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WINTER EXHIBITION 2008 - Roger Keverne

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67<br />

A very fine cloisonné enamel vase<br />

First half of the 18th century<br />

Height: 15P in, 40.4 cm<br />

the elegant, ovoid body rises from a tall, spreading foot, with a gilt rim, to a high shoulder<br />

and a waisted neck, and terminates in an upright gilt mouth. The body is finely enamelled in<br />

various colours on a turquoise ground with scrolling lotus, the leaves tied in places, and four<br />

large downward-facing bats, all between a band of tied lotus-filled cloud lappets around the<br />

shoulder and a band of smaller cloud lappets above the foot. The neck is decorated with four<br />

upright leaves, each filled with an archaistic taotie mask on a speckled greenish-blue ground,<br />

reserved against lotus scroll, all beneath a band of small cloud lappets. The foot is decorated<br />

similarly to the neck, with small pendent leaves.<br />

Formerly in a European private collection.<br />

Such vases that rely on form and decoration, without the need for gilt-bronze embellishment,<br />

are rare.<br />

A vase with very similar decoration is illustrated in Brinker and Lutz, Chinese Cloisonné: The<br />

Pierre Uldry Collection, no. 228, and discussed on p. 132, where it is noted that it “can be<br />

assumed to date from the Yongzheng period; [its] colour palette still resembles that found on<br />

Kangxi cloisonné objects, with the exception of the rose pink, more widely used by Yongzheng<br />

times. This dating should apply especially to the large shouldered jar (no. 228) decorated<br />

with stylised flowering scrolls, six ruyi-shaped, linked medallions, and dissolved motifs freely<br />

adapted from ornamental schemes found on archaic bronzes.”<br />

ROGER KEVERNE <strong>WINTER</strong> <strong>2008</strong> 87

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