Index Alken, H., 45, 46 Alt, T. 14 Armington, F.M., 70 Bartolena, G., 23 Baum, W.E., 161 Bernstein, T.F., 133 Biggs, W., 116 Bloch, J., 132 Bredin, R.S., 162 Bricher, A.T., 83 Bridgman, F.A., 92 Burliuk, D.D., <strong>12</strong>2, <strong>12</strong>3 Buttersworth, J.E., 94 Carl-Rosa, M.C.R., 57 Chapman, J.W., 33 Charreton, V., 5 Chase, W.M., 85 Communal, J.V., 6 Coppedge, F.I.,136, 149, 153 Costa, G., 24 Costigan, J.E., 106 Daubigny, C.F., 1 Dawson, M., 38 De Breanski, Sr., A., 35 De Breanski, Jr., A.F., 34 De Comolera, M., 56 De Madrazo y Garreta, R., 27 Demuth, C., 99 Durand, A.B., 86 Duveneck, F., 82 Dyer, C.G., 91 Emms, J., 54 Evergood, P., 67 Feininger, T.L., 103 Fiene, E., 110 Glossary Folinsbee, J.F., 156 Garber, D., 142, 143, 144, 145, 146, 147 Gardner, F., 117 Gisson, A., <strong>12</strong>0 Graner y Arrufi, L., 93 Greacen, E.W., 68, 69 Greenwood, J.H., 76 Hall, H., 41, 42, 43, 44 Hamilton, J., 74 Hankey, W.L., 36, 37 Helmer, P., <strong>12</strong> Heyerdahl, H.O., 65 Hibbard, A.T., 109 Horton, W.S., 105 Howland, A.C., 89 Jan, G. 62 Johnson, D., 84 Kauffmann, H.W. 15 Kirk, E., 1<strong>12</strong> Knaths, K., <strong>12</strong>7 Knight, D.R., 87 Knight, L.A., 88 Krieghoff, C.D., 71 Lecomte, P.E., 58 Leith-Ross, H., 134 Lever, R.H., 104 Lie, J., 113 Lippincott, W.H., 90 Luigini, F.J., 60 Maclet, E., 63 Macrae, E.F., 100 Maggs, J., 39, 40 Maleas, K., 29 Malfray, C.A., 59 Marshall, B., 52 Massani, P., 25 McCluskey, J., 118, 119 McKenzie, R.T., 72 Mellor, W., 32 Meltzer, A., 135, 139, 154, 155 Monticelli, A.J.T., 8 Mully, O., 23 Murray, H., 48 Musin, F.E., 3 Nichols, D., 111 Nunamaker, K.R., 150, 151 Nunes-Vais, I., 28 Osthaus, E.H., 97 Owen, B., 115 Ozols, A., <strong>12</strong>6 Paterson, J., 31 Penfold, F. 79 Perboyre, P.E.L.,4 Petter, T. 20 Phillips, S.G., 158 Porter, C., 96 Price, M.E., 138 Priechenfried, A.H., 16 Rand, H.A., 166 Roldan, E., 26 Rosen, C., 159 Roybet, F.V.L., 2 Rungius, C.C.M., 114 Sartorius, J.N., 50, 51, 53 Schofield, W.E., 137, 163 Schönleber, G., 21 Schlösser, C.B., 77 Seago, E., 55 Settani, L., 66 Shayer the Elder, W., 30 Shils, S., 165 Shinn, E., 1<strong>02</strong> Sloane, E., 107, 108 Smith, F.H., 101 Smith, P., 49 Snell, H.B., 152 Sonntag, Jr. W.L., 81 Sotter, G.W., 148, 157 Soyer, R., <strong>12</strong>5 Speight, F., <strong>12</strong>8, <strong>12</strong>9, 130 Sperl, J., 11, 17 Spohler, J.F., 9 Stuempfig, W., 131 Symons, G.G., 98 Teague, D., <strong>12</strong>4 Timmermans, L.E., 61 Van Roekens, P.V.J., 140, 141 Vedder, E., 78 Velten, W., 22 Von Bochmann the Elder, G. 19 Von Defregger, F., 13 Walker, W.A., 95 Weaver, T., 47 Wedderspoon, R.G., 160, 164 Weeks, E.L., 73 Whittridge, W., 80 Wischniowsky, J., 10 Wyant, A.H., 75 Zorach, M., <strong>12</strong>1 CONTINENTAL SCHOOL, 7 any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. names attributed to studio of circle of follower of manner of Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale. Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale. Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale. Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g. Follower of Charles Willson Peale. Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale. school of after an artist signatures & dates measurements School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century. After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale. Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist. Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand. All references to signature, inscriptions and dates refer to the present state of the work. Dimensions are given height before width.
<strong>Fine</strong> <strong>Paintings</strong> Thursday, 29th November, 20<strong>12</strong> 33 Broughton Place, Edinburgh EH1 3RR Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com www.lyonandturnbull.com ARPITA SINGH (INDIAN b. 1937 ROAD SIGN:DONT CROSS CENTRAL PARK AT NIGHT Signed and dated 1995, inscribed, oil on canvas 91.5cm x 106.5cm (36in x 42in) Provenance: Chemould Gallery, Bombay Exhibited: CIMA Gallery, Calcutta, Arpita Singh, 1996, referred to in the text and illustrated in the plates £40,000-60,000 ($64,000-96,000)
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