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WINTER EXHIBITION 2008 - Roger Keverne

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74<br />

A good jade ewer<br />

Ming dynasty<br />

Length: 5B in, 13 cm<br />

after an archaic bronze yi vessel, of broad<br />

oval form, with a curved lip and a handle<br />

in the form of a chilong, all standing on a<br />

straight foot. The dragon rests its broad<br />

muzzle on the lip, which it grasps with its<br />

forepaws. It has a single curling horn, flaming<br />

haunches, a long tail and an incised mane.<br />

The sides of the vessel are worked in<br />

contrasting low relief with two chilong<br />

amid scrolling clouds, all beneath a band<br />

of T-pattern. The semi-translucent stone is<br />

an olive-grey tone with some deeper<br />

charcoal inclusions.<br />

Formerly in a European private collection.<br />

A very similar example is illustrated in Xue,<br />

Zhongguo Yuqi Shangjian, no. 568, p. 292;<br />

and for related ewers, see Great National<br />

Treasures of China: Masterworks in the<br />

National Palace Museum, no. 70, p. 148;<br />

and Jadeware (II): The Complete Collection<br />

of Treasures of the Palace Museum,<br />

no. 177, pp. 220–1.<br />

75<br />

A fine jade pouring vessel<br />

17th century<br />

Length: 4N in, 12.1 cm<br />

in the form of a large, open lotus leaf, with<br />

curling edges. A leaf, pod and flower are<br />

worked in high relief on the base, their<br />

stems tied to form a handle, and a smaller<br />

leaf bends upwards to form the thumbpiece.<br />

The leaves are incised with veins.<br />

The thinly worked, semi-translucent stone<br />

is a greenish-white tone with cloudy grey<br />

and oatmeal inclusions.<br />

A related Southern Song dynasty example,<br />

in the collection of the Victoria and Albert<br />

Museum, is illustrated in Clunas, “Jade<br />

Carvers and their Customers in Ming<br />

China”, fig. 1.<br />

ROGER KEVERNE <strong>WINTER</strong> <strong>2008</strong> 95

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