MEDIA STUDY/BUFFALO - the Vasulkas

journey Across Three Continents
Media Study/Buffalo, in association with Third World Newsreel, is presenting selections
from Third World Newsreel's 5th Annual Film Festival . Curated by film historian
and Festival Director Pearl Bowser, Journey Across Three Continents represents
twenty years' of cinema from Africa and the Black Diaspora . The major focus of
the program is on work from West Africa-where African cinema has its
birthplace-and the African presence reflected in the work of Black American filmmakers
.
This major series is the first film retrospective of its kind presented in the United
States . Journey Across Three Continents was originally presented in the fall of 1983
Festival Poster designed by Christine Choy, 1984.
February 2 (Thursday)
8:00 PM
207 Delaware Avenue
FESTIVAL PROGRAM I
Poko (Upper Volta, 1981)
By Idrissa Ouedraogo. 16mm . Black
and White . 20 minutes .
A short narrative about an expectant
mother and the difficulties of childbearing
in a remote village without a
well or medical facilities for emergency
care .
Your Children Come Back To You
(USA, 1978)
By Alile Sharon Larkin . 16mm . Color.
32 minutes.
Your Children Come Back to You is a
contemporary allegory about the clash
of African and western values for a
young Black American . Tovi is a little
girl living in the United States whose
inner world is divided between her Aunt
Chris, who represents assimilation to
European values, and her parents, who
represent Pan-Africanism and traditional
African values. Chris believes she
must rescue Tovi from a world of welfare,
winos, make-believe beggars, and
Pan-African fairy tales . However, out of
a personal loss, Tovi ultimately rejects
Chris's western values and looks
towards Africa in hope of a new and
better world .
Alile Sharon Larkin is a visual artist
whose interests in creative writing and
the visual arts led her to filmmaking .
She studied Creative Writing at USC
and received an MFA in filmmaking at
UCLA . Her second film, A Different Image,
recently appeared on Independent
Focus and at the Women's
International Film Festival in New York .
Larkin is currently working on two film
projects: The Kitchen and Abena's
Window.
First World Festival of Negro Art
(USA, 1966)
By William Greaves . 16mm . Sepia . 40
minutes .
Greaves's 1966 documentary is a lively
record of the First World Festival of
Negro Art, which took place in Dakar,
Senegal, in that year. Originally conceived
as a newsreel, Greaves expanded
the project to produce a
documentary film of the major cultural
event . Two thousand Black artists from
all over the world congregated in Dakar
to celebrate their heritage and culture
as Greaves and his tiny crew-a
cameraman and driver-turned-sound
recordist-fol[owed such legends as
Duke Ellington, Alvin Ailey, Langston
Hughes, and Marpessa Dawn, the star
of Black Orpheus.
by Third World Newsreel in cooperation with the Metropolitan Museum of Art and
the American Museum of Natural History, with additional programs at the Ausar
Auset Society of Brooklyn . The Festival was partially funded by the New York State
Council on the Arts, the National Endowment for the Arts, and with support from
the Film News Now Foundation .
Pearl Bowser will be present both evenings to introduce the films.
Admission : $2.00 ; $1 .50 for students and senior citizens ; 500 for children .
A scene from Blacks Britannica by David Koff and Musindo Mwinyipembe .
William Greaves is the producer of
over two hundred documentary films
which have won a total of sixty international
film festival awards. He has
produced, written and directed two feature
films, The Marijuana Affair and
Symbiopsychotaxiplasm : Take One,
and was the Executive Producer of
Universal Pictures' Bustin' Loose starring
Richard Pryor and Cicely Tyson .
He recently produced and directed the
production Tribute to Paul Robeson at
Carnegie Hall for the Paul Robeson Archives
. In 1980, Greaves was inducted
into the Black Filmmakers Hall of
Fame. He has also received an Emmy
as the Executive Producer and Co-host
of Black Journal and won 22 international
awards for the documentary
From These Roots.
February 3 (Friday)
8:00 PM
207 Delaware Avenue
FESTIVAL PROGRAM II
Tauw (Senegal, 1970)
By Ousmane Sembene . Color. 27
minutes . In Wolof, with English subtitles
.
Tauw focuses on two,subjects : the personal
and societal problems caused by
Senegal's high rate of unemployment
and the generational clash, in which
the old still cling to Islam, polygamy,
and paternal dictatorship, while the
young listen to rock, steal without guilt,
and grapple with growing up in a rapidly
shifting society. Ousmane Sembene
tells the'simple story of a young man
in search of a job in Dakar ; in the
course of this quest we witness the
decomposition of an ancient society.
Ousmane Sembene is a leading African
director. Self-taught, he learned to
write by himself while working as a
stevedore in Marseilles and went on to
become an outstanding novelist and
short story writer whose works have
won many prizes in Europe . He began
studying filmmaking when he was past
forty, as an apprentice to renowned
Russian director Mark Donskoi, and
has gone on to make a number of internationally
acclaimed works, including
Black Girl (1965), Xala (1974) and
Ceddo (1977) .
Blacks Brittanica (USA, 1978)
By David Koff and Musindo Mwinyipembe.
16mm . Color. 60 minutes.
"A relentless, hard-hitting exposure of
the racial and economic oppression of
Britain's black population, together
with their militant resistance . . ."
- Clyde Taylor,
Black Collegian
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