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MEDIA STUDY/BUFFALO - the Vasulkas

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The American Film Institute Presents<br />

The British Film Institute :<br />

Independent Films 1951 -1982<br />

Produced on <strong>the</strong> occasion of <strong>the</strong> British Film Institute's 50th anniversary, The American<br />

Film Institute Presents <strong>the</strong> British Film-Institute: Independent Films 1951-1982 -<br />

showcases a number of significant films funded by <strong>the</strong> BFI in over 25 years of<br />

production funding . The works display a range of engaging social, aes<strong>the</strong>tic and<br />

political issues ; few would have been produced without <strong>the</strong> BFI's recognition of<br />

independent filmmakers as a vital creative force with definite financial needs and<br />

a unique aes<strong>the</strong>tic agenda for British cinema .<br />

00,<br />

Scene from My Childhood by Bill Douglas .<br />

April 6 (Friday)<br />

8:00 PM<br />

207 Delaware Avenue<br />

THE BILL DOUGLAS TRILOGY<br />

My Childhood (1972)<br />

Directed and written by Bill Douglas .<br />

With Stephen Archibald, Hughie<br />

Restorick, and Jean Taylor Smith . 48<br />

minutes .<br />

My Ain Folk (1973)<br />

Directed and written by Bill Douglas .<br />

With Stephen Archibald, Hughie<br />

Restorick, and Jean Taylor Smith . 55<br />

minutes .<br />

My Way Home (1978)<br />

Directed and written by Bill Douglas.<br />

With Stephen Archibald, Paul Kermack,<br />

and Jessie Combe. 72 minutes .<br />

Bill Douglas's autobiographical<br />

trilogy-consisting of My Childhood,<br />

My Ain Folk, and My Way Homerepresents<br />

one of <strong>the</strong> signal achievements<br />

of narrative cinema in <strong>the</strong> 1970s .<br />

Told in a rigorously spare style equally<br />

suggestive of Bresson and of <strong>the</strong> classic<br />

English documentary, <strong>the</strong> story<br />

describes Jamie's trajectory of development,<br />

beginning in <strong>the</strong> mid-1940s in a<br />

poverty-stricken mining village south of<br />

Edinburgh where he and his bro<strong>the</strong>r<br />

Tommy live with <strong>the</strong>ir grandmo<strong>the</strong>r, and<br />

ending in <strong>the</strong> mid-1950s with Jamie stationed<br />

in Egypt doing military service .<br />

What happens in between charts <strong>the</strong><br />

formation of Jamie's identity, a protrait<br />

of <strong>the</strong> filmmaker as a boy and young<br />

man, growing up within a nearly incomprehensible<br />

yet clearly oppressive family<br />

structure of absent and substitute<br />

parents .<br />

This program was organized and coordinated by <strong>the</strong> AR and programmed<br />

in cooperation with <strong>the</strong> Walker Art Center. It has been made possible in part by<br />

<strong>the</strong> British Embassy (Washington, D.C .) and <strong>the</strong> Film Department of <strong>the</strong> British<br />

Council (London) .<br />

Admission : $2 .00 ; $1 .50 students and senior citizens .<br />

The following notes are excerpted from those written by Bill Horrigan for <strong>the</strong> AFI's<br />

program guide .<br />

Scene from My Ain Folk by Bill Douglas .<br />

15

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