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Fine American & European Paintings & Sculpture 12/02/12

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Index<br />

Alken, H., 45, 46<br />

Alt, T. 14<br />

Armington, F.M., 70<br />

Bartolena, G., 23<br />

Baum, W.E., 161<br />

Bernstein, T.F., 133<br />

Biggs, W., 116<br />

Bloch, J., 132<br />

Bredin, R.S., 162<br />

Bricher, A.T., 83<br />

Bridgman, F.A., 92<br />

Burliuk, D.D., <strong>12</strong>2, <strong>12</strong>3<br />

Buttersworth, J.E., 94<br />

Carl-Rosa, M.C.R., 57<br />

Chapman, J.W., 33<br />

Charreton, V., 5<br />

Chase, W.M., 85<br />

Communal, J.V., 6<br />

Coppedge, F.I.,136, 149, 153<br />

Costa, G., 24<br />

Costigan, J.E., 106<br />

Daubigny, C.F., 1<br />

Dawson, M., 38<br />

De Breanski, Sr., A., 35<br />

De Breanski, Jr., A.F., 34<br />

De Comolera, M., 56<br />

De Madrazo y Garreta, R., 27<br />

Demuth, C., 99<br />

Durand, A.B., 86<br />

Duveneck, F., 82<br />

Dyer, C.G., 91<br />

Emms, J., 54<br />

Evergood, P., 67<br />

Feininger, T.L., 103<br />

Fiene, E., 110<br />

Glossary<br />

Folinsbee, J.F., 156<br />

Garber, D., 142, 143, 144, 145, 146,<br />

147<br />

Gardner, F., 117<br />

Gisson, A., <strong>12</strong>0<br />

Graner y Arrufi, L., 93<br />

Greacen, E.W., 68, 69<br />

Greenwood, J.H., 76<br />

Hall, H., 41, 42, 43, 44<br />

Hamilton, J., 74<br />

Hankey, W.L., 36, 37<br />

Helmer, P., <strong>12</strong><br />

Heyerdahl, H.O., 65<br />

Hibbard, A.T., 109<br />

Horton, W.S., 105<br />

Howland, A.C., 89<br />

Jan, G. 62<br />

Johnson, D., 84<br />

Kauffmann, H.W. 15<br />

Kirk, E., 1<strong>12</strong><br />

Knaths, K., <strong>12</strong>7<br />

Knight, D.R., 87<br />

Knight, L.A., 88<br />

Krieghoff, C.D., 71<br />

Lecomte, P.E., 58<br />

Leith-Ross, H., 134<br />

Lever, R.H., 104<br />

Lie, J., 113<br />

Lippincott, W.H., 90<br />

Luigini, F.J., 60<br />

Maclet, E., 63<br />

Macrae, E.F., 100<br />

Maggs, J., 39, 40<br />

Maleas, K., 29<br />

Malfray, C.A., 59<br />

Marshall, B., 52<br />

Massani, P., 25<br />

McCluskey, J., 118, 119<br />

McKenzie, R.T., 72<br />

Mellor, W., 32<br />

Meltzer, A., 135, 139, 154, 155<br />

Monticelli, A.J.T., 8<br />

Mully, O., 23<br />

Murray, H., 48<br />

Musin, F.E., 3<br />

Nichols, D., 111<br />

Nunamaker, K.R., 150, 151<br />

Nunes-Vais, I., 28<br />

Osthaus, E.H., 97<br />

Owen, B., 115<br />

Ozols, A., <strong>12</strong>6<br />

Paterson, J., 31<br />

Penfold, F. 79<br />

Perboyre, P.E.L.,4<br />

Petter, T. 20<br />

Phillips, S.G., 158<br />

Porter, C., 96<br />

Price, M.E., 138<br />

Priechenfried, A.H., 16<br />

Rand, H.A., 166<br />

Roldan, E., 26<br />

Rosen, C., 159<br />

Roybet, F.V.L., 2<br />

Rungius, C.C.M., 114<br />

Sartorius, J.N., 50, 51, 53<br />

Schofield, W.E., 137, 163<br />

Schönleber, G., 21<br />

Schlösser, C.B., 77<br />

Seago, E., 55<br />

Settani, L., 66<br />

Shayer the Elder, W., 30<br />

Shils, S., 165<br />

Shinn, E., 1<strong>02</strong><br />

Sloane, E., 107, 108<br />

Smith, F.H., 101<br />

Smith, P., 49<br />

Snell, H.B., 152<br />

Sonntag, Jr. W.L., 81<br />

Sotter, G.W., 148, 157<br />

Soyer, R., <strong>12</strong>5<br />

Speight, F., <strong>12</strong>8, <strong>12</strong>9, 130<br />

Sperl, J., 11, 17<br />

Spohler, J.F., 9<br />

Stuempfig, W., 131<br />

Symons, G.G., 98<br />

Teague, D., <strong>12</strong>4<br />

Timmermans, L.E., 61<br />

Van Roekens, P.V.J., 140, 141<br />

Vedder, E., 78<br />

Velten, W., 22<br />

Von Bochmann the Elder, G. 19<br />

Von Defregger, F., 13<br />

Walker, W.A., 95<br />

Weaver, T., 47<br />

Wedderspoon, R.G., 160, 164<br />

Weeks, E.L., 73<br />

Whittridge, W., 80<br />

Wischniowsky, J., 10<br />

Wyant, A.H., 75<br />

Zorach, M., <strong>12</strong>1<br />

CONTINENTAL SCHOOL, 7<br />

any statement as to authorship, attribution, origin, date, age,<br />

provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right,<br />

in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.<br />

names<br />

attributed to<br />

studio of<br />

circle of<br />

follower of<br />

manner of<br />

Forename(s) and surname of painter is in our<br />

opinion a work by that artist; e.g. Charles Willson<br />

Peale. When an artist’s forename(s) is not known, a<br />

series of asterisks followed by the surname of the<br />

artist, wether preceded by an initial or not, indicates<br />

that in our opinion the work is by the artist named.<br />

Refers to probably a work by the artist; e.g.<br />

Attributed to Charles Willson Peale.<br />

Refers to a work from the studio of the artist which<br />

may or may not have been executed under his<br />

direction; e.g. Studio of Charles Willson Peale.<br />

Circle of..... refers to a work of the period of the<br />

artist executed under his immediate influence; e.g.<br />

Circle of Charles Willson Peale.<br />

Follower of..... refers to a work by a painter working<br />

in the artist’s style, contemporary or nearly<br />

contemporary, but not necessarily his pupil; e.g.<br />

Follower of Charles Willson Peale.<br />

Manner of..... refers to a work in a style related to<br />

that of the artist, but of a later date; e.g. Manner of<br />

Charles Willson Peale.<br />

school of<br />

after an artist<br />

signatures & dates<br />

measurements<br />

School accompanied by the name of a place or<br />

country and a date means that we believe the<br />

picture was executed at that time and in that<br />

location; e.g. Italian School, 18th Century.<br />

After an artist is in our opinion a copy of any date<br />

after a work by that artist; e.g. After Charles Willson<br />

Peale.<br />

Signed and/or dated and/or inscribed means that<br />

we believe the signature and/or date and/or<br />

inscription are from the hand of the artist.<br />

Bears a signature and/or a date and/or an<br />

inscription means that we believe the artist’s name<br />

and/or date and/or inscription have been added by<br />

another hand.<br />

All references to signature, inscriptions and dates<br />

refer to the present state of the work.<br />

Dimensions are given height before width.

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