Fine American & European Paintings & Sculpture 12/02/12
Fine American & European Paintings & Sculpture 12/02/12
Fine American & European Paintings & Sculpture 12/02/12
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Index<br />
Alken, H., 45, 46<br />
Alt, T. 14<br />
Armington, F.M., 70<br />
Bartolena, G., 23<br />
Baum, W.E., 161<br />
Bernstein, T.F., 133<br />
Biggs, W., 116<br />
Bloch, J., 132<br />
Bredin, R.S., 162<br />
Bricher, A.T., 83<br />
Bridgman, F.A., 92<br />
Burliuk, D.D., <strong>12</strong>2, <strong>12</strong>3<br />
Buttersworth, J.E., 94<br />
Carl-Rosa, M.C.R., 57<br />
Chapman, J.W., 33<br />
Charreton, V., 5<br />
Chase, W.M., 85<br />
Communal, J.V., 6<br />
Coppedge, F.I.,136, 149, 153<br />
Costa, G., 24<br />
Costigan, J.E., 106<br />
Daubigny, C.F., 1<br />
Dawson, M., 38<br />
De Breanski, Sr., A., 35<br />
De Breanski, Jr., A.F., 34<br />
De Comolera, M., 56<br />
De Madrazo y Garreta, R., 27<br />
Demuth, C., 99<br />
Durand, A.B., 86<br />
Duveneck, F., 82<br />
Dyer, C.G., 91<br />
Emms, J., 54<br />
Evergood, P., 67<br />
Feininger, T.L., 103<br />
Fiene, E., 110<br />
Glossary<br />
Folinsbee, J.F., 156<br />
Garber, D., 142, 143, 144, 145, 146,<br />
147<br />
Gardner, F., 117<br />
Gisson, A., <strong>12</strong>0<br />
Graner y Arrufi, L., 93<br />
Greacen, E.W., 68, 69<br />
Greenwood, J.H., 76<br />
Hall, H., 41, 42, 43, 44<br />
Hamilton, J., 74<br />
Hankey, W.L., 36, 37<br />
Helmer, P., <strong>12</strong><br />
Heyerdahl, H.O., 65<br />
Hibbard, A.T., 109<br />
Horton, W.S., 105<br />
Howland, A.C., 89<br />
Jan, G. 62<br />
Johnson, D., 84<br />
Kauffmann, H.W. 15<br />
Kirk, E., 1<strong>12</strong><br />
Knaths, K., <strong>12</strong>7<br />
Knight, D.R., 87<br />
Knight, L.A., 88<br />
Krieghoff, C.D., 71<br />
Lecomte, P.E., 58<br />
Leith-Ross, H., 134<br />
Lever, R.H., 104<br />
Lie, J., 113<br />
Lippincott, W.H., 90<br />
Luigini, F.J., 60<br />
Maclet, E., 63<br />
Macrae, E.F., 100<br />
Maggs, J., 39, 40<br />
Maleas, K., 29<br />
Malfray, C.A., 59<br />
Marshall, B., 52<br />
Massani, P., 25<br />
McCluskey, J., 118, 119<br />
McKenzie, R.T., 72<br />
Mellor, W., 32<br />
Meltzer, A., 135, 139, 154, 155<br />
Monticelli, A.J.T., 8<br />
Mully, O., 23<br />
Murray, H., 48<br />
Musin, F.E., 3<br />
Nichols, D., 111<br />
Nunamaker, K.R., 150, 151<br />
Nunes-Vais, I., 28<br />
Osthaus, E.H., 97<br />
Owen, B., 115<br />
Ozols, A., <strong>12</strong>6<br />
Paterson, J., 31<br />
Penfold, F. 79<br />
Perboyre, P.E.L.,4<br />
Petter, T. 20<br />
Phillips, S.G., 158<br />
Porter, C., 96<br />
Price, M.E., 138<br />
Priechenfried, A.H., 16<br />
Rand, H.A., 166<br />
Roldan, E., 26<br />
Rosen, C., 159<br />
Roybet, F.V.L., 2<br />
Rungius, C.C.M., 114<br />
Sartorius, J.N., 50, 51, 53<br />
Schofield, W.E., 137, 163<br />
Schönleber, G., 21<br />
Schlösser, C.B., 77<br />
Seago, E., 55<br />
Settani, L., 66<br />
Shayer the Elder, W., 30<br />
Shils, S., 165<br />
Shinn, E., 1<strong>02</strong><br />
Sloane, E., 107, 108<br />
Smith, F.H., 101<br />
Smith, P., 49<br />
Snell, H.B., 152<br />
Sonntag, Jr. W.L., 81<br />
Sotter, G.W., 148, 157<br />
Soyer, R., <strong>12</strong>5<br />
Speight, F., <strong>12</strong>8, <strong>12</strong>9, 130<br />
Sperl, J., 11, 17<br />
Spohler, J.F., 9<br />
Stuempfig, W., 131<br />
Symons, G.G., 98<br />
Teague, D., <strong>12</strong>4<br />
Timmermans, L.E., 61<br />
Van Roekens, P.V.J., 140, 141<br />
Vedder, E., 78<br />
Velten, W., 22<br />
Von Bochmann the Elder, G. 19<br />
Von Defregger, F., 13<br />
Walker, W.A., 95<br />
Weaver, T., 47<br />
Wedderspoon, R.G., 160, 164<br />
Weeks, E.L., 73<br />
Whittridge, W., 80<br />
Wischniowsky, J., 10<br />
Wyant, A.H., 75<br />
Zorach, M., <strong>12</strong>1<br />
CONTINENTAL SCHOOL, 7<br />
any statement as to authorship, attribution, origin, date, age,<br />
provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right,<br />
in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.<br />
names<br />
attributed to<br />
studio of<br />
circle of<br />
follower of<br />
manner of<br />
Forename(s) and surname of painter is in our<br />
opinion a work by that artist; e.g. Charles Willson<br />
Peale. When an artist’s forename(s) is not known, a<br />
series of asterisks followed by the surname of the<br />
artist, wether preceded by an initial or not, indicates<br />
that in our opinion the work is by the artist named.<br />
Refers to probably a work by the artist; e.g.<br />
Attributed to Charles Willson Peale.<br />
Refers to a work from the studio of the artist which<br />
may or may not have been executed under his<br />
direction; e.g. Studio of Charles Willson Peale.<br />
Circle of..... refers to a work of the period of the<br />
artist executed under his immediate influence; e.g.<br />
Circle of Charles Willson Peale.<br />
Follower of..... refers to a work by a painter working<br />
in the artist’s style, contemporary or nearly<br />
contemporary, but not necessarily his pupil; e.g.<br />
Follower of Charles Willson Peale.<br />
Manner of..... refers to a work in a style related to<br />
that of the artist, but of a later date; e.g. Manner of<br />
Charles Willson Peale.<br />
school of<br />
after an artist<br />
signatures & dates<br />
measurements<br />
School accompanied by the name of a place or<br />
country and a date means that we believe the<br />
picture was executed at that time and in that<br />
location; e.g. Italian School, 18th Century.<br />
After an artist is in our opinion a copy of any date<br />
after a work by that artist; e.g. After Charles Willson<br />
Peale.<br />
Signed and/or dated and/or inscribed means that<br />
we believe the signature and/or date and/or<br />
inscription are from the hand of the artist.<br />
Bears a signature and/or a date and/or an<br />
inscription means that we believe the artist’s name<br />
and/or date and/or inscription have been added by<br />
another hand.<br />
All references to signature, inscriptions and dates<br />
refer to the present state of the work.<br />
Dimensions are given height before width.