2009<br />
£1500<br />
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
The more constant sunlight <strong>of</strong> Provence allowed me to experiment<br />
with this painting, which is about one hours painting at <strong>the</strong><br />
same time over 3 days. The long shadows <strong>and</strong> extreme sunlight<br />
spilling out <strong>of</strong> <strong>the</strong> painting is a much more light sensitive subject<br />
compared to <strong>the</strong> works I produce in <strong>the</strong> unpredictable wea<strong>the</strong>r<br />
<strong>and</strong> diary <strong>of</strong> self employment back in Britain. This piece sums up<br />
<strong>the</strong> advantages <strong>of</strong> dedicated painting trips abroad.
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
Tower Bridge<br />
Oil on Canvas<br />
Framed<br />
Signed<br />
30” x 40”<br />
2010<br />
£1800 SOLD<br />
A desire to paint large scale <strong>oil</strong>s on<br />
location can require driving a van round<br />
London, which gives a completely new<br />
perspective to <strong>the</strong> capital, <strong>and</strong> unlocks<br />
views I had never experienced whilst<br />
studying <strong>the</strong>re <strong>and</strong> relying on public<br />
transport. I couldn’t resist returning to<br />
paint this car’s eye view <strong>of</strong> <strong>the</strong> iconic<br />
tower bridge after clocking it on-route<br />
to painting Columbia Road flower<br />
market on a Sunday.
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
Borough Market<br />
Oil on Board<br />
Framed<br />
Signed<br />
24” x 36”<br />
2011<br />
£1800<br />
This was <strong>the</strong> first <strong>of</strong> my <strong>paintings</strong> to be<br />
exhibited in a National Competition. It<br />
was a ‘Winsor <strong>and</strong> Newton Newcomer’<br />
at <strong>the</strong> Royal Society <strong>of</strong> Oil Painters’<br />
Exhibition (ROI) at <strong>the</strong> Mall Galleries,<br />
London in 2010. Apart from <strong>the</strong> market,<br />
I was interested in <strong>the</strong> upper level <strong>of</strong><br />
movement with <strong>the</strong> train line above <strong>the</strong><br />
road <strong>and</strong> <strong>the</strong>n <strong>the</strong> towering St Guys’<br />
hospital looming behind that.
Address: Millard & Lancaster,<br />
8 St. Mary’s Street,<br />
Shrewsbury,<br />
Shropshire, SY1 1EB<br />
<strong>Rob</strong> <strong>Pointon</strong> | millard & Lancaster<br />
Telephone: 01743 289 866<br />
Email: info@millard<strong>and</strong>lancaster.co.uk<br />
Web-site: www.millard<strong>and</strong>lancaster.co.uk<br />
Baker Street<br />
Oil on Canvas<br />
Framed<br />
Signed<br />
130cm x 97cm<br />
2010<br />
£1250 SOLD<br />
Sherlock Holmes’ famous haunt, <strong>the</strong><br />
street today is a high traffic bustle. I was<br />
interested in <strong>the</strong> sun streaming into <strong>the</strong><br />
tall-sided street, how to best represent<br />
<strong>the</strong> spears <strong>of</strong> light that span out from<br />
<strong>the</strong> sun against <strong>the</strong> dark shade <strong>of</strong> <strong>the</strong><br />
buildings. Van Gogh’s sun <strong>paintings</strong><br />
<strong>and</strong> use <strong>of</strong> directional brushwork to<br />
sum up emanating light is an influence<br />
here <strong>and</strong> has been in terms <strong>of</strong> a subject<br />
<strong>and</strong> technique for several years. The<br />
blur <strong>of</strong> <strong>the</strong> iconic double-decker red<br />
bus driving past is effective for <strong>the</strong><br />
subject matter.