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UTOPIAN PROMISE - Annenberg Media

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deceased individual and expressed orthodox ways of understanding<br />

human mortality. Typical gravestone iconography ranged from traditional<br />

symbols of the transitory nature of earthly existence (skulls,<br />

skeletons, hourglasses, scythes) to emblems suggesting the possibility<br />

of resurrection and regeneration (wings, birds, flowers, trees, the sun).<br />

Eventually, gravestones also came to include representations of<br />

cherubs and human forms.<br />

One of the most common images found on early Puritan gravestones<br />

is the winged death’s-head, prominent on the pediment of the<br />

Joseph Tapping stone (Boston, 1678). At first glance, the image seems<br />

grim and despairing, a visual corollary to the Latin inscriptions on the<br />

lower right panel of the stone (Vive Memor Loethi and Fugit Hora, or<br />

“Live mindful of death” and “Time is fleeting”). Yet the wings attached<br />

to the death’s-head suggest the possibility of resurrection and ascension<br />

to heaven, thus pictorially signifying the conceptual duality of<br />

Puritan attitudes toward death as both a fearful event and a potential<br />

means to eternal salvation. The architectural symbolism of columns<br />

and tablets on the Reverend Abraham Nott stone (Essex, Connecticut,<br />

1756) similarly functions as a visual emblem of apocalyptic thinking,<br />

suggesting the rebuilding of the temple and the Second Coming of<br />

Christ as it is prophesied in Revelation. With their iconographic fusion<br />

of religious and aesthetic values, gravestones offer important evidence<br />

about the interrelationship of spiritual concerns and attitudes toward<br />

death in Puritan culture.<br />

QUESTIONS<br />

Comprehension: What kinds of images decorate the gravestones featured<br />

in the archive? Which images are most prominent? What do<br />

you think the images would have signified to Puritan viewers? How<br />

might the images have offered spiritual comfort to those mourning<br />

the dead?<br />

Comprehension: Basing your opinion on the gravestones featured in<br />

the archive, how do you think Puritan gravestones changed over<br />

time? How might these differences reflect shifts in cultural values?<br />

Comprehension: What is the concept of “election” in Puritan theology?<br />

Read Anne Bradstreet’s spiritual reflections in her letter “To My<br />

Dear Children.” How does she struggle with her faith and the question<br />

of her own election? What conclusions does she come to?<br />

Context: In sermons delivered in the 1630s and 1640s, the Puritan<br />

minister John Cotton predicted that the Apocalypse would occur<br />

within the next fifteen years. Years later, at the end of the seventeenth<br />

century, his grandson Cotton Mather asserted that Puritans<br />

should expect the Apocalypse very soon. Using the timeline provided<br />

in this unit, examine the events that were occurring in New<br />

England in the 1630s, 1640s, and 1690s when these predictions<br />

were made. Why do you think Puritans living in this period would<br />

have felt that the end of the world was near at hand? What events<br />

and anxieties might have made these apocalyptic predictions seem<br />

realistic?<br />

[4563] Anonymous, The Joseph<br />

Tapping Stone, King’s Chapel, Boston,<br />

Massachusetts (1678), courtesy of<br />

Wesleyan University.<br />

“APOCALYPSE” WEB<br />

ARCHIVE<br />

[2121] Anonymous, Goffe Rallying the<br />

men of Hadley (1883), courtesy of the<br />

Library of Congress [LC-USZ62-75122].<br />

Indian attacks on villages in western<br />

Massachusetts during King Philip’s War<br />

challenged the viability of English settlement<br />

in New England and led many to<br />

question why they had fallen so far from<br />

God’s favor and to wonder whether the<br />

Apocalypse was near.<br />

[3370] Anonymous, The Rebekah<br />

Gerrish Stone (1743), courtesy of<br />

Wesleyan University Press. This stone<br />

depicts the conflict between time and<br />

death: a candle is flanked by a skeleton<br />

on the left, about to snuff out the fire,<br />

and a winged angel on the right, with<br />

an hourglass in hand, making a prohibitive<br />

gesture toward the skeleton. This<br />

dispute reflects the dual nature of time<br />

and Judgment found in Wigglesworth’s<br />

“Day of Doom” and the more concrete<br />

dualism of the Apocalypse: some will be<br />

sent to hell and some to heaven.<br />

APOCALYPSE 35

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