SESSION ONE Friday, December 7 at 3:00 pm - Rago Arts and ...

SESSION ONE 

Friday, December 7 at 3:00 pm

1: MONUMENTAL FRENCH 

BRACKET CLOCK 

Of baluster form, with a porcelain dial above an elaborate brass 

coat of arms, ca. 1870 - 1880. 36” x 21” 

$2,500–3,500 

2: FOUR-HUNDRED-DAY 

CLOCK 

Exceptionally large, German or French, its porcelain dial painted 

with musical instruments and champlevé decoration on columns, 

dome and base, ca. 1900. Disc pendulum. With wooden base and 

glass dome: 26” 

$3,000–5,000 

RAGO ARTS AND AUCTION CENTER > 1

3: FRENCH EMPIRE PORTICO SHELF CLOCK 

With gilt decoration on ebonized wood, ca. 1840. Complete with 

matching oval dome. With base and dome: 26” 


5: ANSONIA CRYSTAL REGULATOR 

Excelsior eight-day clock with overall gilding and elaborate 

decoration, 19th C. Complete with original pendulum. 20 1/2” x 11” 

$800–1,200 

2 updated catalogue information on ragoarts.com 

4: SEVRES FRENCH SHELF CLOCK 

Decorated with ormolu and rhinestones with painted dial, late 18th 

C. Porcelain crack upper right of frame. Signed Duryea & Potter, 

Paris. 14 1/4” 

$1,500–2,000 

6: FRENCH CHAMPLEVE CRYSTAL 

REGULATOR 

With painted champlevé panels, dial and pendulum surrounded by 

rhinestones, ca. 1890. 16 1/2” 

$1,200–1,500

7: EGYPTIAN REVIVAL CHAIR 

With carved winged figure, pierced skirt and light rose upholstery, 

19th/20th C. 39” x 24” x 21” 


9: MAHOGANY EMPIRE ARMCHAIR 

With inverted sea scroll armrests and later tufted brown leather 

upholstery, 19th C. 39 1/2” x 32” x 26 1/2” 

$1,000–1,500 

8: MAHOGANY EMPIRE TEA TABLE 

With flared round column and ball feet, 19th C. 27 1/2” x 36” x 18” 


10: AMERICAN EMPIRE DROP-LEAF TABLE 

With architectural stepped base and D-flaps. 29” x 40 1/2” x 23” 

(closed) 



11: VICTORIAN MAHOGANY PARLOR 

FURNITURE 

Three items, 19th C.: armchair with carved rams heads and paw 

feet on metal casters; fire screen with needlework panel and 

applied glass beads; and Chippendale-style side table. Tallest: 43” 


13: VICTORIAN MAHOGANY DROP-LEAF TABLE 

With D-end flaps and ball and claw feet, 19th C. 28” x 43” x 20” 



12: VICTORIAN OAK BOOKCASE 

With carved vine detail, three leaded-glass doors over three 

drawers and turned columns, 19th C. 65 3/4” x 68 1/2” x 16 1/4” 


14: MAHOGANY PEMBROKE TABLE 

With reeded legs and shaped corner flaps, 19th C. 

29” x 36” x 21 1/2” 

$700–1,000

15: ENGLISH VICTORIAN OAK 

BLANKET CHEST 

With carved decoration of geometric shapes, 19th C. 

29” x 50” x 20 3/4” 


17: ENGLISH OAK REFECTORY TABLE 

With single drawer on frieze, barley twist legs and stretchers, 

19th C. 32” x 45 1/2” x 22 


16: SET OF VICTORIAN WALNUT CHAIRS 

Six carved walnut dining chairs with barley twist columns, ca. 

1900. 39 1/2” x 16 1/2” x 19” 


18: ENGLISH VICTORIAN OAK DESK 

Slant front desk with four graduated drawers, 19th C. 

14 3/4” x 36 1/2” x 18 1/2” 

$800–1,000 



19: FRENCH MORBIER TALL CASE CLOCK 

With porcelain dial and articulating pendulum in pine case, 

19th C. 90” 

$1,500-2,000 

20: TIFFANY & CO. BRONZE SHELF CLOCK 

Of large size, with Roman figures and winged griffins in all over 

gilding, ca. 1900. Height: 24” 

$2,000–3,000

21: CONTINENTAL MARBLE PEDESTAL 

Carved with dolphins, acanthus leaves and shells; in four sections, 

possibly 18th C. Losses. Height: 46” 


22: MAISON KRIEGER 

CONSOLE DESSERT 

French “plum pudding” mahogany console dessert with white marble top 

above a five-drawer frieze, the end drawers on a swing hinge. Below are two 

white marble shelves backed by mirrored plate and door lockplate, 19th C. 

Stamped M.on Krieger Ameublement Paris. 39 1/4” x 79 1/4” x 20 1/4” 



23: FREDERICK BROSEN (American, b. 1954) 

“From the Boboli Gardens, Florence,” 1991. Watercolor on paper (framed). Provenance: 

Staempfli Gallery, Inc., New York (label on verso); Private Collection, New York. Signed, 

dated and titled. 8” x 13” (sheet). 


25: 19TH/20TH C. ARCHITECTURAL 

WATERCOLORS 

Two untitled works (framed), Baroque Facade and Gothic Facade 

(pictured online). Provenance: Private Collection, New Jersey. 

18 1/4” x 11 1/2” (sight), 30 3/4” x 21 1/2” (sight) 



24: HENRY BACON 

(American, 1839-1912) 

Untitled, 1901. Watercolor (framed). 

Provenance: Private Collection, New York. 

Signed and dated. 13” x 20” 


26: FELIX OCTAVIUS CARR DARLEY 

(American, 1822-1888) 

Untitled (Street Scene). Watercolor on paper (framed). 

Provenance: Private Collection, Pennsylvania. Signed. 

22 1/2” x 15 1/2” (sheet). 


27: 19TH C. DUTCH SCHOOL 

Untitled (street scene). Oil on canvas (framed). Provenance: 

Private Collection, New Jersey. Signed illegibly lower left. 

59” x 42 1/2” 



28: DUTCH STAARTKLOK 

Large elm wall clock, early 1800s. In refinished case. 

Length: 45 1/2” 



29: BRITISH TALL CASE CLOCK 

Burl walnut with 18th C. case and late 19th C. triple chime 

movement. Height: 87” 


30: KASHAN CARPET 

Center field with floral scrolls on a red ground, late 

19th/early 20 C. 15’9” x 10’2” 


31: PERSIAN RUG 

Repeating red medallions on cobalt blue ground, 19th C. Signed in 

Arabic at both ends. 8’ 11 1/2” x 20’ 6” 




32: RENAISSANCE STYLE 

SIDEBOARD 

Breakfront with two center doors 

flanked by carved caryatids and glazed 

lateral compartments and sides, 20th 

C. Concealed bottle storage accessed 

from hinged top central panel, back 

and drawer bottoms in masonite. 36” x 

80” x 26 1/2” 


33: JACOBEAN STYLE 

TABLE SET 

Three tables with carved legs joined 

by a turned stretcher, and egg-anddart 

molding around top, the largest 

of refectory size, 20th C. 

Largest: 29” x 72 1/2” x 22 1/2” 


34: FRENCH 

SIDEBOARD 

In bird’s eye maple with recessed 

central door below two drawers, 

flanked by columns mounted with 

portrait ormolu fittings, topped in 

variegated purple and white 

marble. The mirrored back is 

flanked by ormolu angel sconces, 

19th C. 73” x 52 1/2” x 20 1/2” 


35: ROCOCO STYLE 

CENTER TABLE 

With well carved detail, ‘S’ scroll 

legs joined by cross stretchers, 

and topped in white serpentine 

marble, 19th C. 29 1/2” x 50” x 26” 



36: CONTINENTAL FURNITURE 

Three pieces include a painted wood bergère chair with canework 

back and seat, together with a metal frame coffee table with 

variegated marble top, and a white painted coffee table with 

slides. 20th C. Chair: 39” x 25” x 24” 


38: MAHOGANY CLUB CHAIR 

With carved frame and pink and rose upholstery, 19th C. 

36” x 32” x 33” 

$500–700 


37: GILT WOOD SLIPPER CHAIR 

With curved back flanked by Corinthian columns, cabriole legs and 

pink upholstery, 19th C. 33” x 23” x 26” 


39: TRUMEAU MIRROR 

With gessoed and gilt wood frame around an oil on canvas painting 

of an 18th C. scene of dancers and musicians, 19th C. 

Canvas sight: 35 3/4” x 20 1/4”; overall: 55 3/4” x 44 1/2” 


40: NO LOT

41: BIRD’S EYE MAPLE SEMAINIER 

Eight drawer chest with classical style bronze fittings, 20th C. 

65” x 31 1/2” x 16 1/2” 


43: SIDE TABLE AND CHAIR 

Square coffee table with shell design on skirt, cabriole legs, and 

figured marble top; together with a balloon back chair, 19th C. 

Table: 39” x 20” x 23” 


42: FRENCH SIDE TABLE 

With single drawer beneath a square serpentine top, inlaid 

marquetry decoration and metal mounts, 20th C. 32” x 16 1/2” 


44: LOUIS XV STYLE VITRINE 

With painted decoration, bowed glass and gilt metal mounts, on 

cabriole legs joined by a lower shelf, 20th C. 41” x 15” 



45: THEODORE VICTOR CARL VALENKAMPH 

(Swedish/American, 1868-1924) 

Untitled (Seascape). Oil on board (framed). Provenance: Private 

Collection, New Jersey. Signed. 8” x 10”. 


47: J.F. BECKER (American, 19th C.) 

Two untitled oils on canvas (framed). Provenance: Private 

Collection, New Jersey. Both signed. 12” x 20”, 12” x 17”. 



46: LASZLO NEOGRADY (Hungarian, 1896-1962) 

Untitled oil on canvas. Provenance: Private Collection, Maryland. 

Signed. 24” x 36”. 


48: 19TH C. FRENCH NEO-CLASSICAL SCENE 

Depicting the Return of Helen of Troy. Oil on canvas (framed). 

Provenance: Private Collection, New Jersey. Signed illegibly. 

39 1/2” x 50”. 



49: RENAISSANCE-STYLE WALNUT TABLE 

With carved frieze and stretcher and hairy paw feet, 20th C. 

32 1/4” x 39” x 78 1/2” 


51: VICTORIAN CONTINENTAL CARVED DESK 

Elaborately carved slant front desk with fitted interior, 19th C. 

52 1/2” x 35 1/2” x 18” 



50: ENGLISH MAHOGANY CHINA CABINET 

Two-door bow-front vitrine with string inlay, three interior shelves 

and tapered feet with original casters, ca. 1910. 

63 1/4” x 42” x 16 1/8” 


52: CONTINENTAL STYLE ARMCHAIR 

With mirror image phoenix on backrest, 20th C. 56” x 30” x 25” 

$400–600

53: CONTINENTAL STYLE VITRINE 

With carved doors and sides centered by two glazed doors, 

mirrored interior and cabriole legs, 20th C. 

50 1/2” x 66 1/2” x 17 1/2” 


55: FRENCH VITRINE 

WIth curved glass door and sides, painted decoration and gilding, 

ca. 1900. 55” x 25 1/2” x 13 1/2” 


54: FRENCH JAPONISM VITRINE 

With beveled glass sides and door, elevated top with open work 

gallery and metal foo dog, ca. 1910. Interior fitted with five glass 

shelves and later internal light. 61 1/2” x 23 1/4” x 11 1/2” 


56: SAVONNERIE CARPET 

With diagonal quatrefoil in ivory and caramel tones, framed by a 

red band and shell and leaf motif on each corner, 20th C. 

18’5” x 7’5” 



57: ISFAHAN PRAYER CARPET 

Two trees with birds centered by a vase with flowers underneath a 

blue niche and two reserves with calligraphy, 19th/20th C. 

6’2” x 4’5” 


59: FOUR PERSIAN CARPETS 

In various colors and patterns, 19th/20th C. 


60: CAUCASIAN CARPET 

With geometric design and alternating 

panels of people and animals; blue ground 

with yellow, green and gray, 19th/20th C. 

Low pile with small losses on end borders. 

61” x 41 1/2” 



58: SAROUK CARPET 

With a floral field on a rose ground and various borders, 20th C. 

12’ x 8’10” 


60A: KUBA 

Antique Caucasian rug in Lesghi star design 

in reds, blues, and ivory. Some wear. 

3’4” x 5’3’ 

$800–1,200

61: VICTORIAN WALNUT SETTEE 

Back splash carved with C scrolls and floral cartouches, front 

centered by shell motif, cabriole legs with original casters, 19th C. 

41 3/4” x 65” x 29” 


63: BURL WALNUT DESK 

With four drawers in each column, large center drawer, pull out 

slides on both sides and leather top, 20th C. 31” x 71” x 36” 


62: CHIPPENDALE REVIVAL 

DINING ROOM SET 

Nine pieces with inlaid burlwood and carved detail, 20th C.: china 

cabinet (pictured), sideboard, table, and six chairs with green 

striped upholstery (pictured online). Sideboard: 37” x 82 1/2” x 24” 


64: MAHOGANY EXTENSION TABLE 

With five leaves, two original and three replaced, ca. 1900. 

29 1/2” x 55” x 48 3/4” 




64A: TIFFANY & CO. CLOCK GARNITURE 

Clock and matching urns framed in ormolu and silvered bronze 

mountings on red marble base with Classical figure, 19th C. Clock 

face and movement marked Tiffany & Co. 17 1/4” x 5 1/2” x 11 3/4” 


64B: GILT BRONZE MANTLE CLOCK 

Blue porcelain urn flanked by cherubs holding a garland of flowers, 

on a breakfront base with enamel clock dial, 19th C. The top with a 

floral bouquet and two doves. Restoration to porcelain urn. 

18 1/2” x 16” x 5 1/2” 

$2,000–2,500

65: EXCEPTIONALLY TALL FLOOR CLOCK 

George III mahogany long case clock with engraved dial, 19th C. 

Height: 105” 


66: TALL CASE CLOCK 

British tall case clock of traditional design in inlaid walnut, early 

19th C. Signed Thomas Heywood, Bangor, probably signature of 

owner. Height: 90” 



67: FRENCH COUNTRY COTTAGE CLOCK 

Painted metal dial has raised cartouches with Roman numerals, 

inlaid mother-of-pearl, brass and exotic woods, 19th C. 23” x 20” 


69: TWO 19TH C. AUSTRIAN CLOCKS 

Ormolu cartouche clock with gilding and painted porcelain dial, 

replaced movement, together with a shelf clock with Grande 

Sonnerie movement, newer case. Shelf clock: 20” 



68: THREE CRYSTAL REGULATORS 

By Seth Thomas, Ansonia and an unidentified French maker, two 

with painted floral dials, one with plain dial, all ca. 1910. 

Tallest: 11” 


70: GERMAN TALL CASE CLOCK 

In the Flemish Baroque style, oak stained to black, 1920s. Hour and 

half hour strike. 91” 


71: BRITISH TALL CASE CLOCK 

With one hand movement, signed Lewis Sandford, 1710. Case 

refinished. Height: 75” 



72: FRENCH BRONZE AND CHAMPLEVE CLOCK 

Oval case flanked by two columns with champlevé enamel, painted 

dial and double vial mercury pendulum. Movement marked L. Marti 

& Co. 1889 Made in France. 14 1/2” x 9 1/2” x 5 1/2” 


74: JAEGER LE COULTRE ATMOS CLOCK 

In square form with glass sides and top, revealing the movement 

and dial, 20th C. 9” x 8 1/2” x 5 1/2” 



73: ANSONIA GILT METAL CLOCK 

With Rococo style case suromounted by a cherub playing a flute, 

ca. 1900. 19 1/2” x 9” x 8” 


75: FRENCH SLATE CLOCK 

Beveled glass on front and back doors, 19th C. Marked H & F Paris 

2877. 18 1/2” x 12 1/2” x 8” 


76: FRENCH KINGWOOD PARQUETRY CABINET 

With two doors and three interior adjustable shelves, oak secondary wood, 

ormolu fittings, and restored marble top, 19th C. Die stamped signature 

Dubreuil on top left side. 59” x 42 1/2” x 17 1/2” 


77: FRENCH BURLWOOD SECRETARY 

Walnut and ebonized wood drop-front desk with two 

drawers, and a secret drawer with copper plaque showing a 

band of putti playing musical instruments. Inlaid with 

mother-of-pearl and metal flowery ormolu fittings under a 

white marble top, 19th C. 51 1/2” x 28” x 13 3/4” 



78: THREE PANEL FOLDING SCREEN 

Hand-painted oil on leather with ladies in 18th C. dress strolling in 

garden with a villa, 20th C. 68 1/2” x 18” x 54” (open) 



79: OAK HALL STAND 

With a mirror, shelf, and drawer, brass fittings, cane work panels 

and veined green marble top, 19th C. 86” x 50” x 11 1/4” 


80: PARLOR SET 

Settee and armchairs with back panels painted 

with tropical landscapes and floral bouquets, 

ca. 1900. 38” x 77” x 36” 

$1,500–2,000

81: NEOCLASSICAL 

STYLE DAYBED 

Carved with urn on seat frame, 19th C. 

32 1/2” x 82” x 24 1/2” 


82: AMERICAN MAHOGANY 

EMPIRE SOFA 

With well carved detail and claw feet, 19th 

C. 36 1/4” x 22 1/4” x 64 1/2” 


83: ROCOCO STYLE SETTEE 

Walnut curved back with carved and gilt 

trims and upholstered seats, 19th C. 

51” x 43” x 23” 



84: WHITE METAL CLOCK GARNITURE 

Clock with white enamel dial and angel blowing a trumpet, 

mounted on white variegated stepped marble base, together with 

two matching urns, ca. 1900. Marked F Moreau on back. 

Clock: 20 1/2” x 19” x 7” 


86: RESTORATION STYLE ARMCHAIR 

Carved and pierced with cane work on back rest, 19th/20th C. 

47” x 28” x 29” 



85: EASTLAKE MAHOGANY SIDE TABLE 

With inset marble top, 20th C. 28 1/2” x 25” x 18 1/2” 


87: GEORGE III STYLE WALNUT 

COFFEE TABLE 

With gilt metal mounts, pierced and carved shell skirt and paw 

feet, 20th C. 19 1/2” x 38” x 19” 


88: TWO PARLOR CHAIRS 

With balloon backs with carved backrail and cabriole legs, 19th C. 

35” x 23” x 17” 


90: FRENCH COMMODE 

With single drawer on frieze above a hinged drop front, fluted 

tapering legs and ormolu mounts, under a marble top, ca. 1900. 

32” x 18” x 15” 


89: LOUIS XVI STYLE SIDE TABLE 

With inlaid tray top framed in pierced metal over a single drawer, 

cabriole legs joined by a galleried reniform shelf and gilt metal 

fittings, 20th C. 30 1/4” x 23 1/2” x 17” 


91: LOUIS XV STYLE PEDESTAL 

With inlaid wood and metal mounts, 20th C. 44 1/2” x 15” 



92: HERIZ CARPET 

In rich red and indigo, with large center medallion, 19th C. Some 

low areas. 11’10” x 8’9” 


94: 19TH C. SATINWOOD HANDKERCHIEF 

GAME TABLE 

The swivel top with four triangular folding flaps, the interior of 

each having a carved well for game pieces and a green felt 

covering; string inlay all around and painted floral decoration on 

top. 29 3/4” x 21 3/4” x 21 1/2” 



93: ROYAL SAROUK CARPET 

Ruby red field with scattered floral bouquets, 20th C. 10’3” x 7’8” 


95: AMERICAN MAHOGANY TILT-TOP TABLE 

By Henry Slaugh, Lancaster Co., Pennsylvania, with carved shell 

and leaf border on ball and claw feet base, 20th C. Maker’s label. 

28” x 28” 


96: FRENCH BURLWOOD SIDEBOARD 

With two front doors and bowed ends, and ormolu fittings, 19th 

C. 44” x 53 1/2” x 20 1/2” 


97: FRENCH BUREAU PLAT 

Drawer to one side, inlaid with various woods, the top with a 

floral cartouche with armorial crest, ormolu mounts, 19th C. 

29 3/4” x 41” x 24” 


98: LOUIS XV-STYLE PARLOR SET 

Settee and four chairs of carved and painted wood upholstered 

in pink and cream fabric, ca. 1900. 

Settee: 40” x 21 1/2” x 50 1/4” 



99: CAST IRON MANTLE 

Painted white with marbleized glass backing, 19th C. 

46 1/2” x 51” x 7” 


101: AMERICAN CHIPPENDALE-STYLE 

BRASS ANDIRONS 

With pineapple finials and ball feet, 18th-19th C. 22 3/4” 



100: VICTORIAN OAK FIREPLACE MANTLE 

With carved reeded columns topped by acanthus leaf capitals, a 

classical urn on frieze, and egg-and-dart moulding, 19th C. 

55 1/2” x 68” x 11 1/2” 


102: VICTORIAN BRASS ANDIRONS 

With elaborate decoration, faceted ovoid tops and matching log 

stoppers, base with overlapping leaves and paw feet, 19th C. 

Height: 24” 


103: TALL MAHOGANY CASE CLOCK 

With an arched bonnet surmounted by three globes, and handpainted 

dial with moon phase, 19th C. Height: approx. 92” 


104: TALL CHERRY CASE CLOCK 

Its face painted with floral bouquets and dial; movement with 

metal gears and wooden plates possibly made by Joseph Drescher, 

Gutenbach, Germany, ca. 1840. Signed lower right R. Kiehl. 

Height: 94” 



105: ALFRED THOMPSON BRICHER 

(American, 1837-1908) 

Untitled watercolor (framed). Provenance: Private Collection, New 

York. Signed. 13” x 18 1/2”. 


107: GEORGE HERBERT MC CORD 

(American, 1848-1909) 

Two oil-on-canvas seascape paintings: “Venice,” 1906, and untitled 

(pictured online). Both framed. Provenance: Private Collection, 

New Jersey. Both signed, first dated. 17” x 14”, 14” x 20”. 



106: ALFRED THOMPSON BRICHER 

(American, 1837-1908) 

Untitled watercolor (framed). Provenance: Private Collection, New 

Jersey. Signed. 5 1/2” x 14” (sight). 


108: F.J. ALDRIDGE (British, 1850-1933) 

Untitled (Sailboat in Harbor). Watercolor on paper (framed). 

Provenance: Private Collection, New Jersey. Signed. 

10 12/” x 14 3/4” (sight). 


109: FANNIE ELIZA DUVALL (American, 1861-1934) 

Three oils on unstretched canvases: “Paris,” 1910, dated and titled, 

16 1/2” x 14”; and two untitled, 10 3/4” x 12 3/4”, 15 1/4” x 22 1/4”; 

together with untitled pastel and watercolor on paper , 13 3/4” x 

10” (sheet). (All pictured online). Provenance: Private Collection, 

New Jersey. Each signed. 


110: FANNIE ELIZA DUVALL (American, 1861-1934) 

Three untitled oils on unstretched canvases, one dated 1910 

(framed), together with an untitled pastel and watercolor on paper. 

(All pictured online) Provenance: Private Collection, New Jersey. 

Each signed. 14” x 19 1/2”, 11 3/4” x 17 1/2”, 17” x 14 1/4”, 

8 3/4” x 14” (sheet). 


111: GEORGE HERBERT MC CORD 

(American, 1848-1909) 

Untitled (Landscape). Oil on canvas (framed). Provenance: Private 

Collection, New Jersey. Signed. 20” x 30”. 



112: SET OF SIX MAHOGANY DINING CHAIRS 

With upholstered seats, two armchairs, four side chairs, ca. 1900. 

37 1/2” x 18 1/2” x 16” 


114: WINDSOR CHAIR 

With turned spindles and carved seat, 19th C. 

39 1/2” x 24 1/2” x 14” 



113: SET OF FEDERAL MAHOGANY 

DINING CHAIRS 

Four chairs with saber legs, carved foliated back splats and shell 

design, 19th C. Height: 33” 


115: 19TH-20TH C. AMERICAN FURNITURE 

Six items: small mahogany blanket chest with carved floral panels 

on front and sides; pair of Chippendale-style side chairs with 

upholstered seats; pair of walnut slipper chairs with carved details 

and upholstered backs and seats; and ebonized corner chair with 

front center ball-and-claw foot and carved back splashes, all 

19th/20th C. Blanket chest: 21 1/4” x 41” x 20” 


116: CHIPPENDALE STYLE MIRROR 

With carved and gilded bird’s eye maple frame, ca. 1900. 47” x 25” 


118: AMERICAN BURLWOOD AND 

MAHOGANY CHEST 

In four-over-four configuration, original glass pulls, stepped front 

and turned columns, 19th C. 57 1/2” x 46” x 22” 



SLANT FRONT DESK 

With carved fan design and fitted interior, 19th C. Replaced 

hardware. 41” x 18” x 37 1/2” 


119: PAIR OF MAHOGANY 

CHIPPENDALE CHAIRS 

With carved open-work back splats and side rails, ball-and-claw 

feet and the front frieze with a shell motif, 19th C. 

40 1/2” x 23” x 17” 



120: PENNSYLVANIA HALF SPINDLEBACK SETTEE 

With a plank seat and hand-painted decoration, 19th C. 33” x 72” x 21 1/2” 



BOW-FRONT CHEST 

With four burl-veneer drawers raised on ogee bracket 

feet, 18th C. 34 1/4” x 36” x 22” 



121: AMERICAN PINE CHEST 

With four graduated drawers and ogee feet, ca. 1830. 

46” x 38” x 23” 


123: AMERICAN ‘DOAN GANG’ PINE BLANKET CHEST 

With two drawers, the interior with a secret compartment with penciled Doan 

Gang family names, early 19th C. Purportedly descended through the Doan 

family. 28 1/4” x 48” x 21” 


124: PENNSYLVANIA TALL 

CHERRY CASE CLOCK 

Chippendale-style with an eight-day movement, 

painted enamel dial, and original cast iron weights, 

mid 19th C. Pendulum not original. 94” x 19” x 10” 



125: PAIR OF AMERICAN CHIPPENDALE 

STYLE CHAIRS 

Attributed to Henry Slaugh, Lancaster Co., Pennsylvania, with 

profusely carved backs and legs, 19th C. 38 1/2” x 26 1/4” x 20 1/2” 


127: AMERICAN VICTORIAN FOOTSTOOL 

Carved mahogany footstool with floral bouquets on the skirt, 

Spanish feet and needlepoint upholstery of a dachshund, 19th C. 

17” x 23” x 16” 



126: AMERICAN ROCOCO PARLOR SET 

Settee, arm chair, and side chair with carved female heads, 

upholstered in silk damask, 19th C. 41 3/4” x 65” x 29” 


128: TWO AMERICAN VICTORIAN FOOTSTOOLS 

Carved in shell and leaf motif, the larger with Spanish feet and 

needlework top; the smaller upholstered in velvet, 19th C. 

15” x 26 1/2” x 15 1/2” 


129: AMERICAN EMPIRE SECRETARY BOOKCASE 

With inlaid brass detail and glazed astragal doors, 19th C. 

83 1/2” x 45 3/4” x 19 1/2” 


130: 19TH C. AMERICAN TALL 

MAHOGANY CASE CLOCK 

With an eight-day movement and hand-painted dial by 

John Fessler, Frederickstown, MD. 97 1/4” 



131: FOUR EUROPEAN SHELF CLOCKS 

Three German clocks ca. 1930: Junghans Westminster chime; 

Westminster chime Chinoiserie; one for Gaunt's Melbourne; 

together with a French clock ca. 1910, losses. Tallest: 21” 


133: THREE DECORATIVE EUROPEAN CLOCKS 

French slate clock, French carriage clock, and German sunflower 

clock. Together with a brass surveyor’s level and a US Army ship 

compass, 19th/20th C. 



132: SIX FRENCH SHELF CLOCKS 

Four with balance wheel movement, two with pendulums, some 

with Japanese decoration, one inlaid with rosewood shell design, 

ca. 1900. Tallest: 13 1/2” 


134: EIGHT SMALL CLOCKS 

Include carriage, figural and one wooden shelf clock, 19th/20th C. 

Tallest: 9” 


135: EIGHT SMALL CLOCKS 

Include carriage, figural and one wooden shelf clock, 19th/20th C. 

Tallest: 8 1/2” 


137: FOUR AMERICAN SHELF CLOCKS 

Terry & Andrews cast iron clock; John D. Nutter, Mt. Vernon, New 

Hampshire ogee clock; New Haven mahogany balloon clock; Seth 

Thomas rosewood clock, all 19th/20th C. Tallest: 26 1/2” 


136: SIX SHIP’S CLOCKS WITH TWO GAUGES 

Three by Seth Thomas, two Chelsea, one Smith and two steam 

gauges, ca. 1920. 


138: FOUR AMERICAN SHELF CLOCKS 

Two steeple clocks, one possibly made for the Portuguese market, 

the other by Waterbury; Ansonia cast iron clock; one by unknown 

maker, missing base, 19th C. 



139: NORTHWEST COAST 

CEREMONIAL BOWL 

Small rectangular bowl carved with 

two figures joining hands, 19th C. 

2 1/8” x 10 1/2” x 5” 


140: NORTHWEST 

COAST TOTEM 

Carved wooden totem, possibly 

Haida, with polychrome decoration, 

19th/20th C. Height: 24 1/4” 



141: CHIEF SHAKES 

TOTEM 

Carved and polychromed wood with 

stacked animals and figures, 19th C. 

penciled on the back ‘Chief Shakes.’ 

Height: 24 3/4” 


142: NO LOT

143: SIOUX PIPE BAG 

With bead and quill work, applied cone and tassels, ca. 1880-1890. 

Beyond fringe: 40” 



144: TWO APACHE COILED BASKETS 

With continuous bands of geometric designs, willow and devil’s 

claw, 19th/20th C. Larger: 7 3/8” x 12 5/8” dia. 


146: BERT GEER PHILLIPS (American, 1868-1956) 

Untitled (Taos, NM). Oil on canvas (framed). Provenance: Private 

Collection, New York. Signed. 20 1/4” x 15”. 



145: JAMES MC KELL (American, 1885-1956) 

Untitled oil on board (framed). Provenance: Private Collection, New 

Jersey. Signed. 27 1/2” x 19 1/2”. 


147: E.I. COUSE (American, 1866-1936) 

Untitled (Indian Vessel). Gouache on paper (framed). Provenance: 

Private Collection, New Jersey. Signed lower left. 9 1/2” x 7 3/8” 

(sight). 


148: NATIVE AMERICAN 

RIO GRANDE BLANKET 

Rare large blanket woven in three joined sections with alternating 

bands of red, black, blue and teal, ca. 1880-1890. 71” x 100” 


149: NO LOT 


150: CHIMU BLACKWARE 

VESSEL 

A fine example in the form of a coati, A.D. 

1100-1400. Height: 8 3/4” 


153: THREE NAZCA 

CERAMIC VESSELS 

A bowl depicting orcas, a globular vessel 

and an unburnished vessel, 200-400 A.D. 



151: NAZCA CERAMIC VESSEL 

With polychrome slip depicting a fisherman, 

A.D. 200-400. 8” 


154: MOLAS 

Group of twenty-two various molas, 20th C. 

Largest: 21” x 16” 



152: TWO MOCHE 

CERAMIC VESSELS 

One painted with a fierce creature, the 

other in the form of a warrior, 200-600 A.D. 



155: MOLAS 

Group of twenty-two various molas, 20th C. 

Largest: 21” x 16” 


Lots 150–170 have been placed at 

auction by the descendants of Felix 

Webster McBryde. Dr. McBryde (1908- 

1995) was an explorer, cultural 

geographer, academic, author and 

lecturer who worked extensively in 

Central and South America. A brief 

catalogue of his professional travels 

(during which he collected the 

property on sale) would include a 

seven-month reconnaissance through 

the Maya region as photographer and 

geographer on a 1928 expedition from 

Tulane University; field research in 

Guatemala for the Carnegie 

Institution in 1932; a year with 

indigenous people in Guatemala and 

El Salvador in 1935; and many more 

years of travel for the study of Indian 

agricultural practices. Dr. McBryde 

organized the American Society of 

Professional Geographers. His text on the cultural geography of 

Guatemala, published in 1947 by the Smithsonian Institution, is 

considered seminal in its field. 

157: PERUVIAN RETABLO 

Monumental oil on canvas retablo on board, depicting a female 

religious figure and child, in ornate wooden frame. 

Sight: 44 1/2” x 31 1/2” 


156: 19TH-20TH C. EXPLORATION BOOKS 

Fourteen books on South American and African exploration, 

including In Darkest Africa by Henry Stanley vols. 1-2; The Last 

Journals of David Livingstone by David Livingstone; Through The 

Dark Continent by Henry Stanley and Narrative of the North Pole 

Expedition by C.H. Davis. All 19th/early 20th C. publications. 


158: THREE CHIMU BLACKWARE VESSELS 

Bird stealing corn, triple pepper pot and quadruple lucuma fruit 

pot, A.D. 1100-1400. Tallest: 9” 



159: TWO CHIMU BLACKWARE VESSELS 

One depicting a battle between a feline god and a fish god, the 

other with bird motif, A.D. 1100-1400. Taller: 9 3/4” 


161: TWO CHIMU VESSELS 

One blackware with vegetable motif, the 

other ceramic with buff surface depicting 

birds, A.D. 1100-1400. Tallest: 9 3/4” 


162: THREE CHIMU 

BLACKWARE VESSELS 

With bird motifs, the two larger examples of 

whistle pots together with a small double 

vessel, A.D. 1100-1400. Tallest: 7 1/4” 



160: FOUR CHIMU BLACKWARE VESSELS 

Two in the form of gourds, one fruit vessel and one depicting a 

man and llama, A.D. 1100-1400. Tallest: 9 1/2” 


163: TWO CHIMU 

BLACKWARE VESSELS 

Llama’s head and shell, A.D. 1100-1400. The 

shell in excellent condition, the llama’s 

head vessel has replaced spout. 



164: NO LOT

165: AFRICAN SCULPTURE 

Carved stone antelope group, 20th C. 

Signed on back near base R. Kwechete. 

Height: 28” 


168: PRE-COLUMBIAN 

METAL OBJECTS 

Including: a copper mace; two tumis; 

pendants; tweezers; finial; eight necklaces, 

A.D. 500-1500 


166: KRISS KNIFE HANDLES 

Set of fifteen in various materials including 

carved wood and horn, thirteen mounted on 

wooden bases, 19th/20th C. Tallest: 8 5/8” 



ARTIFACTS 

From Peru and Mexico including: necklaces; 

pendants and two ears of ancient corn, A.D. 

200-1500 


167: MANGAIA ADZE 

Intricately carved four-sided structure with 

eight windows per side, surmounted by an 

abstract wood and basalt terminal, 19th- 

20th C. Painted inside HARRISON, DEVON, 

the rest illegible, 25 1/4” x 5 1/8” sq. 



NECKLACES 

Including a jade and quartz necklace, twelve 

smaller necklaces of spondylus shell and 

copper, and a Chimu blackware monkey 

head, all A.D. 1000-1500 



171: ICE FISHING DECOYS 

Three carved wood decoys, two fish and one alligator, all with 

metal fins, 20th C. Longest: 12” 


173: SAMUEL MARTI FOR TIFFANY & CO. 

Mantle clock with painted enamel dial stamped Tiffany & Co. 

France, the movement stamped with the round seal Samuel Marti 

Medaille d’Or Paris 1900 Made in France. Together with a square 

Canton porcelain bowl with notched corners, and a Simian match 

holder on a black marble oval base. Clock: 10 1/2” x 6 1/2” x 5 3/4” 



172: WALRUS TUSK CRIBBAGE BOARD 

With carved walrus in high relief, incised and painted with 

American eagle and flag, 19th C. 16 1/4” 


174: AMERICANA 

Carved wood mortar and pestle, 18th C., provenance: Somerset 

Mills, Titusville NJ. Together with a mantle clock in wood casing, 

19th C., some alligatoring to finish. Clock: 18 7/8” x 12” x 3 3/4” 


175: TRAMP ART CABINET 

Possibly for sheet music, with one drawer over double doors, two interior shelves 

and mirrored back, ca. 1930. Featured at the Clarion Exhibit of American Folk Art, 

New York, summer 1978. 41 1/4” x 19 1/2” x 13 1/2” 


176: ESQUIRE MAGAZINE 

MASCOT ‘ESKY’ 

A rare and excellent icon of 20th C. American 

corporate advertising history, believed to be one a 

few in existence. Of resin, marked with an R in a 

circle. Height: 24 1/2” 



178: WEATHERVANE 

Bi-plane with a heavily rusted body, rubber wheels and cracks on 

edges of wings, ca. 1920. 44” x 20” x 53 3/4” wingspan 



177: WEATHERVANE 

Fine molded copper cow with verdigris patina, 

19th-20th C. Original copper globe directional, 

iron rod and arms, four bullet holes. 

17 3/4” x 27 1/2” 


179: CAROUSEL CHARIOT BOARDS 

Set of two red painted wood chariot boards, possibly by Gustav 

Dentzel, ca. 1900. 46” x 78” 


180: KARL MULLER 

CAROUSEL 

HORSE (Attr.) 

Prancer with original paint and 

detailed overall carvings, late 

19th/early 20th C. 64” x 62” 


181: GUSTAV DENTZEL 

CAROUSEL HORSE 

Sweet Faced Mare prancer, carved 

and painted with glass inset eyes, 

original paint, ca. 1905. From 

overhead crank all standing 

carousel, Philadelphia. 

48 1/2” x 56” 



182: AMERICAN NEEDLEWORK SAMPLERS 

Alphabet sampler by Barbara Ellen Trill dated December 15 1853 

with an invocation in oak frame, slight soiling, together with an 

alphabet and number sampler dated 1821 in a Tramp Art frame 

(pictured online). Largest: 13” x 13 1/4” 



Sampler with alphabet in various styles and numbers, signed, 

‘Sophia Swartz her work done in the 10 year of her age 1833,’ 

13 1/2” x 13 1/2”. Together with six others and a cushion cover, 

19th/20th C (pictured online). 



183: AMERICAN NEEDLEWORK SAMPLER 

Alphabet sampler, the bottom centered by a vase with flowers and 

a bird on a tree branch, the number 4 and ducks on either side, 

unframed, 19th C. Signed and dated ‘Sophia 83 Swartz.’ 

16 1/2” x 16 1/2” 



Alphabet and numbers sampler by Hannah Blackfan, in wood frame, 

1786; accompanied by historical information on its maker; small 

sampler with alphabet, house and animals, in wood frame, initialed 

E.J. 1818. Largest: 19” x 9” 


186: AMERICAN NEEDLEWORK SAMPLER 

Silk needlework with an invocation to Jesus, framed by a running 

border of flowers, mounted on gold foil and in wooden frame, 19th 

C. Signed at the bottom ‘Susan Magill Newtown 1819.’ 

11 1/2” x 9 1/2” 


188: AMERICAN FOLK ART TEXTILES 

Blue and white coverlet with eagles and tree design, joined in the 

middle, bears the name Mary Westervelt(?) May 11 1834 on four 

corners. Together with a crocheted tablecloth, a small rectangular 

quilt and two lithographs of ships (pictured online). Coverlet: 

90” x 69 1/2” 


187: TWO 18TH C. PINCUSHIONS 

Both finely knitted and cinched with a silver band. One has a floral 

and basket weave knit in green, pink, and cream, its band marked 

‘M. Scattergood 12 Mo 1794,’ hangs from plaited cord, 2 1/4”. The 

other has yellow tone on tone design, band engraved ‘Anne 

Satterthwaite 8 Mo 2 1799,’ 1 3/4” 



Four samplers: alphabet and numbers centered by two birds on a 

branch above ‘Margaret Mitchell’s work 1821’ in wooden frame, 

accompanied by historical information; another by Ruth Simpson, 

1898, framed, accompanied by historical information and two 

others by Margaret F. Davison, 1942, framed (pictured online). 

Largest: 20 5/8” x 23” 



190: CIVIL WAR EPHEMERA 

Collection including: sergeant’s whistle made from bone, inscribed 

‘Libby, 1863’; mementos of Generals Robert E. Lee and Stonewall 

Jackson; battlefield relics; portfolio of 100+ engravings and 

photographs. From a New Jersey collection. 


192: CIVIL WAR EPHEMERA 

Letters, photographs, Confederate currency, Bibles, discharge 

documents and partial muster rolls. From a private New Jersey 

collection. 



191: AFRICAN SLAVE EPHEMERA 

Bill of sale dated 1760 with red wax seal, framed. Size of 

document: 13” x 8 3/8” 


193: F.E. BRANDIS, SONS & CO. 

Engineers’ navigational transit, 19th C. Example in collection of the 

Smithsonian National Museum of American History. Inscribed ‘F.E. 

Brandis, Sons & Co. 2398.’ 19 1/2” x 8” 


194: EDISON PHONOGRAPHS 

Three phonographs of Model C, Model B and one 

unknown, together with an original horn with 

baked-on red enamel and stand, and two smaller 

horns, one fitted wooden box of fifty-four record and 

fifty-two other cylinders, late 19th/early 20th C. 


195: PERROT TONOGNOME ORGAN 

With handled rosewood case and twenty-two scale 

marked ivory piano keys. Some losses. Provenance: 

attributed to the superintendent of music in 

Philadelphia schools in 1876. Label on the inside of 

lid, Pat. May 5th 1874 A.G. Ibach Maker 

Philadelphia. 25” x 17” x 9 1/2” 


196: CONTINENTAL CYLINDER 

MUSICAL BOX 

In rosewood, with ten airs, number 16677; the top of 

the box inlaid with an angel and drafting tools, 19th 

C. 6 1/4” x 18 1/4” x 8 1/2” 



197: JAMES AVATI (American, 1912-2005) 

“Outcasts from Eden.” Oil and watercolor on canvasmounted 

board. Provenance: Private Collection, 

Pennsylvania. Together with a copy of Katherine 

Sargent’s Outcasts from Eden. Titled. 24 1/2” x 14” 

(image), 27 1/4” x 16 1/2” (sheet). 



198: WORLD WAR II ERA 

Three oil on board illustrations, framed: James R. Bingham (American 1917- 

1971) “308 Liberation” (for Caterpillar Tractor), 1944, signed, dated with 

government release stamp and 7/14/44, Art Directors Club of Chicago exhibition 

label, 16” x 12 1/4” sight; James R. Bingham (American 1917- 1971) “Where No 

Army Can Go,” signed, 25” x 21”; Stevon Dohanos (American 1902-1994) “Second 

Wave,” signed, 33” x 25 1/2” sight. (All pictured online) 


199: FRED HARMAN(American, 1902-1982) 

Untitled oil on canvas (framed). Provenance: Private Collection, 

Lambertville, New Jersey. Signed. 17 1/4” x 19 1/4” 


200: GEORGE DANIELL (American, 1911-2002) 

Two gelatin silver print photographs, 1955, framed: Audrey 

Hepburn on War and Peace Set, and Sophia Loren. Provenance: The 

artist to present owner, New Jersey. Each signed, dated and titled. 

13 3/4” x 9” (sheets). 


201: ED CLARK (American, b. 1926) 

Two gelatin silver print photographs, framed: Sgt. Alvin York, Pall 

Mall, Tennessee, 1942 (pictured online); FDR Funeral, Warm 

Springs, Georgia, 1945. Provenance: Private Collection, Florida. 

Each signed, dated, titled, and numbered 1/25. 14 1/2” x 18 3/4” 

(sheet), 12 1/2” x 19” (sheet) 


202: W. EUGENE SMITH (American, 1918-1978) 

“Limelight, Charlie Chaplin and Claire Bloom.” Gelatin silver print 

(framed). Provenance: Private Collection, New York. 

11” x 14” (sheet). 



204: GEORGE DANIELL (American, 1911-2002) 

Two gelatin silver print photographs, 1952, framed: “John Marin, 

Cape Split” and “John Marin in His Studio, Cliffside, New Jersey.” 

Provenance: The artist to present owner, New Jersey. Each signed, 

dated and titled. 11 1/2” x 10 1/2” (sight), 10 3/4” x 10 1/4” (sight) 



203: KOSTI RUOHOMAA 

(American, 1913-1961) 

From the series “Night Train at Wiscasset 

Station,” fourteen camera-ready gelatin silver 

prints (from production of the book written by 

Lew Dietz; printed by another hand). Provenance: 

Howard Chapnick (former president of Black Star 

Publishing Co.), New York (until 1990s); Private 

Collection, New York. Twelve 8” x 10” (sheet), 

one 11” x 13” (sheet), one 14” x 17” (sheet). (All 

pictured online) 


205: PAUL TANQUERAY (British, 1905-1991) 

Two gelatin silver print photographs, framed: “Vanessa Redgrave” 

and “Cecil Beaton.” Provenance: Private Collection, New York. Both 

signed. 10 1/4” x 7 1/2” (sight), 15” x 11 1/2” (sight) 


206: JULES TANNENBAUM (American, 20th C.) 

207: DEBORAH TURBEVILLE (American, b. 1938) 

“Aaron Copeland, Carnegie Hall Recording Session for ‘Something “Russian Dancer from Boris Eifman Ballet Company,” 1988. Gelatin 

Wild,’” 1962. Two gelatin silver prints (framed). Provenance: Private silver print (framed). Provenance: Private Collection, New York. 

Collection, New York. 13 3/4” x 19 3/4” (sight, each). 

Signed. 13 3/4” x 10 3/4” (sight). 



RAGO ARTS AND AUCTION CENTER > 65 

6014


208: EARLY PHOTOGRAPHY 

Four photographs: full-plate tin type with a 

band of musicians resting under a tree (some 

stickiness to surface); stereoptic tin type of 

three young men; tin type of two men in 

uniform, possibly firemen. Together with a 

framed marriage certificate with photographs 

and hand-colored print, all late 19th/early 20th 

C. Largest: 20 3/4” x 16 5/8” (All pictured 

online) 


209: AMERICAN PHOTOGRAPHY 

Collection of American vernacular images c. 

1900, including: eight albums of silver 

emulsion prints on paper; two smaller albums; 

over 200 glass negatives with some correlative 

prints on postcard blanks depicting domestic 

genre and New York cityscapes; film negatives, 

loose and in folios; a wooden box camera (some 

losses). (All pictured online) 


210: MINIATURES AND 

PHOTOGRAPHS 

Five portraits, late 19th-early 20th C.: handpainted 

miniature on ivory of a woman in 

burgundy dress, framed, signed lower right 

‘Reynold;’ together with another framed 

miniature and three other photographs. 

6 1/4” x 5 1 2” 


211: EARLY PHOTOGRAPHY 

Seven images, framed and mounted in shadowbox, 19th C.: 

half-plate ambrotype of Niagara Falls; C. Evans, Philadelphia 

six-plate oval daguerreotype of a fireman with ‘Diligent’ belt 

buckle, some scratches and fingerprints, case embossed 

Willard No. 1628 Market Street; two daguerreotypes of a 

child and of a lady; and a tintype or ambrotype of two ladies. 

32” x 18” (All pictured online) 


212: MARCEAU 

OROTONE 

Portrait of a young woman 

wearing a pearl necklace, 1920s. 

Name and company logo 

embossed on inside of leather 

jacket, ‘Marceau Miniature-Dore 

Patented.’ 3 7/8” x 2 3/4” 



213: ERTE (ROMAIN DE TIRTOFF) 

(Russian, 1892-1990) 

“The Zodiac Suite”, 1982. Twelve serigraphs in original portfolio. 

Publisher: Tristar Publishing, Ltd., New York. Provenance: Austin 

Galleries, Chicago; Private Collection, New York. Accompanied by a 

Certificate of Authenticity from Austin Galleries. Each signed, 

titled and numbered 341/350. 25 1/2” x 20” (sheet) each. 


214A: ERTE (ROMAIN DE TIRTOFF) 

(Russian, 1892-1990) 

“Diva,” 1984. Cold painted bronze. Provenance: Private Collection, 

New Jersey. Signed “Erte”, dated and numbered 82/300 and with 

foundry mark “JM FINE ART ACQUISITIONS”. 18 1/4” high. 



214: ERTE (ROMAIN DE TIRTOFF) 

(Russian, 1892-1990) 

“Four Emotions Suite”, 1982. Four embossed and foil-stamped 

serigraphs in original portfolio. Printer: Chicago Serigraphic 

Workshop, Chicago. Publisher: Circle Fine Art, Chicago and New 

York. Provenance: Private Collection, New York. Each signed and 

numbered 184/300. 22 3/4” x 18” (each) sheet. 


214B: ERTE (ROMAIN DE TIRTOFF) 

(Russian, 1892-1990) 

Untitled, gouache on paper (framed). Provenance: Private 

Collection, New York. Signed. 10” x 6 1/2” (sight). 


215: JOHN JAMES AUDUBON (American, 1785-1851) 

Two hand-colored lithographs (framed): “Baltimore Oriole,” “Ruby-Throated 

Humming Bird.” Provenance: Private Collection, Princeton, New Jersey. 

25 3/4” x 20 1/2” (sight), 26” x 21” (sight) 


217: JAMES ABBOTT MCNEILL WHISTLER 

(American, 1834-1903) 

“Billingsgate,” 1859. Etching on tan woven paper (framed). 

Provenance: Frederick Keppel & Co., New York (label on verso); 

Private Collection, New Jersey. Signed. 5 6/8” x 8 7/8” (sheet). 


216: REMBRANDT VAN RIJN 

(Dutch, 1606-1669) 

“Joseph’s Coat Brought to Jacob,” 1633 (18th C. 

impression). Etching (framed). Provenance: Private 

Collection, New Jersey. Signed in the plate. 

4 3/8” x 3 3/8” (sheet). 


218: EARLY 20TH C. PRINTS 

Three works, framed: Eugene Bejot (French, 1867-1931) etching, “Le 

Port Saint-Nicholas,” 1909, signed, 10 1/2 x 14 1/4” (sight); Benson 

Bond Moore (American, 1882-1974) aquatint, “Georgetown 

University from Little River, Evening,” signed and titled, 6 3/8” x 7 

3/8” (sight); Sears Gallagher (American, 1869-1955) etching, 

“Across the River,” provenance: Kennedy & Co., New York (label on 

verso), signed, 5 1/4” x 7 1/4” (sight). Provenance: Private 

Collection, New Jersey (All pictured online) 




219: 17TH C. BOOK 

A Choice Manuall of Rare and Select 

Secrets..., by Elizabeth Grey, Countess of 

Kent, 19th ed., 1687. Text in very good 

condition, front and back covers no 

longer attached, binding dry. 


220: EARLY 20TH C. 

GERMAN BOOKS 

Collection of seven: Die Narrenburg, 

Udalbert Stifter; Zwei Frauen, Honore de 

Balzac; Das Buch Vom Tee, Okakura 

Kakuzo; Kapuziner Predigt, Anonymous; 

Goethe Leider; Die Harzreise, Heinrich 

Heine; Gedachtniss Druck, Heinrich 

Heine. 


221: GERMAN ATLAS 

“Orbis Terrarum Antiquus: Schul-Atlas 

der Alten Welt,” by D’Anville, Mannert, 

Uckert, Reichard, Kruse, Wilhelm, et al, 

1852. 


222: 16TH C. BOOK 

Historia de Gentibvs Septentrionalibvs, by Olao Magno Gotho, 

Rome, 1555. (Historically significant work which long 

remained the source for Swedish cultural information for all 

of Europe.) 813 pages. 2 3/4” x 11” x 8 1/2” 


223: 18TH-19TH C. BOOKS 

Sixteen volumes includes: The Prophetical 

Warnings of John Lacy, Esq, London, 1707; 

The Validity of the Dissenting Ministry, 

London, 1716; Universal Etymological English 

Dictionary, London, 1790; The Works of 

Alexander Pope, Esq. vol. 3, Edinburgh, 1767; 

Gospel Sonnets or Spiritual Songs in Six 

Parts by Rev. Ralph Erskine, Edinburgh, 

1793; Thoughts and Things at Home and 

Abroad by Elihu Burritt, Boston, New York, 

1854; Women in Love by D.H. Lawrence, New 

York, 1922; Coaching Days and Coaching 

Ways by W. Outram Tristram, London, 1893; 

Rewards and Fairies, by Rudyard Kipling, 

New York, 1910; Characteristics of Women, 

Moral, Poetical and Historical, vol. 2 by Mrs. 

Jameson, Phila. 1833; English Humourists in 

the 18th Century by W.M. Thackeray, New 

York, 1853; Sacred Mountains by J.T. 

Headley, New York, 1847; The Mariner by 

Archibald Johnson, Phila., 1818; An Apology 

for the True Chieftain Divinity by the People 

Called the Quakers by Robert Barclay, 

London, 1736; Uncle Tom’s Cabin by Harriet 

Beecher Stowe, Boston, New York, 1892; 

Elements of Botany. 


224: 19TH C. BOOKS 

Eighteen volumes includes: Letters to 

Country Girls by Jane Swisshelm, 1853, 

signed and dedicated by the author; The 

Little Colonel, by Annie Fellows-Johnston, 

1896; The Tongue of Time, by William 

Harrison, 2nd ed., 1844; From Death to 

Resurrection, by S.H. Kellogg, 1885; Dante, 

translated by Rev. Henry Francis Cary, New 

York, Phila, 1845; Cyrano de Bergerac, 

Edmond Rostand, English translation; The 

Prisoner of Zenda, by Anthony Hope, 1894; 

The Portrait of a Lady, Henry James, Boston, 

New York, 1882; A Discourse of Natural 

Theology, by Henry Lord Brougham, Phila. 

1835; Lucile, by Owen Meredith, Infelicia by 

A.I. Menken, Phila, New York, Boston, 1868; 

The Children’s Almanac for 1879-1883, 1878; 

Rasselas, Prince of Abyssinia by Samuel 

Johnson, Hartford, 1847; etc. 


25: 18TH-19TH C. BOOKS 

Sixteen volumes includes: The Lady of the 

Lake by Sir Walter Scott, Glasgow; The 

Tongue of Time by Joseph Comstock, New 

York, 1838; The Poetical Works of Samuel 

Johnson, Burlington, 1816; Catechism of 

American Law, Phila., 1832; The Life of 

Petrarch in Two Volumes by Mrs. Dobson, 

vols. 1 & 2, London, 1797; The Ruby 

Reference Bible Glasgow, 1860; The Seasons 

by James Thomson, New York, 1855; 

Manners and Tone of Good Society, Anon., 

London; The Odyssey of Homer, translated 

by Theodore Alois Buckley, New York, 1869; 

The Poetical Works of Mark Arkenside by Rev. 

Alexander Dyce, Boston, 1854; Letters on 

Several Subjectsvols. 1 & 2, by Rev. Martin 

Sherlock, London, 1781; The Token, ed. by 

S.G. Goodrigh, Boston, 1830; Lilliput 

French/English Dictionary by Dr. F.J. 

Wershoven; On an Irish Jaunting Car by 

Samuel G. Bayne, New York, 1902. 



226: CONTINENTAL CARVED IVORY 

CHRISTO VIVO 

On an ebonized wood cross, 19th C. Losses to hands, crown of 

thorns and left toe missing. 14” x 7 1/2” 


228: CRECHE FIGURES 

Twenty-one pieces of carved wood with polychrome decoration, 

some with applied woven metal embellishments, also including a 

figure of Eve holding an apple in her left hand. Losses to all. 




227: ECCLESIASTICAL VESTMENT 

With raised silver bullion on a couched gold thread ground with red 

silk backing, in original cotton protective case, 18th/19th C. 

102” x 12” 


229: JUDAICA 

Torah stand with partial gilt and carved decoration of two birds 

flanking an open book, ca. 1900. 35 1/2” x 20” x 17 3/4” 


230: JUDAICA 

Torah scroll with case cover adorned with 

embroidered lions flanking an open book; Kosher 

with pen and ink calligraphy on parchment roll, 

1920-1940. Approx. 27” x 13” x 6” 


231: RAND MCNALLY 

MINIATURE GLOBES 

Two terrestrial globes with metal mounts and clear 

molded bases, ca. 1891. Height with base: 5 5/8” 


232: NAPOLEONIC EPHEMERA 

French Republic Department of War document, 

dated ‘vingt-quatre Floreal l’an onze de la 

Republique’ and signed Bonaparte (though most 

probably secretarial). Framed alongside a Duplessi- 

Bertaux etching of Bonaparte titled ‘Bonaparte 

Premier Consul de la Republique Francaise le 18 

Brumaire an VIII,’ both 19th C. Overall dimensions: 

31 3/4” x 26 1/2” 



233: BACCARAT SULPHIDE 

PAPERWEIGHTS 

Includes: yellow over white with six over six 

oval facets and cameo of Pope John XXIII, 

with attached label ‘Made in France;’ two 

Andrew Jackson; two with Napoleon 

Bonaparte; two with Will Rogers; and one 

Cristalleries d’Albret with John F. Kennedy 

and Mrs. Kennedy. All in original boxes, 

except that of Pope John XXIII. Pope: 2 7/8” 


236: PAPERWEIGHTS 

Group of six: paperweight with vase top, the 

bottom having scattered complex cane on a 

ruffled muslin, the top with pink over white 

pulled cane and a latticino border; one with 

radiating garland of complex canes with 

blue over white cut to clear circular facets 

and channels; three sulphides of Elizabeth 

II and Prince Philip, signed G. Poillerat; and 

a Baccarat sulphide with a centaur over a 

blue ground and six and one facet. 

Largest: 5 1/8” x 3 1/4” 


234: BACCARAT 

PAPERWEIGHT 

Single conical flower with concentric blue 

and white signature/date cane top, blue 

over white double overlay, cut with five and 

one facets and base with faceted flower 

design, stamped ‘Baccarat 144 1973’. 

Together with two other paperweights with 

concentric complex canes: one with five and 

one facets, the other with all over 

geometric facets, all 20th C. 

Baccarat: 2 7/8” dia. 


237: BACCARAT 

PAPERWEIGHTS 

Five sulphide paperweights in original 

boxes, including Patrick Henry, Thomas 

Payne, Theodore Roosevelt, Eleanor 

Roosevelt and Woodrow Wilson, all 20th C. 



235: 20TH C. PAPERWEIGHTS 

Seven items: Victor Trabucco magnum with 

yellow roses, signed and dated 1988; Victor 

Trabucco miniature with pink flowers and 

red berries, signed and dated 1990; Ken 

Rosenfeld frog with pink flower, signed KR 

‘96; Orient and Flume iridescent pulled 

feather design, signed 250F74; Baccarat 

clear ashtray with single flower with cut 

radiating sides and milky white base, 

marked on signature cane B; Brian Maytum 

clear glass sphere with pink iridescent 

jellyfish and pearl center; and a magnum 

paperweight with radiating design in 

latticino ribbons, 20th C. 

Largest: 3 1/4” x 3 1/2” dia. 



Eleven pieces include: Magnum 

paperweight; Steuben beaver with ruby 

eyes, signed; Tiffany & Co. clear glass 

apple; Saturn paperweight, signed; seven 

other assorted pieces, all 20th C. Magnum: 

4” x 4” dia. 



Group of four: New England Glass Co. (attr.) 

with a red poinsettia over a double swirl 

white latticino, 19th C., 3” dia.; glass with 

flower in white and orange with complex 

center cane, 2 1/2”; sulphide with Leonardo 

da Vinci cameo, seven and one facets and a 

wheel cut base, 2 3/4”; and sulphide with a 

cameo of Romulus and Remus, clear with a 

blue wheel-cut star base six and one facets, 

marked Baccarat, 

2 3/4” dia. 


242: 19TH C. GLASS 

PAPERWEIGHTS 

Four pieces: fruit bouquet possibly by St. 

Louis with an apple, pear, lemon, and 

cherries with green leaves on a basket of 

double swirl latticino; close packed 

millefiori of complex canes; scrambled 

millefiori of whole and partial complex 

canes, filigree and latticino; and one with 

outer garland of complex millefiori on 

ruffled muslin, blue and pink bands, and 

green millefiori center. Largest: 3 3/16” 


240: 19TH C. BACCARAT 

DATED PAPERWEIGHT 

Scattered millefiori and Gridel silhouette 

canes on ruffled upset muslin, with 

signature date cane, 1848. 2 7/8” 


243: 19TH-20TH C. GLASS 

PAPERWEIGHTS 

Three paperweights: magnum with white 

flower surrounded by five trumpet flowers; 

smaller millefiori heart-shaped garlands; 

and complex canes and muslin twists. 

Together with an American latticino pitcher 

with cobalt rim from the Aurelio Collection. 

(Cf. Robert C. Eldred.) 3 3/4” 


241: 19TH C. BACCARAT 

DATED PAPERWEIGHT 

Scattered millefiori and Gridel silhouette 

canes on ruffled upset muslin, with 

signature date cane, B 1848. 3 1/6” 


244: 19TH C. DATED 

PAPERWEIGHT BOTTLE 

Clear glass double gourd bottle, the stopper 

with three concentric circles of complex 

canes centered by a blue can dated 1858, 

base with five concentric circles of complex 

canes. Height: 9 1/2” 



245: 19TH C. CAST 

IRON TOYS 

Phoenix horse-drawn war wagon with 

cannon and caisson; and single-horse 

buggy. Largest: 7” x 21” 


248: CAST IRON 

MECHANICAL BANKS 

Tammany with seated man, and Creedmor 

with soldier, 19th C. Tallest: 6 1/2” x 10” 


246: 19TH C. TIN TOYS 

German military band music box; Hott ‘an 

Tott piano and banjo player; automaton toy 

with mine cars. Largest: 4 1/4” x 16 1/2” 


249: CAST IRON MECHANICAL 

AND STILL BANKS 

Three 19th C. banks: architectural; globe 

with eagle finial; lion. Together with a 

reproduction Uncle Sam bank, 20th C. 




247: CAST IRON 

MECHANICAL BANKS 

Monkey and coconut, patent mark on base; 

Creedmoor with soldier, part of leg missing; 

Tammany with seated man, 19th C. 



250: PIGGY BANKS 

Thirty-one pottery, porcelain, glass and cast 

iron banks, 19th/20th C. 

Largest: 3 1/2” x 9 1/2” (All pictured online) 


251: CAST IRON MECHANICAL BANK 

‘Always Did ‘Spise a Mule,’ 19th C. Original paint, good 

condition. Patent information on base. 6” x 10” 


252: TOY POND BOATS 

Two hulls, one complete with mast, sails and green painted 

hull, 19th C. Largest: 70 3/4” x 11” 


253: TOY POND BOATS 

Half-hull model, together with a small boat with mast, sails 

and wooden miniature of a life boat, 19th C. 

Half-hull model: 34” x 6” 



254: HUNTING PRINTS 

Set of three depicting traditional English hunting 

scenes, 19th C.: ‘Fores’s National Sports Fox- 

Hunting’; ‘Fores’s Series Run to Earth,’ and 

‘Shewing the Way,’ all in matching oak frames. 

Largest: 25 3/4” x 45” (All pictured online) 


256: JACOB EPSTEIN (American, 1880-1959) 

“Washington Heights.” Watercolor (framed). Provenance: Private 

Collection, New York. Signed and titled. 10” x 12” 


256: CARL MUTZE (German/American, 19th/20th C.) 

Untitled (Hunters around the Punchbowl), 1923. Oil on canvas 

(framed). Provenance: Private Collection, New Jersey. Signed and 

dated. 35” x 44 1/2” 



257: JEAN CALOGERO (Italian, b. 1922) 

Untitled oil on canvas (framed). Provenance: Private Collection, 

Pennsylvania. Signed. 18” x 21 3/4” 


258: GREINER DOLL 

With painted head and upper body, wearing a scoop 

neck lace dress, complete with extra clothing, ca. 

1880. Kid skin portion of both arms damaged. 

Height: 26” 


259: PRE-GREINER DOLL 

With glass eyes, stitched leather arms and hands, in 

original clothing, ca. 1860. Height: 29” 


260: BISQUE DOLLS 

Two Bye-Lo babies with original clothing and 

advertising pins, both marked COPR. BY GRACE S. 

PUTNAM; together with a Kestner doll in original 

clothing made by Century Doll Co., marked on back, 

all 20th C. Bye-Lo: 10”. Kestner: 15” 



261: BASEBALL MEMORABILIA 

Two original Yankee Stadium chairs painted blue, with plaque on 

back reading ‘Yankee Stadium 50th Anniversary 1923-1973.’ 

32 1/2” x 27 1/4” x 14” 


262: TOPPS BASEBALL CARDS 

Four cards from 1959: Mickey Mantle, Stan 

Musial, Felipe Alou, and N.L. Hitting Kings - 

Ashburn/Mays. (All pictured online) 




Four cards from 1959: Mickey Mantle, Willie 

Mays, Roger Maris and Sandy Koufax. (All 



264: NY YANKEES 1937 WORLD SERIES 

CHAMPS SIGNED BASEBALL 

With twenty-four signatures, two unidentified: Lou Gehrig; Joe 

DiMaggio; Bump Hadley; Ben Chapman; Don Heffner; Ted 

Kleinhaus; Charles Ruffing; George Selkirk; Frank Cosetti; John 

Broaca; Lefty Gomez; Jack Saltzgaver; Red Rolfe; Pat Malone; 

Johnny Murphy; Bill Dickey; Tony Lazzeri; Myril Hoag; Roy 

Johnson; Monte Pearson; Earle Combs; Arthur Fletcher; Art 

Jorgens; Steve Sundra. 


266: NY YANKEES SIGNED BASEBALL 

1924-1950 

With twenty-three signatures, three unidentified: Charles Ruffing; 

B. Knickerbocker; Bump Hadley; Oral Hildebrand; Babe Dahlgren; 

Joe DiMaggio; Bill Dickey; Art Jorgens; Marvin Breuer; Red Rolfe; 

Charles Keller; J. Gordon; Buster Mills; Spud Chandler; Jake 

Powell; F. Crosetti; Monte Pearson; Lefty Gomez; Tom Heinrich; 

Johnny Murphy; George Selkirk; S. Sundra; Buddy Rosar. 


265: NY YANKEES 1939 WORLD SERIES 

SIGNED BASEBALL 

With twenty-two total signatures, nineteen players: Joe DiMaggio; 

Red Rolfe; Bump Hadley (2); Tom Heinrich; B. Dahlgren (2); Lou 

Gehrig; Charles Ruffing; B. ‘Buddy’ Rospar; F. Crosetti; S. ‘Spud’ 

Chandler; Charles Keller; O. Hildebrand; S. Sundra; Art Jorgens (2); 

Bill Dickey; Jake Powell; Monte Pearson; B.’Bill’ Knickerbocker; 

Johnny Murphy. 




Nine cards from 1956: Roy Campanella, 

Enos Slaughter, Boston Red Sox team 

picture, Yogi Berra, Nellie Fox, Phil Rizzuto, 

Jackie Jensen, Minnie Minosa and Willie 

Mays. (All pictured online) 



Seven cards from 1958-1959: Mickey 

Mantle, 1958 and 1959; Ernie Banks, 1958; 

Yogi Berra, 1959; Kaline/Maxwell, 1959; 

Ashburn/Mays, 1959; Long, Banks and 

Moryn. Cards attached to board at each 

corner with small old glue dabs, two cards 

are loose, otherwise in excellent condition. 

(All pictured online) 



268: TOPPS BASEBALL CARDS 269: TOPPS BASEBALL CARDS 

Eleven cards from 1956: Al Kaline, Dick Twenty-seven cards from 1956: Andy Carey, 

Groat, Bill Skowron, Yogi Berra, Phil Rizzuto, Herb Score, Billy Martin, Elston Howard, 

Nellie Fox, Herb Score, Duke Snider, Harmen Jackie Robinson, Robin Roberts, Bobby 

Killebrew, Washington Nationals team Thomson, and more. (All pictured online) 

picture and Stan Musial (1958). (All 





Approx. one hundred and twenty-seven 

cards from the 1950’s. Less than perfect 

condition. (All pictured online) 



Ninety-six cards from 1957: Bobby 

Thomson, Dell Ennis, Jackie Jensen, and 

more. (All pictured online) 



Ninety-six cards from 1956: Frank Thomas, 

Willie Jones, Eddie Yost, Alvin Dark, Wally 

Post, and more. (All pictured online) 



Seven cards from 1957: Larry Doby, Ernie 

Banks, Duke Snider, Roy Campanella, Frank 

Robinson, Warren Spahn and Yogi Berra. 




Seventy-two cards from 1956: Eddie 

Robinson, Andy Seminick, Bob Friend, Dell 

Ennis, and more. (All pictured online) 



Eleven cards from 1958: Jim Piersall, Bob 

Clemente, Willie Mays, Sandy Koufax (1958 

and 1959), Ernie Banks, Mickey 

Mantle/Hank Aaron, Harvey Kuenn/Al 

Kaline, Duke Snider/Walter Alston, Ted 

Kluszewski/Ted Williams, Willie Mays/Duke 

Snider. Cards attached to board at each 






Seven cards from 1956: Roy Campanella, 

Duke Snider, Jackie Robinson, Hank Aaron, 

Mickey Mantle, Roberto Clemente and Yogi 

Berra. Cards attached to board at each 






Eight cards from 1957, 1958 or 1959: Roy 

Campanella, 1957; Ted Williams, 1957; 

Mickey Mantle, 1957-1958; Hank Aaron, 

1957-1958; Willie Mays, 1958; Ernie Banks, 

1959. Cards attached to board at each 







Twenty-seven cards from 1958: Moose 

Skowron, Mickey Mantle, Enos Slaughter, 

Wes Covington, Stan Musial, Herb Score, 

Don Drysdale, Nellie Fox, and more. (All 




Sixty-three cards from 1958: Don Larsen, 

Robin Roberts, Bobby Thomson, Frank Torre, 

Wally Moon, and more. (All pictured online) 



Twenty-seven cards from 1958: Ted 

Williams, Warren Spahn, Don Newcombe, 

Elston Howard, George Susce, Johnny 

Temple, and more. (All pictured online) 



Fifty-four cards from 1958: Marv 

Throneberry, Sandy Koufax, Bobby 

Richardson, Bob Friend, Stan Musial, Albie 

Pearson and more. (All pictured online) 




Twenty-seven cards from 1958: Stan 

Lopata, Harmon Killebrew, Sandy Koufax, 

Jackie Jensen, Brooks Robinson, Bill 

Mazerosky, and more. (All pictured online) 



Fifteen cards from 1957: Red Schoendienst, 

Roy Campanella, Baltimore Orioles team 

picture, Whitey Ford, Herb Score, St. Louis 

Cardinals team picture, and more. (All 




Seventy-two cards from 1958: Willie Mays, 

Herb Score, Johnny Temple, Nellie Fox, 

Dave Jolly, and more. (All pictured online) 



One hundred and two cards from 1957: 

Eddie Yost, Carl Erskine, Bill Skowron, and 




Eighty cards from 1956: Dusty Rhodes, Joe 

Frazier, Ruben Gomez, and more. (All 




One hundred and thirty-nine cards from 

1959: Duke Snider, Richie Ashburn, Jim 

Hearn, and more. (All pictured online) 



Ninety-nine cards from 1958: Stan Musial, 

Hank Aaron, Nellie Fox, Wes Covington, Billy 

Muffett, Ted Kluszewski/Ted Williams, and 




One hundred and forty-four cards from 

1959: Herb Score, Hank Bauer, Minnie 

Minoso, Bobby Richardson, Richie Ashburn, 

and more. (All pictured online) 


End of Session One 


SESSION TWO 

Sunday, December 9 at 12 Noon

291: ITALIAN CERAMIC 

CHARGER 

Painted with a rampant lion against a floral 

ground. Marked on back C. Novelli Roma 

1896. 18 1/2” dia. 


292: MELANDRI & FOCCACCIA 

FAIENCE CHARGER 

(Italian) 

Painted with a portrait in profile, the wide 

border with a repeating decorative motif, 

20th C. Marked Faenza with an MF 

monogram and company logo, also large 

oval spur mark. 16” dia. 



293: PAIR OF CANTIGALLI 

BOTTLES (Italian) 

Of flattened shape, hand-painted with 

mythological scenes of Hermes and Venus, 

20th C. Bottles topped with differing 

stoppers, marked with Cantagalli symbol. 

13 7/8” 


296: FRENCH PORCELAIN 

Large parrot figurine, and ceramic basket 

with birds and flowers in high relief, 20th C. 

Losses to both. Parrot marked France. 



294: FANTONI VASE (Italian) 

Flattened baluster vase with two Asian 

figures in high relief, with landscape 

background, 20th C. Marked Fantoni Made 

in Italy. Height: 12 1/4” 


297: EUROPEAN CHINOISERIE 

PORCELAIN 

Unusual figural stand with a seated Asian 

elder flanked by stepped cups, possibly for 

condiments or eggs, late 19th C. Iron red 

markings on side of cup, likely the maker. 

6” x 8 3/4” x 4 1/2” 



295: ITALIAN CERAMIC 

FIGURINE 

Life-sized figure of a poodle, well modeled 

and finely rendered detail, losses, 20th C. 

Marked on the base Made in Italy. 

30” x 20” x 14” 


298: FRENCH PORCELAIN 

FIGURAL GROUP 

With inkwell interior in painted porcelain, 

19th C. 8” x 6 3/4” x 3 1/2” 


299: FRENCH CHINOISERIE 

PORCELAIN 

Two figurines of gentleman and lady on 

cushions, painted in Kakiemon style 

enamels, 18th-19th C. Impressed marks 

D.V., possibly Mennecey. Height: 5” 


302: ART GLASS VASES 

Three vases, 20th C.: Art Deco-style with 

acid-etched gold band of Greek soldier 

design; Loetz-style with impressed 

decoration and graded iridescent glaze; 

gourd-shaped with satin finish and banded 

striations. Tallest: 13 3/8” 


300: NAPOLEONIC PORCELAIN 

FIGURAL GROUPS 

Two naturalistic groups, possibly Vienna, 

depicting the defeat of Napoleon by the 

Russians in 1812, 19th C. One titled, 

‘Bautzen 21 Mai 1813,’ the other, ‘La 

Retraite de Russie 1812.’ Unmarked. 

9” x 10 1/2” x 6 1/2” 


303: BOHEMIAN ART GLASS 

Three vases, possibly Loetz, one with 

bronze armature (ground neck and chip on 

rim), all 20th C. Tallest: 11 1/4” 


301: ART NOUVEAU 

Three items, 19th-20th C.: Amphora double 

bud vase painted with roses; burgundy 

glass vase with gilded decoration of bird on 

tree; and white glass vase with a barley 

twist neck and raised beaded gilt berries. 



304: GLASS GIRANDOLES, Etc. 

Eight items, 19th-20th C.: pair of girandoles 

of white glass cut to cranberry, with opaque 

glass dolphins and clear prisms; three 

pinched clear glass bottles; enameled 

Steigel-type bottle and two Bimini glasses, 

the larger one with snowman and traces of 

cork. Girandole: 12” 



305: ROYAL VIENNA 

Pair of hand-painted cabinet plates, one 

titled “Die Musik,” the other “Sehnsucht,” 

19th C. Both signed Riemer, with underglaze 

blue crest marks. 9 1/2” 



Hand-painted cabinet plate with classical 

scene, 19th C. Marked Grazien, signed 

Knoeller, under glaze blue crest mark. 

9 5/8” 


306: TSAR NICHOLAS II 

CORONATION CUP 

With initials of Tsar Nicholas II and crown, 

dated 1896; the opposite side with the 

double headed eagle coat of arms of the 

Romanovs. Height: 4” 


309: BOHEMIAN GLASS, Etc. 

Fifteen pieces, 19th/20th C: pair of applied 

Burmese vases; eight Moser style glasses 

with tall clear stems and base; bowl with 

floral decoration and acid-etched ground; 

Moser style clear vase with gilt decoration; 

frosted green vase with raised acorn and 

leaf decoration, marked St. Denis Paris; 

Moser amethyst dresser box with four ball 

feet and acid etched decoration, marked 

Moser; glass pitcher with coralene 

decoration; white cut to clear Bohemian 

style bowl with painted and gilt decoration; 

oval green bowl with silver plated mounts, 

incised on rim of base ‘Daum Nancy France’. 

Tallest: 12 3/4” (All pictured online) 




Hand-painted cabinet plate with a classical 

scene, 19th C. Signed Fiala, under glaze 

blue crest mark. 9 1/4” 



Cabinet vase with hand-painted young 

woman and roses, gilt-work in relief on a 

green ground, 19th C. Signed Wagner, lower 

left, titled ‘Les Lebens Moi’, under glaze 

blue crest mark. 12 1/4” 


310A: ALBERT ERNEST CARRIER-BELLEUSE 

(French, 1824-1887) 

“Psyche Awakening Cupid,” gilt-bronze sculpture. Provenance: 

Private Collection, New Jersey. Signed “Carrier-Belleuse”. 15 1/2” x 

20” x 9 1/2”, 17” x 21 1/4” x 10 1/4” (with base) 



310C: GILT METAL CANDELABRA 

Rococo style five light candelabra with elaborate foliate 

decoration, 19th C. Height: 19 3/4” 



310B: CONTINENTAL PORCELAIN 

AND ORMOLU LAMPS 

Pair of baluster vases painted with women and 

amorini in rural landscape, 19th C. With gilt metal 

mounts and wired for electricity. Height: 22” 


311: WALTER CRANE 

Four wallpaper partial rolls printed with peacocks and acanthus 

leaves in blue-greens and brown tones, c. 1895. Small fragment 

matted and framed. Folds, a few tears, missing corner to longest, 

overall good condition. Framed fragment: 20 1/2” x 22 3/4”; also 

14” long, 42”, and 82” 


312: ITALIAN 

MARBLE FIGURE 

Untitled (Nymph), 19th-20th C. 

Provenance: Private Collection, 

New Jersey. Signed “D.Z. 

FIRENZE”. 33” high. 


313: AFTER ADA 

CIPRIANI 

(Italian, 1904-) 

Alabaster figurine of a young 

woman, on base. Provenance: 

Private Collection, New Jersey. 

Inscribed "A. Cipriani". 32" high, 

34" (with base). 


314: MARBLE 

PEDESTAL 

Neoclassical style column with 

reeded top, swirled lower half 

and octagonal base, 20th C. 

40” x 13” 


315: MARBLE 

PEDESTAL 

Neoclassical style in white and 

gray veined marble with reeded 

column and octagonal top and 

base, 19th/20th C. 42” x 11 1/2” 



316: EDOUARD DROUOT (French, 1859-1945) 

“L’Echo,” bronze statue. Provenance: Private Collection, New Jersey. 

Signed “Drouot”. 35” high. 



317: EMILE LAPORTE (French, 1858-1907) 

Untitled (Woman with Doves) gilt bronze statue. Provenance: 

Private Collection, New Jersey. Signed “E. LaPORTE”. 30” high. 


318: PIERRE MARIUS MONTAGNE 

(French, 1828-1879) 

“Young Hermes,” bronze statue. Provenance: Private Collection, 

New Jersey. Signed “MARIUS MONTAGNE”. 18 1/2” high. 


319: EUGENE MARIOTON 

(French, 1854-1925) 

“La Danse,” bronze statue on rotating 

bronze base. Provenance: Private 

Collection, New Jersey. Signed “Eug 

Marioton / hors. Concours” and with 

illegible foundry mark. 31” high, 

32 3/4” (with base). 



320: EMILE LOUIS PICAULT (French, 1833-1915) 

“Hebe Born Aloft by Jupiter’s Eagle,” bronze statue. Provenance: 

Private Collection, New Jersey. Signed “E. PICAULT” and with 

foundry mark “E. Colin”. 23 1/2” high. 


322: ONYX PEDESTAL 

White and russet tapering column 

with teardrop frieze, metal clad 

capital, 20th C. 41” x 12” 



321: 19TH C. MARBLE STATUE AFTER 

THE ANTIQUE 

Untitled (Kneeling Venus). Provenance: Private Collection, New 

Jersey. 23 1/2” x 13 1/2” x 9 1/2” 


323: MARBLE PEDESTAL 

White and brown veined column 

with fluted body, carved round top 

and waist and octagonal base, 20th 

C. 42” x 11” 


324: ALBERT ERNEST CARRIER-BELLEUSE 

(French, 1824-1887) 

“Offrande a Bacchus” (Offering to Bacchus), bronze statue. 

Provenance: Private Collection, New Jersey. Signed “A CARRIER- 

BELLEUSE” and with foundry mark E.D. circled by “VRAI BRONZE 

B.D PARIS”. 24” high 


325: EDOUARD DROUOT 

(French, 1859-1945) 

“L’Art Lyrique,” gilt bronze statue. Provenance: Private Collection, 

New Jersey. Signed “E. Drouot”. 24 3/4” high 



326: IRISH BELLEEK AND 

HEREND PORCELAIN 

Four items: Belleek latticework clover 

shaped bowl, marked; Belleek double 

handled latticework twig basket with 

colored flowers, marked; Belleek basketwork 

vase on three twig form feet, marked; and 

Herend pierced and covered dish, marked. 

Herend dish: 6 1/2” x 6 1/4” dia. 


329: MOSER ART GLASS 

Three vases, 20th C.: faceted and wheel cut 

with a stag and tree, oval mark; faceted 

smokey quartz, oval mark; and emerald 

green baluster form acid-etched with acorns 

and oak leaves, gilt and silver detail. 



327: WEDGWOOD MAJOLICA 

WALL BRACKET 

With a putto holding up a curtain, 19th C. 

Stamped Wedgwood YZW. 9” x 6” x 7 1/2” 


330: ART NOUVEAU VASES 

Tall clear glass cut with tulips, faceted base 

and polished pontil; Legras enameled glass 

with landscape design and serrated rim; 

Amphora three-handled ceramic vase with 

cabochons and pierced neck, marked. 



100 updated catalogue information on ragoarts.com 

328: TWELVE ROYAL 

DOULTON PLATES 

With hand-painted botanicals and gilt fish 

roe border, 19th/20th C. Signed D. 

Dewsberry. 10 5/8” dia. 


331: BOHEMIAN 

GLASS VASES 

Three iridescent art glass vases, 20th C. 


332: ROYAL DOULTON 

FAMOUS ENGLISH 

INNS PLATES 

Set of eleven painted by C. Hart with gilt 

rims, 19th C. Each titled and signed. 

10 1/2” dia. 


334: LIMOGES PORCELAIN 

TEA SET 

Tea pot, creamer, covered sugar, twelve 

cups and saucers painted with a repeating 

pattern of small bunches of herbs on a 

blue/yellow speckled ground, gold bands, 

20th C. Marked Limoges France. 

Tea pot 8 1/4 


332A: DOULTON AND SLATER’S 

TAPESTRY VASE 

Flattened gourd shape hand-painted in the 

Aesthetic movement style with geese and 

flowers, 1880s. Impressed Doulton & 

Slater’s patent mark. Height: 15” 


335: MEISSEN PORCELAIN 

CHARGER 

Painted with chrysanthemums on a blue 

ground, 20th C. Underglaze blue mark, 

impressed numerals. 18” dia. 


333: DERBY PORCELAIN 

PLATES 

Set of twelve with underglaze blue Imari 

pattern and overglaze red and gilt 

decoration, 18/19th C. 10 1/4” dia. 


335A: PORCELAIN 

CABINET PLATE 

Hand-painted, “Lady Harrington and her two 

sons,” 19th C. Signed Wagner, Dec: 314, 

Depose, spurious over-glaze blue crest 

mark, Clairon Germany with green star 

mark. 9 3/4” 



336: ROYAL COPENHAGEN 

FLORA DANICA 

Eight porcelain plates painted with various 

fruit, openwork border with gilding; all 

marked ‘Royal Copenhagen, Denmark’, and 

underglaze blue stamp; together with two 

larger plates, one with a moose, the other 

with a wolf, all 20th C. Flora Danica: 9” 

Animal plates: 10” 


339: BLACK FOREST STYLE 

CARVED EAGLE 

Hinged at the neck, opening to a recessed 

space, with inset glass eyes, 19th C. 

50” x 9” 


337: SCANDINAVIAN 

WOODEN TANKARD 

With carved lions on handle, lid and as feet 

and with a petal carving on underside, 

18th/19th C. 10 1/4” x 5 3/4” dia. 


340: WILLETS-BELLEEK AND 

CUT GLASS 

Eight pieces, 19th-20th C.: porcelain vase 

painted with roses marked Willets-Belleek; 

Belleek lattice-work dish, marked Belleek & 

Co.; tall cut glass pitcher; glass pitcher; 

blue cut to clear vase; pair of Steuben clear 

glass candlesticks with twisted stems; large 

oval cut tray. Cut tray: 17 3/4” x 10 1/4” 




PLATES 

Set of fifteen with molded design on 

cavetto, hand-painted floral decoration, 

basket weave on border and gilt rims. 

Together with a hand-painted teapot with 

floral decoration, rose finial and gilt 

decoration, all 19th C. With Meissen crossed 

sword mark on bottom. Plates: 9 3/4” dia. 



WOOD BRACKET 

Carved and stained with iris in openwork. 

Penciled B. Tafernet 1914. 

15 1/2” x 17 1/2” x 8” 


342: SEVRES PORCELAIN VASE 

Large ovoid vase painted with figures in landscape, 19th C. Framed 

by raised gilt flowing cartouche on a cobalt ground, the obverse 

with smaller cartouche with urn in landscape. Chateau de Tuileries 

and Sevres mark. 20” x 10” dia. 


344: LENOX PORCELAIN 

Six plates hand-painted with nymphs in landscapes. Five signed 

Wirkner, one signed Pohl, all with green Lenox mark and markings 

in gold. 10 1/4” dia. 



Eight plates: three painted with portraits by H. Nosek; four painted 

with birds by William Morley; and one hand-painted with a wood 

nymph with fishing pole and fish. All but last artist-signed, most 

have Lenox stamp. Largest: 10 3/8” dia. 


345: ROYAL VIENNA PORCELAIN VASE 

Tall narrow baluster form with scroll handles and entwined snakes 

painted with putti and goddess, 19th C. The obverse with a wood 

nymph sitting on a rock. Marked on base with underglaze crest 

mark. Height: 20 1/2” 




Six plates hand-painted by William and 

George Morley with floral decoration. Five 

signed W.H. Morley, one G. Morley, all 

marked with various green and gold marks. 

10 1/2” dia. 


349: 19TH C. GERMAN 

PORCELAIN 

Two Meissen figural groups: one of a young 

putto being carried by a satyr, the other 

depicting the rape of Paris, damage and 

losses to both, both marked with 

underglaze crossed swords and incised 

marks. Together with a porcelain plaque 

painted with a young woman gathering 

flowers, in a gilt wood frame, plaque 

stamped Made in Germany, severe losses. 



347: BOEHM PORCELAIN 

Two animal figurines: ‘White Faced Owl’ 

(Scops Cotus Eucotis), No. 118, marked on 

bottom within feather design ‘Edward 

Marshall Boehm’; ‘Young & Free’ (Fawns 

with Bluebell 500-14), No. 138, marked 

Boehm 1980. Owl: 14” 


350: TWELVE SPODE 

COPELAND’S 

CHINA PLATES 

With hand-painted botanicals and 

Renaissance style gilt decoration. Marked 

Spode Copeland’s China England Made for 

Davis Collamore & Co. Ltd. New York. 

10 1/2” dia. 



348: LLADRO FOLKLORE 

FILIPINO 

Two ladies in native costume, one with two 

fans, the other holding a large parasol. 

Edition of 1500, with original certificate of 

purchase. Marked ‘546 escul V. Martinez 

Decor J Ruiz’ with Lladro stamp mark. 26” 


351: GOUDA STYLE POTTERY 

Charger, jardiniere, pitcher and vase. 

Various makers. All marked. Pitcher, 9 1/2”, 

vase, 8”, bowl, 6 3/4”, plate, 12 1/8” 



MONKEY BAND 

Twenty-three pieces including the music 

stand, 20th C. All bear Meissen marks and 

incised numbers. Conductor: 7” 


353: WEDGWOOD JASPERWARE 

Five pieces in black basalt: two Portland vases, biscuit barrel with 

metal mounts, pair of vases. All stamped Wedgwood. 

Biscuit barrel: 7” 


354: WEDGWOOD JASPERWARE 

Black basalt Portland vase. Wedgwood mark and dots, England. 

Height: 9 3/4” 



355: FRANCOIS-RAOUL LARCHE (French, 1860-1912) 

“Jeanne d’Arc,” bronze statue. Provenance: Private Collection, New 

Jersey. Inscribed “RAOUL LARCHE” and foundry mark “SIOT-PARIS”. 

21 1/2” high. 


357: 19TH C. ALABASTER STATUE 

Untitled (Standing Nude Bather). Provenance: Private Collection, 

New Jersey. 28 1/2” high. 




Gray and rust veined column with square top and base, 20th C. 

29 1/2” x 12” 


358: JOAQUIN ANGLES (French, 1885-1905) 

“Idylle,” bronze and gilt bronze statue. Provenance: Private 

Collection, New Jersey. Signed “Angles” and titled “IDYLLE”. 

23 3/4” high. 


359: HENRY ETIENNE DUMAIGE (French, 1830-1888) 

Untitled (Young Couple) gilt bronze statue on rotating gilt bronze 

base. Provenance: Private Collection, New Jersey. Signed “henr. 

Dumaige” and with foundry mark “E. Colin”. 22” high, 25” (with 

base). 


360: EDOUARD DROUOT (French, 1859-1945) 

“Muse des Bois,” gilt bronze statue with base. Provenance: Private 

Collection, New Jersey. Signed “E. Drouot”. 27 3/4” high, 29 1/2” 

(with base). 



361: PAUL DUBOY (French, 1830-1887) 

Untitled, 1878. Gilt bronze. Provenance: Private Collection, New 

Jersey. Signed and dated “PAUL DUBOY / 78.” 14 3/4” high. 



White gray veined column with 

horizontal rings at mid-section and 

octagonal top and base, 20th C. 

41” x 11” 



364: ADRIEN ETIENNE GAUDEZ (French, 1845-1902) 

“Etoile du Matin,” bronze statue with base. Provenance: Private 

Collection, New Jersey. Signed “A. GAUDEZ H.C” and titled 

“ETOILE/DU MATIN”. 21 3/4” high, 22 3/4” (with base). 



White gray veined column, its center 

carved with a vine, 20th C. 

41 1/2” x 11” 


365: FERNAND ANTONIN 

MERCIE (French, 1877-1812) 

“Gloria Victis,” bronze with gilt bronze 

statue. Provenance: Private Collection, 

New Jersey. Signed “A. MERCIE” and titled 

“GLORIA VICTIS” with foundry mark "F. 

Barbedienne Foundeurs Paris" and foundry 

stamp. 36 1/2” high. 




White and russet tapering column with gilded Corinthian capital, 

and octagonal top and base, 20th C. 43 3/4” x 16” 



Figure of Diana retrieving an arrow from a quiver, holding a bow in 

her left hand, 19th C. Underglaze mark and incised numerals on 

base. Height: 11” 



367: KPM PORCELAIN 

Venus and Cupid on round bases. Both with underglaze and incised 

marks. Height: 15 1/2” 


369: KPM PORCELAIN VASE 

Baluster vase with female busts on shoulders and applied metal 

ribbons, the tall neck with raised tassels, 19th C. Restoration to lid. 

Underglaze blue mark. Height: 20” 


370: DRESDEN PORCELAIN VASE 

Baluster form with maidens and baskets of flowers. The front is 

painted with classical figures, the obverse with bouquet of flowers 

and the lid surmounted by two cherubs with a crown and armorial 

crest, 19th C. Marked. Height: 23 1/2” 


372: SEVRES STYLE PORCELAIN 

Tall conical vase with gilt metal mounts painted with Cupid and 

Venus in woodland landscape, obverse with classical ruins, 19th C. 

Lid restored. Height: 29 1/2” 


371: CONTINENTAL PORCELAIN 

Pair of baluster vases with bisque winged cherubs sitting atop 

scroll handles, painted with amorini and violets on obverse. Rose 

ground neck and bases, 19th C. Marked HA & Co. 435. Height: 17” 


373: SEVRES STYLE PORCELAIN 

Painted with a cherub assisting Arachne carding wool, the obverse 

with gilt floral ribbons, turquoise ground and gilt metal mounts, 

19th C. Height: 18 1/2” 



374: GEORGE JONES & SONS 

CRESCENT CHINA 

Cabinet plate hand-painted with the Three 

Graces in landscape, and raised gilt 

decoration. Partially erased puce mark 

stamped Made In England, signed H. Nosek, 

19th C. 10” dia. 


377: WHEELING PEACH 

BLOW GLASS 

Morgan vase with resin dragon stand, 19th 

C. 10” 



375: BOHEMIAN ART GLASS 376: ROYAL VIENNA 

Six items: bowl with ruffled neck and metal Pair of cabinet plates with openwork 

armature; vase with flaring neck, metal borders, painted with Egyptian scenes: one 

armature and antler handle; glass bowl with titled on verso ‘Dans Le Gynecee, 2595’, 

flared scalloped rim; trumpet vase with other ‘L’Elegir, 2773,” 19th C. Both signed, 

metal mounts and a pair of vases with illegible signature, with over glaze crest 

irregular honeycomb pattern, ca. 1900. mark and Austria. 7 1/8” 




378: TWELVE MINTON 

PORCELAIN PLATES 

Made for Tiffany & Co. with gold and 

burgundy decoration, 20th C. Marked 

Minton Made for Tiffany & Co. New York, 

19th C. 10 5/8” dia. 


379: 19TH-20TH C. 

CONTINENTAL 

PORCELAIN 

Three items: pair of porcelain cache-pots 

hand-painted with floral bouquets and 

butterflies with two bisque and gilt 

helmeted figural handles; small covered urn 

with hand-painted miniatures on cobalt and 

gilt ground, titled ‘Liebes Fruhling’, marked 

Austria. Largest: 6 5/8” x 8 3/4” 


380: BRONZE HORSE SCULPTURE 

Standing on a rectangular plinth, head turned to the 

left, 19th C. Unsigned. 18 1/8” x 22” 


381: EMMANUEL FREMIET 

(French, 1824-1910) 

Bronze figurine of a dog, signed E. Fremiet; together 

with a bronze horse on a rectangular base, by 

unknown maker, broken tail, slightly rubbed patina 

and one ear bent forward, 19th C. Tallest: 9 1/4” 


382: P.J. MENE (French, 1810-1877) 

Bronze sculpture of a horse standing by a makeshift 

fence, freestanding on black marble base. Signed on 

base P.J. Mene, Susse Freres & Co. foundry mark. 

With base: 14” x 19” x 8 1/2” 



383: ANIMALIER BRONZES 

Four figurines, 20th C.: donkey and hare on 

wooden base attributed to Vincenzo Jerace 

(1862-1947), signed V. Jerace; monkey 

holding a carved ivory skull, mounted on an 

ill-fitting base, possibly Japanese; bulldog 

signed and dated Ujhazy Edenek 1908; and 

a silvered bronze group of five dogs, 

unsigned. Tallest: 6 1/4” x 8” 


386: CONTINENTAL BRONZES 

Ovide Yencesse (French, 1869-1947) bronze 

plaque of a mother and child reading, 

framed, signed upper right O. Yencesse; 

and Ernest Sanglan (French, 19th-20th C.) 

two-handled vase with sleeping satyr, 

signed on side E. Sanglan with foundry seal 

and #7537 on base. Vase: 7 1/4” 


384: CONTINENTAL 

ANIMALIER BRONZES, Etc. 

Five items, 19th-20th C.: cold-painted 

Vienna bronze cockatoo on a perch, on a 

marble base, marked Geschutzt; coldpainted 

hare; cold-painted animal pyramid; 

French Art Nouveau group,’Musique,’ on a 

red marble base; and silver-plated figure of 

a camel and rider in Oriental landscape, on 

Epergne base. Tallest: 10 1/2” 


387: COLD PAINTED 

VIENNA BRONZES 

Two bird figurines, late 19th/early 20th C. 

Both marked on underside of tail, one with 

Geschutzt 1801, the other initialed FB with 

illegible writing. Tallest: 3 1/2” 



385: ALFRED BARYE 

(French 1839-1882) 

Bronze animalier statue of a rooster on 

round base. Signed Barye. 13” 


388: RUSSIAN BRONZE 

Horse-drawn buggy and rider, 20th C. 

Marked on base ‘Fabr. by C.F. WOERFELL’, 

signed in cyrillic. 4” x 9 1/2” 


389: AUSTRIAN BRONZE 

Horse-drawn coach on green marble base, 

20th C. Stamped ‘Made in Austria,” circled AT 

monogram. 9 1/2” x 28 3/4” x 7 1/2” 


390: R. CLARK 

COWBOY BRONZE 

A cowboy on horseback leading two horses 

and covered wagon, the packhorses with a 

dear and antlers and supplies, 20th C. Signed 

R. Clark. 32” x 13” 


391: EDMOND DRAPPIER (French, 19th-20th C.) 

Bronze statue of a bull, on wooden base. Signed E. Drappier. 

10” x 16” x 9” 


392: CHARLES VALTON (French 1851-1918) 

Bronze statue of a mastiff with sign ‘Passez au Large.’ Signed C.H. 

Valton. 18 1/4” 



393: BRONZE DOG GROUP 

Two hunting dogs on a red marble plinth, 19th C. Each stamped 

with numbers and Geschutzt. 2 1/2” x 4 1/2” 


395: HENRY SCHONBAUER (American, b. 1895) 

Bronze sculpture, ‘The Stone Roller,’ 1936. Signed and dated, with 

accompanying paperwork. 18 1/4” x 30” x 10 1/2” 



394: P.J. MENE (French, 1810-1877) 

Bronze quail hunting group. Signed PJ Mene on the bronze. 

8” x 16” x 8” 


396: CARVED OAK ELK HEAD 

Sectional construction with detailed fur, mounted on an oak 

backboard, 19th C. 33” x 24” x 15 1/2” 


397: LALIQUE 

‘Tête de Cheval’ of clear polished glass, ca. 

1960. M. p. 364, no. 11624. Wheel cut 

Lalique. 16 1/4” 


398: LALIQUE 

‘Miroir Cygnes’ in clear and frosted glass. M. p. 495, no. 1244, nos. 

11615, 11616, 11617. Engraved Lalique France. Length of mirror: 33” 



399: LALIQUE 

‘Domremy’ vase in clear glass ca. 1926. M p. 434, no. 979. Engraved 

R. Lalique France. Height: 8 1/8” 


401: LALIQUE 

‘Champs Elysees’ chandelier in clear and frosted glass with chrome 

mounting. M. p. 240, no. 10112. Engraved Lalique France. 



400: LALIQUE 

‘Salmonides’ vase in opaque glass, drilled and mounted as lamp, 

pre-1947. Height of vase with base: 13 3/4” 


402: LALIQUE 

‘Saint-Francois’ vase of opalescent glass with sparrows and tree 

branches. Marked R. Lalique France on base. 7” x 6 5/8” dia. 


403: LALIQUE 

‘Danseuse,’ ‘Chrysis,’ and ‘Aigle’ figurines, and “Verone” bowl, in 

clear and frosted glass, nos. 11643, 11218. All engraved Lalique 

France. Tallest: 9 1/2” 


405: LALIQUE 

‘Luxembourg’ centerbowl in clear and frosted glass. Engraved 

Lalique France. 10 1/2” dia. 


404: LALIQUE 

‘Versailles’ vase in clear and frosted glass with grape and vine 

pattern. Engraved Lalique France. 14” x 5 1/2” x 8” dia. 


406: LALIQUE ART GLASS 

Five items: clear and frosted eagle head book end; amber glass 

rhinoceros; ‘Jaytho’ perfume bottle; small flat ovoid vase with leaf 

decoration; and a blue cut to clear decanter, unknown maker, 20th 

C. Tallest: 11 3/4” 



407: BACCARAT 

Cut glass vase and cover with ormulu 

fittings, its handles inset with cut beads, 

20th C. Height: 19” 


410: BOHEMIAN GLASS 

Pair of cranberry cut to clear stoppered 

bottles with floral bouquets, and a similar 

goblet with six facets depicting animals, 

19th C. Unmarked. Tallest: 8 1/8” 


408: PAIR OF MURANO 

GLASS LAMPS 

Fluted glass with controlled bubbles, 

spruzzato gold and metal fittings, 20th C. 

Height without socket: 23” x 9 1/2” dia. 


411: BOHEMIAN GLASS 

Pair of ruby and clear decanters with gilt 

decoration, 19th-20th C. Slight variation in 

stopper size, light wear to gilding. 




409: ETLING ART GLASS 

Figural vase with nude, of opalescent glass, 

ca. 1930. Marked Etling France. 



412: MOSER ART GLASS 

Centennial Celebration vase, 1957, oval 

stamp and date; and faceted vase wheel cut 

with stag in forest, marked Moser Karlsbad 

Original Exclusive. 

Tallest: 10” x 7 5/8” dia. 


413: STEUBEN 

Covered clear glass jar. With letter of value from Steuben Glass, 

dated 1972. Height: 17 1/2” 


415: NEW ENGLAND GLASS CO. BRIDE’S BOWL 

Rare pink reverse overlay Mount Washington cameo on Pairpoint 

quadruple silver-plated stand, 19th C. Marked on the base 

Pairpoint Mfg. Co. 10” (with stand) x 7 5/8” dia. 


414: STEUBEN GOLD AURENE 

Two-handled vase together with a compote with calcite exterior. 

Vase marked Steuben, compote unmarked. Vase: 9 3/4” 


416: DORFLINGER GLASS 

Clear glass vase in honeycomb pattern, 19th C. No. 99B/No. 836. 

13 3/4” 



417: ART GLASS 

Three vases: C.F. Monroe Kelva hand-painted with flowers and 

mounted on white metal base; Mount Washington Lava with green, 

pink and brown inserts; and Rindskopf (attr.) with free-form pulled 

iridescent design. Kelva: 13 1/2” 


419: DURAND GLASS 

Ginger jar with heavy ribbing in deep amber graded to white, 

yellow interior. Unpolished pontil with some roughness, and 

thumbnail hairline crack, no lid. 9 3/4” 




Cranberry crackle vase in iridescent red glass. Grinding at rim. 

Unsigned. 10 1/4” 


420: STEUBEN GLASS, Etc. 

Seven items: three Steuben Calcite bowls, one with a short stem 

foot; pink Cluthra bowl; clear yellow cup and saucer; and a small 

verre-de-soie bowl. Unmarked. Cluthra bowl: 11 1/2” dia. 


421: ART NOUVEAU METAL CASKET 

With hinged and handled lid, lithe figure surrounded by leaves and 

flowers; leather backing behind open scrollwork and wood lined 

interior, ca. 1900. Marked ‘ST.’ 5 1/2” x 9 3/8” x 6 5/8” 


423: OBJETS DE VERTU 

424: ITALIAN MICRO MOSAIC 

Ten items, 20th C.: carved ivory seal with Two framed panels of five oval Roman 

metal top; five miniatures, three with metal vistas on a black marble ground, 19th C. 

frames, two oval unframed (one titled Largest: 7 1/4” x 9” 

“Ruth,” Germany; other titled “A Secret,” 

Germany); two ivory letter openers, one 

carved with an owl on a book; two ivory 

brooches with openwork decoration, one 

with deer in landscape, other of boy playing 

trumpet to a goat. 



422: FRENCH EMPIRE INK STAND WITH CLOCK 

Green marble with ormolu, the clock surmounted by an eagle, its 

enameled face marked ‘Janvier Paris,’ ca. 1830. Marked France. 

11 1/4” x 13 1/4” x 7” 


424A: ONTINENTAL IVORY 

Two classical busts on round pedestals, 

19th - 20th C. One pedestal with age 

cracks. Tallest: 6 3/4” 



425: INKWELLS 

Thirty-five figural and decorative inkwells in wood, glass, shell, 

porcelain or metal, 19th/20th C. Largest: 4” 


427: CONTINENTAL PAPIER MACHE 

LACQUER BOXES 

Eleven boxes with painted lids, including one stamp box with 

compartmentalized interior and snuff boxes, 19th/20th C. Largest: 

3 1/3” x 8 1/4” 4 3/4” 



426: GERMAN 

Seven-piece desk set, 19th-20th C. All marked GERMANY 


428: INKWELLS 

Twenty-nine figural and decorative inkwells in glass, shell, 

porcelain or metal, 19th/20th C. Largest: 7 1/2” 


429: 19TH C. PORTRAIT 

MINIATURES 

Three items: a portrait of a young boy in a 

Cartier traveling frame signed Mishkin; a 

lady, framed; a gentleman, signed. Largest 

with case: 4 3/8” x 3 1/4” 


432: CONTINENTAL PORTRAIT 

MINIATURES ON IVORY 

Napoleon crossing the Alps on horseback, 

after a the painting by Jacques-Louis David, 

in ivory frame; together with four 

courtesans in bronze and brass frames, all 

19th C. Signed. Largest: 5 3/4” x 5 1/8” 


430: ALFRED LENZ 

(American, 1872-1926) 

Gilt bronze sculpture of a Bacchante 

mounted on a black slate cube and applied 

Chinese wooden base, signed on the side of 

base Alfred, ca. 1922. Together with two 

miniature portraits on ivory, one of 

Napoleon and the second of three ladies. 

Bacchante with base: 9” 


431: CONTINENTAL IVORY 

Nine figurines, 19th-20th C.: six musicians 

standing on wooden barrels; nude Venus, 

her foot on a dolphin; and two parasol 

handles, one carved as a toucan with inlaid 

eyes. Some losses. Tallest: 7 1/4” 


433: CONTINENTAL IVORY 434: CONTINENTAL IVORY 

Rectangular plaque deeply carved with a Figure of Napoléon on horseback, after the 

lady in a bucolic scene, 19th-20th C. Loss to painting by Jacques-Louis David, on a 

bird. 6” x 4 1/2” 

stepped base, 19th C. Damage to finger. 


Unsigned. 5 3/4” 



435: CARVED ALABASTER 

Two figures of Aurora with putto, mounted 

as lamps, 19th C. Alabaster of both: approx. 

24 1/2” x 9” 


438: GLASS FRUIT LAMP 

White metal Renaissance-style bowl with 

rams heads on handles, sitting on matching 

mirrored tray, 20th C. 9 1/2” x 18 1/2” 


436: PAIR OF MUSIC 

BOX LAMPS 

Gilt and silvered bronze urns on revolving 

pedestals, possibly French, 19th C. One 

replaced shade and funnel. Height to wick: 

17 1/2” 


439: LARGE MAJOLICA VASE 

Possibly by Thomas Sergent, with applied 

crocodiles, 19th C. 14 1/2” x 13” dia. 



437: LIGHTING 

Pair of steel hanging fixtures shaped as 

French military bicorne hats, each with 

hanging chain and opaque plexiglass light 

cover, fixtures only: 9” x 18”. Together with 

a pair of electrified carriage lamps in 

patinated metal with beveled glass panels, 

both 20th C. 11” x 4 1/2” 


440: MAJOLICA 

Minton oyster plate, marked; George Jones 

compote, marked; pineapple bread tray, 

unmarked. Compote height: 5 1/2” 


441: ETRUSCAN MAJOLICA 

Sunflower molasses jug; Shell and Seaweed 

platter; Seaweed Albino cider jug. First two 

marked. Largest: 6 1/2” 


444: ENGLISH MAJOLICA 

ICE CREAM SET 

Tray and six plates with fan design, maker 

unknown, 19th C. Tray stamped with maker’s 

mark and registration numbers, all illegible. 

Tray: 1 1/2” x 14 3/4” x 9” 


442: ETRUSCAN MAJOLICA 

Seven plates and serving dishes: three 

begonia leaf plates; two leaf plates; leaf 

with flowers and berries; leaf with three 

acorns. Crazing to the glaze, chips and 

cracks to many edges, some significant. 

Each marked. Largest: 12” 


445: ETRUSCAN SHELL AND 

SEAWEED MAJOLICA 

Seven pieces: tea pot with crooked spout, 

marked; open sugar bowl, marked; tea cup 

and saucer; small dish, marked; two butter 

pats. Tea pot: 6 1/2” 

$1,200–1,500. 

443: MAJOLICA 

Six plates in various patterns and styles, 

including Etruscan: three cobalt strawberry 

blossoms, some crazing and damage to 

paint, one large crack to rim of one plate; 

one Wedgwood basketwork with fruits and 

leaves, chips to the rim and crazing; one 

Etruscan cauliflower, some wear; Etruscan 

basketwork strawberry plate. Wedgwood 

and Etruscan marked. Largest: 9 1/4” dia. 


446: ETRUSCAN 

MAJOLICA, Etc. 

Six Etruscan pieces: two wild rose creamers, 

one with significant hairline crack; wild rose 

covered sugar bowl; lily mug; Hawthorne 

mug, with significant damage; small green 

pitcher with significant hairline crack. 

Together with three pieces by varied 

makers: Hummingbird pitcher, illegible 

mark; creamer in wild rose style; 

Woodbourne pitcher, several chips, marked. 

Crazing to the glaze, chips and cracks to 

many edges, some significant. Etruscan 

pieces marked. Largest: 7 1/8” 



448: MAJOLICA 

Fourteen plates, serving dishes, and tiles: two scalloped dog and 

doghouse platters; three-color shell dish, marked; banana leaf 

plate; Avalon ‘Faience’ textured brown plate with turquoise and 

gold trim, marked; olive green plate with turquoise center portrait, 

marked; Minton tile in cobalt with vine design, marked; Zell 

turquoise plate with leaves, marked; toothpick holder with apple; 

Wedgwood green sunflower plate, marked; green plate with floral 

design, marked; artichoke plate, marked; green plate with floral 

design; unmarked framed tile. Crazing to the glaze, chips and 

cracks to many edges, some significant. Largest: 14” 



449: MAJOLICA 

Thirteen pieces: bird on branch; Sarreguemines parrot pitcher, 

marked; rose basket; Waddle Fern & Bamboo cup and saucer, 

marked; sugar bowl with mismatched rim, significant losses to rim; 

pair of boy and girl candlesticks, marked; covered large sugar bowl 

in oak leaf and acorn design; three butter pats in green or cobalt; 

fruit basket covered dish. Crazing to the glaze, chips and cracks to 

many edges, some significant. Largest: 9 1/4” 


450: MAJOLICA 

Twelve tableware items including pitchers, creamers and a sugar 

bowl. Pitchers: cream glaze basketwork Hummingbird with bamboo 

ribbing and handle, crazing and a large chip to base, marked, 8”; 

blue glaze wood style with leaves, flowers and twig style handle, 

crazing and small paint loss to rim, marked, 7 1/2”; maroon glaze 

log design with crazing, 6 1/4”; Wedgwood brown glaze with dark 

green accents and stylized handle, crazing, stamped Wedgwood, 7 

3/4”; corn design with crazing and some damage to bottom, 9”; 451: MAJOLICA 

blue and white glaze fish design, crazing, losses to side of mouth Seventeen plates and serving dishes: Etruscan oak bread tray, 

and a hairline crack on the base, 9 1/2”; cream glaze with red, blue marked; Etruscan begonia leaf plate; barrel staves & floral pattern 

and gold floral decoration with matching creamer, significant tray; leaf plate; brown plate with green leaf; Sarreguemines plate; 

crazing on both and hairline cracks and damage evident on 

oblong dish with crane; daisy tray; begonia leaf plate; two 

creamer, 6 1’2”; gold and maroon glaze bird and grape design with Wedgwood leaf plates, marked; Villeroy & Boch Lily tray, marked; 

pewter lid, crazing and significant crack extending from the rim Villeroy & Boch turquoise plate with leaves and flowers; plate with 

around the body, also with repairs, 4 1/2”. Creamers: rose & rope corn ears, marked; small oval plate in turquoise and black; leaf 

creamer with wear around rim; Wardle Fern & Bamboo design, plate with flowers and berries; green three leaf plate. Crazing to 

marked and with crazing, together with a matching sugar bowl with the glaze, chips and cracks to many edges, some significant. 

crazing and losses to the inner rim, 4 1/2” 

Largest: 15” 



452: ROYAL DUX 

Ceramic figure of a young woman leaning over a vase, 19th C. 

Restoration to base. Marked Royal Dux Bohemia. Height: 24” 



Art Nouveau vase with a female figure picking grapes in high relief, 

ca. 1900. The vase with asymmetrical top. Marked Royal Dux 

Bohemia. Height: 25” 



Young woman and putti holding aloft an oval bowl, ca. 1900. 

Marked on base Royal Dux Bohemia. 15 3/4” x 12 3/4” x 10 1/4” 


455: ERNST WAHLISS 

Tall conical vase in basketwork design, with flowers and cherubs, 

ca. 1900. Marked Depose Made in Austria. Height: 23 1/2” 



456: JEAN JULES SALMSON (French, 1823-1902) 

Bronze sculpture of a woman in the Oriental style, a jar in her 

hand. Drilled for lamping, with small repair on back of neck. Marked 

Salmson. Height: 21” 


458: BRONZE FIGURAL GROUP 

Fisherman with young child holding a lute, 19th C. Unsigned. 

15 1/2” 



457: VACLAW BERNARD (VICTOR) 

SZCZEBLEWSKI (Polish, 19th C.) 

Bronze sculpture, “Boy Whistling” on marble base, 1889. Signed 

and dated. With base: 9” 


459: ERNEST RANCOULET (French, 1870-1915) 

Untitled (Woman Carrying Wheat) bronze figure. Provenance: 

Private Collection, New Jersey. Signed “Rancoulet”. 21 1/2” high. 


460: JEAN BAPTISTE GUSTAVE DELOYE 

(French, 1848-1899) 

“Triptolème Apprenant de Céres l’Art de Cultiver la Terre,” silvered 

bronze sculpture (with base), 1896. Provenance: Private Collection, 

New Jersey. Signed “GDELOYE”. 16” high, 24” (with base). 


461: MATHURIN MOREAU (French, 1822-1912) 

“La Muse des Bois,” bronze sculpture on rotating bronze base. 

Provenance: Private Collection, New Jersey. Signed “Math.Moreau”. 

27 1/2” high, 28 1/2” (with base). 



462: LOUIS-AUGUSTE MOREAU 

(French, 1855-1919) 

“David,” bronze sculpture. Provenance: Private Collection, New 

Jersey. Signed “L. Moreau”. 29” high. 


464: GREEN 

ONYX 

PEDESTAL 

Four columns 

supporting a square 

top and bottom shelf 

with metal mounts, 

20th C. 32” x 10” 



463: HYPPOLYTE FRANCOIS MOREAU 

(French, 1832-1927) 

“La Vigne,” gilt bronze sculpture on base. Provenance: Private 

Collection, New Jersey. Signed “HMOREAU”. 22 3/4” high, 24” (with 

base). 


465: MARBLE 

PEDESTAL 

Green and white veined 

column with square top and 

base, 20th C. 40 3/4” x 12” 


466: MATHURIN MOREAU (French, 1822-1912) 

“Echo,” bronze sculpture. Provenance: Private Collection, New 

Jersey. Signed “Math Moreau / Hors. Concours” and stamped 

“MEDAILLE HONNEUR”. 26 3/4” high. 


467: EUGENE MARIOTON (French, 1854-1925) 

“Diana,” bronze sculpture. Provenance: Private Collection, New 

Jersey. Signed “Eug. Marioton” and with foundry mark “E. Colin cie”. 

29” high. 



468: AFTER GIOVANNI 

DA BOLOGNA 

(Flemish/Italian, 15th C.) 

Untitled (Female Figure with Star) 

bronze sculpture with continuous 

bronze frieze around a slate base. 

Provenance: Private Collection, New 

Jersey. 28” high, 36” (with base). 


470: CARVED 

WOOD 

PEDESTAL 

Tapering corkscrew 

column surmounted by 

a sphere, with square 

top and base, 19th C. 

41” x 18” x 15 3/4” 



469: EUGEN BORMEL (19th C.) 

Bronze sculpture of winged goddess with flowers and a basket, on a 

marble socle, 1897. Cast in two separate pieces and joined at the 

hip. Signed ‘Bormel 1897’. Height: 16 5/8 


471: MARBLE 

PEDESTAL 

White speckled marble 

with horizontal rings 

and square top and 

base, 20th C. 39 1/2” x 

11” 


472: EMIL ANDRE BOISSEAU (French, 1842-1923) 

“Le Crépuscule” (Twilight) bronze sculpture on base. Provenance: 

Private Collection, New Jersey. Signed “Boisseau” and with foundry 

mark “THIEBAUT FRERES FONDEURS PARIS”. 17” high, 19 3/4” (with 

base). 




473: GARDEN STATUARY 

Four cement sculptures of musician putti on 

square pedestals, one signed ‘Papini .’, 20th C. 

59” x 16” 


474: 20TH C. BRONZE 

Sculpture of a nude, early 20th C. Signed "H.G.B" 

and with foundry mark “ROMAN BRONZE WORKS 

N-Y-.” 47” x 47” x 14 1/2” 


475: LEADED GLASS SHADE 

Dome top with graduated panels above a scrolling heart shaped 

vine and a large bronze floral band, ca. 1900. 16” x 25 1/2” dia. 


476: LEADED GLASS TABLE LAMP 

Mushroom-shaped shade in a tulip design on a three light 

quaterfoil base with bronze patina, 19th C. A couple of short breaks 

on glass. Unmarked. 25” x 19” 


477: HANDEL SHADE 

Leaded glass shade with dogwood design and a graded checkered 

design on top. Marked Handel on inside of shade. 9” x 18 1/2” dia. 



478: HANDEL SHADE 

Domed leaded glass shade with overall dogwood design. Marked 

Handel on the inside. 6 3/4” x 15 5/8” 


480: ORMOLU AND GLASS CENTERPIECE 

Gilt bronze base with three satyr caryatids joined by a band of vine 

and grape leaves, supporting a clear cut glass bowl, 19th C. 

11 3/4” x 9” dia. 



479: CONTINENTAL CANDELABRUM 

Pair of six flame candelabrum, 19th C. 26 1/2” 


481: GLASS LUSTRES 

Pale green lustres with enamel decoration and gilded crenelated 

top with two tier cut prisms, ca. 1900. 14” x 6 3/4” 


482: MONUMENTAL BRONZE AND 

ORMOLU FIGURAL LAMP 

With gilt socle and five arm candelabra on black painted wooden 

base, fitted for electricity, 19th C. 66” high 


483: CUT CRYSTAL LAMP, POSSIBLY OSTLER 

Elaborately cut with brass bands and base. Externally wired for 

electricity, retains original oil font. Marked ‘Hinks & Sons, patent’. 

Height with chimney: 33” 


484: DURAND ART GLASS 

Pair of ambergris pulled-feather and wheel cut vases mounted as 

lamps on white metal bases. One vase slightly askew. Height with 

fittings: 18 3/4” 



485: LALIQUE 

‘Champs-Elysées’ leaf-form bowl with a 

partially polished irregular rim. M. p. 320, 

no. 11057. Engraved Lalique France. 

7 1/2” x 18” x 9 3/4” dia. 


488: LALIQUE 

‘Font-Romeu’ vase of frosted glass with 

ferns. Engraved ‘Lalique France’ on base. 

8 5/8” x 9 3/8” dia. 


486: LALIQUE 

‘Marguerites’ centerbowl of clear and 

frosted glass, with daisies and rays. M. p. 

304, no. 11004. Engraved Lalique France. 

3” x 14” dia. 


489: LALIQUE 

‘Côte d’Or’ coupe plate with three nudes 

dancing among grapes, no.11005, engraved 

signature Lalique, France. Together with 

frosted glass bowl with dragons marked R. 

Lalique on interior. Largest: 15 3/4” dia. 



487: LALIQUE 

‘Esna’ vase of clear and frosted glass with 

floral design. Engraved Lalique France. 

9” x 8 1/2” dia. 


490: LALIQUE 

Three vases: ‘Venise,’ of lion form in clear 

and frosted glass, no. 11228; ‘Eroica’ in clear 

and frosted glass; ‘Asmara,’ with cats in 

opalescent amber and clear glass. All 

engraved Lalique France. Tallest: 

13” 7” x 3 3/4” x 4” dia. 


491: LALIQUE 

Three vases: ‘Bagatelle,’ 6 3/4”; ‘Bagheera,’ 

8 1/2”; and ‘Atossa’ lamp base 7 1/2”. All 

engraved Lalique, France. 


494: AMERICAN ART GLASS 

Four vases including a Durand atomizer 

base and a yellow satin vase with painted 

acorn and leaf design, all 20th C. 



492: WATERFORD CUT 

GLASS, Etc. 

Two-light candelabra with hanging prisms 

and triangular obelisk, chrome fittings, 

stamped Waterford, 19th. Together with two 

bowls by unknown makers, 20th C. (pictured 

online). Tallest: 19” 


495: TIFFANY FAVRILE GLASS 

Compote with ruffled rim. Marked #8761L 

LC Tiffany Favrile. 3 3/4” x 5 1/2” dia. 

$750–1,000 


Two amethyst glass vases, marked Durand, 

20120/16 and 1986/6; together with a ruby 

glass vase by unknown maker, unmarked. 



496: KIMBLE CLUTHRA GLASS 

Three vases, the tallest of olive green glass 

with internal mottled white. All marked. 




497: KIMBLE CLUTHRA GLASS 

Three vases. All marked. Tallest: 12 1/4” 


500: AMERICAN CUT GLASS 

Three vessels in green glass cut to clear, 

19th C.: tall trumpet bud vase; tapered 

vase (drilled for electricity); and ice bucket. 



498: AMERICAN ACID 

ETCHED GLASS 

Eighteen items, 19th-20th C.: six sherberts, 

six stem glasses and two handled glasses 

signed Locke Art; two handled glasses by 

Fry; two Kalana vases by Dorflinger. 




499: PAIR OF AMERICAN ART 

GLASS CANDLESTICKS 

With clear stems and rose cups and bases 

having concentric circles. Unmarked, 

possibly Steuben. Height: 13 3/4” 


501: ART GLASS 

502: CUT GLASS 

Four pieces: Hawkes cut glass vase; cut Three pieces, 19th/20th C.: bowl with 

glass vase with applied gold decoration, applied Gorham sterling silver mount; vase; 

possibly Tuthill; Moser pumpkin basket with and tazza. Bowl marked. Tallest: 16 1/4” 

three oval windows and ruffled edges, 

unmarked; and white and cranberry crackled 

glass bowl with a white crenelated rim. 




503: PAIR OF AMERICAN 

GLASS DECANTERS 

Ruby cut to clear with faceted stoppers, 

19th C. 14” with stopper 


506: LOETZ 

Iridescent art glass vase. Unmarked. 

12 1/4” x 5” 


504: AMERICAN PRESSED 

GLASS 

Four items, 19th C.: two rectangular trays, 

one with handles; footed vase; cut glass 

pitcher in the Hobnail pattern. Vase: 9 1/2” 


507: WHEELING PEACH 

BLOW GLASS 

Vase with burgundy fading to golden yellow, 

19th C. 8” 



Seven pieces, 20th C.: two pairs of 

Dorflinger Venetian Reproduction Line 

candlesticks in amethyst and amber; ruby 

vase (possibly Dorflinger) mounted on a 

Gorham silver base; Sinclair amber ribbed 

vase with gilt peacock design; Sinclair clear 

vase with acid-etched poppies and 

amethyst, gold and green coloring. 



508: DURAND AMBERGRIS 

GLASS 

Six pieces: trumpet vase with optic rib; 

optic rib parfait; sherbert dish with plate; 

tumbler and champagne glass in spanish 

yellow. Tallest: 10 1/2” 




Four pieces, 19th-20th C.: Lundberg blue 

lustre vase with freeform opening; gold 

spherical bowl with wheel cut star; ruby cut 

to clear glass cordial with wheel cut 

diamond design; and small green ribbed 

melon vase with applied spider webbing. 



512: ROYCROFT 

Box lot of desk-top items, mostly hammered 

copper, includes: oak book stand with the 

Roycroft logo on one side; metal bud vase 

with added glass liner; pair of small book 

ends; crescent-shaped tray and knife; large 

circular tray, all stamped with orb and cross 

mark. Together with several other pieces of 

hammered copper and brass, unmarked. 

Book stand: 5” x 15” x 6” 


510: DURAND GLASS, Etc. 

Ruby cut to clear decanter with stopper and 

“Corncob” vase (both published); blue cut to 

clear decanter, possibly Durand, with 

matching stopper; cranberry cut to clear 

hobnail and diamond vase by unknown 

maker. Decanter incised 38. Tallest: 12 1/4” 


513: STANGL BIRDS 

Magpie Jay and Spotted Owl. Impressed 

marks on the owl ‘Stangl USA’, oval Stangl 

pottery birds mark and V.3758. underglaze. 





BOUDOIR LAMPS 

Three lamps: white cut to clear with brass 

mounts and amber shade, missing part of 

flared rim; clear swirled glass with 

matching cut chimney and shade; and 

green cut to clear glass with brass mounts 

and cut frosted chimney. Tallest: 15 3/4” 


514: AMERICAN ART POTTERY 

Three vessels: Fulper flaring, fluted bowl in 

Chinese Blue glaze; tall two handled 

“Sunburst” Stangl vase ca. 1933-1934; 

small Rookwood production vase dated 

1928. Stangl: 18 1/4” 


515: ZANESVILLE POTTERY 

Four items: Weller Dickens Ware tall vase 

with a monk strumming a mandolin; Rozane 

pitcher; Weller Aetna vase with thistle; and 

Weller Floretta urn. All marked. Tallest: 11” 



PORCELAIN 

Limoges scroll footed bowl, hand-painted 

with roses, minute rim chip and wear to 

gilding, signed M.W. Innes; five cups, one 

without saucer, made by Royal Vienna, 

Sèvres and Dresden, 19th/20th C. 

Bowl: 5 1/4” x 11” 


516: ROOKWOOD, Etc. 

Three Rookwood vessels: Standard glaze 

teapot and vase, and Weller Hudson Light 

vase. All marked. Tallest: 9 5/8” 



CERAMIC BUST 

Marked 1192 7. Height: 11” 


517: PAIR OF CONTINENTAL 

PORCELAIN 

CANDELABRUM 

Four-light, tree-form, encrusted overall with 

carnations and roses, with twig handles, 

19th C. Some slight losses to petals. 

Marked 21. Height: 20 1/2” 



PORCELAIN 

Goddess or muse, perhaps Seshat, standing 

on the earth with geographical instruments 

and a putto at her side, 19th C. Underglaze 

blue mark and impressed numerals. 

Height: 12” 




ECCLESIASTICAL 

CANDLE STAND 

Possibly Italian, of hammered metal, later 

mounted as a lamp, 18th C. 55” high 


522: GILT BRONZE 

FIGURAL LAMP 

With four children beneath tall trees, the 

tops of trees having mounted sockets, with 

speckled gold domed glass shade, ca. 1900. 

Marked Brose. 23” x 10 1/2” dia. 


523: BRASS AND GLASS 

HANGING FIXTURE 

Four light chandelier with acid etched glass 

panels, 20th C. Total height: 39”. 18” dia. 



524: PIERCED BRASS 

FLOOR LAMP 

In the Oriental style, topped by a matching 

fringed shade, early 20th C. 66 1/4” high 


525: AMERICAN HISTORICAL 

STAFFORDSHIRE 

Blue Transfer decorated teapot depicting 

the landing of General Lafayette in New 

York 16 August 1824, 19th C. 

7 1/4” x 10 3/4” 


528: EUROPEAN CERAMICS 

AND GLASS 

Fourteen pieces, 17th-20th C.: Delft plate 

with vase with peacock feathers and 

flowers, marked; English covered soup 

tureen and two matching underplates; 

Copeland tazza with cracked ice and prunus 

design; Royal Crown Derby diamond-shaped 

plate with acorn and oak leaves; Wedgwood 

pitcher; two George Jones & Sons leafshaped 

dishes with white buds; early 

pressed glass decanter; two mercury glass 

curtain tie-backs in grape and leaf motif; 

small oval painted woven bamboo basket; 

and a horn-shaped perfume bottle. 



526: FLOW BLUE CERAMICS 

Sixteen table ware items by various makers, 

19th C.: large Kashmir footed and handled 

bowl, significant hairline; two trays; 

covered vegetable dish; large bowl and ten 

assorted plates. Foot bowl: 

8 1/2” x 18 1/2” x 12 3/4” 



529: 17TH C. IZNIK PLATE 

Painted with breaking waves around a 

central floral design, in polychrome. 

Distressed condition, broken and reglued in 

several places. 11 3/4” 


527: HISTORICAL BLUE 

STAFFORDSHIRE 

Twelve table ware items, 19th C.: two large 

platters, one by Edward and George Phillips; 

two covered teapots; seven plates; and a 

Wedgwood hound handle pitcher with 

hunting scene. Largest: 19” x 16 3/4” 



530: ZSOLNAY, Etc. 

Large bulbous vase hand-painted with four 

interlocking floral panels, marked on base 

with underglaze blue mark. Together with a 

Pickard china-painted vase with peacock 

and etched gilt decoration, stamped on the 

base with various marks and original paper 

label, 20th C. Tallest: 13 1/2” x 10” dia. 



531: J. PRADIER 

CANDELABRA 

Pair of seven-light bronze candelabrum, 

each with a different figure supporting 

seven ornate bobeches, on a black marble 

base. Signed J. Pradier. Height to topmost 

bobeche: 25 1/4” 


534: COLLECTION OF CANE, 

PARASOL AND 

UMBRELLA HANDLES 

Approx. three hundred and thirty-five 

handles, some in gold, carved rosewood or 

ebony with decoration in silver, horn, 

Bakelite, mother-of-pearl or gold-fill, all 

19th/20th C. (All pictured online) 


532: SEVRES PORCELAIN AND 

METAL SCONCES 

Two Sèvres plates with couples in 18th C. 

dress, mounted with metal mounts and two 

light sconces, 19th/20th C. 14” x 10 1/2” 


535: PAIR OF STAFFORDSHIRE 

STYLE PUGS 

With gilt highlights, 20th C. 15 1/2” 



533: PAIR OF GILT 

METAL SCONCES 

Four light centered by a female head, the 

top with ribbons, eight glass bobeche. 

19” x 15” 


536: GEORGIAN STYLE 

BALLOT BOX 

In mahogany with three lockplates, each 

with individual key, dovetail construction 

with iron fittings, 19th C. 

8 1/2” x 12 1/2” x 12 1/4” 


537: PAIR OF ORMOLU 

SCONCES 

Four-light sconces with foliate arms and 

bobeches, 20th C. Height of metal: 

16 1/2” x 13 1/4” 


540: PAIR OF BRASS 

CANDELABRUM 

Seven-light lamps with pierced column 

flanked by two griffins and four arms with 

griffin supports, 20th C. Total height: 

37 1/2” 


538: ENGLISH ROSEWOOD 

CANTERBURY 

In the William IV style with brass dividers 

and turned posts, 19th C. 20 1/4” x 19” x 15” 


541: THONET BENTWOOD 

EASEL 

19th C. Signed, with part of original label 

still legible. 69” 


539: PAIR OF ORMOLU AND 

MARBLE CANDELABRUM 

With putti decoration. One missing 

bobeche, 19th C. Height: 20” 


542: COLLECTION OF BOXES 

Six boxes, 19th-20th C.: large sarcophagus 

tea caddy containing two rectangular 

wooden canisters and glass mixing bowl, 

not original; document box with domed lid 

and brass inlay and handles; inlaid 

marquetry box; satinwood sarcophagus tea 

caddy; rectangular box with carved fan 

medallions; and a gilt metal box with 

equine decorative elements. Largest: 

7 5/8” x 14” x 7 1/4” 


543-548: NO LOT 


549: SEVRES PORCELAIN 

PLATES 

Eight plates with portraits of famous 

women on green enameled ground and 

stylized gilt decoration. Some signed 

Georget, some titled, all stamped M.Imple 

de Sevres [Manifacture Imperiale de 

Sevres], 19th C. 9 1/2” dia. 


552: UNION PORCELAIN 

WORKS 

Three shell-shaped oyster plates, each with 

five wells and raised, colored and gilded 

decoration of sealife. Minor wear. All 

stamped UNION PORCELAIN WORKS and 

PAT.JAN.4.1881, 19th C. 8 1/2” x 6 1/2” 


550: ENGLISH CERAMICS 

Jasperware planter and underplate with 

three oval reserves, one with Howe and 

Nelson, one with Mercury and a dog, the 

third of Trafalgar. Stamped on base 6, 

possibly by John Turner, Lane End, 

Staffordshire Potteries. 4 3/4” x 6 3/8” dia. 




PLATES 

Set of ten with four fan-shaped vignettes of 

alternating flowers and amorous couples, 

19th C. 8 3/4” dia. 


553: WEDGWOOD LUSTRE 

554: MEISSEN CHINA PLATES 

Tall trumpet vase painted with 

Set of twelve soup plates with molded 

hummingbirds; a squat vessel and small design on cavetto, hand-painted floral 

cup with similar decoration. Together with a decoration, basket weave on border and gilt 

Carlton Ware Lustre type vase, 20th C. rims. Together with two basket-work bowls 


with hand-painted floral medallions, both 


with restoration and damage, all 19th C. 


555: ALBERT ERNEST 

CARRIER-BELLEUSE 

(French, 1824-1887) 

Bisque bust of young woman. Restoration to 

base. Signed A. Carrier-Belleuse. 

Height: 26 1/2” 


557: COPELAND PARIAN PORCELAIN BUST 

Sir Walter Scott. Incised on back, Published December 1, 1853 

Copeland. Height: 17 1/2” 


556: AFTER EDWARD SHEFFIELD 

BARTHOLOMEW (British, 1822-1858) 

Marble sculpture of a reclining nude, on wrought-iron base. 

11” x 39” x 18” (17” x 29” x 54” base, pictured online) 


558: AFTER ETIENNE-MAURICE FALCONET 

(French, 1716-1791) 

“Bather,” marble sculpture. Marked “FALCONET”. Height: 32” 



559: ABSTRACT BRONZES 

Two untitled works, 20th C.: one on black slate base, 9 1/2” x 15” x 10 1/8”; the other of 

a woman’s torso on square base, 22 1/2” x 11 1/4” x 10 3/8”. Provenance: Private 

Collection, Pennsylvania. Both marked with artist’s signature device. 


560: NO LOT 

562: A. GIORGI ALABASTER 

SCULPTURES 

Two nudes, both signed, 32” and 28” high. 

Together with a plaster columnar pedestal, 

both 19th/20th C. 


563: PAIR OF RED MARBLE 

URNS WITH ORMOLU 

Campana urns with ormulu fittings, the two 

handles with satyr heads, 19th C. 14” 



561: TERRACOTTA BUST 

OF MOZART 

As a young child, on round plaster pedestal, 

19th C. Incised “ [?] FC”. 17” 


564: RENAISSANCE REVIVAL 

CARVED ALABASTER 

Pair of ewers with dragon handles, 20th C. 

19” x 5 1/4” 


565: ARCHITECTURAL CERAMIC FIGURES 

Two figures in classical robes, 20th C. Provenance: University 

of Pennsylvania. Signed indistinctly on lower right, possibly 

Mead. 62” 


566: BRONZE DISCUS 

THROWER 

After the antique, with verdigris patina, 

20th C. 27” high. 


567: ART NOUVEAU STYLE 

INKWELL 

Surrounded by a bust of a young woman 

titled ‘Bohémienne’, fronted by a shell and 

penrest and flanked by two glass inkwells 

and grotesque masks, 20th C. Height: 8 1/4” 


568: BRONZE PARROT 

Perched on a tree stump, 20th C. 

Height: 53” 




569: IN THE MANNER OF 

FRANS POURBUS 

THE YOUNGER 

(Flemish, 1569-1622) 

Marie de Medicis, early 20th C. Oil on 

canvas mounted to Masonite, in 

architectural giltwood frame. 

Provenance: Private Collection, New 

Jersey. 39 1/4” x 30”. 


570: AFTER WILLIAM 

ADOLPHE 

BOUGUEREAU 

(French, 19th C.) 

Portrait of Ariadne (Reclining Nude), 

1875. Oil on canvas (framed). Signed 

and dated “W. BOUGUEREAU 1875”. 

74 3/4” x 44” 


571: EARLY 20TH C. PORTRAITS 

Three works: Sidney Brooks deKay, pastel on paper (framed), 23 

1/2” x 19 3/4” (sight); Untitled (Portrait of an Officer), 1914, oil on 

canvas (framed), signed illegibly and dated, 36” x 29”; Untitled 

(Portrait of a Woman), oil on canvas (framed), signed illegibly and 

with family crest, 35” x 28”. Provenance: Private Collection, New 

Jersey 


572: ITALIAN SCHOOL PAINTING 

18th C., or perhaps a Flemish artist working in Italy during that 

period, oil on canvas laid down on masonite, few areas of 

restoration in the sky, however, opaque varnish might be obscuring 

older restoration, 25 1/2” x 31 1/2” 


573: 19TH/20TH C. PORTRAIT 

Untitled (Portrait of a Woman). Oil on canvas (framed). 

Provenance: Private Collection, New Jersey. 30” x 24” 


574: EUROPEAN SCHOOL PORTRAIT 

Untitled (Gypsy Woman), 19th/20th century. Oil on panel (framed). 

Provenance: Private Collection, New Jersey. 6” x 4” 



575: LUDWIG GSCHOSSMANN 

(German, 1894-1988) 

Ballroom Scene, 1940s. Oil on canvas 

(framed). Provenance: Private Collection, 

Pennsylvania. Signed. 31 1/4” x 27” 


578: AFTER THE MEDIEVAL UNICORN 

TAPESTRY 

Two 20th C. needlepoint tapestries (framed). 

32” x 42” and 20” x 26” 


576: 19TH C. PORTRAIT 

Oval portrait of a young lady cradling a 

dove. Pastel on paper (framed). Artist’s 

signature device (possibly initialed “TR”) 

lower right. 29” x 24” (sight) 



577: HARRINGTON MANN 

(British/American, 1864-1937) 

Untitled (Portrait of a Young Girl), 1910. Oil 

on canvas (framed). Signed and dated. 

Provenance: Private Collection, New Jersey. 

25 1/2” x 20” 


579: LATE 19TH C. PORTRAIT 

Untitled (Portrait of a Young Girl), ca. 1840. Oil on canvas 

(framed). Provenance: The Brownstone Gallery, New York (label on 

verso). 24 1/2” x 20” 


580: JANE BRIDGHAM CURTIS CHILD 

(American, 1868-) 

Portrait of Janet Craven de Kay, 1904. Pastel on canvas (framed). 

Signed and dated. Provenance: Private Collection, New Jersey. 

42 1/2” x 53” 




581: JOHN TAYLOR 

ARMS 

(American, 1887-1953) 

Eight signed etchings, the largest 

a view of a hill town; a church 

facade; and six others of 

European vistas, three in each 

frame, 20th C. Largest, sight: 

14 3/4” x 11 3/4” (All pictured 

online) 


582: JOHN TAYLOR ARMS 

(American, 1887-1953) 

Eight etchings of gargoyles, 20th C. All signed, some 

dated, several marked ‘private collection.’ Largest, 

with frame: 19 1/4” x 14 3/4” (All pictured online) 


583: THEODORE WORES (America, 1860-1939) 

Orientalist oil on canvas of a Geisha serving tea to a gentleman, 

1896. Signed Theodore Wores on the lower left and penciled on the 

back Theodore Wores 1896. Overall: 29 1/2” x 22” 




584: PAUL JACOULET 

(French, 1902-1960) 

Two color woodblock prints, ‘Le Trésor 

“Corée”’', and ‘Fleurs du Soir Truck- 

Toloas.’ Both signed and sealed lower 

right with duck seal. 18 1/2” x 14” 



(French, 1902-1960) 

Three color woodblock prints: ‘Marchand 

de Sel Corée’ with JP watermark, signed 

in pencil with hammer seal on the image 

and a two column seal on right margin, 

marked on back in red seal 248/350; ‘Le 

Bonze Errant Corée’ with JP watermark 

signed in pencil with peach seal on the 

image and two column seal on right 

margin, marked on back in red seal 

63/250; ‘Fumées de Santal 

Mandchoukuo’ with gauffrage detail and 

applied mica with JP watermark signed 

in pencil with Tomo-e seal on the image 

and marked on back in red seal 348/850. 

Each: 18 /12” x 14” (All pictured online) 



(French, 1902-1960) 

‘Trois Coréens.’ Two column publisher’s 

mark on left hand margin with Jacoulet 

watermark in paper, signed in pencil and 

sealed with Mandarin duck on image. 

18 1/2” x 14” 


587: 20TH C. JAPANESE 

PAINTING 

Possibly by Takeshi Hayashi, mixed media 

roses painted on board. Signed center right 

Take, H., paper label on back. 

Sight: 10 1/4” dia. 


588: DICK L. TCHIU (Vietnamese, 20th C.) 

Abstract landscape, oil on board. Signed and dated lower right Dick 

L Tchiu ‘62 and Chinese characters, paper label of Première 

Exposition Internationale de Beaux-Arts de Saigon, 1962. 

24” x 21 1/4” sight 


589: OHARA KOSSON (Japanese, 1877-1945) 

Watercolor of two ducks, in round wooden frame, signed and sealed 

Kosson, with frame: 13” dia. Together with a painted scroll with a 

temple by a lake in snow covered landscape, Meiji period, 

overall: 71” x 22” (All pictured online) 



590: ASIAN TEXTILES 

Four Japanese embroidered panels, framed, 19th C.: two with birds 

among bamboo and maple, one with birds and chrysanthemums, the 

last with cranes and willow; largest, framed: 54 1/2” x 24 1/4”. 

Together with five Chinese couched gold embroideries of immortals, 

framed,19th C.; largest: 16” x 14 1/2” (All pictured online) 


591: ASIAN 20TH C. ART 

Watercolor/gouache portrait on paper of a woman with floral head 

adornment, in shadowbox frame, signed and dated 1977; oil on 

canvas of a temple complex, signed ‘64 S.J. Han; oil on canvas 

portrait of a woman, signed Kango Kajiwara, inscriptions on back; 

oil on canvas without stretcher, unsigned. Largest sight: 30” x 24” 




592: JAPANESE SCROLL PAINTING 

With brocade and painted silk border of a group of Lohans, one 

man on his knees offering a gift to a man with a dear, 19th C. 

79” x 40 1/2” 


593: HIROAKI TAKAHASHI (Japanese, 1871-1944) 

Two color woodblock prints: View of Mt. Fuji with lake and Torii in 

the foreground, signed lower right and sealed Shotei; man and 

child in silhouette, signed and sealed lower right Hiroaki. 

Both 14 5/8” x 6 1/4” 


595: SADAO WATANABE (Japanese, 1913-1996) 

“The Last Supper,” woodcut (framed), 1985, signed, dated, 37/100, 

23 3/4” x 18 3/4” (sight). Together with a smaller woodcut, 1968, 

signed and sealed, 13” x 9”. Provenance: Private Collection, New 

Jersey (All pictured online) 


594: KOICHI OKUMURA (Japanese, 1904-1974) 

Six woodblock prints, signed; together with Toshi Yoshida, ‘From 

the Star, Night’, 1957 (pictured), with printed title, date, and 

signature, 2/20. Largest: 26 1/4” x 24 1/4” (All pictured online) 


596: JAPANESE WOODBLOCK PRINTS 

By various artists including Hiroshige: two Hiroshige landscapes, 

Oban; two smaller views framed together; book plate by Kiyokata, 

Oban; three others by unknown artists, all 19th/20th C. Largest 

with frame: 25 3/4” x 12 3/4” (All pictured online) 




AND PAINTINGS 

Fifteen pieces, 19th/20th C.: five woodblock prints, one by Tsukya 

Koitsu, and four others by unknown artists; seven watercolor 

paintings of flowers; two landscapes, one with cranes; floral 

painting on silk made as a scroll but not mounted. (All pictured 

online) 


599: FOUR JAPANESE BOOKS 600: JAPANESE ART BOOKS 

Including one with anatomical studies Legends in Japanese Art, Henri L. Joly; The 

representing the works of various artists; World of Japanese Ceramics, Herbert K. 

Masterpieces by Hiroshige; various sketches Sanders; Netsuke: A comprehensive study 

of landscapes, people and birds; Bunte based on the M.T. Hindson Collection, Neil K. 

Blatter, Japanischer Poesie, Karl Florenz, Davey, together with two exhibit catalogs of 

written in Japanese and German, all 

Japanese art. 

19th/20th C. 




598: ASIAN SCROLLS 

Watercolor painting of Miyajima Shrine on silk laid down on paper, 

signed and sealed lower right; Chinese gouache on paper and a 

Korean page with three watercolors on silk, all 20th C. 

Largest: 34 1/2” x 24” (All pictured online) 


601: JAPANESE WOODBLOCK 

PRINTS 

Nine prints by various artists (three 

creped), including Toshi Yoshida and 

Mikumo, all 19th C. Seven framed. Various 

sizes. (All pictured online) 



Eight prints, including: Tomikichiro, Yoshitoshi, Kunisada, Kosson 

and others, 19th/20th C. All framed. Oban and various sizes. (All 




PRINTS/BOOKPLATES 

Ten prints, including: Hokusai and various artist, 19th C. Various 

sizes. (All pictured online) 



AND WATERCOLORS 

Fourteen works of art by various artists, including Hiroshige and 

Toyokuni, unframed, 19th C. Some prints with losses. Various sizes. 




PRINTS/BOOKPLATES 

Ten prints by various artists, 19th C. Various sizes. (All pictured 

online) 




Ten prints, including: Takahashi Hiroaki (Shotei), Bertha Lum and 

others, 19th/20th C. Six framed. Various sizes. (All pictured online) 



Twelve prints: framed triptych by Kunisade; Geisha by Eisen ca. 

1835; seascape by Hasui; three by Kunisada; Geisha with basket of 

flowers by Sadahiro; snow scene by Shotei; one by Hiroshige; two 

prints laid down on cardboard by Yoshifuji ca. 1865 and a fourpanel 

modern folding screen, all 19th/20th C. Largest with frame: 

19” x 33” (All pictured online) 




Seven prints, including: Utamaro, Hiroshige, Toyokuni and others, 

all framed, 19th/20th C. (All pictured online) 



Framed triptych with Geishas and officer in western military attire 

together with four others in similar frames, 19th C. 

Largest: 21 3/4” x 38” overall (All pictured online) 


611: SHIGEYUKI SHIMANO (Japanese, 1902-1966) 

Oil on canvas of still life with pomegranates. Signed l-l S. 

Shimano. 13” x 17 3/4” 


610: SIX PANEL JAPANESE SCREEN 

Each panel painted with scenes from the Tales of Genji, with metal 

mounts and bronze mons, 19th C. Complete with original lacquered 

fitted case with iron fittings. Signed Imai Yoshichika on each 

panel. 76 1/4” x 162” (each panel 27”) 


612: JAPANESE PAINTING 

Oil on canvas still life with roses in green vase. Signed l-l 

Koidzumi. 13” x 17 3/4” 



613: JAPANESE IVORY NETSUKE 

Six pieces, 19th-20th C.: Ebisu and Daikoku riding a fish, signed; Ashinaga and Tenaga playing with children; two chicks emerging from 

egg, signed and sealed; group of people under a pine tree; man playing a drum with a monkey, signed; and man playing a drum. 

Tallest: 2” 



Six pieces, Meiji period: horse emerging from a gourd, held by a bearded elder; carved horn octopus hiding in a wooden tub; scholar 

holding a scroll; Daruma waking from sleep; man with children at his side; and a bent figure holding a drum. All but octopus signed. 




Six pieces, Meiji period: riverboat with passengers and rower sitting underneath a canopy, signed; tiger sitting on a large bamboo trunk; 

badger wrapped in a robe holding a fly whisk; group of five people standing under a pine tree; Okame; and swordsmith forging a blade, 

signed. Tallest: 1 3/8” 



Six pieces, Meiji period: horse and boar; coiled snake on skull; man with gourds; monkey, signed; hunter with rabbit; and rat with purple 

inlaid eyes, signed. Tallest: 2” 


168 updated catalogue information on ragoarts.com

617: JAPANESE IVORY AND LACQUERED 

WOOD OKIMONO 

Geisha with a parasol in wood with applied lacquer and carved 

ivory, Meiji period. Signed. Height: 16 1/2” 


619: JAPANESE IVORY 

NETSUKE AND OKIMONO 

Four carved ivory Okimono: Pekinese dog 

holding a pierced ball; man sitting in a 

palanquin, being carried by two others, 

signed; man holding a stick; man with two 

children and a dog; together with four 

netsuke: carved wood Okame; horse, 

signed; water buffalo, signed, 19th/20th C. 



620: JAPANESE WOOD AND 

IVORY OKIMONO 

Man sitting on a bundle of branches, his 

head, hands, feet and logs carved from 

ivory, Meiji period. Missing accessories from 

hands, possibly an ax from side of bundle 

and signature tablet from base. 8 1/4” x 9” 


618: JAPANESE IVORY OKIMONO 

Large sectional figure of an egg tester, with an egg-filled basket 

strapped over his shoulder and eggs at his feet, Meiji period. 

Stained detail, some losses. Signed. Height: 14 1/2” 


620A: JAPANESE IVORY 

Carved rectangular plaque with Kwannon 

riding on a dragon, eyes inlaid with motherof-pearl, 

on footed silver filigree frame. 

Oval signature tablet missing from verso. 

8 5/8” x 6 5/8” 



621: JAPANESE DECORATIVE 

ITEMS 

Lacquer zushi with gilt metalwork, interior 

with carved and gilded standing figure; 

carved ivory mounted on silk card case, the 

two ivory plaques with dragons inlaid with 

mother-of-pearl eyes, some stains to silk; 

partially gilt bronze Bodhisattva, all 19th C. 

or earlier. Largest: 6 1/4” 


624: JAPANESE NETSUKE, 

MASANAO SHINZAN 

Carved wood netsuke of a curled-up rat with 

inlaid eyes, natural himotoshi and wellrendered 

details. Signed Shinzan (Masanao 

Shinzan, b. 1904). 1 1/4” 


622: JAPANESE NETSUKE 

AND OKIMONO 

Four pieces, mostly ivory, 19th C.: Mokugyo 

bell with loose interior ball, seal-type 

characters on sides and swivel handle; 

Okimono of a monk splitting wood, signed 

on red tablet; man weaving a basket with a 

Sagemono hanging from his belt, signed; 

and wood turtle with its young, wellrendered 

detail. Tallest: 1 1/2” 



INCL. SHINRYO 

Three carved pieces, 19th-20th C.: two 

carved wood water buffalos, one reclining, 

with inlaid eyes, one standing on base 

pierced with a single opening, neither 

signed; and carved and stained caparisoned 

horse standing on a rectangular base with 

pierced himotoshi, signed Shinryo (Ryozo 

Suzuki, b. 1910). Tallest: 1 1/4” 




Three carved pieces, 20th C.: wood baboon 

holding a peach, well-rendered details, 

signed Yukimasa; ivory monkey and fish 

with inlaid eyes, signed Ippo(?); and a wood 

Daruma doll, signed Mitsunobu. 



626: JAPANESE INRO 

AND NETSUKE 

Carved and stained wood four-case Inro 

with landscape on either side, coral bead 

Ojime and ivory Manju netsuke; and black 

lacquer one-case Inro with two mons with 

scattered petals, square Ojime with pine 

needles, chestnut netsuke with applied 

lacquer and gold leaves, 19th/20th C. 

Tallest: 3 3/8” x 2 1/2” 


627: JAPANESE BRONZE AND 

CLOISONNE VASE 

Large vase with a dragon in high relief, enamels, butterflies on the 

shoulder, Meiji period. Base drilled for wiring, complete with 

original oil font. Signed on rectangular tablet. Height without font: 

31” 


629: JAPANESE CLOISONNE VASES 

Squat vessel depicting a landscape with Shoji screen, enameled 

base with butterfly; and small planter decorated with grapes and 

asters in silver foil on a blue ground. 4 1/2” x 4” dia. 


628: JAPANESE CLOISONNE 

Lobed charger profusely decorated with birds swooping over a 

flowering tree and peonies on an indigo ground, silver and copper 

wires, Meiji period. 18” 


630: PAIR OF JAPANESE CLOISONNE VASES 

Early baluster vases, ca. 1870. Drilled for wiring. Ming mark on 

base. 18” 



631: JAPANESE IVORY NETSUKE BY NANRYU 

Three netsuke of Oni, 20th C.: one carrying Hotei’s sack over his 

shoulder; one with Benkei’s bell; and one with a large jar, all with 

inlaid eyes. Signed Nanryu (Keizo Kurata, b. 1935). Tallest: 1 3/8” 



Three pieces, 19th/20th C.: growling tiger turned to the right, 

signed Meizan(?); Shoki holding an oni and a sword, signed; and 

tightly coiled snake, its himotoshi formed by a narrow strip on the 

underside, unsigned. Tallest: 1 3/4” 



Three netsuke, 20th C.: two Shishi with openwork ball in negoro 

lacquer with traces of gilding, unsigned, 1 1/4”; wood Shishi with 

openwork ball, signed on the base Minkoku, 1 1/4”; ivory horse with 

inlaid eyes, unsigned, 1 7/8”. 



632: JAPANESE WOOD MASK NETSUKE 

Three pieces, 19th-20th C.: Ebisu, signed ‘Deme Uma’, 2”; Okame, 

signed Gyokko, 1 1/2”; unidentified, with lacquered detail, unsigned, 

1 1/4”. 


634: JAPANESE NETSUKE INCL. TOKO-TO 

AND KOETSU 

Three pieces, 19th/20th C.: wood netsuke of a puppy, natural 

himotoshi, signed Toko-To, 1 1/2”; ivory Oni emerging from lotus 

leaf, unsigned, 2 1/4”; two fish with scales carved in openwork, 

with inlaid eyes, signed Koetsu, 1 1/2” 



Three pieces, 19th-20th C.: wood lotus seed pod with articulated 

seeds and natural himotoshi, unsigned; ivory fish, signed 

indistinctly; wood fish, unsigned. 


637: JAPANESE IVORY NETSUKE BY IKKU 

Dog with a Mokugyo on collar, licking his right hind paw, with inlaid 

eyes, 20th C. Signed Ikku (Isamu Kasuya, b. 1949). 1 3/8” x 1 3/4” 


639: JAPANESE WOOD 

NETSUKE 

Growling Shishi crouched over a ball, 

natural himotoshi, 19th C. Unsigned. 1 3/4” 



OKIMONO 

Two pieces, 19th-20th C.: three rats 

climbing on a mask, stained and inlaid 

details, 1 3/4”; skull, 2” x 1 1/2”. Both 

unsigned 


638: JAPANESE NETSUKE AND TONKOTSU 

Four pieces, 19th-20th C.: wood netsuke of a monk piercing his 

chest with an ivory needle, inlaid part of himotoshi, signed on ivory 

tablet Ryugyoku; wood netsuke of a Sambaso dancer holding a fan, 

with metal and mother-of-pearl inlay, ivory details, signed on the 

box; and wood Daruma Tonkotsu inlaid with mother-of-pearl eyes 

and ivory himotoshi, together with a wood fish pipe-holder, both 

unsigned. Tallest: 4 1/4” 


640A: JAPANESE IVORY 

Three carved okimonos, Meiji period: 

rooster with hen and chicks, eyes inlaid 

with mother-of-pearl, one talon missing 

from rooster's and chick's foot, signed on 

base, 3” x 3 1/2” x 2 1/2”; chick emerging 

from broken egg, eyes inlaid with motherof-pearl, 

signed on base, 2” x 4” x 2”; smaller 

similar to previous, one eye missing pupil, 

unsigned, 1 1/2” x 2 1/2” x 1 1/4” 



643: JAPANESE CERAMICS 

Five items, Meiji period: Satsuma round 

covered box with prunus decoration; 

Satsuma vase in the style of Makuzu Kozan 

with two figural panels in high relief, 

signed; two similar Sumida Gawa 

rectangular bowls, each with the figure of a 

child, incised signature; and a covered 

bottle with underglaze blue stenciled 

decoration. Tallest: 14 1/4” 


644: KINKOZAN SATSUMA 

Vase painted with a gilt dragon and sea 

spray on a mottled green glaze, Meiji 

period. Signed and sealed. 8 1/2” x 5” 



641: JAPANESE HIRADO PORCELAIN VASE 

Painted with asters in underglaze blue and yellow, some in 

moriage, Meiji period. Signed with Mikawachi Kiln marks. 

13” x 5 1/4” dia. 


642: LARGE JAPANESE IMARI CHARGER 

Painted with a central vase overflowing with flowers, the border 

with a repeating similar pattern, 18th C. 19 7/8” dia. 


645: SATSUMA 

Star-shaped plate painted with a nobleman 

sitting amongst flowers, signed; together 

with a small incense burner on tripod feet, 

lacking cover. Plate: 6 1/8” dia. 


646: JAPANESE BRONZE 

Gilt bronze Bodhisattva sitting on a rock with arm resting on a 

knee, on a carved wooden base, Edo Period. 

Height with base: 8 1/2” 



647: JAPANESE BRONZE VASE 

Unusual vase with incised patterns in 

polychrome enamels and other varied 

textures, and three loop handles, early 20th 

C.. Marked on the base in a two character 

mark in square reserve and ‘Made in Japan.’ 

10 1/2” x 7” dia. 



HIBACHI 

With inserted copper well, ca. 1900. 

12” x 23 1/4” x 13 3/4” 


648: JAPANESE MIXED 

METAL BOWL 

Hammered copper with lobed panels and 

applied strap work centered by a repoussé 

roundel with a Buddhistic lion and its 

young, with various patinas, 19th C. 17 1/2” 

dia. 



FLOWER VESSEL 

Basketwork pattern with loop handles and 

four bamboo-style feet, Meiji period. 

Signed. 3/4” x 9” dia. 




Figure of Kwannon, her robes finely chased 

with flowers and cloud designs, standing on 

a rockwork base, 19th C. 15 3/4” 


652: JAPANESE IRON CENSOR 

Openwork border of gourds on the shoulder 

and handles, on tripod feet, fitted with 

wood base and top, lamped, ca. 1900. Total 

height with finial: 28 1/2” x 12” dia. 


653: JAPANESE LACQUER 

Two pieces, Meiji period: a poem box overlaid with asters on a 

scattered gold ground, fitted inner tray, butterflies on lid interior; 

together with a tea caddy decorated with a bridge, willow and pine 

trees. Box: 1 3/4” x 7 1/4” x 8 1/2” 


655: JAPANESE LACQUER NATSUME 

Black lacquer tea caddy with gold hare’s-foot fern, complete with 

its wooden box, Meiji period. Signed Tomoshichi Tachibanaya. 

2 5/8” x 2 1/2” dia. 


654: JAPANESE LACQUERED WOOD NATSUME 

Carved Okimono/Natsume of an eggplant lacquered with a praying 

mantis and removable stem, a fitted interior cover, complete with 

its fitted wood box, Meiji/Taisho period. Height: 7” 


656: JAPANESE LACQUER NATSUME 

Black lacquer tea caddy with camellia decoration, complete with its 

wooden box, Meiji Period. Signed. 2 7/8” x 2 3/4” dia. 




Rectangular covered box with mother-ofpearl 

and pewter overlay. Signed on 

underside of lid. 2” x 13 1/4” x 10 1/4” 



Thirty-four pieces, 19th-20th C.: ten 

covered bowls, the bowls with flying cranes 

and the lids with a moon behind clouds, in 

original fitted box; five square trays with 

Samurai accoutrements, in original fitted 

box; five bowls with bird and flower, in 

original fitted box; two bowls with Mount 

Fuji on a red ground and two ceremonial 

candlesticks. 


658: JAPANESE PORCELAIN 

Kutani bowl entirely painted with noblemen 

and flowers, marked in square seal; ten 

shallow Imari bowls with scalloped edges in 

original wooden box, 6” dia.; and ten 

smaller Imari bowls and covers, also in 

original box. Kutani bowl: 

4 5/8” x 9 1/2” dia. 


661: ASIAN SILVER CENSOR 

Or cricket cage, with repoussé and finely 

chased pattern of lotus and prunus in open 

work, one end with Yin and Yang fish motif 

with attached ring, the other end with a 

phoenix roundel swivel door, 19th C. 

4 1/2” dia. 




AND IVORY 

Three items, Meiji/Taisho period: two 

covered black lacquer boxes, one 

rectangular with bamboo and prunus, other 

with a bird on a tree, with wood fitted 

storage box; and an ivory netsuke of a sage 

with an animal on his back, signed Kozan. 

Largest: 2” x 9 1/2” x 3 1/2” 


662: KOREAN OR JAPANESE 

NEGORO LACQUER 

Ring-shaped box with gilt cloud decoration 

and metal fittings, 18th/19th C. 

3” x 7 1/2” dia. 



Red Kutani deep bowl, painted inside and out with continuous 

landscapes, the exterior showing monks and pagodas on a gold 

ground, the bottom with a roundel in red and gold, Meiji period. 

Marked on base Kutani and artist’s signature. 11 1/2” x 12 1/4” dia. 




Five items: 20th C. studio vase painted 

with a rose in Moriage, signed Nishiura Enji; 

unusual green Kutani pricket candlestick 

with two (restored) handles; two shallow 

Imari bowls overglaze-painted with 

Portugese tradesmen; and an Oribe style 

hip flask. Tallest: 10 7/8” 


667: NIPPON 

Ornate porcelain vase with coralene flowers 

and gilding on cobalt blue ground, 20th C. 

Small losses to coralene and wear to 

gilding. Marked ‘Patent Applied For, 38257’ 

with three column stamp. 8” x 5” 


665: NIPPON 

Vase decorated with a crane among lotus in 

Moriage relief. Marked on the base Handpainted 

Nippon. 10 1/8” 


668: ASIAN CERAMICS 

Seven items: Kutani plate with scholars 

around a game table, marked Kutani; 

Fukagawa double-gourd bottle with four 

open cartouches, one with painted 

character; two Chinese Canton plates; 

Chinese underglaze blue teacup. Together 

with a two-handled vase and oil lamp, 

possibly Italian BC. Largest: 13 1/8” dia. 



666: TWO MINIATURE 

SATSUMA VASES 

Taller vase painted with oval cartouches, 

signed, 19th C. together with smaller vase 

with maple leaf decoration, 20th C. 

Taller: 3 5/8” 


669: JAPANESE SATSUMA 

Four bowls, 19th C.: one painted on the 

interior with women and children in a 

landscape, the exterior with wisteria, 

signed; one with ‘thousand 

butterflies/flowers,’ signed; one entirely 

painted with ‘thousand butterflies,’ signed 

on base; and one painted with a man and 

two children. Largest: 3 1/4” x 5 1/2” dia. 


670: SATSUMA STYLE 

POTTERY MAKUZU 

KOZAN 

Oval centerbowl with four phoenix, their 

open wings forming the rim of the bowl, 

the interior with radiating petals in gosu 

blue centered by a dragon, on original 

carved base, Meiji Period. Marked in seal 

form Makuzu Kozan. 

10 3/4” x 15 1/4” x 12” 



Blue and white painted jar with domed cover, possibly Seto, 

mounted as a lamp and fitted with a gilded bronze base depicting a 

tree trunk and flowers, Meiji Period. With base: 20” 


672: JAPANESE PORCELAIN BY 

NAMIKAWA SOSUKE 

Pair of vases painted with flowers in gold on a black glaze, Meiji 

Period. (Collaborative work by Namikawa and an other artist.) 

Signed on the side with seal mark and on the base. Height: 12” 



673: JAPANESE CLOISONNE VASES 

Three vases, Meiji period: small blue-ground vase with silver and 

gold wire decoration of a bird in flight above asters, Hayashi 

Kodenji and silver mark; pear-shaped vase with silver foil 

decoration, signed; and a silver foil vase with Mt. Fuji and pine 

trees. Tallest: 6 1/4” 


675: JAPANESE METALWORK 

Copper box with moriage enamel floral decoration, early 20th C. 

Signed. 7” x 1 1/8” x 4” 



674: JAPANESE CLOISONNE 

Seven pieces, 19th-20th C.: square plate with rooster, hen and 

chick, signed with gourd mark; drilled baluster vase; square 

baluster vase; bulbous vase with dark blue ground and iris; 

flattened baluster vase with panels depicting birds above waves 

and flowers; vase with phoenix above a paulownia tree, on a yellow 

ground; and a tapered vase with high shoulder with flowers, on a 

dark red ground, signed. Plate: 10 7/8” x 10 7/8” dia. 


676: JAPANESE CLOISONNE ON PORCELAIN 

Pair of vases with alternating swirled panels decorated with 

various insects and flowers, on a celadon ground, Meiji period. 

Drilled and mounted as lamps. One vase with small chip near rim. 

Signed. Height of vases: 12” 


677: JAPANESE BRONZE VASE 

In various patinas, with coiled dragon holding a pearl; body with 

turbulent waves in high relief and applied sea spray, 19th C. 

Signed in rectangular reserve. Height: 30” 




679: 19TH C. JAPANESE TSUBA 

Bronze tsuba with open work dragon; iron tsuba with hammered 

design around border; and oval bronze tsuba with pierced birds 

over water, signed. Largest: 3 3/8” x 3 1/4” 


Vase with monkeys in high relief, three of their arms forming 

handles, signed in oval cartouche; together with a bronze censor 

with archaic Chinese decoration, six character Ming mark, Meiji 

Period. 8 3/4” 



680: TWO 19TH C. JAPANESE IRON TSUBA 

One oval with gold geometric diaper designs and roundels with a 

dragon, phoenix and paulownia; the other with a dragon amongst 

clouds with gold highlights, signed on both sides. 

Largest: 3” x 2 3/4” 


681: JAPANESE SILVER 

AND TEA WARE 

Sixteen pieces, 19th-20th C.: silver 

presentation box, the top with cranes, 

marked in Japanese ‘pure silver’ and maker’s 

mark in square seal; nine silver place card 

holders depicting Japanese iconography, 

marked sterling 950; two porcelain bowls; 

tea bowl in fitted woven bamboo basket 

with brocade silk top; black lacquer 

Natsume; bamboo tea whisk in original box; 

and a tea whisk in cylindrical bamboo 

container. Largest bowl: 3 1/4” x 6” dia. 


684: JAPANESE TRAVELING 

SHRINE 

Hinged triptych, its central panel with 

Buddha seated on lotus, 19th C. 

4 1/2” x 3 1/2” x 1” closed; 6 3/4” open 



Pair of vases painted with fish swimming 

under cherry blossoms, signed with gilt seal 

mark; together with Okimono of Ebisu 

climbing over a large fish, unmarked, Meiji 

Period. Tallest: 7 1/14” 



KARASHISHI 

Well-detailed carving with raised tail in 

openwork and face with a fierce expression; 

partially hollowed on the underside, 19th C. 

Signed. 8 1/2” x 11” 



AND CLOISONNE 

Six items, 19th-20th C.: Satsuma vase, 

bowl, koro, and box, the koro finely painted 

(and with replaced ivory lid), signed 

Kinkozan; cloisonné jar with cover and 

replaced finial, and vase marked Ando. 




Four items: Shishi figure with vase, signed; 

small covered censor with open work lid, 

signed; and pair of vases with raised gilt 

decoration. Tallest: 6” 



687: JAPANESE IVORY OKIMONO 

Well-detailed figure of a fisherman holding a net, with red 

signature tablet; together with a man holding a lantern, both Meiji 

Period. Tallest: 4” 



Five pieces, 19th-20th C.: netsuke of horse and rider, signed; 

netsuke of two eggplants; netsuke of a man holding a pail; threecase 

inro with Shibayama inlaid work; small netsuke of a man 

holding a child; and brocade pouch with playing cards, ceramic 

Daruma netsuke, and horn Ojime bead. Pouch: 3 3/4” x 3” 




Seven pieces, Meiji period: Tenaga holding a crab and sitting on 

Ashinaga’s shoulders, signed; Ashinaga bent in two, a fly on his 

knee; mask, signed; Hannya mask, signed; Okame mask; Manju 

with wave and duck with plant on verso; and a bearded man 

harvesting bamboo shoots, signed. Tallest: 4 1/8” 


690: ASIAN IVORY 

Five items, 19th-20th C.: Japanese box with turtles all around; 

Southeast Asian Bodhisattva; Southeast Asian carving of a 

dancing deity; Southeast Asian figure of Buddha; and rectangular 

box with engraved and stained design, possibly Japanese. 



691: JAPANESE IVORY SCREEN 

Two-panel screen with the gods of good fortune and smaller panels 

underneath depicting dragons amongst clouds, Meiji Period. Signed 

with red seal. 11 3/4” x 5 3/4”; 11 3/4” open 



Three pieces, 19th-20th C.: monkey with its young, signed 

Koryu(?); woman nursing, signed; and man with child on his back, 

signed. Tallest: 1 3/4” 



Head of a long-haired man, possibly Ainu, together with four 

standing figures in various pursuits, Meiji Period. Tallest: 4 1/8” 


692: JAPANESE NETSUKE AND INRO 

Ivory three-case Inro with Shibayama decoration and ivory Netsuke 

of two Sambaso dancers, signed; together with a four-case lacquer 

Inro with two rabbits and water reeds, and ivory Netsuke of two 

rabbits inlaid with amber eyes, unsigned, all Meiji period. 

Largest: 3 5/8” 



Three pieces, 19th-20th C.: ceramic Shishi in celadon glaze; carved 

wood mask carver, signed Ryukei; ivory mask seller or storyteller, a 

mask in his hand and four in his basket, unsigned. Tallest: 1 1/2” 


696: IVORY NETSUKE AND CLOISONNE 

Four netsuke, 19th-20th C.: child riding a turtle, signed; child and 

puppy; child riding a water buffalo; man sawing a tree. Together 

with a carving of a Chinese sage; and two small vases, one 

porcelain and one cloisonne. Tallest vase: 3 1/2” 



697: JAPANESE IVORY AND SATSUMA 

Pair of vases painted with arhats and coiled dragons, marked, 7 

1/2”; together with two ivory okimonos and one netsuke of rats, all 

ca. 1900. Vases: 7 1/2” 


698: MIDDLE EASTERN STONEWARE VASE 

With painted Boteh style pattern, lower part of vase and base 

unglazed, date unknown. 11 1/2” x 8 1/2” 



699: 19TH C. PAINTED DOORS 

Or shutters, India. 64” x 16 1/2” 


700: JAPANESE IVORY NETSUKE 

Eight pieces, 19th-20th C.: tiger attacking a 

water buffalo with inlaid eyes, signed; ball with 

the seven gods of good fortune, signed on oval 

tablet; ball with animals; comical monkey 

mimicking the “hear/speak/see no evil” allegory, 

signed on a Negoro lacquer cartouche; 

contrived grotesque piece with rats crawling 

over a masked figure; Kirin, signed; walnut 

shell with a multitude of Lohans, no himotoshi 

present; and ivory Kogo with gilt decoration. 


701: JAPANESE NETUSKE INCL. SHOFU 

Three pieces, 20th C.: wood Shishi with articulated jaws and ears 

and metal ring himotoshi, unknown signature, 1”; ivory Hotei, 

signed Shofu, 1 3/4”; ivory fan-shaped box with Geisha on cover 

and retainer on interior, with applied colors, signed, 5/8” x 2”. 


702: KOREAN CERAMICS 

Celadon cup stand, firing crack on side wall, and a celadon bowl, 

both Yi Dynasty. Together with an incised metal bowl and cover 

with turtle finial, star mark, 20th C. Bowl: 3” x 7 1/8” dia. 


703: KOREAN PUNCH’ONG BOTTLE 

Sgraffito pear form with inlaid slip on a celadon ground, Yi 

Dynasty. 12” 


704: KOREAN PUNCH’ONG BOWL 


Incised and stamped decoration filled with slip, the well with five Brush pot with open-work decoration of two large roundels with 

spur marks, on a celadon glaze. Together with a small celadon plate Buddhistic swastika, bamboo and pomegranates in underglaze blue 

stamped with flower head and leaf designs, Yi Dynasty. 

and copper red enamels, 19th/20th C. 5 1/2” x 4” dia. 

Larger: 7 5/8” dia. 




706: TWO KOREAN CANDLESTANDS 

The taller of the two with a large butterfly on an adjustable rod, 

the other with a small fan-shaped screen centered by characters, 

Yi Dynasty. Tallest: 61 1/2” 



707: KOREAN STONEWARE 

Four pieces, Yi Dynasty: gray stoneware pedestal bowl and cover; 

gray water dropper with stamped designs; small vase with 

stamped design and a black glaze stoneware vase. Tallest: 9 1/2” 


708: KOREAN CERAMICS AND METALWARE 

709: KOREAN PORCELAIN WATER DROPPERS 

Three pieces, Yi Dynasty: partially glazed earthenware vase with White glazed knee form, and ring form with copper red and blue 

painted floral scrolls; bronze vase with verdigris patina, damaged underglaze decoration, both 19th/20th C. Larger: 4” x 4” dia. 

condition; and earthenware ewer of unknown origin. Tallest: 12 1/4” 



710: KOREAN PORCELAIN 

Squat baluster vase with raised and slightly tapering neck painted 

with birds perched on a tree, the obverse with a bamboo stalk, Yi 

Dynasty. 6 3/4” 





Large bulbous vase with copper red tiger, 

gazelle and bamboo. 8 1/4” x 10” dia. 


712: KOREAN METAL BOWL 

Large bowl with chased dragons pursuing a 

pearl amongst clouds, an ideogram 

surrounded by bands with diaper pattern, 

ca. 1900. 4 3/4” x 19 1/8” 



Ovoid vase with pronounced middle, 

underglaze-painted in copper red with a 

peony flanked by two cranes and 

alternating bamboo stalks. 

10 1/2” x 9 1/2” dia. 



VASE 

Pear-shaped with underglaze blue 

decoration of a mirror-image flowering 

prunus on front and back, flanked by 

columns of inscriptions, Yi Dynasty. 10 1/2” 


715: NO LOT 


716: KOREAN PORCELAIN BOTTLE 

Faceted with eight sides and painted with four medallions, each 

with a flowering prunus tree, Yi Dynasty. 14 1/2” 


194 updated catalogue information on ragoarts.com


Large vase with underglaze copper red 

grapes and vine leaves accented by a 

mottled green glaze. 10 1/2” x 11” dia. 


718: KOREAN PORCELAIN BOWL 

Shallow footed bowl painted with two birds, prunus and bamboo, Yi 

Dynasty. 10 3/8” 



Brush pot with an open-work design dragon amongst clouds 

chasing a flaming pearl, the dragon with underglaze blue 

highlights, 19th/20th C. 4 5/8” x 4” 



720: KOREAN SCREEN 

Ten panel of silk painted with birds in rocky landscape, 19th C. 

31” x 13 1/2” each panel, 11’3” total length. 


721: KOREAN RICE STORAGE CHEST 

Large compartment with removable top half, smaller lower 

compartment with hinged drop panel and iron hardware, 19th C. 

40 1/4” x 34” x 23 1/2” 



722: KOREAN FURNITURE 

Three pieces, 19th C.: storage chest with a drop-front hinged flap, 

three fitted interior drawers over an open space, and iron 

hardware; together with two low tables, one with a twelve-sided 

top, the other rectangular with canted corners and lacquered sides. 

Largest: 31 1/4” x 33 1/2” x 16 3/4” 


723: KOREAN PORCELAIN JAR 

Underglaze blue painting of birds perched on a flowering tree and 

one in flight, with a cloud collar on shoulder and straight raised 

neck, Yi Dynasty. 13 1/4” 



724: KOREAN EMBROIDERED SILK PANELS 

One with bell, the other with duck incense burner, both with 

calligraphic script, both in plain black frames, 19th C. 

59 1/4” x 14 1/4” 


726: KOREAN METAL BOTTLE 

Incised with figures and animals in landscape, stained detail and 

incised inscription on base, 20th C. 8 1/2” 




White-glazed ceremonial bowl with underglaze blue character, an 

underglaze blue mark on the base; together with a blue-glazed fish 

waterdropper and two celadon ceramic stamps, Koryo Dynasty 19th 

C. Bowl: 8 3/8” dia. 


727: KOREAN PUNCH’ONG BOWL 

Sgraffito with inlaid slip and floral decoration on a celadon ground. 

8 1/8” dia. 


728: FOUR CHINESE FAMILLE ROSE 

PORCELAIN PLATES 

Each with a vignette framed by the long flowing wings of a 

phoenix, the foot rim pierced with holes for hanging, 19th/20th C. 

Iron red seal mark. 8 1/2” dia. 


730: CHINESE GLASS AND PORCELAIN 

Five items: Blanc de Chine flared cup with raised decoration; small 

famille rose vase, four-character hallmark on base; small famille 

rose square cup with flaring sides, six-character mark on base; a 

pair of black cut to white Peking glass bottles on carved wooden 

bases. 


729: CHINESE PORCELAIN VASE 

Painted with underglaze blue decoration of scholars sitting 

amongst rocks and willow trees, two phoenix beneath a moon and 

clouds, 18th-19th C. Some damage to lip and old staple repairs. 

Marked. 7 7/8” x 9 1/4” dia. 


731: CHINESE FAMILLE ROSE 

PORCELAIN VASE 

Of double-gourd shape, two handles on upper part with hanging 

tassels, 20th C. Seal mark in iron red and turquoise ground. 

Height: 9” 



732: CHINESE ACUPUNCTURE BOOK 

Concertina album with hand-painted figures demonstrating 

acupuncture points, with lacquered covers, 19th C. 7 3/8” x 5” 


734: CHINESE ART 

Five paintings on rice paper, two with sailing vessels and one of 

tea production. Together with a reverse painting on glass. All 

framed. Largest frame: 17” x 13” (All pictured online) 


200 updated catalogue information on ragoarts.com 

733: CHIN SUNG (Chinese, 1932-2007) 

Two color woodblock prints (framed): “Les Oiseaux II,” 1969, 10 1/2” 

x 18 1/4”; “Fruit, 1971,” 11” x 16”. Provenance: Private Collection, 

New York. Both signed, dated, titled and numbered. 


735: CHINESE SCENES PRINTS 

Four Continental hand-colored prints with Chinese landscapes, in 

bamboo frames, 18th/19th C. 12” x 11 5/8” (sight). (All pictured 

online) 


736: PAIR OF CHINESE 

ANTIQUITIES 

PANELS 

Applied and carved jade, coral, 

soapstone, and wood motifs with 

incised inscription in wooden 

frames, 19th C. 40 1/4” x 26” 


737: CHINESE DRAGON 

IMPERIAL ROBE, 

WHISK & HAT 

Embroidered summer robe with 

nine five-clawed dragons and rank 

badge; peacock feathers fly whisk 

with carved jade handle, and 

court hat with blue porcelain 

finial, both in original fitted 

cases, 19th C. Robe length: 56” 




738: CHINESE SNUFF BOTTLES 

Eighteen pieces in various materials, including 

porcelain, glass, and hardstone, 19th C. Tallest: 3 1/4” 



Four pieces 19th C.: flattened agate; flattened carved 

jade; carved jade with butterfly and vines; flattened 

with red cut to frosted white glass. Tallest: 3 1/4” 



Fifteen pieces: thirteen Chinese snuff bottles in 

various materials, together with two European glass 

bottles, one possibly of Roman origin, all others 

19th/20th C. Tallest: 3 1/4” 



Eleven bottles of various materials including enamel, 

cloisonne, porcelain with openwork dragon and 

phoenix fitted with silver mounts, marked, all 19th C. 



742: CHINESE BRONZE ZUN 

Cast bronze vessel in squat baluster form with raised owl-like mask 

on either side; lid and body quartered by raised ridges, the lid with 

tapered finial, possibly late Shang Dynasty. (Accompanied with a 

report, Analysis and Metallography of a Bronze Zun #R2523, by Dr. 

Peter Northover, Department of Materials, Begbroke Science and 

Business Park, Oxford, U.K.) 8 1/2” 



743: PAIR OF CHINESE EXPORT PORCELAIN GARDEN SEATS 

Hexagonal seats, each with two panels of open-work interlocking cash designs 

alternating with panels of flowers and people, 19th C. 18 1/2” x 14” dia. 


744: PAIR OF CHINESE FAMILLE 

ROSE PORCELAIN 

Phoenix perched on open-work rocks with sacred mushrooms, 19th 

C. 16 3/4” 



745: PAIR OF CHINESE FAMILLE 

VERTE PORCELAIN 

Roosters standing on a pierced rock, 19th C. 12” 


746: MONUMENTAL CHINESE EXPORT 

FAMILLE ROSE PORCELAIN BOWL 

With alternating medallions of people and flowers, one panel 

incorporating a Chinese inscription, early 19th C. 

9 1/8” x 22 5/8” dia. 



747: CHINESE PORCELAIN CRAAK BOWL 

Underglaze blue decoration of birds and lotus, eight medallions 

with sunflowers and Buddhistic precious objects, 17th C. 

12 3/8” dia. 


749: CHINESE CLOISONNE CENSOR 

On tripod feet with Buddhistic lion finial, 19th C. 8” 



748: CHINESE CINNABAR LACQUER 

Pair of carved vases of bulbous body with six lobed panels and 

garlic shaped top, 19th C. 10 1/2” 


750: CHINESE PORCELAIN VASE 

Two Kirin painted in underglaze blue, brown and copper red on a 

black glazed ground, 19th C. Unmarked. 12 1/2” x 6” dia. 


751: 19TH C. CHINESE PORCELAIN SCHOLAR’S DESK SET 

Seven pieces decorated with Shou symbol in blue enamel with turquoise base, and fourcharacter 

seal mark. Each piece sits on a carved wooden base, the oval inkstone in fitted 

wood box. In original, fitted case with glass sliding lid and wooden outer cover. Largest 

(with wooden stand): 4 1/4” x 2 1/8” x 2 1/8” 


752: PAIR OF CHINESE FAMILLE ROSE 

EGGSHELL PORCELAIN BOWLS 

With mirror image of ladies fishing, the interior with grisaille 

decoration, inscription on side, in original fitted box with wooden 

stands, 20th C. Four-character blue enamel mark. 

3 3/8”7 x 1/8” dia. 


753: CHINESE FAMILLE ROSE PORCELAIN 

Pair of bowls; eggshell vase; and octagonal bowl, all with sixcharacter 

iron red mark on base. Together with a pair of wall 

pockets with lime green glaze and sacred mushrooms. 

Wall pocket: 8 1/4” 



754: CHINESE EXPORT GARDEN SEAT 

Hexagonal, painted in underglaze blue with flowers, vines and a 

band of stylized leaves around the base, white glazed knobs, and 

single openwork cash motif on top and doubles on sides, 18th/19th 

C. 19 1/4” x 12 1/4” dia. 


756: CHINESE PORCELAIN 

Beehive water pot with mottled copper red glaze and a shallow 

foot ring, 18th C. Six character mark. 3 1/2” x 4 7/8 dia. 



755: CHINESE CARVED BAMBOO BRUSH POT 

Deeply carved with loquat berries and leaves, a continuous cloud 

collar band around neck, 19th C. 5” x 3 1/2” x 3” 


757: CHINESE CARVED JADE SMALL BOWL 

The jade with russet inclusions formed as an open lotus leaf, the 

underside with lotus stems and seed pods on a carved wooden 

base, 5” x 2 1/2” dia. 


758: CHINESE TANG STYLE STONE FRIEZE 

Carved in relief with a female orchestra, the background with 

incised floral scrolls, set into a stepped wooden base, its bottom 

carved with a frieze of clouds, possibly Tang Dynasty. 29” x 42” x 8” 



759: CHINESE PAKTONG OPIUM PIPE 

Long stemmed pipe with enameled geometric designs, engraved 

signatures on bowl, 19th C. Length: 22 1/2” 


760: CHINESE PORCELAIN, METAL, 

AND MARBLE 

Three pieces: bowl underglaze-painted with a deer roundel, its 

exterior in famille rose enamels on a yellow ground, six-character 

mark; hammered metal bowl with bronze patina and applied cash 

designs on the cover; and carved marble fragment of Guan Yin, 

19th C. Bowl: 5 7/8” dia. 




Bulbous vase painted with lotus, bamboo and peony spray, the 

shoulder with a band of stylized waves, 18th C. 3 7/8” x 3 5/8” dia. 


762: CHINESE PORCELAIN FAMILLE 

NOIRE VASE 

Painted with magpies on a gnarled flowering prunus tree, possibly 

18th C. Six-character Ming Chenghua mark. 17 3/8” x 6 1/4” 


763: CHINESE BRONZE 

Archaic-style vessel with gold inlay, in its 

original fitted wood box with red silk 

interior, incised writing and paper labels on 

the lid, 19th C., possibly earlier. Marked 

with square seal. 14 1/2” x 11” x 9” 


764: CHINESE CARVED BAMBOO FIGURE 

Standing bearded sage holding a large fan, 19th C. Height: 12 3/4” 


765: TWO CHINESE ROOT CARVINGS 

One a warrior brandishing a sword, the other a sage, both with well 

rendered detail and patina, 19th C. Warrior on a black display base. 




766: TWO PANEL 

ASIAN SCREEN 

With carved frame and open-work detail, 

20th C. 72 1/4” x 20” x 1” 


769: SOUTHEAST ASIAN 

CHEST 

With carved details on front, scalloped skirt 

and gilt highlights, 19th C. 

23” x 37” x 16 1/2” 


767: CHINESE CABINET 

In two over three over one configuration in 

fitted interior, with carved openwork doors, 

19th C. 18 1/2” x 15 1/2” x 7 1/2” 


770: CHINESE EXPORT 

CARVED JEWELRY 

CASKET 

With panels carved in high relief, 19th C. 

Missing two back corner brackets and other 

slight losses. 4 3/4” x 6 5/8” x 5 1/4” 



768: CHINESE HARDWOOD 

TABLE 

With openwork side gallery and square legs 

with spade feet, 19th C. 33” x 35” x 35” 


771: 19TH C. CHINESE 

CARVED BAMBOO ITEMS 

Two wrist rests, one with a scholar and 

waterfall, engraved inscription and seal 

signature, and another with carved 

pomegranates and stained detail, signed; 

Japanese shoe horn with engraved scene. 

Together with two Chinese dolls sitting on 

traditional furniture (one chair missing 

back). Wrist rest: 8 1/8” x 2 1/4” 


772: CHINESE GILT 

BRONZE DEITY 

Three-quarter length figure with a glass 

beaded crown, on a carved and gilt wood 

base, 18th/19th C. Marked on back. 

Height with base: 14 1/2” 


773: CHINESE GILT BRONZE 

FIGURE OF AMITAYUS 

Meditating, on a rectangular pedestal, 

hands joined in Dhyana Mudra, pierced for 

a vase, now missing. Incised on the 

pedestal Ching, Qianlong, and dated, 1770. 




774: CHINESE JADE 

AND IVORY 

Carved jade vase of flattened baluster form 

with archaic style decoration, animals and 

loose rings on shoulder, 19th C.; together 

with a pair of carved and stained cockatoos 

perched on flowering tree trunks, 19th-20th 

C. Tallest: 13 3/8” 



Eight items, 19th-20th C.: belt buckle with 

dragon; archer’s ring; triangular pendant 

with dragon and clouds; tiger with russet 

inclusions on tail; Buddhistic lion; figure of 

a cat with black inclusions; stylized dragon 

pendant; and soapstone bead. 




Five items, 19th C.: carved vessel with 

dragon handle; green spinach jade covered 

box with chrysanthemums; carved white 

two-part belt-buckle with double gourd 

design; small ivory tablet with incised 

landscape; and miniature bronze buddha 

with incised script, sealed. 


778: CHINESE IVORY 

Seven pieces, ca. 1900: two Foo Dogs with 

wooden stands; three seals, one with 

dragons and clouds, one with a turtle, one 

with a Foo Dog; two snuff bottles. 

Tallest: 6” 




Reclining female with child at her feet, on 

carved wood stand, 2 3/8” x 5 1/4”; together 

with a figure of an immortal with crane, 

3 1/4”, both 19th C. 



Nine items, 19th-20th C.: phoenix clasping 

branch; crayfish toggle strung with bead; 

two discs with dragons, gray and russet 

inclusions; tablet with landscape and 

calligraphy; band with brown and white 

jade; and pebble snuff bottle, missing 

stopper. Largest: 3 1/2” 


780: RARE CHINESE DOCTOR’S MODEL 

Green glazed stoneware female figure lying down with head resting 

on pillow, Ming Dynasty. Restoration to both feet and left hand. 

4” x 9 1/4” x 3 3/4” 



Two wrist rests with openwork carving of squirrels on rocks and 

grapevines, the exterior incised with scholars on mountain, 19th C. 

8 7/8” x 2 1/2” 



Two tusks carved with dragons amongst clouds, one deeply carved, 

19th C. Length: 15” 



Doctor’s model, the eyes with stained detail, 19th C. 12 1/4” 



784: CHINESE CLOISONNE SNUFF BOTTLE 

Possibly Imperial Workshop, flattened double gourd with crane and 

pine tree on both sides, flowering lotus on shoulders, and matching 

design on stopper, 18th-19th C. Traces of gilding on wires. Threecharacter 

mark on base. 3” 



785: CHINESE SNUFF BOTTLE 

Flattened shape with stylized peony design on one side, mirrorimage 

phoenix on the other, 19th C. Four-character seal mark. 

2 3/4” 



Six items, 19th-20th C.: flat ovoid agate; ovoid ruby glass; red cut to white with lotus; amethyst cut to clear with Buddhistic lions 

chasing a sacred pearl; flat rectangular, possibly lapis, carved with Chi dragons; and small double-gourd internally-painted glass bottle 

with metal mounts, marked. Tallest: 2 5/8” 



Seven bottles of various materials, 19th-20th C., including: blue cut to clear glass with camel riders and flying horses; mottled green 

jade with foo dog handles; and flat rectangular white jade. Tallest: 3 3/8” 


788: CHINESE EXPORT PORCELAIN PLATTER 

Large rectangular dish painted with figures on a terrace, 18th C. 

18 5/8” x 15” 


790: CHINESE JADE HORSE 

Carved in recumbent position, the stone with russet inclusions, 

18th C. or earlier. 2 1/4” x 2 1/2” 


789: CHINESE JADE BRUSH WASHER 

Slipper form carved in high relief with a deer and birds, on a 

honeycomb ground, 19th C. 2 3/8” x 8 3/4” x 3 3/8” 


791: CHINESE CLOISONNE CENSOR 

Archaic style with three feet emerging from foo dog masks, tall 

flaring handles and dragon head finial, on carved wooden base, 

19th C. Height with base: 19 1/2” x 14 1/8” 



792: CHINESE PORCELAIN TRIPLE 

GOURD VASE 

Painted with underglaze blue Ruyi scrolls, cloud collar with stylized 

lotus, the neck and base with bands of banana leaves, possibly 

Kangxi. Drilled bottom. Base with reign mark in double circle. 

Height: 14” 


795: CHINESE / JAPANESE CLOISONNE 

Large vase decorated with cranes and deer in wooded landscape 

with peonies, 19th/20th C. Unmarked. 30” x 14” 



793: CHINESE FAMILLE VERTE PORCELAIN 

ROULEAU VASE 

With continuous decoration of warriors on horseback, mounted as a 

lamp on a carved wooden base, 19th C. Height without harp: 25” 


794: CHINESE FAMILLE VERTE PORCELAIN 

ROULEAU VASE 

With a courtyard scene, mounted as a lamp on a carved wooden 

base, 19th C. Height without harp: 24” 


796: CHINESE LACQUER AND PORCELAIN 

Three items, 19th C.: baluster vase in peach bloom glaze; small 

ribbed melon-shaped brush washer with butterfly and leaves 

modeled decoration under robin’s egg glaze; and carved, black and 

red layered lacquer box (tixi). Tallest: 7 3/8” 


797: CHINESE TRANSITIONAL PORCELAIN JAR 

Wucai jar under- and over-glaze painted with floral decoration and 

poem, with pierced wooden cover, 17th C. Height: 11 1/4” 



Two bowls, 20th C.: one painted with Famille Rose enamels in a 

lotus pattern, ruyi cloud border, turquoise interior, seal mark; the 

other a small Dayazhai bowl, a large chrysanthemum on its red 

enameled interior, a bird on a wisteria tree on its exterior. 


798: TWO CHINESE CERAMICS 

Ge Yao squat baluster vase with horizontal bands and tubular 

handles, restoration to base; together with a celadon figure of a 

court official, Ming Dynasty. Both 8” 


800: CHINESE POTTERY BOWL 

Junyao bowl in a grayish purple glaze pooling to blue, copper red 

splash, possibly Yuan-Sung Dynasty. 3 1/8” x 7” dia. 




AND SOAPSTONE 

Three pieces, 19th-20th C.: ivory figural 

group playing a game under trees; together 

with two carved soapstone figures mounted 

as bookends, incised “China” and retailer. 




Carved dragon boat with pavilions in polychrome decoration, 20th 

C. 18” x 29” 





Four items, 18th-19th C.: double-gourd vase Seven pieces, 19th-20th C.: four dragon 

with dragons and vines, some damage, two- belt buckles, one mounted as a letter 

character mark on base; rectangular lotus opener with Chinese silver mounts, marked 

leaf, the interior with a procession of young with ideogram and sterling, and one 

boys with lanterns and toys; calling card fashioned as a fish; curved bookmark; and 

case; and carved white stone figure of a boy trinket in openwork with stylized bats. 

riding a duck. Largest: 5” 





Six carved and polychromed figures on wood bases, together with a 

figure of a woman holding a flowering branch, 20th C. 16 1/8” 


806: CHINESE BLANC DE CHINE FIGURE 

Robed immortal with a three-legged toad; the head is pierced with 

six holes to accommodate hair, 19th C. Height: 13” 


808: CHINESE EXPORT 

FAMILLE ROSE 

PORCELAIN 

Large bottle with cover in the Mandarin 

pattern, 19th C.; plate with alternating 

medallions of people and flowers, 19th C.; 

plate with cash designs on border, marked 

Made in China, 20th C. Tallest: 18 3/4” 



Seven pieces, 19th-20th: trinket of a 

scholar with lotus; vase painted with horses 

in landscape, seal marks; two Blanc de 

Chine cups, one with raised prunus 

decoration, the other faceted; miniature 

underglaze blue vase; purple glaze vase 

with six character Kangxi mark; rectangular 

carved and pierced toggle of unknown 

material. Largest: 9 1/4” 


807: CHINESE IMPERIAL ROBE 

Kossu robe with dragons on front, back and shoulder, 18th/19th C. 

Distressed condition. 


810: PAIR OF CHINESE 

FAMILLE ROSE 

PORCELAIN BOWLS 

Each with four roundels depicting children 

at play, 20th. Six-character iron red mark. 

4 1/4” x 8 1/4” dia. 



Lots 811 - 839 come from the estate of anthropologists Ferdinand and Else Eastlake Okada, whose work and studies took them to Nepal, 

Indonesia and Zambia between 1950 and 1982. They also performed humanitarian work with the United States Agency for International 

Development (USAID) and the UN, where Else worked as a consultant following her husband’s death in 1982. This varied collection of objects 

reflects not only their interest in anthropology, but their respect for the cultures they studied for so many years. 

811: TIBETAN TANKAS 

Three tankas bordered with brocade silk and 

copper pommels, ca. 18th-19th C. 39” x 28” 



CARVED STONE TABLETS 

One with two figures standing on a lotus 

throne, with applied pigments, 16th C. or 

earlier; Vajrapani, 16th C. or earlier; 

Ganesh, unsure of age. Largest: 

10 1/4” x 7 3/8” 


812: 19TH C. SINO-TIBETAN 

TRAVELLING SHRINES 

One with repoussé cover, copper sides and 

back, and small glass window, with its 

original cloth case, two loop handles on 

sides; the other with repoussé face over a 

copper back, contains a small bronze figure, 

missing glass window. Largest: 8 1/2” 


815: SOUTHEAST ASIAN GILT 

BRONZE FIGURE 

In meditation pose with applied turquoise 

beads and blue pigment to hair, 18th/19th 

C. Height: 7” 



813: HISTORY OF TIBET 

Set of six books on handmade paper 

purportedly written by King 

Sangchoygampa, ca. 18th-19th C. Together 

with two prayer books. Larger books: 

24” x 8 1/2” 


816: ASIAN BRONZE FIGURES 

Tall standing figure, partially gilt, holding a 

bowl; and two small Buddhas, 18th/19th C. 

Tallest: 9” 


817: THAI GILT BRONZE BUDDHA 

Standing with hands folded on chest, with a separate cast 

base, 18th C., possibly earlier. Height with base: 58 1/2” 




PAINTING 

On cloth of Buddha and attendants 

(framed), 19th C. Sight: 32 1/4” x 18 1/2” 



BRONZE FIGURE 

Buddha with embossed design on base, 

18th/19th C. Height: 7 1/2” 



ITEMS 

Includes: embossed and incised copper 

plate with script; two bronze figures, one 

marked; a Mukhalinga (Shiva covering); a 

Tibetan gilt metal and amber seal; and an 

inlaid pewter bottle and stopper, all 19th C. 




BRONZE & STONEWARE 

Four pieces, 19th-20th C.: two bronze plates 

cast with dragons and fish in high relief; 

stoneware plate with raised fish and dragon 

design and celadon glaze; carved stoneware 

box with animal motifs. Stoneware plate 

11 3/8” dia. 



820: THREE INDIAN 

MINIATURE PAINTINGS 

The largest with a Yogi in meditation with 

winged attendants; and two smaller images 

of couples, 19th C., possibly earlier. Largest 

sight: 6 7/8” x 10 5/8” 


823: MIDDLE EASTERN METAL 

TORCH HOLDER 

Columnar stand with raised horizontal 

bands and pierced, incised detail, 19th C. 

9 1/4” 



BRONZE DHARMAPALA 

Standing over a bull and a woman, on a 

lotus base with applied blue pigment, 18th 

C. 7” 



BRONZE FIGURE 

Crowned, with painted face, wearing a long 

robe, and standing and on lotus pedestal, 

17th C. or earlier. Height: 8” 



826: TIBETAN TANKAS AND 

CHINESE EMBROIDERY 

Three tankas ca. 18th-19th C., bordered with brocade silk: the first 

with one missing copper pommel, the second missing both 

pommels and the third is framed. Together with a framed 19th C. 

Chinese embroidered dragon roundel. Largest: 39” x 28” 


828: INDIAN BRONZE SHIVA AND PARVATI 

With a recumbent bull underfoot, on a pedestal with figures in 

relief, 18th/19th C. 8 1/2” 



827: TIBETAN TANKAS 

Three tankas bordered with brocade silk and copper pommels on 

bottom, ca. 18th-19th C. 39” x 28” 


829: SOUTHEAST ASIAN FIGURES 

Nine figures, 18th-19th C.: bronze seated praying figure, on carved 

and fitted wood base; four carved wood figures, one with 

polychrome decoration; one stone figure; one bronze figure; metal 

bell; and bronze ceremonial dagger. Largest: 10 1/4” 


830: INDIAN CARVED STONE HEAD 

With tightly curled hair and elongated ears, the 

back of the head uncarved, mounted on square 

pedestal, possibly Mathura, 4th/5th C. 14 1/2” 


831: SOUTHEAST ASIAN BRONZE FIGURE 

Standing figure on lotus base with applied turquoise beads and 

applied pigments on head, 18th C. or earlier. Height: 8 1/4” 


832: SOUTHEAST ASIAN BRONZE FIGURE 

Seated sidesaddle on a running horse, 18th C. Horse’s front leg 

missing. Height: 6 1/4” 



833: INDIAN/SOUTHEAST ASIAN 

Seven items, 19th-20th C.: three brass Mukhalinga; bronze foot; 

two bronze Buddha heads; carved wood tablet. Tallest head: 5” 


835: SOUTHEAST ASIAN BRONZE HANGING 

LAMP 

With leaf-form pendants and two dragons flanking the sides, 19th 

C. Height including pendants: 12” 




BRONZE BUDDHA 

Seated on lotus throne with blue pigment on hair, 19th C. 

Height: 6” 


836: SOUTHEAST ASIAN CARVED 

WOOD DEITIES 

All three sitting on lotus bases, with polychrome and gilt 

decoration, includes small figure of Vajrapani with flame halo, 

18th/19th C. Tallest: 11 1/2” 


837: SOUTHEAST ASIAN FIGURES 

Three bronze figures, together with a bronze covered jar with 

verdigris patina, 18th/19th C. Tallest: 5” 


839: SOUTHEAST BRONZE 

BODDHISATVA 

With raised arm, holding a bowl, sitting on 

a lotus pedestal with stag head front 

center, 18th/19th C. Height: 7 1/2” 


End of Auction 

838: SOUTHEAST ASIAN BRONZE FIGURES 

Silver metal standing figure with flowers, on lotus pedestal, 

together with two other figures, all 18th/19th C. Tallest: 6 3/4”

SESSION ONE Friday, December 7 at 3:00 pm - Rago Arts and ...

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