Summer Estates - Rago Arts and Auction Center

SUMMER ESTATES AND
DISCOVERY AUCTION
Saturday, June 14, 2008 10 am
Previews
Saturday, June 7 through Friday, June 13 from 12-5 pm
Open until 8:00 pm on Thursday, June 12
Doors open at 8:00 a.m. on the morning of the sale
All lots pictured in color online at www.ragoarts.com
Absentee and phone bids gladly accepted.
Online bidding available for Summer Estates (lots 301–530B)
through LiveAuctioneers.com
Requests for condition reports may be faxed to
609.397.9377 or called in to 609.397.9374.
There will be a 20% buyer’s premium added to the
price of the successful high bid.
(online bids – 22.5% buyer’s premium)
Please come prepared to pay for and pick up your purchases.
All purchases must be removed from the auction house within
2 weeks of the sale, except by prior written permission.
333 North Main Street Lambertville, NJ 08530
www.ragoarts.com info@ragoarts.com
t: 609.397.9374 f: 609.397.9377

DISCOVERY AUCTION, lots 1–300C, p.1–9
Lots 1–266:
20th C. Modern furniture, smalls, lighting and art
Lots 267–273:
Phillip Lloyd Powell stationary shop tools
Lots 274–300C:
Clocks, barometers, phonographs, roller organs,
music boxes, and automata
SUMMER ESTATES, lots 301–530B, p.10–19
Lots 301–334:
Music boxes, roller organs, automata and
whistlers
Lots 335–337:
Pianos and mandolins
Lots 338–354:
Bronzes, and art reference
Lots 355–375:
Porcelain, glass, Native American and Americana
Lots 376–399:
Barometer, period furniture and Asian
Lots 400–420:
Arts & Crafts furniture, Persian rugs
Lots 420–442:
Russian icons, portrait miniatures, Sterling silver
and Russian enamel
Lots 443–530B:
Gemstones, fine jewelry, watches and handbags
SUMMER ESTATES AUCTION TERMS OF SALE,
p.20–23
CONTENTS
DISCOVERY AUCTION, lots 531–1991, p.24–39
Lots 531–593:
Vintage couture, accessories and jewelry
Lots 594–635:
Portrait miniatures, Russian icons, silver, coins
and books
Lots 636–678:
Theatrical memorabilia, toys, dolls, Native
American, ethnographic and Asian
Lots 679–716:
Traditional art and art related
Lots 717–850:
Rugs, Arts & Crafts lighting, pottery, metal,
furniture and art glass
Lots 851–910:
Roseville, Weller and Ohio pottery
Lots 911–945:
Americana, period and country furniture
Lots 946–1011:
Traditional art, bronzes, statuary, lighting, etc.
Lots 1012–1036:
Period furniture
Lots 1037–1091:
China, stemware and glass
DISCOVERY AUCTION TERMS OF SALE, p.41–42
Absentee Bidding Form, p. 43
Condition Report Form, p. 44

––––––––––– DISCOVERY AUCTION –––––––––––
LOTS 1–300C / 531–1091 “AS–IS WHERE-IS” ABSOLUTE AUCTION
please see Terms of Sale, page 41–42
1: LE CORBUSIER / CASSINA LC/2 tubular chromed steel chair with brown
suede cushions. Stamped Cassina with Atelier label. 26” x 30” x 28”
1A: STYLE OF LE CORBUSIER Tubular chromed steel sofa with gray leather
cushions. 27” x 68” x 28”
2: MIES VAN DER ROHE Pair of Barcelona chairs with original tan leather
tufted cushions on leather straps. Each: 31” x 31” x 30”
3: BARCELONA STYLE Coffee table with brushed stainless steel base and
glass top. 17” x 40” sq.
3A: MARCEL BREUER Pair of Wassily chairs in brown leather in as found
condition.
4: MODERN Walnut credenza with sliding doors and four drawers. (From
the Grieco House, built by Marcel Breuer in Andover, Massachusetts, 1954.)
30” x 96” x 18 1/2”
5: MODERN Round occasional table with walnut top on fretwork base.
(From the Grieco House, built by Marcel Breuer in Andover, Massachusetts,
1954.) 18” x 31”
5A: VLADIMIR KAGAN Early walnut serving cabinet with two doors
enclosing two drawers, en suite with a wall-hanging three-tiered shelf with
antiqued mirrored back. (Purchased from Kagan in 1947.) 31 1/4” x 48” x 19”
and 35” x 48” x 6”
6: MODERN Laminated plywood lounge chair, together with a chrome and
glass top table. Table: 23” x 20” dia.
7: STEELCASE Sofa with black leather upholstery on molded white
fiberglass frame. Mismatched arm cushions, original lucite base replaced
with black base. 25” x 85” x 35”
8: GERALD SUMMERS / MAKERS OF SIMPLE FURNITURE Armchair of
single ebonized birch laminate sheet. 30” x 24” x 33”
9: MODERN Tubular steel armchair with wicker seat and chaneled cushion.
29” x 29” x 30”
10: STYLE OF ZOGRAPHOS Pair of occasional tables with glass tops on
brass tripod bases. Each: 15 1/2” x 36 1/2”
11: MODERN Brass shelving unit with five glass shelves. 86” x 34” x 16”
12: MODERN Tubular steel settee. 28” x 51” x 28”
13: MODERN Chromed steel lounge chair with upholstered cushions, along
with brushed aluminum and glass tiered side table. Chair: 27” x 28” x 30”
and 19” x 24”
14: PAUL TUTTLE Lounge chair with eggshell leather cushions on polished
steel frame. 27 1/2” x 27” x 32”
15: MODERN Lucite and chromed steel bar cart on casters. 26” x 30” x 16”
16: MILO BAUGHMAN / THAYER COGGIN Seven-piece polished chrome
dining set with glass-topped extension table with two 20” leaves, and six
upholstered side chairs. Table (closed): 28” x 76” x 38”, chairs: 36 1/2” x 19”
x 23”
17: CURTIS JERE Chrome-plated steel table lamp. 33” x 21 1/2” x 12 1/4”
18: CURTIS JERE Metal wall-hanging sculpture, 1979. Signed C. Jere 1979.
27” x 42” x 10”
19: CURTIS JERE Chromed metal table lamp on ebonized wooden base.
Signed C. Jere. 37” x 17” x 17”
20: STYLE OF CURTIS JERE Chromed steel floor lamp, geometric
patinated, brushed steel hanging fixture and pair of wood and plastic
fluorescent ceiling light covers. Floor lamp: 42” x 8”, ceiling fixture: 17” x
14”, covers: 54” x 16” x 30”
21: MODERN Tri-arm adjustable floor lamp in chrome and black enameled
metal. Approx. 64” x 37”
22: MODERN Adjustable single arm floor-lamp and brass coat rack. Lamp:
51”, coat rack: 67” x 29 1/2”
23: MODERN Floor lamp missing globe, chrome swing-arm lamp, and
bronze finish ceiling fixture. Floor lamp: 53” tall
24: TOSHIKO TAKAEZU Moonpot covered in cobalt and gunmetal dipped
glazes. Incised TT under the glaze. 5” x 4”
25: TOSHIKO TAKAEZU Stoneware plate covered in dipped glazes, signed
TT. 9 1/2” dia.
26: KEN FERGUSON Large stoneware footed basket with iron oxide glaze.
(Exhibited in a 1995 retrospective of Ferguson’s work held at The Nelson-
Atkins Museum of Art, Kansas City, MO.) Professional restoration to 3” x 1”
break to rim. 14 1/2” x 16 1/2”
27: STEPHEN SELL Wheelthrown, cut and altered stoneware vessel
covered in resist glazes, ca. 1998. 10” x 7 1/4”
28: HEINO Five assorted ceramic pieces, four vessels and one footed bowl.
All signed, one signed Otto and dated 1999. Bowl: 5 1/4” x 7”
29: HEINO Four spherical ceramic vessels, three covered in volcanic
glazes, one in matte ochre. All signed. Largest: 6” x 6”
30: BEATRICE WOOD Bottle-shaped vessel covered in lustered glazes.
Purchased at the Garth Clark Gallery, L.A. 5”
31: BEATRICE WOOD Large circular dish covered in mauve glaze. Signed
BEATO. 3” x 11 1/2” x 12 1/2”
32: PILLIN Bottle-shaped vase with fish. Signed. 6 1/2”
32A: SCHEIER Footed vessel covered in olive and blue semi-matte glaze.
Incised Scheier. 4 3/4” x 5 1/4”
33: CABAT Three Feelie vessels covered in ivory and taupe vellum glazes.
All signed. Largest: 4” x 2 3/4”
34: JAMES LOVERA Footed ceramic bowl covered in fine mahogany glossy
glaze. Signed Lovera. 3” x 9”
35: MICHAEL ANDERSON & SONS Tall baluster vase covered in gray and
oxblood flambe glaze. Stamped MAS Denmark, and numbered. 14 1/2”
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36: RON DEAN Three ceramic pieces covered in mottled black and gray
glazes. All signed and numbered. Largest: 6 1/2” x 6” x 5 1/2”
37: EFFIE Seven assorted ceramic vessels, each with pinched rim, one with
internal rattle. All signed. Largest: 5 1/4” x 5 1/2”
38: MODERN Two large ceramic chargers. As-is condition. Largest: 3 1/2” x
23”
39: STUDIO POTTERY Ten pieces including gourd and bottle shapes,
signed and unsigned vases, etc. Tallest: 8 1/2”
40: STUDIO POTTERY Two ceramic pieces: vase and reticulated bowl
covered in textured oatmeal glazes. Indecipherable signature to both. 6
3/4” x 6” and 5” x 7”
41: PARADOX POTTERY Three spherical vessels each covered in a unique
mottled glossy glaze. Each signed Paradox Pottery/Whalen. Largest 10 1/2”
dia.
42: RUDE OSOLNIK Turned walnut footed bowl. Signed. 3 3/4” x 7 3/4”
43: EDWARD WOHL Bird’s eye maple chest with dovetailed case and cedar
lining. Signed Edward Wohl. 18 1/2” x 35” x 21 3/4”
44: R. AUOTZA Figural glass sculpture in lavender, on black base. Etched
signature. 12 1/2” x 4 1/2”
45: KONRAD HABERMEIER Cylindrical glass vase with sandblasted finish
and shaded blue top, ca. 1950. Small bruise to side. 13 1/2”
46: ORREFORS Sommerso vase in smokey topaz and clear glass. Etched
Orrefors N3595/238. 9 1/2” x 4 1/4”
47: TIMO SARPANEVA AND TAPIO WIRKKALA Two clear bowl glass bud
vases. Both signed. Sarpaneva signed and numbered 5568, Wirkkala signed
and dated 55. 5” and 4 1/2”
48: ERKKI VESANTO (FINLAND) Clear glass vase etched with fish. Small
rim chip. Signed Erkki Vesanto 3254? 8” x 2 3/4”
49: KEN BOCHELL Blown glass centerbowl in shades of mottled blue and
green, 1975. Etched signature and date. 4” x 16”
50: ART GLASS Etc. Three bowls, two glass in the style of Chihooly, one
ceramic with seaweed (breaks to tips). Tallest: 12 3/4”
51: ART GLASS Three vases, one stoppered, another with seahorses.
Tallest: 9”
52: ITALIAN GLASS Four assorted pieces. Tallest: 14”
53: GLASS URNS Pair of ‘Sunflower Yellow’ glass covered urns, ca. 1950.
54: ALESSI / ALFRA Three pieces: teapot, cream pitcher and sugar dish in
silver and black lacquered metal. All stamped with Alfra Italy hallmark.
Teapot: 5 1/2” x 7 1/2” x 5”
54A: GEBRUDER BING (Nuremberg) Coffee set, including two pots,
creamer, sugar dish and tray. One pot marked GBN Bavaria. Tray: 1 1/2” x 15
1/2” x 8 1/2”
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55: EMMA GISMONDI SCHWEINBERGER / ARTIMEDE Dedalotto umbrella
stand. Marked. 7” x 8”
56: PICASSO / MADOURA Glazed earthenware pitcher with abstract mask
designs. Signed Edition Picasso Madoura, with Plein Feu stamp. 5 3/4” x 5
1/2” x 5 1/2”
57: SHIRO KURAMATA Armchair upholstered in gray wool, the arms
trimmed in grooved rubber, on black enameled steel frame. (Provenance:
Tsukuba Daiichi Hotel, Japan. Literature: Hara et. al., Shiro Kuramata 1934-
1991, p. 163-168.) 29 1/2” x 20 3/4” x 20 1/2”
58: PHILIPPE STARCK / ALEPH / DRIADE Dining table with circular
mahogany veneer top on three cast aluminum legs. Marked Aleph. 28 1/2” x
52” dia.
59: RICHARD MEIER (Attr.) Coffee table with glass top over black
lacquered wooden cube base. 18 3/4” x 42”
60: STYLE OF RICHARD MEIER Room screen with four ebonized gridded
oak panels. 78”, each panel: 17”
60A: OSVALDO BORSANI / TECNO E22 Wall unit in rosewood veneer with
refrigerated bar, bookrest, extended desktop, eight shelves and two locking
cabinets. Marked Tecno. 95” x 182” x 18 1/2”
61: MARIO BELLINI FOR FILIPPO SIBAU Pair of leather clad side chairs. 18”
x 32”
62: ITALMA Lounge chair with tufted leather upholstery on rosewood
frame. Italma label. 30” x 36 1/2” x 34 3/4”
63: LUIGI ORIGLIA FOR PIUMA Set of six stacking chairs with birch seats
and backs and black metal frames. 32” x 19 1/2” x 20”
64: LUIGI ORIGLIA FOR PIUMA Set of six stacking chairs with enameled
seats and backs and metal frames. 32” x 19 1/2” x 20”
65: AMBASZ / PIRETTI FOR OPENARK Pair of armchairs with sliding seats
and flexible backs. 30 1/2” x 21” x 21”
66: ZANUSO Lounge chair on spring foundation, upholstered in orange
cotton fabric on brass feet. 26 1/2” x 34” x 33 1/2”
67: ALDO TURA Lacquered parchment and brass bar/tea cart. 26” x 28 1/4”
x 16 1/2”
68: MODERN Pair of Italian club chairs on tapering turned legs. 36” x 35” x
32”
69: ITALIAN MODERN Set of ten ladderback side chairs with rushed seats
and black lacquer frames. Each stamped Made in Italy. 33” x 18” x 19”
70: SAPORITI ITALIA Set of eight tubular steel cantilevered chairs
upholstered in taupe fabric. Saporiti Italia tags. 32 1/2” x 21” x 22”
71: MATEGOT Brass and black enameled metal log holder. 15” x 19” x 28”
72: MODERN Large wall-hanging mirror, its mirrored frame decorated with
fretwork and rose design. 46” x 26”

73: FRENCH Carved klismos seat with rose fabric cushion. 19 1/2” x 28 1/2”
x 18”
74: EMMA GISMONDI SCHWEINBERGER/ ARTIMEDE MILANO Four stools,
together with midcentury studio floor lamp with laced shade. Lamp: 41” x 3
1/2” x 11”, pod: 16” x 15 1/2” dia.
75: ROBIN DAY DESIGN (British) White hard plastic swivel chair on
chromed steel base and brown cushion, with matching ottoman. 34” x 30” x
30”
76: STYLE OF JORGE ZALSZUPIN Rosewood plywood lounge chair with
slatted back, with original cushions upholstered in wool tweed. With
cushions: 32” x 37 1/2” x 32”
77: DONGHIA Set of eight chairs upholstered in taupe fabric on painted
wooden frames. Donghia fabric tags. Each: 35” x 21 1/2” x 22”
78: VENINI Chandelier with crystal drops. 20” x 20”
79: STYLE OF FONTANA ARTE Ceiling fixture of chrome and glass. 53” x
20” dia.
80: PIERO BROMBIN / ARTIMEDE Arianna ceiling fixture, complete with
ceiling cap, with white frosted globe, ca. 1962. 19”
81: CHARLOTTE PERRIAND / PHILIPS Infraphil wall-mountable lamp, ca.
1950s. 9 1/2” x 9” x 6”
82: CHARLOTTE PERRIAND Four black painted metal wall sconces. Each: 7”
x 5”
83: MODERN LIGHTING Aluminum ceiling fixture consisting of three slab
built lanterns suspended from an aluminum canopy. 42 1/4” x 42” x 9 3/4”
84: MODERN Two ceiling lamps: twelve-arm sputnik, and large spherical
fixture of banded metal with brass finish. Dia. (approx.): 22” and 20”
85: ROCKWELL KENT (American, 1882-1971) Four prints (each framed):
“How Soon,” “The Empty House,” “Sorrows of the World,” “Many More.” Each
signed and titled in the plate. 13 1/2” x 10 1/2” (sight) each.
86: ELIZABETH CATLETT (American, 1915 - ) “Gossip,” giclee in colors with
lithograph additions (framed), 2005. (Provenance: Private Collection,
Princeton.) Signed, dated, titled, and numbered 102/200. 17” x 18 1/4”
(sight).
87: DAVID STOREY (American, b. 1948) Two works of art: “Untitled
(Monotype II),” monotype (framed), 1987, signed, dated, and numbered II,
32” x 23 1/2” (sheet); “Abstraction,” linoleum cut (framed), 1987, signed,
dated, and numbered 9/18, 17 1/4” x 13 3/4”. Provenance: Private
Collection, New York.
88: ALBERT URBAN (German/American, 1909-1959) Six screenprints in
colors (each framed): “Dance,” “Pink Still Life,” “Candle,” “Street,”
“Springtime” and “Nude.” (Provenance: Private Collection, New York.) Each
with estate stamp. 12 1/4” x 8 1/2” (sight) each.
89: LOUISE BERLIAWSKY NEVELSON (Russian/American, 1900-1988)
“Walking in the Sky,” etching (in a Newcomb-Macklin style frame).
(Provenance: Private Collection, Pennsylvania.) Signed, titled and
numbered 1/20. 23 1/4” x 28 1/2” (sight), frame: 36” x 44”.
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90: CONTEMPORARY ART Three wooden sculptures, ca. 1980. Artist
unknown.
91: JACK TWORKOV (American, 1900-1982) “TL #7,” lithograph in colors
(framed), 1978. (Provenance: Private Collection, Princeton.) Signed, dated,
titled, and numbered 5/125. 24 1/2” x 24 1/4” (sight).
92: 20TH C. PRINTS Three works of art: George Segal (American, 1924-
2000) “Chair #3,” screenprint in colors (framed), 1970, signed and
numbered, 26 1/2” x 20 1/4” (sight); Peter Milton (American, b. 1930)
Illustration for “The Jolly Corner,” etching (framed), 1971, signed, dated and
numbered 28/90, 10 1/2” x 15 1/2” (sight); Paul Wunderlich (German, b.
1927) “Song of Songs, I:16,” screenprint in colors (framed), 1969, signed and
numbered XXVI/XXX, 23 1/2” x 17 1/2” (image). (Provenance: Collection of
Derek Mason and Daniel Jacobs, Virginia.)
93: 20TH C. PRINTS Three works of art: Ronald Brooks Kitaj (American,
1932-2007) “Untitled (Photographic Memory),” screenprint in colors
(framed), signed and numbered 31/70, 30” x 22 1/4” (sheet); Frank Walden
Wimberley (American, b. 1926) “Untitled,” screenprint in colors (framed),
signed and numbered 28/75, 28” x 24” (sight); Richard Smith (British, b.
1931) “P.T.O. Apollinaire,” screenprint in colors on paper (framed), 1968,
signed, dated and numbered 34/150, Richard Feigen Graphics, New York
(labels on verso), 20” x 17” (sheet). (Provenance: Collection of Derek Mason
and Daniel Jacobs, Virginia.)
94: JOE ZUCKER (American, b. 1941) “Death of the Conquisitadors,”
lithograph in colors with acrylic and collage, 1984. (Provenance: Private
Collection, New York.) Signed, dated, titled, and numbered 10/18. 36 1/4” x
48 1/2” (sheet).
95: MEL GEARY (American, 20th C.) Two works of art: “01/02,” acrylic on
canvas, 2003, signed, dated, and titled, 44” x 32”; “Prelude,” acrylic on
canvas, 1995, signed, dated, and titled, 42” x 32 1/4”. (Provenance: Private
Collection, Pennsylvania.)
96: KAZUMI AMANO (Japanese, 1927-2001) “Correlation - Trance A,”
mixed media print, 1969. (Provenance: Private Collection, New York.)
Signed, dated, titled and numbered 4/30. 24” x 17 1/2” (sight).
97: ANTHONY JOHN PADOVANO (American, b. 1933) “Untitled,” bronze,
1974. (Provenance: Private Collection, New York.) Signed and dated. 3” x 9
1/2” dia.
97A: WILLIAM CARLSON Laminated and clear glass three-piece sculpture,
1981. (Provenance: Heller Gallery, New York.) Chips and breaks to colorless
piece. Signed William Carlson 1981. 16 1/4” x 6 3/4” x 3 1/2”
98: JANET CARKEEK (American, 20th C.) “Untitled (No Title),” ink and
pastel on wood, 1989. (Provenance: Betsy Rosenfield Gallery, Inc., Chicago
(label on verso); Private Collection, New York.) Signed and dated. 23” x 23”.
99: ALAN BELCHER (Canadian, b. 1957) “Canadian Softwood,” mixed
media, 1987. (Provenance: The artist; Margo Leavin Gallery, Los Angeles,
CA; Private Collection, New York.) Signed, dated and titled. 4 1/2” x 13” x 5
1/2”.
100: ROBERT LOUGHLIN (American, b. 1949) Untitled, paint on screen.
(Provenance: Private Collection, New York.) Signed. 27 34/” x 81” x 3 1/2”.
101: RAYMOND DONARSKI (American, 20th C.) “Scale,” acrylic on canvas,
1966. (Provenance: Private Collection, New Jersey.) Signed, dated and
titled. 60” x 68”.

102: YEE JAN BAO (Korean, 20th C.) Two works of art: #7 and #10, from
the series “Atlantis”, each oil on board (framed), 1988. (Provenance:
Collection of Derek Mason and Daniel Jacobs, Virginia.) Signed, dated and
titled. 20” x 29” (each).
103: WILLI KOPF (Austrian, b. 1949) “Untitled,” ink and graphite on paper,
1988. (Provenance: Private Collection, New York.) 11 3/8” x 8 1/8” (sheet).
104: JOHN SHERMAN (American, 20th C.) Two works of art: “Untitled,” oil
on canvas (framed), 1956, signed and dated, 20” x 24”; “Untitled,”
watercolor on paper (framed), signed, 14 3/4” x 21 1/4” (sight). (Provenance:
Private Collection, Connecticut.)
105: EERO SAARINEN / KNOLL Set of six side chairs upholstered in coral
wool on tubular steel legs. 30 1/2” x 17” x 22”
106: EERO SAARINEN / KNOLL Three side tables on black pedestal bases
with gray marble tops. Large ship to one top. Bases repainted. 20 1/2” x 20”
dia.
107: VIGNELLI FOR KNOLL Set of six Handkerchief chairs. 29” x 25 1/2” x
19”
108: STYLE OF KNOLL Custom dining table with radiating oak veneer top
on polished steel pedestal base. (Provenance: Designed for the Burlington
Headquarters building in Greensboro, North Carolina.) 8 1/2” x 72” sq.
109: KNOLL Conference chairs set of eight with teal upholstery and
tubular black frames. Knoll tags. 32” x 20” x 20”
110: KNOLL Walnut double-pedestal, five drawer desk on steel legs. Knoll
Associates label. 28” x 76” x 36”
111: KNOLL Maple side chair with woven leather seat and back.
112: HARRY BERTOIA Set of four wire side chairs. 29” x 21” x 23”
113: GEORGE NELSON FOR HERMAN MILLER Spherical bubble lamp. 26”
dia.
114: CHARLES AND RAY EAMES Early yellow fiberglass swivel chair with
rope edge. Early Knoll label. 31” x 24 3/4” x 22”
115: CHARLES & RAY EAMES Basket chair with leather seat and Eiffel
Tower base. 32 1/2” x 19 1/2” x 21”
116: CHARLES & RAY EAMES / HERMAN MILLER Fiberglass shell chair on
chrome steel base. Stamped Herman Miller. 31” x 18 1/2” x 20”
117: CHARLES AND RAY EAMES / HERMAN MILLER Fiberglass swivel chair
in brown wool on steel base, along with glass-top coffee table on aluminum
base. Chair signed Herman Miller. 32” x 25” x 20” and 16” x 42”
118: HUGH ACTON / CHARLES EAMES Three-drawer walnut desk on
polished steel frame with Charles Eames/ Herman Miller Aluminum Group
Armchair. Desk: 29” x 72” x 36” 31 3/4’ x 23” x 27”
118A: STYLE OF EAMES Lounge chair and ottoman.
119: RAYMOND LOEWY ‘Shape Rhythm’ china set in the ‘Mosaic’ pattern.
One hundred, twenty-seven pieces including dinner, salad, and bread &
butter plates, cups, and saucers.
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120: EVA ZEISEL FOR HALLCRAFT Seventy-one piece dinnerware set
grouping including bread & butter, salad, and dinner plates, cups, saucers,
small bowls, creamer, covered sugar, serving spoon, and serving pieces,
each with pink and black design on glossy white ground. A few minor nicks
and some light scratches overall. Blue ink stamp, cups marked
“Harlequin/Made in USA” in gold.
121: CESAR / BERNARDAUD “L’Empreinte Digitale,” porcelain platter after
an original work. Signed, titled and marked Bernardaud Limoges. 16 3/4” x
12”
122: GLIDDEN Twenty pieces covered in gray mottled glaze: four teacups
(441-A), four saucers (442), eight small plates (435) and four round plates
(433); together with six pieces of pottery covered in light blue mottled
glaze: five square dishes (27) and one square dish (25). Light blue square
dish: 1 1/2” x 8”
123: GLIDDEN Seventeen pieces covered in dark blue mottled glaze: two
teacups (441-A), two saucers (442), seven small round plates (435), five
medium round plates (465), casserole dish (412). All signed. Casserole: 2” x
14” x 6 1/2”
124: GLIDDEN Nineteen pieces covered in mottled blue glaze: two teacups
(441-A), three saucers (442), four small round plates (435), square plate
(33), round plate (433), rectangular relish dish (26), covered casserole
(163), oval bowl (36), cream pitcher (143), sugar dish (1440), spherical vase
(63), two small casserole lids. All signed. Casserole: 5 1/4” x 11” x 7”
125: GLIDDEN Twenty-three glazed ceramic dishes, including three small
rooster plates and seven small poodle plates. Largest: 9 1/2” sq.
126: GLIDDEN Nine pieces: three covered in cream glaze with sgraffito
designs: bowl (17), creamer (143) and sugar dish (144); four pieces covered
in blue glazes; transfer-decorated cutting board and relish dish. All signed.
Sgraffito bowl: 4 1/2” x 8”
127: MODERN CERAMICS Four pieces: Jonathan Adler vase, vases with
floral design, German fish plate, and Rosenthal vase. All marked. Plate: 19”
l.
128: MODERN CERAMICS Thirteen pieces including Italian and studio
pottery, enameled metal, etc. Tallest: 9”
129: ROYAL HAEGER/HAEGER Fourteen assorted vases. Tallest: 12”
130: PAUL McCOBB Six dining chairs, four arm- and two side-, with
bleached mahogany frames and woven leather seats. 35” x 22 3/4” x 22 1/2”
131: PAUL McCOBB Drop-leaf dining table in maple. 40” x 36” x 24”
132: PAUL McCOBB Single pedestal desk with Planner Group foil tag. 29” x
48” x 18 1/4”
133: PAUL McCOBB Single pedestal desk together with flip-top mirrored
vanity in maple. Each with Planner Group foil tag. 29” x 48” x 18 1/4”
134: PAUL McCOBB / DIRECTIONAL Set of six upholstered chairs, two armand
four side-. Armchair: 43” x 25” x 22”
135: PAUL McCOBB Walnut headboard with inset woven jute panel. 39
1/2” x 80”

136: T. H. ROBSJOHN GIBBINGS / WIDDICOMB King-size wood headboard
with rattan-covered edges. 35” x 81”
137: ROGER SPRUNGER / DUNBAR Rosewood and brass side table with
smoked glass top. Dunbar metal tag. 23” x 27”
138: DUNBAR Two-drawer utility cart with walnut top on ebonized base
with casters. Dunbar brass tag. 30” x 40” x 17”
139: NO LOT
140: STYLE OF DUNBAR Five-seat sofa upholstered in original black and
white striped fabric, on walnut base. 29” x 125” x 32”
141: MODERN Walnut round extension dining table with splayed legs, with
two 16” leaves. Closed: 29” x 48”
142: TOMMI PARZINGER / STIFFEL Pair of five-arm brass and enameled
metal table lamps. Each: 36” x 10 1/2”
143: TOMMI PARZINGER / DORLYN SILVERSMITHS Brass serving tray.
Marked Dorlyn Silversmiths. 1 3/4” x 15” x 12 /12”
144: TOMMI PARZINGER / DORLYN SILVERSMITHS Brass chafing dish on
stand, complete with burner and flame snuff. Marked Dorlyn Silversmiths.
10 1/2” x 12” x 10”
145: MODERN Pair of tan leather table lamps with white linen shades.
Each: 23” x 14 1/2” x 9”
146: STYLE OF TOMMI PARZINGER Floor lamp with a gold leaf shelved
stem over a mahogany veneer base. 66” x 15”
147: JAMES MONT Pair of earthenware lamps with embossed neoclassical
designs, covered in verdigris glaze, complete with original pagoda-shaped
shades. 31” x 22” x 22” (Disco per JS)
148: STYLE OF JAMES MONT Ebonized fretwork lounge chair with red
fabric cushion, along with pair of ebonized highback armchairs upholstered
with floral fabric. 29” x 27” x 24” and 41” x 25” x 21”
149: MASTERCRAFT Exotic wood veneer three-drawer chest, single drawer
unit and two-door cabinet. Chest: 30” x 25” x 20 1/2”
150: MASTERCRAFT Exotic wood veneer and brass single-drawer desk, en
suite with preceding. 30” x 78” x 38”
151: MAITLAND-SMITH extension dining table covered in tessellated
black/green, with brass inlaid bands and paw feet, on casters, with single
leaf. Maitland-Smith brass tag. 29” x 89” x 42”
152: HARVEY PROBBER Armchair upholstered in orange ribbed velvet on
ebonized wood frame. 31” x 30 1/2” x 30”
153: CHARAK Sculpted wooden stand with three inset copper plant liners.
Charak label. 27” x 27 1/2” x 19”
154: KITTINGER Enameled metal king-size headboard. 70” x 85”
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155: MILO BAUGHMAN Set of four dining chairs, together with a Haven
vinyl sleeper sofa and a Dunbar style armchair. Dining chair: 39” x 20” x 25”
156: DECORATIVE BRASS Two leopard print stools together with a bamboo
lamp table. Lamp: 57 1/2” tall.
157: STYLE OF HERMAN MILLER Shelving unit with five drawers and a
drop front compartment. 79 1/4” x 50” x 15”
158: BAKER FURNITURE Bedroom set in the Chinese style comprised of
two chests and a headboard. Chest: 32 1/4” x 36” x 19”
159: MODERN OFFICE Furniture including a Sofco desk, two Saarinen-style
swivel chairs and a similar console. Desk: 29” x 58 1/2” x 73”
160: PENNERTON WEST (American, 1913-1965) “Elegy,” oil on canvas
(framed). (Provenance: Private Collection, Pennsylvania.) Signed and titled.
45” x 40”
161: JIMMY C. LUEDERS (American, 1927-1995) “Mariner IV,” oil on linen
(framed). (Provenance: Private Collection, Pennsylvania.) Signed and titled.
44” x 42”
162: MURRAY DESSNER (American, b. 1934) Three works of art: “Florian’s
Dream,” oil on canvas, 1986, initialed and dated, 60” x 84”; “Untitled,” oil on
canvas, 1979, initialed and dated, 53 1/2” x 47 1/2”; “Untitled,” oil on
canvas, 1979, initialed and dated, 40” x 46”. Provenance: Private Collection,
Maryland.
163: MIKHAIL GUBIN (Russian, b. 1953) “Bird of Happiness,” oil on canvas
(framed). (Provenance: Private Collection, New Jersey.) Signed and titled.
46” x 30”.
164: MICHAEL McCLARD (American, 20th C.) “Blue Nose,” dried pigment,
acrylic, paper, and plaster, 1981. (Provenance: Private Collection, New
Jersey.) 28” x 23”.
165: PAPO COLO (Puerto Rican, 20th C.) Two works of art: “Praying Nun,”
pastel on paper (framed), 1981, signed, dated and titled, 24 1/4” x 19 1/2”
(sheet); “Out of My Head,” pastel on paper (framed), 1981, signed and
dated, 23 3/4” x 22 3/4” (sheet). (Provenance: Monique Knowlton Gallery,
Inc., New York; Collection of Derek Mason and Daniel Jacobs, Virginia.)
166: MAIJA WOOD PEEPLES (American, 20th C.) “Untitled,” acrylic on
canvas (framed), 1977. (Provenance: Collection of Derek Mason and Daniel
Jacobs, Virginia.) Signed and dated. 42” x 48”.
167: CHAM HENDON (American, b. 1936) “N.Y.C. Loveseat,” enamel on
canvas, 1980. (Provenance: Collection of Derek Mason and Daniel Jacobs,
Virginia.) Signed, titled and dated. 30” x 30”.
168: SKIP SNOW (American, 20th C.) Three works of art: “The Georgian,”
oil and enamel on canvas (framed), 1984, signed and dated, 37” x 18”; “Last
Chance,” oil on canvas, 1989, 32” x 28”; “Untitled,” oil on canvas, 32 1/2” x
32”. (Provenance: Collection of Derek Mason and Daniel Jacobs, Virginia.)
169: HOLLIS SIGLER (American, 1948-2001) “A Victim Isn’t a Friend,”
mixed media on paper (framed), 1980. (Provenance: Collection of Derek
Mason and Daniel Jacobs, Virginia.) 23 1/2” x 28 1/2” (sight).
170: RUTH LIGHT BRAUN (American, 1906-2003) “Abstraction in Red and
Blue,” gouache on paper (framed). (Provenance: Estate of the artist; Private
Collection, New York.) Signed. 39 1/2” x 29 1/2” (sight).

171: KATHERINE SHERWOOD (American, b. 1952) Two works of art:
“Untitled,” oil on canvas, 1983, signed and dated, 20” x 16” (oval);
“Untitled,” oil on canvas, 1983, 20” x 16” (oval). (Provenance: Collection of
Derek Mason and Daniel Jacobs, Virginia.)
172: GLADYS NILSSON (American, b. 1940) “The Small Dark Cloud,” acrylic
on canvas, 1972. (Provenance: Collection of Derek Mason and Daniel Jacobs,
Virginia.) Signed, dated and titled. 28” x 24”.
173: ANN AGEE (American, b. 1959) “Mercades,” oil on canvas (framed),
1983. (Provenance: Collection of Derek Mason and Daniel Jacobs, Virginia.)
Signed. 22” x 18”.
174: ARMOND LARA (American, b. 1939) “Koshari as Von Ludwig,” oil on
canvas, 1986. (Provenance: Private Collection, New Jersey.) Signed, dated,
and titled. 72” x 96”. Together with an untitled work of oil on canvas by an
unknown artist, 46 1/2” x 34”.
175: DOROTHY ALDEN MORANG (American, 1906-1994) “Untitled,” mixed
media on paper (framed). (Provenance: Private Collection, Vancouver,
Cananda.) Signed. 23” x 31 3/4” (sheet).
176: DONALD POWLEY (American, 20th C.) “Mrs. Sadie Henderson, Stuck,”
oil, graphite and alkyd on canvas, 1989. (Provenance: Private Collection,
New York. Exhibition: “Numbers Letters & Markings,” Hirschl & Adler
Modern, New York, July 5 - August 12, 1994.) Signed and dated. 16” x 16”.
177: LOWELL BLAIR NESBITT (American, 1933-1993) Two works of art:
“Iris,” three serigraphs (each framed) and original portfolio, 1980, signed,
dated, and numbered 146/250, 16” x 13” (sight); “Untitled,” serigraph
(framed), 1980, signed, dated, and numbered 132/200, 26” x 26” (sight).
(Provenance: Private Collection, New Jersey.)
178: MARK STOCK (American, b. 1951) “Evening Tulips,” oil on canvas
(framed), 1980. (Provenance: Private Collection, New York.) Signed, dated,
and titled. 24” x 28”.
179: VICTORIA FAUST (American, 20th C.) “Untitled,” pastel on paper
(framed), 1985. (Provenance: Private Collection, New York.) Signed and
dated. 28 5/8” x 39 1/2” (sight).
180: ITALIAN ART DECO Rosewood veneer dresser with attached mirror.
72” x 55” x 21”
181: FRENCH ART DECO Sideboard in burled walnut and mahogany veneer
with marble top. 41 1/4” x 47” x 17”
182: ITALIAN ART DECO Pair of walnut burl nightstands with Bakelite
pulls. 24 1/4” x 19 1/2” x 14”
183: ITALIAN ART DECO Rosewood armoire with three doors and base
fitted with drawers, all with Bakelite pulls. 76 3/4” x 80” x 24”
184: ART DECO Side table with bound volume top on sculptural nude base.
Signed on bottom Baldwin Studios. 23 1/2” x 17” x 12”
185: MODERN Pair of Brazilian rosewood side tables on tubular steel
bases. 26” x 23”
186: MODERN Aluminum pedestal ashtray. 24” x 14 1/2”
187: ART DECO Bakelite occasional table on coral aluminum frame. 18 1/2”
x 24 1/2”
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188: LLOYD LOOM lounge chair upholstered in checked wool fabric. Lloyd
Loom label. 30” x 24” x 25”
189: HEYWOOD WAKEFIELD Four drawer chest in Champagne finish. 45” x
32” x 18 1/2”
190: HEYWOOD WAKEFIELD STYLE Maple bedroom set with eight drawer
chest, attached mirror, armchair, and twin bed frame. All stenciled
‘Stardust’. Dresser: 68” x 60” x 21”
191: MODERN OUTDOOR Rattan sofa and pair of lounge chairs, the
cushions covered in orange floral fabric. Sofa: 31” x 77” x 37”, chairs: 31” x
32” x 37”
192: MODERN Massive oak coffee table, its patchwork veneer top with
brass inlay. 15” x 59” x 39 1/2”
193: MODERN Large patinated metal and glass display case, on casters.
50” x 41” x 20”
194: MODERN Pair of lacquered wood occasional tables with brass-capped
feet. 31” x 32” dia.
195: MODERN Pair of hall mirrors, their frames with radiating veneer. 41” x
24”
196: MODERN Pair of armless lounge chairs upholstered in wool. 30” x 27”
x 34”
197: ITALIAN ALABASTER LUMIERES Pair with etched bases and integral
alabaster globes together with an Art Deco style figural lamp. Tallest: 18
1/2”
197A: ART DECO Ceiling fixture with molded glass bowl and shades and
brass washed hardware. 31” x 24” dia.
198: FRANKART Mantle lamp with chrome figure and frosted spherical
glass shade. Working condition. 7” x 10”
199: ART DECO Beveled vanity mirror on adjustable parchment-covered
stand. 19 1/4” x 2” x 5”
200: ART DECO Pair of two amber glass bottles. 12 3/4”
201: BARWARE Spun aluminum barware set with matte ground and bright
bamboo decoration, including: martini shaker; pitcher; and twenty-four
drinking vessels. Marked. Shaker: 8 1/2”
202: STYLE OF POILLERAT Pair of wrought iron sconces. Each: 16” x 17”
203: MODERN Floor lamps with wire and wood, each with laced shade.
Tallest: 68 1/2”
204: MODERN Three lighting pieces: tall brass table lamp with satin glass
shades, and pair of brass and enameled wood table lamp bases. Tallest: 48”
h
205: MODERN Two pieces: Table lamp with hemispheric shade, and Welby
starburst wall clock. Lamp: 25” h, clock: 24” dia.
206: MODERN Pair of blue tulip-shaped ceramic lamps, their drum shades
with painted designs and stitched edges. Each: 27 1/2” x 16”

207: MODERN Blue ceramic lamp with gilded dots and stitched drum
shade. 25 1/2” x 20”
208: MODERN CHINOISERIE Two Asian-inspired table lamps, one painted
plaster, the other glazed ceramic. Tallest: 34” x 18”
209: HANSEN Walnut and brass floor lamp, together with a white
enameled metal table lamp. Table lamp unmarked. Floor lamp marked
HANSEN. Floor lamp: 55” x 17” dia.
210: MODERN LIGHTING Lot consisting of two filigree ball lamps and a
carved wood table lamp. Filigree lamp: 14 1/2” dia.
211: MODERN Walnut coffee table and two matching step tables with
laminate tops and brass trim. Coffee table: 15” x 35 1/2” dia.
212: RUGCROFTERS INC. Pair of wool rugs with abstract pattern. 53” x 81”
213: FLOKATI RUG White wool woven in Greece. 63” x 90”
214: WINBLAD / ROSENTHAL Two Bjorn Winblad figural pieces together
with a Rosenthal cylindrical vase. Pitcher: 16”
215: BJORN WINBLAD Tapestry by Loom-Art, 1970’s. Wool with metallic
threads titled ‘Oberon’ and numbered 3/18. Woven signature and cloth
label. 66” x 46 1/2”
216: PSYCHEDELIC Two partial rolls of vintage contact paper, one
featuring 1960’s imagery in blue and brown, the other with fish in blue,
purple and teal. 28” wide and 25 1/2” wide.
217: SWEDISH Studio pottery dish decorated with colored glazes, together
with vinyl-covered ice bucket. Dish marked Sweden Q/86-21. 1 1/2” x 12 1/2”
x 4 1/4” and 13” x 8”
218: SASCHA BRASTOFF Pair of ceramic table lamps on ebonized wood
bases. Signed SASCHA B. Bases: 24”
219: GUSTAVSBERG Black and white charger, together with a gourdshaped
vase and polychrome decorated redware bowl. Charger: 13 1/2” dia.
220: A. HOVISAARI / ARABIA (Finnish) Glazed porcelain plaque by AA
Hovisaari, 1967. Signed and dated 3-67. 14 3/4” x 11 1/2”
221: GERMAN Ten assorted enamel-decorated ceramic vessels in
polychrome. Most stamped Germany. Largest: 9 1/4” x 5”
222: AIDA WHEDON (American, 1915-1993) Oak tray with two inset
handpainted tiles. One tile signed Whedon. 3/4” x 17 1/2” x 11 1/2”
223: SCANDINAVIAN Nine-piece group lot: lamp with leaf-decorated
parchment shade, sculptural serving tray, pair of large salt and pepper
shakers, three candlesticks, ice bucket with liner, and miniature ceramic
figure marked “Thyssen Keramik Danmark.” Lamp: 37 1/2” tall
224: STUDIO SAARINEN AND SULO SKIPPARI / HAMEENLINNA (Finland)
Two wooden plates, ca. 1960s. 12” x and 7 3/4”
225: JENS RISOM AND SEWEA Three wooden wastepaper baskets. One
marked Jens Risom Design, one marked Sewea Made in Sweden for Rainbow
Wood Products. The double-handled piece is unmarked. Largest: 18” x 15” x
9”
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226: DANSK Five pieces, four in teak. Including two teak ice buckets large
teak salad bowl, teak meat platter and a yellow lacquered serving tray.
Tray: 24”
227: ESA DENMARK Pair of teak conical table lamps. Marked ESA Made in
Denmark. Each wooden base: 18”
228: NORWEGIAN Rosewood desk in a box with two-doors concealing an
interior workstation with drawers and shelves. 45” x 32” x 21”
229: FINN JUHL Teak side chair with black leather cushions. 32” x 22” x
20”
230: FINN JUHL / WILKHAHN Teak and oak side table. Wilkhahn metal
tag. 17 1/2” x 26 1/2”
231: AALTO Five stools with ebonized tops and bentwood legs. 15” x 14
3/4” dia.
232: WEGNER / GAETAMA Keyhole rocker with canvas sling seat and back
on oak frame. Branded mark. 41” x 29 3/4” x 31 1/2”
233: HANS WEGNER Pair of teak armchairs with yellow vinyl cushions. 29
1/2” x 25” x 20”
234: GRETA GROSSMAN (Attr.) Occasional table with laminate panel and
canvas inserts. 14” x 54” x 23”
235: DANISH MODERN Nest of three teak tables, stamped Made in
Denmark. Tallest: 21”.
236: DYRLUND Leather lounge chair and ottoman each on bentwood base,
Byrlund Made in Denmark tag. Chair: 33” x 35” x 37”
237: MOREDDI COLLECTION Teak secretary with open shelves, tambour
doors and sliding door base, with teak side chair with leather cushion. Both
marked BM Made in Denmark. Secretary: 71 1/2” x 39 1/2” x 17”, chair: 30” x
21” x 17”
238: DANISH MODERN Teak furniture collection including a side chair,
side table, adjustable footstool, and rolling stereo cabinet. 28” x 20” x 20”
239: KVALITET Teak sideboard with sliding door cabinets flanking four
drawers, together with two wall-hanging shelves. Sideboard missing one
door. All stamped Made in Norway. 32” x 85” x 17”. Together with a
Scandinavian pedestal dining table in teak with two 23 1/2” leaves for Joe
Karlsson, stamped Made in Sweden. 29” x 47 1/4” dia.
240: DANISH Elliptical teak dining table. 27” x 82” x 46”
241: SWEDISH Pair of birch side chairs with woven rope seats. 30 1/2” x
18 1/2” x 18 1/2”
242: DANISH Set of three walnut veneer nesting tables. Largest: 20” x 22
3/4” x 15 1/2”
243: SCANDINAVIAN Pair of armchairs upholstered ochre fabric on swivel
bases. 36 1/2” x 29 1/2” x 25”
244: JOHN DONAHUE Large sculptural ceramic urn, incised and painted
with abstract designs, 1984. (Provenance: Collection of Derek Mason and
Daniel Jacobs, Virginia.) Signed. 16 1/2” x 11”

245: PAT SHILSTON (British) Thin-walled porcelain vase with painted
horizon design, 1979. (Provenance: Collection of Derek Mason and Daniel
Jacobs, Virginia.) Signed. 6 1/4” x 4 1/4”
246: EILEEN LEWESTEN, KAREN HERSENBERG, DAVID HOWARD JONES
AND RUTH KING Four thin-walled ceramic vessels, 1979-81. (Provenance:
Collection of Derek Mason and Daniel Jacobs, Virginia.) All signed. Tallest:
9” x 6” x 4 1/2”
247: ANDREAS SCHNEIDER Three ceramic sculptures, each bearing text:
“She’d love him if someone else were in his mind/He’d love her if her daisey
had one more petal;” “No future/No past;” “Progress/Betrayal,” 1984.
(Provenance: Collection of Derek Mason and Daniel Jacobs, Virginia.) All
signed and dated. Largest: 9” x 11 1/2” x 7 1/2”.
248: KRIS NELSON, CHRISTOPHER STALEY AND ROBERT FORBES Three
glazed ceramic covered jars, 1979-83. (Provenance: Collection of Derek
Mason and Daniel Jacobs, Virginia.) All signed. Tallest: 17” x 9”
249: JOHN DAUB AND FELICITY AYLIEFF Two sculptural ceramic vessels,
1979. (Provenance: Collection of Derek Mason and Daniel Jacobs, Virginia.)
Both signed and dated. 11” x 13” and 18” x 9” x 3”
250: THOMAS KERRIGAN Sculptural bowl, “Repeated Fours,” and untitled
abstract vessel with handle, 1982. (Provenance: Collection of Derek Mason
and Daniel Jacobs, Virginia.) Both signed. Largest: 7” x 14”
251: TOM NEUGEBAUER Ceramic sculpture, “Fired Globe,” 1977.
(Provenance: Collection of Derek Mason and Daniel Jacobs, Virginia.)
Signed and dated. 15” x 15”
252: ROBERTA MARKS Raku-fired classically-shaped vase; together with
another vase by unknown artist, 1979. Vase (pictured left) bears
indecipherable signature and dated 1979. (Provenance: Collection of Derek
Mason and Daniel Jacobs, Virginia.) Largest: 16 1/2” x 12”
253: CHRISTINA BERTONI Two sculptural ceramic items, “Valance Shift”
and “Quiet Prize,” 1981 and 1984. (Provenance: Collection of Derek Mason
and Daniel Jacobs, Virginia.) One signed. 7” x 14” and 2 1/2” x 18 1/2” x 12
1/2”
254: PAUL CHALEFF Massive glazed ceramic vase, 1980. (Provenance:
Collection of Derek Mason and Daniel Jacobs, Virginia.) Signed and dated.
15 1/2” x 15”
255: DONALD MAVROS Massive glazed ceramic urn, 1972. (Provenance:
Collection of Derek Mason and Daniel Jacobs, Virginia.) Signed and dated.
20” x 20”
256: SUZANNE STEPHENSON Two low-fired earthenware sculptural
vessels with opalescent slip glazes. (Provenance: Collection of Derek Mason
and Daniel Jacobs, Virginia.) Both signed. 17” x 12” and 18” x 16”
257: MARGARET ISRAEL Stoneware covered jar and pitcher, decorated in
sgraffito with rooster designs. Both signed. (Provenance: Collection of
Derek Mason and Daniel Jacobs, Virginia.) Jar: 14 1/4” x 10”
258: ROBERT WINOKUR, MICHELLE COAKES AND JIM MALONE Robert
Winokur salt-glazed stoneware sculptural vessel, Untitled Kayanna II, 1979,
along with vase by Michelle Coakes, 1989 and bottle by Jim Malone, 1981.
(Provenance: Collection of Derek Mason and Daniel Jacobs, Virginia.)
Coakes and Malone pieces signed. Winokur: 17 1/2” x 12” x 6”
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259: RAY FINCH Earthenware dish with glazed interior, 1977. (Provenance:
Collection of Derek Mason and Daniel Jacobs, Virginia.) Stamped with
artist’s cipher. 1 1/2” x 10 1/4” x 6 1/2”
260: RINNY STABER, HARING, VAL CUSHING AND SARA WALTON
Stoneware pitcher and jar decorated with cobalt bird designs, along with
pitcher, bowl and covered jar. (Provenance: Collection of Derek Mason and
Daniel Jacobs, Virginia.) All signed. Tallest: 10” x 7” x 5 1/2”
261: SUZANNE STEPHENSON AND ROBERT FORBES Two massive
stoneware chargers: “Wave Rock” by Stephenson (wired for hanging) and an
untitled piece by Forbes, 1989. (Provenance: Collection of Derek Mason and
Daniel Jacobs, Virginia.) Both 26”
262: SUSAN WECHSLER Porcelain and concrete sculpture, “In Memory,”
1979. (Provenance: Collection of Derek Mason and Daniel Jacobs, Virginia.)
22” x 12 1/2” x 8”
263: RUSSELL WOODARD Three-piece suite, two lounge chairs and a
settee, in black wire mesh. Settee: 28” x 54” x 26”
264: MODERN Pair of Boston benches with pine slats on cast iron frames.
17” x 24” x 24”
265: GARDENWARE Cast iron dining set with white painted finish,
including glass-top table and six chairs. Table: 30” x 66 1/2” x 32 1/2”,
armchair: 32 1/2” x 22” x 20”
266: GARDENWARE Set of six cast iron patio armchairs with purple and
teal striped cushions. 38” x 25” x 25”
267: ROCKWELL-DELTA 10” Unisaw, 220 volt. (Provenance: Phil Powell’s
workshop, New Hope, PA.) 35” x 45” x 31”
268: DELTA Standing bandsaw, number 62-142. (Provenance: Phil Powell’s
workshop, New Hope, PA.) In working order. 66 1/2” x 30 1/2” x 17”
269: WALKER-TURNER Floor-standing bandsaw with cast iron body.
(Provenance: Phil Powell’s workshop, New Hope, PA.) Motor frozen. 68 1/2”
tall
270: ROCKWELL-DELTA Stationary sander mounted to base, serial number
111-3237. (Provenance: Phil Powell’s workshop, New Hope, PA.) In working
order. 45” tall.
271: HUSKY Sixty gallon, 230 volt air compressor. (Provenance: Phil
Powell’s workshop, New Hope, PA.) 67” x 22” dia.
272: WALKER-TURNER Standing drill press with 1/2 horsepower, 220 volt.
(Provenance: Phil Powell’s workshop, New Hope, PA.) Serial number
2582EF1071175. 73” tall.
273: CRAFTSMAN 4’ lathe model number 103.23070, on shop-built stand.
(Provenance: Phil Powell’s workshop, New Hope, PA.) In working order. 38
1/2” x 48” x 17”
274: CLOCKS Bristol, Connecticut, triple-decker shelf clock together with a
Jerome mantle clock. Tallest: 34”.
275: WATERBURY Ogee wall clock together with English one weight wall
regulator, as-is. Larger: 26”

276: WALL CLOCK In oak case with chime and strike mechanism, early
20th C. 36”
277: WALL CLOCKS Two wall regulators by Sessions and Gustav Becker.
Larger: 30”
278: WALL CLOCKS French brass cartel clock signed Buney together with
Junghans wooden clock. Larger: 20 1/2”
279: AMERICAN SCHOOLHOUSE CLOCKS One by Waterbury the other by
Gilbert, both spring-driven. Both 25”
280: INGRAM Ionic shelf clock together with electrified Self Winding
Clock Co. wall clock. Larger: 21 3/4” sq.
281: SETH THOMAS Two gallery clocks, one square, one round. Larger: 15
3/4” sq.
282: KITCHEN CLOCKS Three by Ansonia and Sessions, together with a
German celluloid dresser clock. Largest: 9 1/4” dia.
283: TIME CLOCKS Simplex oak case time-clock together with a United
Time Recorder clock. Larger: 48” x 12” x 13 1/2”
284: AMERICAN SHELF CLOCKS Three including New Haven and Ingram.
Tallest: 15”
285: EARLY 20th C. CLOCKS Seth Thomas ebonized mantle clock together
with a walnut gingerbread mantle clock. Tallest: 18 3/4”
286: AMERICAN SHELF CLOCKS Daniel Pratt beehive, Ingram beehive, and
ebonized Seth Thomas. Tallest: 18 3/4”
287: ANSONIA Crystal Palace clock number 1 under glass dome (dome asis)
together with Sessions mirrorside shelf clock in walnut case.
288: SETH THOMAS Crystal regulator clock with mercury pendulum. 14
1/2”
289: CRYSTAL REGULATOR CLOCKS Two brass clocks include an oval
French clock with mercury pendulum. Tallest: 9 3/4”
290: FRENCH DRESSER CLOCK In brass, ornamented with cupids with
easel frame; spring-driven, late 19th C. 13”
291: CLOCKS Chelsea Clock Co. U.S. Maritime Commission ship’s clock
together with Ansonia Rococo metal shelf clock. Taller: 17”
292: ANSONIA Two mantle clocks, one with Royal Bonn china case, the
other with black iron case and lion’s head handles. Tallest: 11 1/2”
293: DRESSER CLOCKS Small porcelain clock with floral decoration;
miniature walnut alarm clock; and metal Westclox figural clock. Tallest: 12
1/2”
294: AMERICAN STEEPLE CLOCKS Three by E.N. Welch and Jerome & Co.
Tallest: 19”
295: MANTEL CLOCKS Two walnut gingerbread clocks, including one by
Sessions. Tallest: 24”
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296: TALL CASE CLOCK Of mahogany, with an arched bonnet surmounted
by three globes, and hand-painted dial with moon phase, 19th C. Height:
approx. 92”
297: ENGLISH BAROMETER ‘Admiral Fitzroys Barometer’, ca. 1850-1900.
41”
298: EDISON Cylinder phonograph in enclosed oak case together with
twenty-five cylinders. 16” x 13” x 12”
299: EDISON Wind-up console record player together with Columbia
console wind-up record player and an oak table model RCA Victor victrola.
Largest: 44 3/4” x 19 1/2” x 20”
299A: PHONOGRAPH PARTS Including Edison cylinder phonograph with
mismatched cover, Cygnet horn and reproduction plastic phonograph.
Largest: 9 1/2”
299B: EDISON Home cylinder phonograph complete with morning glory
horn and cabinet filled with cylinders.
300: MASCOTTE Roller organ in walnut case with two paper rolls, ca.
1870-1880. 10” x 13” x 14”
300A: BARREL ORGAN Vicente Llinares Barcelona miniature hurdy-gurdy
type street organ. 17 1/2” x 16” x 10 1/2”
300B: MUSIC BOX Ebonized Swiss six tune cylinder music box, ca. 1900.
14” x 9”
300C: MUSICAL BIRD In brass cage under glass dome, probably German.
With dome: 12”301: E. HOWARD & CO. Number 5 banjo clock. 30”
$1,200–1,500

––––––––––– SUMMER ESTATES AUCTION –––––––––––
LOTS 301–530B LIVE AND ONLINE BEGINNING AT 1 PM
Please see Terms of Sale immediately following lot 530B
301: E. HOWARD & CO. Number 5 banjo clock. 30”
$1,200–1,500
302: TERRY’S PATENT-ANSONIA Shelf clock with calendar in rosewood
case. 33”
$1,000–1,500
303: SETH THOMAS Double-dial wall calendar clock in rosewood case,
patented 1876. 26 3/4”
$800–1,200
304: LEWIS CLOCK Calendar wall clock number 2 double-dial made for L.F.
& W.W. Carter, in rosewood case. 32”
$700–900
305: ITHACA CALENDAR CLOCK CO. Office number 4 wall clock. 29”
$800–1,200
306: ANSONIA Crystal Palace number 1 shelf clock under glass dome. 17
1/2” with dome.
$600–800
307: ANSONIA Crystal Palace number 2 shelf clock under glass dome. 17
1/4” with dome.
$500–700
308: SAMUEL A. EATON (Attr.) Weight-driven banjo clock in mahogany
case, ca. 1825-1842. 29”
$800–1,200
309: BANJO CLOCK Weight-driven with eagle finial in mahogany case. 31
1/2”
$600–800
310: BOSTON CLOCK CO. Weight-driven wall regulator in mahogany case.
36 1/2”
$1,200–1,500
311: GILBERT-MARANVILLE CLOCK Weight-driven wall regulator with
calendar in rosewood case. 31”
$800–1,000
312: SETH THOMAS Office calendar wall clock number 6, 1876 patent. 33”
$800–1,200
313: ITHACA CALENDAR CLOCK CO. Wall regulator number 4 in rosewood
case. 29”
$800–1,200
314: GALLERY CLOCK Double-sided wall-mounted clock in mahogany case,
maker unknown. 16”
$600–800
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RAGO ARTS AND AUCTION CENTER >
315: ANSONIA Crystal Palace number 1 shelf clock under glass dome. 17
1/2” with dome.
$600–800
316: GILBERT CLOCK Spring-driven wall regulator/calendar clock. 33”
$500–700
317: ITHACA CALENDAR CLOCK CO. Double-dial mantle clock in walnut
case, missing finial. 22 3/4”
$600–800
318: M.F. DENT (LONDON) CAMPAIGN CLOCK With brass fusee movement
and mounted in mahogany box. 11 1/2” x 12 1/2”
$800–1,000
319: CLOCK GARNITURE French three-piece set in bronze with porcelain
dials and inserts. Repaired foot to one urn. Tallest: 16 1/2”
$800–1,000
320: FRENCH MANTLE CLOCK Of dore bronze, depicting a cherub playing
horns. 20”
$800–1,200
321: CALDWELL CLOCK GARNITURE Rose medallion pattern with gilded
metal mounted clock with replaced movement and a pair of side vases.
Clock: 18 3/4”
$1,500–2,000
322: MUSICAL SHELF CLOCK Carriage type in oak case with two 4 1/2”
discs, possibly German. 12”
$600–800
323: GRANDFATHER CLOCK/MUSIC BOX Attributed to Symphonium, in
walnut case, late 19th C. 94” x 27” x 18”
$15,000–20,000
324: STELLA Mahogany cased music box complete with twenty 17 1/4”
discs. 13 1/4”x x 29 1/4” x 22 1/4”
$3,000–4,000
325: SYMPHONIUM Double-disc mahogany music box with marquetry
inlaid top complete with 12” discs, missing crank. 14” x 32 1/2” x 20 1/4”
$4,000–5,000
326: POLYPHON Coin-operated walnut music box complete with fourteen
25” discs. 48” x 33” x 16 1/2”
$5,000–7,000
327: STELLA Double-comb oak music box complete with thirty-five 15 1/2”
discs. 12” x 27” x 21”
$2,000–2,500

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328: REGINA Double-comb serpentine front mahogany music box,
accompanied by mahogany music box cabinet with fifty-eight 15 1/2” discs.
44 1/2” x 27” x 21”
$2,000–2,000
329: CRITERION Double comb oak music box on matching stand complete
with twenty-four 16” discs. Working condition. 44 1/4” x 24” x 22”
$3,000–4,000
330: MUSIC BOX Swiss six tune cylinder music box with mandolin and
piccolo, late 19th C. 32” x 10”
$1,000–1,500
331: CONCERT ROLLER ORGAN In walnut case together with twenty
interchangeable rolls, ca. 1875. 17” x 12” x 15”
$600–800
332: AUTOMATON Doll with bisque head mounted on velvet box, probably
French, under glass dome. Doll: 13”
$1,500–2,000
333: GERMAN FOLK ART German hand-carved wooden Whistlers of two
musicians. 13 3/4”
$600–800
334: GERMAN FOLK ART German hand-carved wooden Whistlers of a
grocer and a gentleman in a bowler. Taller: 19 1/2”
$600–800
335: STEINWAY & SONS Medium Grand piano with ivory keys, model
number M239318. 39” x 67” x 56”
$12,000–14,000
336: GIBSON Mandolin no. 50012, style 14. Minor losses, as-is condition.
26 1/4”
$1,500–2,000
337: C.F. MARTIN & CO. Mandolin no. 14841 with mahogany body. As-is
condition. 24 1/2”
$800–1,000
338: LE COURTIER Bronze figure of Middle-Eastern warrior, mounted on
marble base signed Le Courtier, early 20th C. 33 1/2” x 19 1/2” x 12”
$3,500–4,500
339: EVGENI ALEXANDROVICH LANCERAY (1848-1886) Bronze of a
cossack on horseback, with foundry mark for Chopin and signed Lanceray,
all in Cyrillic, dated 1810. 8 1/2” x 11”
$700–1,000
340: VILLANIS (French) Figural bronze of Diana. Foundry mark. 23”
$1,500–2,000
341: WERMARE Full figure dore bronze sculpture of gentleman in tunic,
signed Wermare. 15 1/2” x 8” x 7”
$800–1,000
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342: P.J. MENE Bronze bull figurine, with plaque signed Prix De Specialites
1933. Signed P.J. Mene. 14” x 9 1/2”
$1,000–1,500
343: ISIDORE JULES BONHEUR (1827-1901) Two bronzes of cows, both
signed I. Bonheur. Larger: 14” x 9”
$1,000–1,500
344: ANTONIO CANOVA Bronze bust of Napoleon in full military regalia,
signed Canova, with attached pedestal. 12”
$800–1,000
345: WILLIAM M. HART (Scottish/American, 1823-1894) “Untitled (East
Coast Landscape),” oil on canvas (framed), 1851. (Provenance: Private
Collection, New York.) Signed and dated. 12” x 18”.
$1,800–2,400
346: IN THE STYLE OF ERSKINE NICOL (Scottish, 1825-1904) “Untitled,”
oil on canvas (framed). (Provenance: Private Collection, New Jersey.) 25
3/4” x 17”.
$1,500–2,500
347: ADOLF BAUMGARTNER (Konstantin Stoiloff) (Austrian, 1850-1924)
“Untitled,” oil on canvas laid on panel (in a Heydenryk frame). (Provenance:
Private Collection, Connecticut.) Signed “C. Horlaff”. 21 1/2” x 36”
$3,000–5,000
348: THE ART DIGEST MAGAZINE (Combined with the Argus of San
Francisco), individual issues, a complete year usually comprising twenty
issues from 1930 through 1936: four issues from 1930; 1931 complete;
nineteen issues from 1932; seventeen issues from 1933; nineteen issues
from 1934; 1935 complete; 1936 complete. All issues complete, good
overall condition.
$500–1,000
349: THE ART DIGEST MAGAZINE (Combined with the Argus of San
Francisco), individual issues, a complete year usually comprising twenty
issues from 1937 through 1943: 1937 through 1940 complete; eighteen
issues from 1941; nine issues from 1942; seventeen issues from 1943. All
issues complete, good overall condition.
$500–1,000
350: THE ART DIGEST MAGAZINE Individual issues, a complete year
usually comprising twenty issues from 1944 through 1954: four issues from
1944; five from 1945; seven from 1946; seventeen from 1947; sixteen from
1948; seventeen from 1949; eleven from 1950; twelve from 1951 (one
duplicate); eleven from 1952; three from 1953; two from 1954. All issues
complete, good overall condition, some foxing.
$500–1,000
351: THE ARTS (The Touchstone Magazine) Individual issues, monthly
periodical, 1921-1931: two issues from 1921; one from 1922; seven from
1923; eleven from 1924; eight from 1925; eleven from 1926; complete
1927; nine from 1928; five from 1929; eight from 1930; seven from 1931.
All issues appear complete except for cover of 1921, fair original condition
overall.
$500–1,000

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352: THE AMERICAN MAGAZINE OF ART (Art & Progress) Individual
issues, monthly periodical, 1914 - 1936: one issue from 1914; three from
1915; four from 1916; one from 1917; seven from 1918; three from 1919;
three from 1920; four from 1921; two from 1922; three from 1923; four
from 1924; two from 1925; five from 1926; one from 1927; four from 1928;
four from 1929; two from 1930; two from 1931; one from 1932; twelve from
1934, includes anniversary supplement; complete 1935; ten from 1936. All
issues appear complete except for cover of 1914, fair condition overall.
$500–1,000
353: THE MAGAZINE OF ART Individual issues, monthly periodical, 1937-
1950: eleven issues from 1937; complete 1938-1941; eight from 1942; six
from 1943; four from 1944; two from 1946; eight from 1947; five from
1948; two from 1950. All issues appear complete, some water damage to
covers, fair condition overall.
$500–1,000
354: INTERNATIONAL STUDIO MAGAZINE / ART NEWS Individual issues,
monthly periodical, 1920-1931: two issues from 1920; two from 1921; three
from 1922; two from 1923; one from 1924; four from 1925; eleven issues
from 1926; eleven from 1927; seven from 1928; four from 1929; seven from
1930; six from 1931. Some covers torn or missing, but most complete, fair
condition overall. Twenty-six issues of Art News 1943-1962; seven issues
of Hound & Horn 1930-1934.
$500–1,000
355: ARTURO DI MODICA Custom eighteen-arm chandelier of monumental
scale, each wrought-iron arm with sculptural grapevine decorations and
blown glass shade, 1997. From Tuscan Square Restaurant, New York. 82” x
110”
$6,000–9,000
356: ART NOUVEAU STYLE Figural lamp in white metal depicting a
woman surrounded by a grape vine. 38”
$1,000–1,500
357: LIGHTING Dore bronze and black marble candelabrum with figural
cherub and foliate branches. 37”
$1,000–1,500
358: ART NOUVEAU Austrian bronze table lamp with green glass shade,
possibly by Loetz. Significant damage to shade. 24” x 16” dia.
$1,500–2,000
359: ITALIAN ROCOCO Decorative carved wooden urns with polychrome
tin flowers, traces of original silver gilding still visible. 25”
$2,000–3,000
360: ROYAL VIENNA Portrait urn converted for use as a lamp with
damage to base. 22”
$800–1,200
361: TH. SOYER (French) Enamel painting on copper of a woman in highly
stylized costume, signed Th. Soyer, a listed enamel artist. 8” x 10”
$800–1,200
362: FRENCH ARMORIAL CHINA Sixty-four pieces including cups, saucers,
soup bowls, and dessert, salad, luncheon, and dinner plates. Various marks.
Largest: 10 1/2” dia.
$1,000–1,500
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363: MEISSEN Pair of figurines depicting musicians. 11 1/2”
$1,000–1,500
364: DRESDEN STYLE Figural group with mounted open work bowl. Some
losses and repairs. 14”
$600–800
365: CONTINENTAL PORCELAIN Figural group on stairway, significant
damage. 19 1/4”
$1,000–1,500
366: MEISSEN Figural group converted for use as a lamp. 10 1/2”
$800–1,200
367: CANTAGALLI (Italian) Pair of flattened bottles, hand-painted with
mythological scenes of Hermes and Venus, 20th C. Bottles topped with
differing stoppers, marked with Cantagalli symbol. 13 7/8”
$4,000–6,000
368: LALIQUE ‘Tete de Cheval’ of clear polished glass, ca. 1960. M. p. 364,
no. 11624. Wheel cut Lalique. Restored ear chip. 16 1/4”
$3,000–5,000
369: THOMAS MCKENNEY AND JAMES HALL Four hand-colored
lithographs (each framed): Mistippee, 1838; Wa-Kawn, 1841; Julcee-Mathla,
A Seminole Chief, 1843; Wa-Baun-See, A Pottawatomie Chief, 1836.
(Provenance: Private Collection, New Jersey.) Publisher: F.W. Greenough,
Philadelphia. 19 1/2” x 13 5/8” (sheet) each.
$1,200–1,800
370: NATIVE AMERICAN Cheyenne beaded pipe bag, ca. 1920-1930. 40”
(including fringe)
$800–1,200
371: NATIVE AMERICAN Pipe/tomahawk with oak handle. 20” x 9 1/4”
(blade)
$1,200–1,500
372: NATIVE AMERICAN Pipe/tomahawk with metal studs and hickory
handle. 23” x 10” (blade)
$1,500–2,500
373: AMERICAN REDWARE Fine early manganese decorated redware jar
dated April 12, 1810, with the name Kitty Rhode on reverse. Glaze
deterioration at rim. 10” x 7 1/2” dia.
$1,000–1,500
374: AMERICANA Sampler from Lancaster County, Pennsylvania by
Caroline Leman, dated 1823. 18” x 22” (sight).
$1,000–1,500
375: AMERICANA Geneaology sampler by Ann Greely done at Elizabeth
Hussey’s School, Portland 1818. 17” x 20” (sight)
$1,000–1,500
376: CHARLES HOWORTH Regency period single tube angle barometer, ca.
1830. Height: 38”
$5,000–7,000

––––––––––– SUMMER ESTATES AUCTION –––––––––––
377: PHILADELPHIA STYLE Curly maple lowboy with shaped top, shell
carved center drawer, with ball and claw feet. 30” x 34” x 20”
$4,000–6,000
378: CHIPPENDALE Mahogany slant-front desk with serpentine drawers,
fitted interior and ball and claw feet, ca. 1760-1780. 45” x 21” x 42”
$3,000–4,000
379: FEDERAL PERIOD Slant-front mahogany desk with fitted interior and
French feet, ca. 1810, with replaced oval brasses. 42 3/4” x 39 3/4” x 21”
$1,500–2,500
380: ENGLISH ROSEWOOD Postcard desk with satinwood inlay and
embossed leather top, ca. 1890-1900. 36 1/2” x 38 1/2” x 21 1/2”
$1,200–1,500
381: ASIAN CABINET Four drawers over fitted interior in cabinet section
probably 19th C. 12” x 35”
$1,000–1,500
382: JAPANESE LACQUER Writing box with butterfly decorated top, 19th
C. 8 3/4” x 9 3/4”
$1,000–1,500
383: JAPANESE IMARI Six-sided vase with flared rim. 18”
$800–1,200
384: JAPANESE CLOISONNE Vase with bird decoration, artist signature at
base. Hairlines near rim. 9 1/2”
$600–800
385: JAPANESE NEEDLEWORK Pair of lions in gilded shadow box frame,
19th C. 6 1/2” x 7 1/2”
$600–800
386: HIROSHI YOSHIDA (Japanese/American 1876-1950) “Fujiyama, First
Light of the Sun,” woodblock print (unframed). Signed. 23” x 30”
$3,000–5,000
387: CHINESE PORCELAIN Jar with dragon and lotus leaf relief design on
flambe glaze, 19th C. 12 1/2”
$600–800
388: CHINESE EXPORT PORCELAIN Square-shaped deep bowl with round
corners, mounted on a bronze base. 10” sq.
$600–800
389: CHINESE PORCELAIN Pair of plaques depicting women in traditional
Chinese dress. 13” x 18”
$800–1,200
390: ASIAN JADE Carved horse’s head in mottled green jade. Uncertain
age. 5”
$1,000–1,500
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RAGO ARTS AND AUCTION CENTER >
391: CHINESE CLOISONNE Double vase with animalistic and figural
decoration, 19th C. 6 1/2”
$2,000–3,000
392: JAPANESE STONEWARE Bowl painted with courtesans, the exterior
with pine branch and lantern; raised unglazed foot. 4 3/4” x 12 1/2”
$800–1,200
393: ASIAN FIGURINES Four pieces: Chinese gilt bronze figure on wooden
base; two carved soapstone seals; bronze buddhistic lion censor (possibly
Japanese). Tallest: 13 1/2”
$1,000–1,500
394: CHINESE PORCELAIN Pair of Rose Mandarin vases, mounted as
lamps, not drilled. 13 1/4”
$1,500–2,500
The following four lots were purchased by the present owner’s mother in
1958, and were made for her by the artist.
395: SHIKO MUNAKATA (Japanese, 1903-1975) “Untitled,” woodcut on
Japan paper (framed). (Provenance: Private Collection, Pennsylvania.)
Signed, sealed, and dated 1958-6-9. 9 5/8” x 7” (sight).
$1,000–1,500
396: SHIKO MUNAKATA (Japanese, 1903-1975) “Untitled,” woodcut on
Japan paper (framed). (Provenance: Private Collection, Pennsylvania.)
Signed, sealed, and dated 1958-6-9. 9 1/4” x 6 1/4” (sight).
$1,500–2,500
397: SHIKO MUNAKATA (Japanese, 1903-1975) “Untitled,” woodcut on
Japan paper (framed). (Provenance: Private Collection, Pennsylvania.)
Signed and sealed. 13” x 14 1/2” (sight).
$3,000–5,000
398: SHIKO MUNAKATA (Japanese, 1903-1975) “Listening to the Wind,”
print on fabric (framed). (Provenance: Private Collection, Pennsylvania.)
Signed and sealed. Together with three books, including one with a
signature and artistic sketch: ‘Munakata, Library of Japanese Art’, by
Charles E. Tuttle; ‘Vigorous Women are carried of ripe force’, by Shiko
Munakata; ‘The Way of the Woodcut Print’, by Shiko Munakata.
$1,000–1,500
399: CHINESE PORCELAIN Covered jar with underglaze blue decoration of
landscapes on a cracked ice and prunus ground, with wooden inner lid and
pierced cover. 8” tall.
$800–1,200
400: L. & J.G. STICKLEY Pair of clip-corner tabourets. 16” x 18” sq.
$1,200–1,800
401: GUSTAV STICKLEY Crib settle with drop-in seat in as-is condition.
Als Ik Khan label. 38 1/2” x 69 1/2” x 33”
$2,500–4,500
402: GUSTAV STICKLEY Sideboard with four drawers and two cabinets.
As-is condition. 46 1/2” x 66” x 24 1/4”
$1,500–2,500

––––––––––– SUMMER ESTATES AUCTION –––––––––––
403: L. & J.G. STICKLEY Five drawer dresser with wooden pulls, and
paneled sides. Handcraft decal. 44” x 34” x 20”
$1,400–1,800
404: LIMBERT Drink stand no.191 with tapered legs and arching cross
stretchers. Branded mark. 29 1/4” x 24” dia.
$700–1,000
405: L.& J.G. STICKLEY Drop arm settle with slatted back and drop-in
seat. Handcraft label. 36 1/2” x 77” x 29”
$1,200–1,800
406: GUSTAV STICKLEY Sideboard with plate stand, three drawers, two
cabinets, and hammered copper hardware. Cleaned finish with veneer
losses and rings to the top. 47” x 48” x 18”
$1,800–2,500
407: ARTS & CRAFTS Massive trestle table. 29 1/2” x 72” x 36”.
$800–1,200
408: PERSIAN BAKSHAISH Room-size rug. Some wear and losses. 11’4” x
14’6”
$1,000–1,500
409: PERSIAN SAROUK Room-size rug with red background and all-over
design. 10’ x 20’6”
$2,000–3,000
410: PERSIAN Red background with blue center medallion. 12’7” x 10’1”
$1,000–1,500
411: PERSIAN SAROUK With red ground. 11’9” x 9’2”
$1,000–1,500
412: MESHED Room-size rug with indigo ground with red border and allover
floral design. 10’4” x 17’8”
$1,200–1,500
413: KIRMAN Room-size rug with red center medallion with wide floral
border. 11’9” x 8’5”
$1,000–1,500
414: HERIZ Room-size rug with red hexagonal center medallion with ivory
accents. 9’7” x 12’6”
$1,500–2,000
415: MAHAL Area rug with indigo ground and all over design, in good
condition. 6’ 5” x 9’ 4”
$800–1,200
416: SAROUK Area rug with red ground and all over design. Two small
repairs on one border. 6’ x 9’
$800–1,200
417: BIJAR Room size rug with all over design on blue ground, ca. 1970, in
good condition. 9’ x 10’ 5”
$1,000–2,000
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RAGO ARTS AND AUCTION CENTER >
418: SAROUK Room size carpet with all over design. Some wear, small
hole, minor losses. 10’ 3” x 15’ 3”
$1,000–2,000
419: SAROUK Room size carpet with all over design, early 20th C. Low
areas throughout. 10’ x 19’ 2”
$2,000–3,000
420: DANSK FLATWARE Service for twelve in stainless steel and teak,
marked “Dansk Designs Germany IHQ”.
$500–700
421: BAKELITE/DISNEY Thirty-one napkin rings, ca. 1930-1949: four
Mickey Mouse, six rabbits, two dogs, one duck, and eighteen “Beakies”
chicks with applied beaks.
$400–600
422: RELIGIOUS ICONS Rectangular on wood panel with two figures, oval
with gilded frame and small silver mounted frame with Madonna and child.
Largest: 9 1/2” x 12 3/4”
$800–1,200
423: RUSSIAN ICON Gilded Mother of God with brass cover and removable
oklad, dated 1852. 11 3/4” x 14 1/4”
$2,500–3,000
424: RUSSIAN ICON Kasperovska Mother of God, unframed. 12 1/4” x 14
1/8”
$1,500–2,000
425: RUSSIAN ICON St. Nicholas with brass cover, enamel corner blocks
and halo, 19th C. In new gilt frame. 10 1/2” x 12 1/2”
$1,200–1,500
426: RELIGIOUS ICON Depicting a figure in a cave beneath a chariot in a
red cloud, 15th C. 12” x 14”
$1,200–1,500
427: ST. GEORGE ICON Late 18th C., some restoration. 9” x 12 1/2”
$700–900
428: MACEDONIAN ICON 18th C. 9” x 11”
$1,200–1,500
429: RELIGIOUS PAINTING In elaborate Florentine frame, 20th C. 10 1/2”
round.
$700–900
430: PORTRAIT MINIATURES Four paintings of women. Two in oval
frames, one in leather case, and one in period wooden frame. Largest: 5
1/4” x 4 1/2”
$800–1,200
431: PORTRAIT MINIATURES Five paintings of women. Two in oval gilded
frames, three in black lacquer frames. Largest: 5 1/4” x 5 1/4”
$800–1,200

––––––––––– SUMMER ESTATES AUCTION –––––––––––
432: PORTRAIT MINIATURES Four paintings of gentlemen in military
uniforms. Some with cracks. Largest: 4” x 4 1/2”
$600–800
432A: TIFFANY & CO. Late Tiffany, Young & Ellis silver tea kettle on stand
with burner, ca. 1856. Bulbous body chased with floral and scroll
decorations on lattice ground with vacant cartouches and chased swing
handle, supported by four griffins on a shaped square foot. Inscribed on
base. The lid is a commissioned replacement by Tiffany & Co., but is
unmarked. 33 OT. Above handle: 10 1/2”
$1,000–1,500
433: WILLIAM B. DURGIN & CO. Assembled sterling fish service for
twelve. 7 1/4” fork in “Louis XV” pattern; 8” knives in a similar pattern,
marked for J.E. Caldwell & Co. 37 OT.
$400–600
434: WHITING SILVER ‘Hyperion’ soup ladle, 12”, with a 7 1/4” gravy ladle,
both with gilded apple shaped bowls. Not monogramed. 9.23 OT.
$400–600
434A: JAMES ROBINSON English silver, with a pair of Dutch silver salad
tongs, 1809-1871. Eight four-piece ‘Trifid’ pattern place settings includes:
six forks, 7 1/8”; eight forks, 6 1/2”; eight rat-tail handled spoons, 6 3/4”;
six cannon handled knives with steel blades, 9 1/8”, 1971-1972. Together
with a footed pitcher with reed rim and graceful arched handle, London,
1832, indistinct mark, possibly P & A Bateman, 6” above handle; large gravy
spoon, London 1809, mark worn, 12”; Dutch second standard salad tongs,
1871.
$800–1,000
435: GEORGE II SILVER Edward Aldridge, London, swing-handle basket ca.
1740. Reeded and shell handle above ornately pierced bowl, the center an
engraved coat of arms, pierced rim foot. Damage and old restoration noted.
30.17 OT, 14 1/4” long.
$1,000–1,500
436: RUSSIAN ENAMEL Silver egg. Marked 84, bears mark of Russian
maker Kalcholkov. 6”
$1,500–2,000
437: RUSSIAN ENAMEL Silver egg in polychrome with cloisonne
decorations, garnet cabochon and gilt interior. Bears Moscow maker mark
AO. 3.23 OT., 3 1/4”.
$600–1,000
438: RUSSIAN ENAMEL Bejeweled silver egg with enameled swans, on
three hoofed feet. Marked 84. 3 3/4”
$1,000–1,500
439: RUSSIAN ENAMEL Silver Kovsh on three feet. Marked 84. 7 1/2”
$800–1,000
440: 84 silver perfume bottle with cloisonne borders and lid, depicting
river scenes. Bears marks for Vasilii Ivanov, Moscow, 1.9 OT, 2 1/4”
$600–1,000
15
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441: Jeweled Kovsh with gilded interior, St. Petersburg mark 1898-1908,
bears 'F' stamp. 6”
$4,500–6,000
442: PERSIAN SILVER Scrapbook with lacquered wood covers, chased
silver mounts and micro-marquetry border, mid-20th C. 14 1/2” x 8”.
$300–400
The following lots of unmounted gemstones are from the estate of Harry B.
Roth, 1913-2008, a longtime member of the Diamond Dealer Club of N.Y., a
connoisseur and avid collector of fine colored gems. The bulk of the
collection dates from the 1960’s and 1970’s, and predates many modern
enhancement processes.
443: UNMOUNTED TOURMALINES Six stones, 20 cts. cushion-cut rubelite,
20 cts. emerald-cut green tourmaline, 32 cts. oval-cut rubelite, 5.6 cts.
oval-cut sleepy blue, 8.27 cts. cushion mint green, 8.5 cts. kite-cut pink.
$1,000–2,000
444: UNMOUNTED FACETED GEMSTONES Emerald-cut kunzite 25.3 cts.,
cushion cut morganite 26.4 cts., cushion cut green tourmaline 3.2 cts., two
rhodolite garnets: cushion cut 10.6 cts. and oval 16.4 cts., oval ametrine 53
cts., and 25 pink and lavender spinels 53 cts. TW.
$600–900
445: UNMOUNTED EMERALDS Thirty-one faceted, gem-quality emeralds,
circular, baguette, oval and pear cut in parcels and specimen jars. Approx.
36 cts. TW.
$1,000–1,200
446: UNMOUNTED SAPPHIRES One-hundred seventy-five stones: blue
faceted and cabochon cuts, blue & black star sapphires. 215 cts. TW.
$1,000–1,500
447: UNMOUNTED RUBIES Seventy-eight stones, faceted and cabochon
cut, includes: 3.5 cts. star ruby, some matched pairs. 89.17 cts. TW.
$1,000–2,000
448: UNMOUNTED OPAL CABOCHONS Thirty stones include black opals,
boulder opals and white opals. 58 cts. TW.
$1,000–1,500
449: UNMOUNTED OPAL CABOCHONS Fourteen semi-translucent
cabochons, most with inked backs to highlight pinfire. 80 cts. TW. Largest
24mm x 15mm.
$800–1,000
450: UNMOUNTED OPALS Thirteen stones, boulder and matrix opals, most
polished. 92.5 cts. TW.
$600–900
451: UNMOUNTED MIXED GEMSTONES Seventy-one stones include: 15.2
cts. green beryl, 51 cts. TW rhodolites, 26 cts. amethyst, 36.8 cts. ametrine,
assorted citrines, pearls, tourmalines, amethysts. 1100 cts. TW.
$1,200–1,500
452: UNMOUNTED BLUE TOPAZ GEMSTONES One-hundred thirty stones,
mixed oval, emerald, pear cuts, 752 cts. London blue, sky blue.
$1,000–1,500

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453: DIAMOND NECKLACE 18k wg with cluster of fine circular brilliant-cut
diamonds alternating with crossed links set with baguette-cut and circularcut
diamonds, ca. 1970. Approx. 15 cts. TW. 75.4 gs. 15 1/2” x 7/16”.
$6,000–8,000
454: DIAMOND BRACELET 18k wg with clusters of fine circular brilliantcut
diamonds alternating with crossed links set with baguette-cut and
circular-cut diamonds, ca. 1970. Approx. 6.5 cts. TW. 31.1 gs., 7” x 7/16”
$3,500–4,500
455: DIAMOND EARRINGS 14k wg, ca. 1950. Marquise and circular
brilliant-cut diamonds designed as articulate grape clusters and foliage.
For pierced ears. Diamonds: approx. 3.5 cts. TW. 12.6 gs. GW. 1 1/2”
$2,000–3,000
456: DIAMOND PLATINUM ENGAGEMENT RING Bright marquise approx.
2.43 cts., approx. grades J color, VS2 clarity, flanked by two tapered
baguette cut diamonds, .30 ct. TW. 6.1 gs., size 8.
$6,000–8,000
457: EMERALD & DIAMOND RING 14k wg and yg, ca. 1960. Rectangularcut
emerald 4.2 cts. by formula and 16 circular-cut diamonds, approx. 1.36
cts. TW. 7.1 gs. Size 6 1/2
$2,500–3,500
457A: RUBY AND DIAMOND RING Cushion-cut ruby, approx. 1.25 cts.,
flanked by two brilliant-cut diamonds, approx. .24 ct. TW, in an 18k yg
filigree mount, 3.7 gs. Size 6.
$500–700
457B: SAPPHIRE AND DIAMOND RING 18k yg, faceted oval-cut sapphire,
approx. 3.25 cts. framed by sixteen brilliant-cut diamonds, approx. .70 ct.
TW. 5 gs. Size 6 1/2.
$2,400–3,000
458: DIAMOND RIBBON BROOCH Abstract diamond set 14k wg ribbon
accented by four floriform diamond clusters, ca. 1960. Fine brilliant-cut
diamonds throughout, approx. 1.6 cts. TW, 6.7 gs., 2 1/4”.
$800–1,000
459: SAPPHIRE AND DIAMOND BOUQUET BROOCH Two Ceylon sapphire
and diamond blossoms, diamond accents and milgrain pave set leaves, ca.
1960. .55 ct. TW diamonds, 4.9 gs., 1 3/4”.
$400–600
460: DIAMOND AND TOURMALINE RING 18k yg, emerald-cut tourmaline,
12 cts., set to each side with clusters of circular and marquise-cut
diamonds, .60 ct. TW., size 6 1/2, 5.8 gs.
$1,000–1,500
461: DIAMOND CLUSTER EARRINGS Brilliant-cut and baguette-cut
diamonds in 14k wg. Approx. 1 ct. TW, 3/8” dia.
$500–600
462: RUBY AND DIAMOND RING Platinum ring in a contemporary lattice
design, centers oval ruby 1.02 cts., accented by 12 diamonds .20 cts. TW.
10.8 gs: size 6.
$1,000–1,200
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RAGO ARTS AND AUCTION CENTER >
463: JAIPUR RUBY AND DIAMOND EARRINGS 22k floriform clusters center
foil-backed ruby cabochons, framed by foil-backed pear-cut diamonds,
approx. 1 ct. TW, contra enameled, 10.3 gs., 7/8” dia.
$600–800
464: JAIPUR DIAMOND RING 22k yg enameled and contra enameled band
adorned with foil-backed rose-cut diamond, .51 ct., 6.2 gs., size 6 1/4.
$700–900
464A: VICTORIAN DIAMOND BRACELET 14k rose gold hinged bangle
topped by a line of nine OMC diamonds, approx. 2 cts. TW, the interior
inscribed and dated 1883. 15.7 gs.
$700–900
465: STRANDS OF GEMSTONE BEADS Strands of matched and graduated
unfaceted blue sapphires, 8mm - 1.8mm, approx. 250 cts TW. Faceted
emeralds, graduate 13mm - 8mm, approx 450 cts TW. Faceted orange
quartz, 16 strands, 15”, 5.7mm - 3.7mm, approx. 750 cts TW.
$1,000–2,000
466: BLUE STAR SAPPHIRE & DIAMOND PLATINUM RING Fine sapphire
weighing 3.48 gs., flanked by four circular brilliant-cut diamonds, .43 ct.
TW, ca. 1980. 6.6 gs, size 6.
$800–1,200
467: CAT’S EYE CHRYSOBERYL AND DIAMOND RING Platinum mount, oval
cabochon chrysoberyl weighing 2.96 cts. with circular and marquise cut
diamonds, .87 ct. TW, ca. 1990. 9.8 gs., size 6 1/2.
$2,000–2,500
468: GOLD AND DIAMOND RING AND EARRINGS 18k gold bow earrings
with detachable heart pendants, diamonds approx 2.0 cts. TW. 14k gold
three-stone ring is approx. .63 ct. TW diamonds. 10.1 gs.
$800–1,200
469: CONTEMPORARY DIAMOND BAND Pierced and milgrained 14k yg set
throughout with circular brilliant-cut diamonds, approx. .70 ct. TW, 8.6 gs,
size 6, 1/4” wide.
$400–500
470: SOUTH SEA GRAY/BLACK PEARL NECKLACE AND EARRINGS 20”
necklace, 41 pearls, 13.25mm - 9.66mm. 18k wg clasp, in-set with
diamonds. Each 18k yg earring suspends 11mm pearl. With one unmounted
pearl 12.5mm x 11.7mm
$3,500–4,500
471: GENTLEMAN’S COGNAC DIAMOND GOLD RING Circular brilliant-cut
diamond, approx. .75 ct. in a matte 14k wg gypsy setting. 7.4 gs, size 9 3/4.
$800–1,000
472: PERSIAN TURQUOISE AND DIAMOND MODERNIST BOUQUET BROOCH
Ca. 1960. Texturized 18k yg spray with turquoise buds and diamond
accents, .20 ct. TW., 20.4 gs., 2 1/4”
$350–550
473: MID-20th C. GOLD JEWELRY Two 14k yg and ruby “dogwood blossom”
scatter pins; onyx and Persian turquoise ear clips in 14k yg; turquoise and
14k earrings with lever backs. 40.5 gs., largest 1 1/4”.
$400–500

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474: PERSIAN TURQUOISE AND DIAMOND FREE-FORM GOLD PENDANT 14k
yg, marked B. Anton. 35 cts. turquoise, 7 diamonds, .50 ct. TW. 24.4 gs. 2
1/4” x 1”
$600–900
475: GOLD CHARM BRACELET 14k yg with five gem-set figural charms, 8”
chain. Charms: piano, birdcage, horse-shoe, pump, tennis racket. 78 gs.
$1,200–1,500
476: GOLD CHARM BRACELET Heavy, 18k yg curb link with 1912 gold 2 1/2”
dollar charm, 1912 gold 5 dollar charm, and seven 14k disk charms, some
un-inscribed. 208.6 gs., 7 3/4”.
$3,500–4,500
477: MODERNIST DIAMOND RING Abstract 18k wg and yg setting. Prong
set clusters of brilliant-cut diamonds, approx. 1 ct. TW. 13.6 gs. 1 3/4”.
Unrecognized mark MG in oval.
$400–600
478: ORRO JEWELS (NEW YORK) PEARL AND GOLD LINK BRACELET 14k yg,
six stylized bow links support cultured pearls, ca. 1960, 9mm - 8.5mm, 71.6
gs. 8” x 7/8”.
$1,000–1,500
479: AMETHYST & DIAMOND NECKLACE 18k yg chain suspends wg and yg
triangular diamond panel, centering an oval faceted amethyst. Diamonds
approx. .45 ct. TW, 25.3 gs., chain 16” long. Retailed by Koser Jewelers,
Mount Joy, PA.
$600–800
480: TWO GOLD AND GEMSTONE ENHANCERS Kite-cut blue topaz, 23mm
x 17.5mm and .35 ct. TW. diamonds in 14k wg and yg. Emerald-cut
amethyst, citrine and blue topaz in 14k yg. 26.1 gs. g.w. Longest 2”.
$400–600
481: GOLD RIBBON LINK BRACELET 18k yg, Italy, ca. 1960. 59.5 gs., 6
3/4” x 1”
$1,200–1,500
482: GOLD BROOCH AND RING WITH GEMSTONES 14k yg trefoil brooch
set with citrine, turquoise, rubies, diamonds, and seed pearls, ca. 1940.
Freeform matrix turquoise ring. 39.3 gs. Brooch 2”, ring size 7 1/2.
$600–900
483: MID-20th C. GOLD JEWELRY 14k yg blossoms and foliage motif ring
with emerald-cut amethyst, size 8 1/2; 14k yg brooch with amethysts and
opals; pearl and diamond earrings, approx. .20ct. TW. diamonds, 10.5mm -
9mm; diamond and pearl brooch, 10k wg; emerald and diamond bypass
ring, 14k yg, approx. .22 ct., size 8. 48.4gs.
$1,000–1,500
484: GOLD COLLAR 14k yg supple oval weave, 1/4” wide x 17”, 65.8 gs.
$800–1,000
485: DIAMOND AND GOLD COCKTAIL RING 18k yg, arched form set with
approx. 1.6 cts. TW diamonds, late 20th C. 13.2 gs. Size 7.
$700–900
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RAGO ARTS AND AUCTION CENTER >
486: TWO GOLD AND GEMSTONE BROOCHES 18k wg owl with diamond
details, the eyes of fire opal cabochons, the body set with sea-foam
tourmalines, ca. 1980. 14k yg flower with moonstone petals and
tourmaline, ca. 1940. 20 gs., longest: 2 1/8”.
$600–900
487: GOLD POODLE CHARM NECKLACE/BRACELET 14k yg with five
sculptural charms, most with diamonds or rubies. May be worn as a
bracelet. 14 1/2” length. 70.8 gs.
$1,000–1,500
488: LONDON BLUE TOPAZ & GOLD JEWELRY 14k yg earrings, each an
oval faceted topaz weighing approx. 6 cts. with white topaz accents. Gent’s
ring features a 13 ct. emerald cut topaz enhanced by 6 brilliant cut
diamonds, .24 ct. TW, in matte and bright white gold, ca. 1970. 24 gs., ring
size 10.
$600–800
489: EMERALD AND DIAMOND GOLD LINK EARRINGS AND BRACELET 14k
yg, oval faceted emeralds, 14.5 cts. TW. Diamonds approx. 3 cts. TW. 16.7
gs, 7” bracelet.
$2,000–3,000
490: ASSEMBLED SUITE OF DIAMOND AND GOLD JEWELRY OEC diamonds,
approx. .80 ct., 14k wg pendant mount, 15” chain. Stud earrings, approx.
.50 ct. TW OEC diamonds, 14k yg; 18k yg ring with 6 OEC diamonds approx.
.60 ct. TW, size 6 1/2.
$900–1,200
491: INVISIBLY SET DIAMOND EARRINGS Each 18k wg earring set with 4
princess-cut diamonds, .80 ct. TW, 1/4’ x 1/4”.
$500–600
492: DIAMOND ‘FLIP’ BRACELET WATCH In 14k wg, its cover and bails set
with baguette, marquise and circular cut diamonds, the bracelet with twin
lines of single-cut diamonds, ca. 1950. Approx. 3 cts. TW diamonds.
Hamilton 22 jeweled movement. 23.8 gs., 6 1/2”.
$1,000–1,500
493: DIAMOND AND 14k WG “FLIP” WATCH Catena 17 jewels. Marquise,
baguette and circular-cut diamonds, approx. 2 cts. TW, 22.5gs.
$600–900
494: TWO WOMEN’S GOLD BRACELET WATCHES 14k yg c. 1940, Omega 17
jewel; 18k wg c. 1960, Bucherer 17 jewels, 3 adjustments. 49 gs. weighable
gold.
$600–800
495: DIAMOND AND GOLD GARTER WATCH 14k yg 17 jewel-movement bell,
diamonds approx .50 ct. TW, 7” to fringe terminal, ca. 1950. Gold weight
46.9 gs.
$800–1,200
495A: ENGLISH OPEN FACE POCKETWATCH In 18k yg, 1846-1847.
Inscribed J.P. Brown, Portland, ME.
$500–700

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496: FIVE GOLD AND GEMSTONE BROOCHES 18k snowflake with
amethysts, rubies and diamonds; 14k blossom with diamond cluster; 14k
pearl and ruby wreath; two 14k Victorian style clusters, one opal, one
diamond. ca. 1950 - 1960. Approx. 1.4 cts. TW diamonds. 51 gs., largest 1
5/8” dia.
$800–1,200
497: AMERICAN ART NOUVEAU GOLD BANGLE 18k gold deeply engraved
hinged tubular form. 32.8 gs. 1 3/4” dia. Int. cir. 6 1/2”.
$700–900
497A: GOLD AND GARNET NECKLACE Pear-shaped garnet, 16mm x 9.6
mm, centers a pierced and chased pendant suspended from a fancy link
chain. 43.4 gs., pendant: 2” x 1 3/8”, chain: 20”
$500–750
498: GOLD AND GEMSTONE CHARM BRACELET 14k rope link suspends
eight fobs or charms. Includes diamonds, turquoise, citrines, peridot,
aquamarine, zircon, amethyst, 14k, 18k g.f., 91.5 gs. GW, 7 1/2”.
$800–1,200
499: VICTORIAN OR VICTORIAN STYLE JEWELRY 18k serpent bracelet
with emeralds and .15 ct. diamonds, c. 1960; 14k bar brooch with pearls
and orange gems, c. 1910; 14k brooch with amethyst, inscribed and dated
1912. 37.7 gs.
$500–700
500: GOLD PORTRAIT JEWELRY Six pieces include 14k and Limoges
enamel bow necklace, Limoges enamel and pearl pendant, scenic enamel
brooch with woman and dog, miniature on ivory with pearls, two gem-set
miniatures on vellum, ca. 1890-1950. 46.4 gs., largest 1 3/4”.
$600–800
501: GOLD AND CORAL JEWELRY Twelve items in 14k and 18k gold: Four
cameo brooches, four floral brooches, floral earrings, cameo ring, crescent
brooch, ca. 1890-1960. Colors include red, salmon, and angel skin coral.
79.4 gs. Longest: 2 1/4”.
$900–1,200
502: VICTORIAN STYLE OPAL JEWELRY Opal and diamond earrings and
opal bracelet. 14k yg opal pendant earrings with black enamel accents and
brilliant-cut diamonds, .18 ct. TW, 1 1/4”. With 14k yg hinged bangle set
with seven matched blue/green opals, chased detail throughout. 7” int.
circ., 22.4 gs. TW.
$600–800
503: AMERICAN ART NOUVEAU GOLD JEWELRY, ETC. Nineteen pieces
include enameled pansy hat pin with diamond, enameled pansy earrings
and necklace with diamonds and pearl, 6 bar pins, 5 charms, 3 pins. 58.8
gs.
$700–900
504: TWO DIAMOND COCKTAIL RINGS AND A LOCKET Oval pave cluster,
OEC diamonds approx. 1.25 cts. TW, centers a cushion cut red gem, size 4
1/2. Oval cluster of 9 OMC diamonds, approx. .72 ct. TW, centers Persian
turquoise cabochon, size 6. Locket 2 1/4” x 1/3” over bail. ca.1882-1920
$900–1,200
505: TWO PLATINUM AND DIAMOND RINGS OR SETTINGS Art Deco
cocktail ring with sapphire accents, approx. .64 ct TW OEC diamonds.
Fishtail setting, two tapered baguette cut diamonds approx. .30ct. TW.
12.4gs. Size 6 1/2. ca. 1920-1960
$800–1,200
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RAGO ARTS AND AUCTION CENTER >
506: GOLD AND PLATINUM DIAMOND AND SAPPHIRE BRACELET 14k yg
with OEC diamonds approx 1.5 cts. TW. Band tapers from 3/4” to 3/8”. 18.6
gs. Int. cir. 6”.
$800–1,000
507: 20th C. GOLD JEWELRY 14k and 18k yg. Nine rings, two pairs of
earrings and a brooch. Gemstones include sapphires, turquoise, diamonds,
citrines, amethyst, tourmaline. 93.9 gs.
$900–1,400
508: 20th C. GOLD JEWELRY 14k fringe necklace; green quartz and
diamond ring, 10k; enamel on 14k charm of Portugal; 14k citrine ring; 14k
red coral tassel necklace; 9k link bracelet. 83.2 gs.
$800–1,200
509: VICTORIAN OR VICTORIAN-STYLE GOLD AND DIAMOND JEWELRY
Two 14k yg items: double strand curb link necklace, suspends a Victorian
heart slide with .12 ct. OEC diamond; and bright and chased heart brooch
with a line of diamonds approx. .08 ct. TW. ca. 1950 72.2 gs
$1,200–1,500
510: GOLD, SILVER AND GEMSTONE JEWELRY Eleven pieces include: 14k
and diamond fox earrings; 14k amethyst and diamond filigree necklace; 14k
garnet filigree necklace; 14k opal and diamond pendant; 14k synthetic
alexandrite pendant; Art Deco pearl necklace; 14k chain; 14k pearl crescent
pin; amethyst bead necklace; coral bead necklace; late Victorian micromosaic
800 silver brooch. Gold 31 gs. GW, diamonds .22 ct. TW. From the
estate of a jeweler.
$600–800
511: VICTORIAN JEWELRY Twenty-two pieces include gold, silver and goldfilled;
pairs of earrings, brooches, rings, pendants. Gems include turquoise,
garnet, coral, pearls. Largest 2 1/4”.
$500–700
512: 18TH-19TH C. JEWELRY AND ACCESSORIES Twelve pieces include:
silver pear-shaped vinaigrette; 14k gold bracelet; 18k Baume & Mercier
bracelet watch; 14k love token; silver charm; amethyst and rose-cut
diamond in platinum-topped gold bar pin; enameled silver chatelaine scent
bottle; gold-mounted amber cigarette holder in silver case, Birmingham
marks; Art Deco gold-topped bracelet; ball and claw form ivory cigarette
holder; 45” silver lorgnette chain with citrine stations; g.f. retractable
pencil. Gold 48 gs.
$500–700
513: GOLD AND SILVER JEWELRY Twelve pieces include: colorless and
brown quartz 14k gold necklaces; 14k enamel and diamond turtle brooch;
14k opal and diamond free-form brooch; pair of amethyst brooches in 14k
white and yellow gold; 14k pearl 7 1/2” link bracelet; 14k zircon flower
brooch; (2) 10k ribbon brooches; two silver secessionist pendants. Gold
103 gs. G.W. From the estate of a jeweler.
$1,200–1,500
514: EGYPTIAN OR INCA MOTIF GOLD JEWELRY 14k yg scarab ring and
pendant. Bird pendant, Inca brooch and tack, hoop earrings. 61.8 gs., ring
size 8, largest 2”.
$1,000–1,200
515: PEARL NECKLACE WITH GEMSTONE CLASP AND TWO JADE
NECKLACES 21” double strands of baroque akoya pearls, 11mm - 6.7mm, 14k
yg cabochon ruby and turquoise clasp; 42” strand of graduated jade beads
10.5mm - 4.8mm; foliate pierced and carved jade panel, double strand 14k
chain, 21”.
$1,000–1,500

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516: GOLD JEWELRY IN THE ASIAN TASTE Ten pieces including jade,
pearls, rubies, demantoid, diamonds: four rings, two bracelets, two
pendants, and a brooch in 14k and an oval cabochon jade 24k ring.
$800–1,000
517: THIRTEEN SEMI-PRECIOUS GEM BEAD NECKALCES American and
Asian. Antique Chinese amber and cloisonne beads; faceted amber beads;
lapis with pearls and gold; red coral with cloisonne; turquoise, jade and
coral; angel skin coral; rock crystal with gold; amethyst, peridot with jade;
mixed carved beads with bone; orange and pink coral with matching
bracelet; garnet with carved ivory; rhodochrisite and gold with mother-ofpearl,
carnelian with antique buckle clasp.
$800–1,200
518: AMBER AND ETHNIC JEWELRY Eighteen pieces includes antique and
20th C. amber beads, pendants and bracelets; silver necklaces; quartz and
garnet bead necklace with 14k yg; trade beads; horn and gold bead
necklace; ancient Egyptian faience and cornelian bead necklace.
$600–900
519: COLLECTION OF COSTUME OR CHINESE JEWELRY AND ACCESSORIES
Thirty-three pieces include: Hobe sterling Bandora figural brooch, Coro
“perfume pocket” monkey pin, 14k and pearl ring, enameled lorgnette, Art
Deco enameled purse frame, two painted mesh bags by Whiting & Davis,
rock crystal necklace, Chinese jewelry, Art Deco marcasite and silver
jewelry, enameled sterling orchid brooch, etc.
$1,000–2,000
520: EARLY TO MID-20th C. SILVER AND MARCASITE JEWELRY &
WATCHES Art Deco brooch and similar earrings with red and black enamel;
two link bracelets; English lapel watch in the form of a flower basket, Swiss
movement; Bucherer lapel watch, red enamel face, skeleton back; clip
earrings with citrine and amethyst; butterfly and leaf brooches; clip
earrings with faux pearls.
$500–700
521: SILVER BROOCHES BY SPRATLING, AGUILAR, ETC. Six silver
brooches: William Spratling glyph form; Hector Aguilar grasshopper and
bar; Blackington Arts and Crafts #3553 with green and red hard stone
cabochons; flower with amethyst “buds;” Belairgen fish; Reed & Barton
“Butterfly Woman” brooch/pendant, ca. 1900-1950. Together with a
Frederick Davis necklace. Largest: 4”.
$700–900
522: NATIVE AMERICAN SILVER JEWELRY Nineteen pieces includes
Navajo shadow box pendant on chain with turquoise; Navajo squash
blossom necklace with saw-tooth set turquoise; two silver bead necklace,
incised pendant/brooch on hematite strand; Zuni bracelet with red coral
inlay; red coral ear clips and ring; turquoise earrings; matrix opal ring;
sculpted “feather” ring; spiny oyster and mother-of-pearl ring; agate ring;
incised silver cuff marked Laner; two pairs of turquoise earrings; liquid
silver and turquoise necklace.
$600–900
523: GOLD AND SILVER NATIVE AMERICAN JEWELRY Al Nez textured
silver, inlaid coral, turquoise, rosewood; Al Nez textured silver cuff; Durkee
broad textured silver cuff, inlaid coral, turquoise, wood, horn; Aaron
Toadlena silver cuff inlaid turquoise, coral, lapis, spiny oyster; 14k earrings
with turquoise and coral; 14k ring with turquoise inlay, unrecognized mark
AH, size 8; silver and turquoise bracelet and ring, size 6 1/2, unrecognized
mark GNH. Silver 216.5 gs.; gold 14.8 gs. Broadest cuff 1 1/4”.
$500–700
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RAGO ARTS AND AUCTION CENTER >
524: GOLD AND SILVER JEWELRY BY LA LAOUNIS AND OTHERS La
Laounis hinged cuff gold-banded silver gold and lapis terminals; La Laounis
silver ear clips with 18k yg accents; 18k textured yg band, size 6 1/2;
twisted silver cuff 14k yg terminals, cabochon amethysts and chrysoprase;
twisted silver collar.
$700–900
525: CUFFLINKS BY PAUL LOBEL AND TIFFANY & CO. Five pairs, Paul
Lobel arched silver cufflinks, partially patinated, 3/4” x 1 1/8”, marked Lobel
sterling; 18k and sterling Tiffany nautical knots; Tiffany sterling double
columns; Tiffany sterling dumbells; Tiffany brushed titanium. 41.2 gs
silver.
$500–600
526: LINKS OF LONDON “SWEETIE” BRACELET Tubular 18k rolled gold
links. Expandable. London sterling marks. In original pouch.
$400–600
526A: STEUBEN ACORNS PENDANT 18k yg and shaped crystal with
controlled bubbles. In original box. 53 gs., 3”
$400–500
527: JEWELRY BY CARTIER, VAN CLEEF & ARPELS AND GUCCI Cartier 14k
yg and diamond 1 1/8” sagittarius charm; Van Cleef & Arpels NY 18k yg ring
with onyx and diamonds, size 3 1/2; Gucci sterling ring, size 7. Gold 17.9 gs.
$500–700
528: CONTEMPORARY GOLD JEWELRY 18k yg and citrine necklace. Italian
14k yg necklace with Venetian glass beads, matching 2” drop earrings.
$400–600
529: TIFFANY & CO. GOLD FRAMED EVENING BAG, ETC. Three beaded
bags: Tiffany 14k 5” frame, sapphire bullet clasp, 12” gold chain; ivory
moire interior; Venetian scenic bag, gilt metal frame with enamel and
gems, pink moire interior, companion purse and mirror; chintz floral bag,
gilt metal frame with faux gems and pearls, later brocade interior. Fringe
losses. Longest bag 11”.
$1,200–1,800
530: TEN DESIGNER HANDBAGS Bottega Veneta woven taupe leather
clutch and patterned grey suede handbag; Armani black leather with steel
hardware; Ferragamo olive suede clutch with signature clasp and burgundy
grosgrain; Ferragamo burgundy leather evening bag; Prada olive leather
locking handbag; Bally brown leather clutch; Jaeger grey parcel patent
leather clutch; Mauro Governa brown leather shoulder bag; Ferragamo
black & brown suede day bag with laced leather detail.
$800–1,200
530A: LOUIS VUITTON Pet carrier and Sac Baxter cat carrier, both in
monogram canvas with leather trim and washable lining. Pet carrier: 20” x
13” x 9”
$800–1,200
530B: MCM MUNICH Pet carrier in monogram canvas with leather trim
and washable lining. 18” x 11 1/2” x 11 1/2”
$600–800
END OF SUMMER ESTATES

TERMS OF SALE ***LOTS 301–530B***
––––––––––– SUMMER ESTATES AUCTION –––––––––––
Rago Auctions (333 Auctions, LLC)
609-397-9374 (p) / 609-397-9377 (f)
(Hereafter referred to as "the Auction House")
All bidders are responsible for reading and understanding these Terms of
Sale, as well as any supplemental notices. If you have any questions after
having read the Terms of Sale, please contact the C.E.O., Miriam Tucker, at
mtucker@ragoarts.com or 609.397.9374, extension 241.
1. General
Each lot in this catalogue is offered for sale subject to the terms set out
below, as changed or supplemented by provisions a) written in other places
within these Terms of Sale, b) in written supplements to this Catalogue or
other materials prepared by us and c) as stated by the auctioneer or posted
in writing at the auction, prior to a bid being accepted for a lot. No other
communications by any employee of the Auction House is intended to be
binding, and such communications are made for informational purposes
only. By bidding at the auction the buyer and all bidders agree to be bound
by these terms or those changed and supplemented, whether bidding in
person, through a representative, by phone, by internet, or other absentee
bid.
Upon the announcement by the auctioneer, the successful bidder becomes
the buyer and is immediately responsible for the amount of the successful
bid, the buyer's premium, applicable taxes, and other charges provided for
in the Terms of Sale. The thirty (30) day warranty shall commence on the
date of sale and continue to run without any tolling even if the Buyer
within that thirty (30) day period 1) fails to inspect or pay, 2) requests
delay in shipment, 3) provides incorrect shipping address or information or
4) is unavailable to receive shipment.
Sales Results: Results will be available by phone and on the web at
www.ragoarts.com. Sales results will be available no earlier than 2 p.m. on
our first business day following the auction or as soon as the Auction
House has audited and verified all sales. Please do not call prior to this
time for results, as they will not be given out under any circumstances. We
thank you for your understanding in this matter.
The Auction House retains all rights to copyright and other intellectual
property contained in this catalogue.
2. Buyer’s Premium, Purchase Price, Taxes, and Billing
On every individual lot, a buyer’s premium in the amount of 20% of the
successful high bid will be levied up to and including $500,000 and a
buyer’s premium of 12% thereafter on any amount in excess of $500,000,
regardless of payment method, except on eBay Live Auctions. For property
purchased on eBay Live Auctions, a buyer’s premium in the amount of
22.5% of the successful high bid will be levied up to and including
$500,000 and a buyer’s premium of 17% thereafter on any amount in
excess of $500,000, regardless of payment method. (Please note that eBay
Live Auctions prohibits cash payments for property purchased using its
services.)
Taxes: Applicable taxes shall include New Jersey sales tax (7%), use tax,
excise tax, and other taxes or levies. Only valid resale certificates are
accepted as proof of exemption from New Jersey sales tax by U.S. dealers.
No New Jersey sales tax is charged for purchases shipped out of state.
Billing: All successful bidders will be sent invoices by mail or e-mail the
week after the auction.
Upon the fall of the auctioneer’s hammer, the successful bidder becomes
the buyer and owner of the property and is responsible for the property,
the amount of the successful bid, the buyer’s premium, applicable taxes,
and other charges provided for in the Terms of Sale in U.S. Dollars, payable
immediately.
3. Methods of Payment and Fees
Cash (in-house bidding/pick-up only). Check. Wire Transfers.
20
RAGO ARTS AND AUCTION CENTER >
PayPal (e-check preferred). Visa. MasterCard. Discover. All payments are
due immediately upon receipt of invoice. We reserve the right to hold all
goods paid for by check until payment has cleared. If payment is not
received from eBay Live Auctions buyers within 10 (ten) days from the day
we mail the invoice, we will have no choice but to place an NPB on the
Buyer’s account. If payment is not received within thirty (30) days of sale,
the Auction House reserves the right to impose from the date of sale a late
charge of 1 1/2% a month of the total purchase price and deny all future
credit.
4. Warranties and Guarantees
- All items are served "As-Is, Where-Is," except as expressly stated
otherwise in the following paragraph:
All information in the catalogue concerning authenticity is guaranteed for
a period of thirty (30) days from the date of sale. In that time, prior to
payment to the consignor of the work, the Auction House will allow the
buyer to submit, at his own expense, an opinion in writing from a
recognized expert, approved by the Auction House and the purchaser,
regarding authenticity. In the event the work is judged inauthentic by the
expert, the work may be returned in the same condition as at time of sale
and the buyer's full purchase price will be refunded. Refunds shall not
include costs of transportation, insurance, or other expenses that may have
been incurred by the buyer. It is the buyer’s responsibility to make payment
in a timely fashion such that the property can be released and inspected
within this thirty (30) day time frame. Should the buyer not do so, or
should the buyer request the auction house to delay shipment, should he
give an incorrect shipping address, or be unavailable to receive shipment,
the thirty (30) day warranty shall still apply. If the Auction House has paid
the consignor the amounts due consignor as a result of the sale, the
Auction House will (i) refund to the buyer the amount of the buyer’s
premium and applicable taxes received from the buyer, and (ii) make
written demand upon the consignor for the payment of the balance of the
purchase price. If the consignor fails to honor the written demand for a
refund of the balance of the purchase price, the Auction House shall
furnish buyer the name and address of the consignor, and shall assign to
buyer all of the Auction House’s rights for the return of the balance of the
purchase price of the affected lot. Upon this disclosure and assignment,
the Auction House shall have no further liability to buyer or responsibility
to pursue the buyer’s claim. The Auction House will extend reasonable
cooperation to buyer, provided that such cooperation does not require outof-pocket
expenditures by the Auction House. This limited right of
rescission is available only to the original buyer and may not be relied upon
by any heir, agent, transferee, assign, or other third party or assigned to
any subsequent transferee of the Property which gives rise to the claim.
- All measurements are approximate.
- This Warranty does not cover any description that states there is a
conflict of specialist opinion; any description that states (or is bracketed in
a section described as) "as-is" or "not guaranteed."
- This Warranty does not cover any typographical errors.
- The description of clocks and lighting devices, whether in catalogues or
condition reports, may be incomplete and not identify every mechanical
replacement, repair or defect. The absence of reference to the condition of
a clock or lighting device does not imply it to be in working condition or
without defects, repairs, restorations, or replacement parts.
- The description of jewelry, whether in catalogues or condition reports, or
any other form, is rendered as an opinion, including, but not limited to
specialist opinion as to authenticity, the enhancement or treatment of
gemstones, the weight of gemstones, the country of origin, the authorship
or origin (manufacture) of an item, its period (or c.) or the authenticity of
its marks. No warranty is made that any watch is in working condition or
without defects, restorations, or working parts. Buyers are advised to check
watches prior to auction.
- This disclaimer of liability on our part applies whether the information is
included in the catalogue, advertisements, announcements, or
communicated through our representatives, bills of sale, or elsewhere, and
whether written or oral.

––––––––––––– SUMMER ESTATES –––––––––––––
- No Warranty of Reproduction: Neither the consignor nor we make any
warranty or representation, express or implied, as to whether a buyer will
acquire any reproduction rights, copyrights or other intellectual property
rights in, or with respect to, the Property.
- The Auction House makes no warranties, express or implied, as to the
merchantability or fitness for purpose except as otherwise expressly stated
in these Terms of Sale.
21
RAGO ARTS AND AUCTION CENTER >
person, bid by phone or any other means, it is solely your responsibility to
cancel any or all absentee bids prior to the start of the auction.
5. Qualifying to Bid
8. Telephone Bids
Lines are available on a first-come, first-served basis - please reserve as
soon as you are able. We want to hear from you no later than 12 noon on
the business day before the auction. Please call to set up all phone line
requests. Do not fax phone line requests. Determine the lots on which you
most want to bid before calling and reserving the lines. If you need
Bidding Numbers: All bidders must register and receive a bidding number condition reports, please request and review them prior to reserving phone
from the Auction House prior to bidding at the auction. New Buyers: If we lines. We will call you at one phone number ONLY during the auction. If you
do not know you, you will be asked to furnish identification, a valid credit are unsure of where you or your agent will be during the sale, we
card number, and, possibly, credit references. If you are acting as another’s recommend you leave absentee bids. All requests for overseas telephone
agent or principal, we may request a letter of authorization. If paying by lines must be accompanied by absentee bids, which will be executed on the
check, you must establish credit with Eliane Talec, extension 118, at least buyer's behalf, should there be any problems with telephone connections.
three (3) business days prior to the auction. A letter from your bank,
Your phone number and lots will be confirmed the day before the auction.
presented before the sale, may also be accepted, at our discretion,
Please do not change your phone number after your phone lines have been
although we will retain your purchase(s) until the check clears. If you are confirmed; if you do, the Auction House reserves the right to not allow you
successful and do not remit payment within thirty (30) days, the balance to bid by telephone in that auction and will not be responsible for any
will be charged to your credit card together with such charges set forth in breakdown in communications. We strongly recommend land lines, as, to
these terms of sale. The auctioneer reserves the right to refuse
date, they are more reliable than cellular phones. One of the reasons
participation by any bidder, whether on premises or participating on-line or people bid by phone is to monitor how much they're spending. However, if
by telephone, whom the auctioneer deems in its discretion to be or have you bid by phone, you must be willing to bid to the low estimate should the
been disruptive of the bidding or auction process, or otherwise deemed bidding go that far. There is no exception to this rule. You may, however,
affect the integrity of the process.
leave absentee bids for any amount. Bids are placed on the telephone at
the discretion of the Auction House and at the caller’s risk. Telephone
bidding is a convenience offered to our customers and, while we will make
6. Bidding Increments
every effort to execute your instructions, the Auction House is not liable or
$10 until $100 is reached
responsible for any errors or failure to do so. If you place absentee bids
$25 until $500 is reached
with the Auction House, eBay Live Auctions or Live Auctioneers and also
bid in person, by phone or any other means, it is solely your responsibility
$50 until $1,000 is reached
to cancel any or all absentee bids prior to the start of the auction. If you do
$100 until $3,000 is reached
not or cannot, regardless of reason, you will be held responsible for the
$250 until $5,000 is reached
$500 until $10,000 is reached
property's purchase.
$1,000 until $30,000 is reached
9. Internet Bids
$2,500 until $50,000 is reached
$5,000 until $100,000 is reached
The Auction House has engaged the services of eBay Live Auctions and
Live Auctioneers as a service for its clients who wish to bid and buy online.
Please proceed to www.ebayliveauctions.com for all necessary information
$10,000 over $100,000
on how to bid and buy online using this system. The user of eBay Live
- All unreserved bidding starts at 50% of the low estimate unless there are
Auctions and Live Auctioneers indemnifies and holds the Auction House
two or more competing absentee bids at a price higher than that.
and its consignors harmless against any claim arising out of or resulting
- The auctioneer has the sole and exclusive power, discretion, and authority
to regulate the bidding and its increments.
from your use of the eBay Live Auctions and Live Auctioneers site,
including all losses, damages, liabilities, and all fees (including attorney’s
fees), costs, and expenses incurred in connection with any claim. Under no
circumstances, including, but not limited to, negligence, shall the Auction
7. Absentee Bids
House and its consignors be liable for lost profits or any special, incidental,
We accept absentee bids by phone, by mail, in person, or by fax. Absentee
bids are requested by no later than 6:00 p.m. on the business day before
the auction. If you fax your absentee bids, please call us to confirm receipt.
All absentee bidding is handled as though you are in attendance. We buy
all designated lots for you one bidding increment above where competition
stops. Please check and comply with these increments. In case of failure to
comply, we will reduce each off-increment bid to the next lower figure.
or consequential damages that result from the use of, or the inability to
use, this site. If you place absentee bids with the Auction House, eBay Live
Auctions or Live Auctioneers and also bid in person, by phone or any other
means, it is solely your responsibility to cancel any or all absentee bids
prior to the start of the auction. If you do not or cannot, regardless of
reason, you will be held responsible for the property's purchase.
"Plus" bids: Because of our structured bidding increments, it is more likely 10. Auctioneer’s Determination Final
that several people will leave identical bids. Since an earlier bid left with
the auction house wins in the event of a tie, a later bid with an added
"plus" bid to the next increment would win the piece. (NOTE: Absentee bids
left on Live Auctioneers or eBay Live Auctions are sent to the auction
house during the actual sale. There is no time advantage to these bids at
all.) All absentee bidder names and bids are held in strictest confidence,
disclosed only in the event of a question after the sale. Absentee bidding is
a convenience offered to our customers and, while we will make every
effort to execute your instructions, the Auction House is not liable or
responsible for any errors or failure to do so. If you place absentee bids
with the Auction House, then choose to attend in
A lot will be sold to the highest bidder as determined in the sole and
exclusive judgment of the auctioneer. The auctioneer will also have the
sole and exclusive power and authority to a) resolve any disputes between
bidders, b) determine whether to pass or re-offer a lot for sale, c) reject or
challenge any bid or advance in the bidding, d) exclude any bidder from the
premises and e) otherwise regulate the bidders, the bidding and its
increments.

––––––––––––– SUMMER ESTATES –––––––––––––
11. Reserves
A reserve is the confidential minimum price established by the Auction
House and the consignor. The reserve will never exceed the low estimate of
the lot. The Auction House prohibits consignors from bidding on their own
property, but may implement the reserve by bidding on behalf of the
consignor at the auction up to the reserve. If bids on a lot fail to reach the
reserve, the lot will be bought-in.
12. Estimates
The estimates provided in this catalogue are our opinion of the price that a
willing buyer would pay for the property at auction, based, where possible,
on prices paid for comparable items sold in the past. They are neither a
representation nor a prediction of the actual selling price that will be
realized at auction, post-auction sale, or upon resale, which may be
substantially different from these estimates. We shall not be liable in any
way for such a difference.
13. Withdrawal of Property from Sale
The Auction House reserves the right to withdraw property from the sale
for any reason and with no liability whatsoever for such withdrawal.
14. Condition Reports
Condition reports are rendered as specialist opinion by the staff of the
Auction House and/or independent consultants and not as statements of
fact. We do not guarantee the content of written or verbal condition
reports. If you would like condition reports for items in the sale, please call
(609) 397-9374. Our specialists will respond to requests as quickly as
possible. Otherwise, please fax/mail the condition report form. You will be
called prior to 5:30 p.m. on the day before the auction. Please be patient.
We get many requests and we make every effort to respond to all of them
in a timely fashion. The Auction House is not liable or responsible for any
errors or failure to do so.
15. Rescission by Buyer
All items are served “As-Is, Where-Is,” except as expressly stated otherwise
in Paragraph 4. Buyer acknowledges and expressly agrees that the
provisions of this Paragraph state the sole and exclusive remedy available
to a buyer in the event of non-conformity in Property purchased. The buyer
understands and agrees that the exclusive remedy for any breach of the
warranty shall be a rescission of the sale and a refund of the original
purchase price (bid plus buyer’s premium), as well as any applicable taxes
paid. Neither the Auction House nor its Consignor shall be liable for
damages beyond the remedy expressly provided for herein, such as, but not
limited to, direct, indirect, special, incidental, punitive, or consequential,
including the loss of profit or revenue, cost of obtaining alternative
property, claims of customers of the buyer or otherwise.
16. Rescission by the Auction House
In the event the Auction House receives notice of an adverse claim with
respect to purchased Property, the Auction House shall have the right (but
not the obligation), in its sole and absolute discretion, to rescind the sale
to the buyer, upon written notice to the buyer. Upon such notice, the buyer
will promptly return the purchased property to the Auction House’s
premises in the same condition as when purchased. The Auction House will
then promptly refund the purchase price, including the buyer’s premium
and applicable taxes paid. Buyer will have no further recourse against the
Auction House or the consignor, and the Auction House and the consignor
shall not be liable for any damages of any nature suffered by the buyer.
17. Payment, Collection, and Shipping Responsibilities of Buyer
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RAGO ARTS AND AUCTION CENTER >
- Buyer Obligations: On the fall of the auctioneer’s hammer, title to the
property immediately transfers to the successful bidder who, in turn,
becomes the buyer of the Property. The buyer immediately assumes full
risk and responsibility for the purchased Property, including all costs and
expenses of handling, shipping, insurance, taxes, export, and otherwise, and
is liable for the full purchase price, plus the buyer’s premium, applicable
taxes, and any other associated expenses.
- Collection of Property and Storage Charges: The buyer will pay for the
purchased Property immediately and remove it from the premises of the
Auction House. We are not responsible for any damage or loss on property
purchased but not removed from premises. If the purchased Property is not
removed within thirty (30) days of the sale, the buyer will thereafter be
assessed a $10 per lot storage charge per day. The Auction House may, at
its discretion, remove the purchased Property to public storage at the
buyer's risk and expense. All associated charges will be added to the total
invoice and must be paid in full before the Property will be released. Those
who choose to pick up their property from the Auction House following the
sale must call 24 hours in advance to arrange pick-up. Normal pick-up
hours are Monday-Friday, 9:00 a.m. - 5:00 p.m., excepting the hour
between 12:00 and 1:00 p.m. Property purchased and left at the auction
house for 90 days will be sold or donated for you.
- Packing and Shipping: The buyer is responsible for the shipment of all
purchased Property. As a convenience to the buyer, the Auction House will,
if requested, give your property to Masterpiece Shipping in Buckingham,
PA. This company will pack and ship or arrange shipment for you via UPS,
FedEx or other carrier, fully insured, for a fee payable in advance by credit
card. Shipments are made within a few days after payment has been
received. (If you have any shipping preference for any reason, please make
sure your shipper carries insurance. We are not responsible for any damage
or loss that occurs while your objects are in another's care. We will also not
be responsible for any damage or loss that occurs if you choose a shipping
method that we have advised against and we will require a waiver from you
acknowledging this.) All international customs, duties, and other tariffs are
the responsibility of the Buyer. The Auction House and Masterpiece
Shipping will declare the selling price as the value in all cases. Shipping
larger items: Larger items are objects such as furniture, andirons, floor
vases, or any other item whose safe packing will exceed the limits of
common carriers. The Auction House can arrange delivery by freight almost
anywhere in the United States, fully insured, for a fee. The delivery of large,
heavy, or expensive objects is not an inexpensive proposition and we urge
you to consider this before bidding. We will work with any shipper of your
choosing.
18. Buyer Default
- Remedies: If any of the Terms of Sale are not fully complied with by the
buyer, the buyer will be in default without need of notice by the Auction
House. The buyer shall be liable to the Auction House and the consignor
for the total purchase price, including all premiums, charges, and expenses
specified in the Terms of Sale. Interest shall accrue at the rate of 18% per
annum commencing with the date of the auction. In addition to other
remedies available to the Auction House by law, the Auction House may, at
its option, a) cancel the sale of the lot(s) on which the buyer defaulted and
of any other lots sold to the defaulting buyer at the same or any other
auction(s) and retain as liquidated damages all payments made by the
buyer, b) resell the purchased Property, whether at public auction or
private sale, or c) pursue any combination of a) and b) above. In event of
default, the buyer will be responsible to the Auction House and the
consignor for any deficiency, any and all costs and expenses, including
reasonable attorneys’ fees, collection fees and expenses, late charges, and
other damages. The Auction House may, at its discretion, apply any
proceeds of sale otherwise due to the buyer or monies of the buyer in the
Auction House’s possession to reduce or satisfy the buyer’s obligations.

––––––––––––– SUMMER ESTATES –––––––––––––
- Security Interest: As security for full payment to the Auction House and
the consignor of all amounts due, the buyer grants the Auction House the
right to retain a security interest in the Property purchased at auction and
in any other property or money of buyer in the Auction House’s possession
or coming the Auction House’s possession (collectively, "collateral.") The
Auction House shall have the rights of a secured creditor as provided by
the Uniform Commercial Code and other applicable law. Such security
interest in the Property or other collateral will cease when the Property is
physically delivered to the buyer or the buyer’s agent.
19. Governing Law and Forum for Disputes
The laws of New Jersey shall govern the auctions of the Auction House.
Any disputes that may arise in connection with the auction and/or any
auction purchase, and all of the terms and conditions set forth herein
above, shall be governed by and construed in accordance with New Jersey
law. Any one who participates in the auction and/or makes auction
purchases agrees to submit to the jurisdiction of the courts of the State of
New Jersey with respect to any dispute arising in connection with the
auction and/or any auction purchases. In the event that the Auction House
needs to bring an action to enforce the terms and conditions herein and/or
to collect any sum due and owing to it the Auction House shall be entitled
in addition to collect its reasonable attorney's fees, collection agency fees,
and cost of suit.
20. Limitations of Liability
The Auction House acts only as the agent for the consignor and in no event
will be liable for any breach or default by the consignor.
21. Severability and Waiver
If any provision of portion of these Terms of Sale shall be deemed unlawful,
void, or unenforceable under applicable law, that provision or portion shall
be stricken and severed from the remaining provisions, which shall remain
in full force and effect. Failure to enforce any of the provisions in these
Terms of Sale shall not be deemed a waiver of the right to enforce any
other provisions of these Terms of Sale.
23
RAGO ARTS AND AUCTION CENTER >
22. No Assignment
Unless the Auction House consents in writing, buyers may not assign their
rights or any of their obligations related to an auction or other sale by the
Auction House.
23. No Modifications
These Terms of Sale may not be changed unless the Auction House and
buyer have agreed to do so in a written agreement signed by both parties.
24. Miscellaneous
Export or Import: An export license may be required for the export of
certain materials. Some countries prohibit the importation of certain
materials. It is the sole responsibility of buyers to familiarize themselves
with any required license and import/export requirements. The Auction
House will have no responsibility with regard to these matters.
Private Sales: These Terms of Sale shall apply to both auction and private
sales of property.
Paragraph Headings: Paragraph and subheadings are included in these
Terms of Sale for ease of reference and should not be used to interpret the
meaning of the substantive provisions.

––––––––––– DISCOVERY AUCTION –––––––––––
LOTS 1–300C / 531–1091 “AS–IS WHERE-IS” ABSOLUTE AUCTION
please see Terms of Sale, page 41–42
531: DESIGNER ACCESSORIES Four handbags ca. 1960-1980: Walter
Katten, NY; Lucille de Paris; Finesse LaModel; and an ostrich bag by Saks
Fifth Avenue.
532: DESIGNER ACCESSORIES Eleven ladies’ handbags, including Saks
Fifth Avenue, Koret, Lederer, Dunhill, Artcraft, Bergdorf Goodman.
533: DESIGNER ACCESSORIES Seventeen handbags, including Mazzini,
Fendi, Desmo, Lisa Jenks, Longchamps, etc.
534: DESIGNER ACCESSORIES Ten designer handbags, including Fendi,
Coach, Groom, Furla, and Walter Kattan.
535: LADIES’ ACCESSORIES Neck scarves and umbrellas: three scarves by
Pucci, Jaeger and Schiaparelli, the Schiaperelli with matching umbrella.
Together with three umbrellas, one possibly in ostrich leather with
matching handbag, one with bone handle and ferrule.
536: DESIGNER ACCESSORIES Eight silk scarves including Norell, Yves
Saint Laurent, Emilio Pucci, Mademoiselle Ricci, Givenchy, Da Maren, and
Sonia Delaunay Artcurial.
537: EMILIO PUCCI Ladies’ vintage clothing including two matching skirt
suits, a dress and a blouse.
538: CHANEL Silk day suit in cream with brown grosgrain ribbon trim,
brown buttons with Mandarin knot ornament. Size 42 (10). Slight spotting.
539: NORELL Two women’s suits: black worsted wool tank dress with pink
double-breasted bolero jacket, and a taupe linen dress with matching
jacket. Black dress with frozen zipper. Dresses approximately size 6.
540: LADIES VINTAGE CLOTHING Three-piece black suit with jeweled
trim; black two-piece watered silk skirt and matching jacket; and a Pauline
Trigere coat.
541: LADIES VINTAGE CLOTHING Five pieces: Ben Zuckerman wool jacket;
Pierre Cardin wool jersey midi-skirt with faux leather waistband and flapfront
pockets; Pierre Cardin mod dress with white patent leather trim
(some staining); Goeffrey Beene black dress; and Pauline Trigere blue day
dress.
542: LADIES VINTAGE CLOTHING Two-piece pony skin suit with white and
brown stripes. Together with a suede vest and belt.
543: MINK COAT With sable trim, Saks Fifth Avenue label. Shoulder to
hem: 39”. Together with two womens’ belts.
544: FUR HATS Three ladies’ fur hats, ca. 1965-1975: Miriam Rigler, NY fox
turban; Miriam & Suzy, NY sable turban; Irene of NY mink hoodlet.
545: FUR COAT Genuine Tenuki full-length coat, tuxedo collar, four hooks,
gold satin interior, belt on back. Excellent condition, supple pelts, well
cared for. 54” long.
546: FUR COAT Russian squirrel swing coat, long, cuff sleeves, brown
brocade lining, five hook closures. Excellent condition, supple pelts, well
cared for. 51” long.
547: MINK COAT With Bergdorf Goodman label. Shoulder to hem: 46”
24
RAGO ARTS AND AUCTION CENTER >
548: LADIES VINTAGE CLOTHING Six items: Draped black crepe evening
gown, ca. 1940, small size; man’s silk smoking jacket with tasseled sash;
two beaded wool sweaters, Hong Kong, one cream with glass beads, one
black fully sequined, with beaded details, ca. 1950; Na-Ta-Ya (Japan) mint
green organza full-length slip dress with embroidered details; Chinese
Mandarin style black cut-velvet evening gown, medium size. All in good
condition on everything.
549: VICTORIAN BEADED BAGS Six evening bags, some with losses.
550: LADIES’ BAGS Ten bags including beaded, Chinese and silver.
551: LADIES’ EVENING BAGS Twelve bags, mesh or beaded, 1900-1940: six
with German silver frames, one with Limoges enamel miniatures; losses
and tears to some.
552: ART DECO BROOCH Peacock design, of 935 silver and paste jewels in
circular and calibre-cuts representing diamonds, sapphires, emeralds and
rubies. 3/4” x 1 1/2”.
553: ART DECO JEWELRY Eighteen pieces of 18k wg, silver, or silvered
metal. Necklaces, bracelets, brooches, and a ring.
554: 19th & 20th C. JEWELRY Collection includes slides and pairs of
earrings in GF or gold.
555: COMMEMORATIVE MEDALS Four English medals dating between 1899
- 1904.
556: NO LOT
557: POCKET WATCHES Three watches: E. Howard (Keystone) open-face,
17 jewels, adj., 17 size, GF case by Crescent, ca. 1915; Breguet, Paris fusee in
silver case, ca. 1800; Elgin GF open-face, ca. 1930.
558: WATCHES Lot of ten includes: 14k wg by Wittnauer, Bucherer
bracelet watch; Longines, 17-jewel; 18k Zone, 17-jewel, c. 1930. Virgin
Atlantic souvenir watch; Seiko; etc.
559: WATCHES Lot of nine includes: 14k Wittnauer; 14k Certina; Bucherer
with sweep second hand and date window steel c. 1960; Cornavin with
sweep second and date window; Wittnauer chronograph, Crawford tank
case; Hampden gold-filled pocket watch; Natalis 800 silver pocket watch;
Geneva lapel watch.
560: LEONIDAS CHRONOGRAPH, GOLD WATCH STRAP AND FOUR GOLD
TIE TACKS 50mm steel chronograph with two subsidiary dials, two sterling
watch chains; 14k woven gold strap 12mm terminals, 6 1/2”; 14k tie tacks
include eagle with diamond, ruby, sapphire; star ruby, diamond .12 ct.,
pearl. 50.6 gs.
561: DIAMOND BRACELET WITH OTHER GOLD OR SILVER JEWELRY 7” 14k
yg bracelet, .20 ct. TW diamonds; 22k snake ring; Peruvian 18k ring; 14k
tourmaline stick pin; gold and silver band; sterling earrings; four pairs
silver cuff links. Gold 28.8 gs., silver 73.5 gs.
562: MARCI ZELMANOFF JEWELRY AND PHOTO COLLAGES Forty-two
assorted earrings, pins, etc., some unfinished, some unmatched, many
signed by the artist, remnants from the workbench. Numerous
photographic works.

563: STUDIO JEWELRY Recent collection includes art glass, silver, gold,
and gemstones.
564: SILVER BROOCHES Lot of three: Victorian arrow, modernist fish by
Foster, Mexican dog. Longest: 4 1/4”
565: MEXICAN SILVER Seven chain necklaces.
566: MEXICAN SILVER Collection of late 20th c. jewelry, many with inlaid
stones. Includes necklaces, bracelets, and earrings.
567: MEXICAN SILVER Collection of late 20th c. jewelry. Includes earrings,
necklaces, brooches, rings, and bracelets; some in sets.
568: NATIVE AMERICAN JEWELRY With Mexican jewelry and two Habe
sterling brooches. Seven pieces includes: Navajo concha belt with nine
tooled and applied conchas, marked AY; Hishi necklace with tumbled
turquoise, 26”; silver necklace with marks of Margot of Taxco and NPA,
Taxco, 22”; silver necklace/belt, marked VN Mexico, 27”; Southwestern
silver link necklace marked JF, 17”; two Habe bow andflower brooches, one
parcel gilt, the other with orange ‘gem’.
569: GOLD AND GEMSTONE RINGS Seven rings, most 18k, some 14k, ca.
1930-1950. Includes star ruby, turquoise, moonstone, red jade, synthetic
gems. 60.6 gs.
570: VICTORIAN STYLE GOLD BRACELET 14k yg, hinged, 34.5 gs., 7” int.
circ.
571: GOLD AND GEMSTONE RINGS Ten rings in 14k, some with diamonds,
ruby, opal, sapphire, amethyst, ca. 1920-1980. 28 gs.
572: GOLD JEWELRY WITH DIAMONDS, ETC. Eighteen pieces include Art
Deco diamond and sapphire white gold watch case, diamond and gold
butterfly stick-pin, cameo enhancer, pins, pendants, Limoges miniatures.
Gold elements 67 gs. GW.
573: NO LOT
574: GOLD AND GEMSTONE RINGS Four rings in 14k with pink tourmaline,
peridot and blue topaz with diamond surrounds. Citrine with CZ surround.
Sizes 6 1/2 to 7 1/2. Approx .62 ct. TW diamonds. 21 gs.
575: GOLD AND AMETHYST OR ROCK CRYSTAL JEWELRY Five brooches
and a ring, ca. 1860-1920. Three larger brooches and ring are 14k. Two
smaller pinks are 10K. 35.1 gs. Longest brooch measures 1 3/4”.
576: GOLD, DIAMOND AND SAPPHIRE BRACELET, TANZANITE RING 14k wg
bracelet set with 4 cts. sapphires, .12 ct. diamonds, 7” long. 14k yg ring
with .22 ct. diamonds, .25 ct. tanzanite, size 4 1/2, 11.1 gs.
577: GOLD AND GEMSTONE RINGS Seven rings of 14k yg and amethyst
with diamonds, citrines, peridot, amethysts, synthetic rubies and cubic
zirconia. 32 gs. TW. Sizes 6-8 1/2.
578: GOLD BROOCHES Five brooches, most in 14k yg, include garnet and
diamonds, watch face with enameled pansies, turquoise and seed pearl,
blue zircon. 10k cameo brooch. 54.5 gs.
579: ROSE GOLD AND DIAMOND LINK BRACELET 14k with 2.4 cts. TW
diamonds. 15 gs. 7 1/2” x 1/4”
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580: $10 GOLD COIN PENDANT ON CHAIN 1907 Liberty, fancy numismatic
mount, 24” chain. 26.6 gs.
581: GOLD PANTHER BANGLE 14k yg and wg. 19.3 gs., 3/8” wide, 2 1/2 “
int. dia.
582: PIERCED GOLD BANGLE Broad 18k yg 1 5/8” arched cuff. 41.3 gs.
583: 19th-20th C. GOLD AND GOLD-FILLED JEWELRY Items include,
pendants, bracelets, rings, chains, brooches and earrings. 18k, 14k, 10k, 9k,
approx. 116 gs. weighable gold.
584: LARGE PENDANTS WITH GOLD MOUNTS Three pendants in 14k:
carved rose quartz, ivory elephant with gemstone decorations, and a 3”
tortoise shell disk with mermaid. Marked C. Sibirign. 14k chain.
585: GOLD AND GEMSTONE RINGS Seventeen rings include diamonds,
rubies, garnets, topaz, citrine, opal, amethyst, ca. 1920-2000. Eleven rings
14k, six rings 10k. 61.4 gs.
586: GEMSTONE MELEE, CAMEOS, GOLD, ETC. Items include, Bakelite and
shell cameo, silver. From the estate of jeweler, 1920-1998.
587: ASIAN AND NEAR-EASTERN JEWELRY Includes gold, silver, semiprecious
stone necklaces and cloisonne.
588: FASHION JEWELRY Includes silver, gold, and semi-precious beads.
589: FASHION JEWELRY Includes silver, gold, and semi-precious beads.
590: 20th C. COSTUME JEWELRY AND ACCESSORIES Lot includes Tiffany
& Co. lighter in original box, Joseph Mazer, Bakelite, Vulpe, Kramer, Trifari,
800 silver compact, Crosse, Mexican and other silver jewelry.
591: 19th-20th C. BRACELETS Lot includes, silver, gold -filled, celluloid
sparkler, rhinestones, may be some gold. Approx. 60 pieces.
592: COSTUME EARRINGS Sixty-two pairs for unpierced ears, mid-20th C.
Lot includes, Castlecliff, Claudette, and Warner.
593: VICTORIAN BEADWORK Eight pieces including pincushions, pillows, a
belt, and a shoe-form wall pocket.
594: PORTRAIT MINIATURES Three ladies’ portraits on ivory, two in ivory
frames and one in an ebonized frame. All 19th C.
595: ****WITHDRAWN****PORTRAIT MINIATURES Depicting men in
military uniforms on ivory, both signed Reynolds. Larger: 3 1/2” x 4”
596: PORTRAIT MINIATURES Five paintings: bearded gentleman painted
on ivory; bearded gentleman in red beret oil on board; two daguerreotype
images; and a small oval silhouette. Largest: 4” x 4 3/4”.
597: PORTRAIT MINIATURES Depicting religious subjects, on porcelain
and on ivory. Larger: 4 1/4” sq.
598: PORTRAIT MINIATURES Three paintings, two of women and one of a
child, probably on ivory, 19th C. Largest: 2 1/2” x 3”.
599: PORTRAIT MINIATURES Four paintings of gentlemen, two oval and
two round, probably on ivory. All 18th or 19th C. Largest: 2” x 3”.

600: PORTRAIT MINIATURES Four paintings of gentlemen, probably on
ivory. All 18th C. Largest: 2 x 2 1/2”.
601: PAINTING ON PORCELAIN Depicting a gentleman in 19th C. dress.
Signed Graf, Dresden 1879. 5 1/2” x 7 1/2” (sight).
602: KPM Two paintings on porcelain depicting Lola Montex and Helene
Sedlmayer. Plaques: 7 1/4” x 9 1/2”
603: PORTRAIT MINIATURES Two nudes on ivory, together with a portrait
painting on porcelain, and a Russian-made black lacquer box. Largest: 5
1/4” x 6”
604: RELIGIOUS ICON Mother and Child in gilded frame, 20th C. 9 1/4” x
11 1/4”
605: RUSSIAN ICON Four panel, painted on wood, ca. 1900. 9 3/8” x 10
1/2”
606: RUSSIAN ICON St. Nicholas with silver cover in oak shadowbox
frame, late 19th C. 5” x 6”
607: SILVERPLATE Including a Bride’s Basket with fluted overlay bowl
together with three other smaller items.
608: SILVER AND CUT-CRYSTAL DRESSER SET Comprising two small scent
bottles, jar, small tray, brush and mirror. Missing one stopper.
609: SILVER-PLATED DESK ITEMS Secessionist style inkwell and Guttapercha
pen together with a silver-plated handled basket with bird
decoration. Basket with handle extended: 12”.
610: TIFFANY & CO. Sterling mounted cut glass pitcher, monogram at rim.
10”
610A: TIFFANY & CO. Pair of faceted glass bottles with silver lids. Both
marked. 6 1/2”
611: STERLING FLATWARE SERVICE Sixty-one-piece service for eight in an
engraved ‘Point’ pattern. Seven-piece place setting includes: dinner forks;
salad forks; bullion spoons; iced tea spoons; coffee spoons; butter knives;
hollow handled dinner knives; cheese knife; slatted server; gravy ladle;
meat fork; sugar shell; 64 OT.
612: AMERICAN SILVER Gorham 9” square centerbowl marked for Loring
Andrews & Co. together with a pair of three light weighted silver
candelabrum, 8” x 9 1/2”. Bowl: 17.7 OT.
612A: FUCHS & BEIDERHOUSE Sterling silver lobed bowl with applied and
pierced clover rim. Marked. 2” x 8 1/4”
613: SILVER AND SILVERPLATE Eleven pieces: two sterling bud vases; two
sterling baby cups; one Tiffany & Co. sterling candlestick, ca. 1930.
Together with American silverplate including a punch bowl with drop
handles and lion masks.
614: STERLING SILVER Three pieces of Berlin silver by Freidlander: soup
ladle; tea caddy with nautical rope feet and finial; 20” serving tray. 57.5
OT.
615: STAINLESS STEEL FLATWARE By Royal Elegance. Perma-Brite twentyfour
piece service for six with lucite handles.
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616: SILVER AND SILVERPLATE American and foreign silver and
silverplated table items, including salt and peppers, candlesticks, cups and
demitasse spoons.
617: STERLING AND SILVERPLATE Ten pieces including sterling sugar and
creamer, bowl, and one compote together with plated trays, etc.
618: RUSSIAN AND GERMAN SILVER Three Russian vodka cups and salt
spoon together with two Hanau salt dips with cobalt glass liners and
pepperettes, ca. 1896 - 1926.
619: AMERICAN COINS Including American silver coins, old pennies,
nickels and bullion.
620: SILVER COINS Including Nazi silver coins and other foreign coins.
621: 1853 UNITED STATES $1 GOLD COIN From the last year of this type,
in uncirculated condition. An excellent example of the series.
622: NO LOT
623: NO LOT
624: NO LOT
625: NO LOT
626: GOLD PAPAL MEDAL Obverse depicting Pope John XXIII and Pope
Paul VI, reverse with Latin Second Vatican Ecumenical Council.
627: NO LOT
628: NO LOT
629: GOLD BULLION COINS AND CHINESE CASH COIN Austrian 4-Ducat,
approx. .44 OT gold; 1952 Chilean 100-pesos in bezel, approx. 33.3 gs.
gold. The Chinese cash is circulated but unattributed.
630: VICTORIAN PHOTOGRAPHY Three photo albums together with one
postcard album.
631: EARLY 20th C. GERMAN BOOKS Collection of seven: “Die Narrenburg,”
Udalbert Stifter; “Zwei Frauen,” Honore de Balzac; “Das Buch Vom Tee,”
Okakura Kakuzo; “Kapuziner Predigt,” Anonymous; “Goethe Leider;” “Die
Harzreise,” Heinrich Heine; “Gedachtniss Druck,” Heinrich Heine.
632: GERMAN ATLAS “Orbis Terrarum Antiquus: Schul-Atlas der Alten
Welt,” by D’Anville, Mannert, Uckert, Reichard, Kruse, Wilhelm, et al, 1852.
633: 19th C. BIBLE Holy Bible with leather cover embossed with floral
design, together with a wooden letter box with glass front. Bible: 12 1/2” x
9 1/2” x 4”
634: RELIGIOUS ART Two works of art: “Mother and Child,” oil on canvas
laid on board (framed), 19 1/2” x 15 1/4” (sight); “Untitled,” oil on canvas
laid on board (framed), 27 1/2” x 12” (sight). Together with a carved wood
frame, 17” x 14 1/2”. All in as-is condition.
635: RELIGIOUS PORTRAIT Angel with tambourine in ecclesiastical frame.
32” x 12”

636: THEATRICAL MEMORABILIA From the De Revuelta Studios dancing
school in New York. Including photographs, magazines, and letters.
637: THEATRICAL MEMORABILIA From the De Revuelta Studios dancing
school in New York. Includes period photographs, magazine clippings, hula
hoop, and juggling pins.
638: THEATRICAL MEMORABILIA From the De Revuelta Studios dancing
school in New York. Including a portfolio of original artwork by the owner.
639: THEATRICAL MEMORABILIA From the De Revuelta Studios dancing
school in New York. Including matador’s hat, autographed photos, letters,
etc.
640: VINTAGE MAGICIAN’S KIT Vintage poster autographed by magician
Ricky Jay together with two of his magic kits.
641: ATLANTIC CITY RAILROAD EPHEMERA Including checks, receipts, and
accident reports.
642: MEMORABILIA Assorted campaign, sports and miscellaneous pins
and badges.
643: CARTWHEEL CLUB SIGN, NEW HOPE, PA Painted by Susan Roseman
and James Feehan in the 1990s for the Cartwheel club and restaurant, a
favorite New Hope night spot for more than thirty years.
644: MUSICAL INSTRUMENTS Early 20th C. mandolin together with a
piano accordion.
645: PROFESSIONAL-BRAND ACCORDION Made in Germany, ca. 1900-
1920. 15” x 12”
646: CHILD’S STEEL-PEDAL CAR With green paint, yellow trim and rubber
on steel wheels, ca. 1940-1950. 22” x 36”
647: CAST-IRON TOYS Three pieces: black subject mechanical bank (asis),
MacDonald truck, and Coca-Cola truck.
648: LIONEL TRAIN SET Yellow Rio Grande engine complete with eight
cars, accessories, and track.
649: ANIMAL PLUSH TOYS Six toys, some Steiff. Together with a Lenci
attributed Bridget Bardot doll.
650: DOLLS Five dolls: two By-Lo babies; German bisque-head, 28”; early
composition, 21”; and a mid-19th C. porcelain head doll.
651: DOLLS AND PARTS Three German bisque-head dolls including 11 1/2”
Armand Marseilles, Flora Dora in parts, and 23” marked Made in Germany.
652: NATIVE AMERICAN Four woven baskets, most Californian. Largest:
11” x 13 1/2” dia.
653: NATIVE AMERICAN Grouping of six leather and beaded items
including a beaded holster, knife sheath, two pouches, purse, and a wooden
comb, mid 20th C.
654: CHIMU BLACKWARE Four vessels, A.D. 1100-1400: two in the form of
gourds, one fruit vessel and one depicting a man and llama. Tallest: 9 1/2”
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655: CHIMU EARTHENWARE Two vessels, A.D. 1100-1400: one blackware
with vegetable motif, the other ceramic with buff surface depicting birds.
Tallest: 9 3/4”
656: MOCHE EARTHENWARE Two vessels, 200-600 A.D: one painted with
a fierce creature, the other in the form of a warrior. Tallest: 8 1/2”
657: SOUTHWESTERN Eleven items: three small Native American baskets;
five pre-Columbian artifacts; two ceramic vessels; and a woven mat.
658: PRE-COLUMBIAN Clay vessel from the Nazca culture of Southern
Peru with with primitive design, ca. 200-600 AD. 4 1/2” x 4 1/2” dia.
659: MOLAS Twenty-two assorted molas, 20th C. Largest: 21” x 16”
660: MOLAS Twenty-two assorted molas, 20th C. Largest: 21” x 16”
661: SOUTH AMERICAN TAPESTRIES Five pieces (all framed) with colorful
and stylized animal designs. Largest: 35” x 41 1/2” (including frame).
662: JAPANESE LACQUERED WOOD Carved Okimono/Natsume of an
eggplant lacquered with a praying mantis and removable stem, a fitted
interior cover, complete with its fitted wood box, Meiji/Taisho period.
Height: 7”
663: JAPANESE LACQUER Domed box decorated with mons and flowering
tendrils, 19th C. 9” x 8 3/4” x 10 3/4”
664: JAPANESE LACQUER Black lacquer tea caddy with camellia
decoration, complete with its wooden box, Meiji Period. Signed. 2 7/8” x 2
3/4” dia.
665: KOREAN OR JAPANESE NEGORO LACQUER Ring-shaped box with gilt
cloud decoration and metal fittings, 18th/19th C. 3” x 7 1/2” dia.
666: CHINESE ART Five paintings on rice paper, two with sailing vessels
and one of tea production. Together with a reverse painting on glass. All
framed. Largest frame: 17” x 13”
667: JAPANESE BOOKS Four tomes: anatomical studies representing the
works of various artists; Masterpieces by Hiroshige; various sketches of
landscapes, people and birds; Bunte Blatter, Japanischer Poesie, Karl
Florenz, written in Japanese and German, all 19th/20th C.
668: JAPANESE BRONZE Unusual vase with incised patterns in
polychrome enamels and other varied textures, and three loop handles,
early 20th C. Marked on the base in a two character mark in square reserve
and ‘Made in Japan.’ 10 1/2” x 7” dia.
669: JAPANESE BRONZE Vase with applied floral design in mixed metals;
drilled for electricity. 12”
670: JAPANESE JIZAI Articulated iron lobster comprised of sixty
articulated parts. 8” x 4.5” x 2”
671: TANG STYLE Deity figure in green robes. 28 1/2”
672: ASIAN POTTERY Oversized stoneware pitcher with multi-colored
glaze. 13”

673: CHINESE EXPORT PORCELAIN Five pieces: a Canton vegetable bowl,
two covered ginger jars, and two large export bowls. Tallest: 7”.
674: JAPANESE SATSUMA Arts & Crafts style vase, early 20th C. 12 1/2”
675: ASIAN Wooden inkstand with six interior trays on four feet, painted
red with gilded foliate design. 5 1/4” x 13 1/4” x 8 1/2”
676: 19th C. ASIAN Two Chinese carved bamboo wrist rests, one with a
scholar and waterfall, engraved inscription and seal signature, and another
with carved pomegranates and stained detail, signed; Japanese shoe horn
with engraved scene. Together with two Chinese dolls sitting on traditional
furniture (one chair missing back). Brush rest: 8 1/8” x 2 1/4”
677: IVORY CARVINGS Figure of an African woman with baby in carrying
pouch together with a figure in loincloth. Taller: 7”
678: JAPANESE IVORY Group of okimono and netsuke, 19th/20th C. Four
okimono: Pekinese dog holding a pierced ball; man sitting in a palanquin,
being carried by two others, signed; man holding a stick; man with two
children and a dog; together with four netsuke: carved wood okame; horse,
signed; water buffalo, signed. Tallest: 12”
679: ARTIST’S STUDIO EASEL Early 20th C. easel in oak. 88” x 29”
680: ARTIST’S EASEL In oak together with a Victorian bentwood easel.
Artist’s easel: 78” x 24”
681: MODERN ART BOOKS Twenty-four books, including books on Picasso,
Chagall, O’Keefe, Johns, Calder, and various others.
682: HOW-TO ART BOOKS Twenty-one books on various topics including
paper-making, print-making, painting, weaving, sculpture, etc.
683: BOX LOT OF BOOKS Twenty books on various topics including art
history, travel, fashion, music, and celebrity.
684: ASIAN & ISLAMIC ART BOOKS Fifteen books and catalogues on
artists including Minol Araki, Chang Dai-chien, Zhu Qizhan and others.
685: ART BOOKS Twenty-four books including “Joan Miro: Trace sur l’eau”
and others about Rodin, Cezanne, Van Gogh, Matisse, Degas, Michelangelo,
Gaugin, et al.
686: ART GUIDES Lot comprising six boxes of art price guides.
687: CLARENCE IRA DREISBACH (American, 1903-2001) “Lords Valley
Country Club,” oil on canvasboard (framed). (Provenance: Private
Collection, Pennsylvania.) Signed, dated and titled. 17 3/4” x 23 3/4”.
688: DAVID TINSLEY (American, 20th C.) Two works of art: “Risky
Business,” acrylic on board (framed), signed and titled, 20” x 15 1/4”;
“Cornfield, Buckingham Valley, Bucks County, Pennsylvania,” acrylic on
Masonite (framed), 2007, signed, dated, and titled, 24” x 36”. (Provenance:
Private Collection, Pennsylvania.)
689: MELVILLE F. STARK (American, 1903-1987) “Untitled,” oil on canvas
(framed). (Provenance: Private Collection, Pennsylvania.) Signed. 28 1/4” x
22”.
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690: FREDERICK R. WAGNER (American, 1864-1940) “Addingham Mills,”
pastel on paper (framed). (Exhibition: “Artists of the Pennsylvania Academy
of Fine Arts During the 20th Century,” Newman Galleries, Philadelphia, PA,
January 14 - February 28, 2005. Provenance: Newman Galleries,
Philadelphia, PA; Private Collection, New Hope, PA.) Signed. 5” x 7” (sheet).
690A: 20TH C. AMERICAN “Untitled” oil on canvas (framed). (Provenance:
Private Collection, Pennsylvania.) Initialed “K.Y.O” or “K.Y.E.”; 25 1/2” x 27”.
691: 20TH C. PAINTINGS Two works of art: Lize Hugo (American, 20th C.)
“Seafront 5,” oil on board (framed), signed and titled, 14 1/2” x 16 1/4”; Mary
Black Diller (American, 20th C.) “Untitled,” oil on canvas (framed), signed, 9
1/2” x 11 1/2” (sight). Provenance: Private Collection, Pennsylvania.
692: WITHDRAWN
692A: 20TH C. AMERICAN “Winter on Nolan Fork,” oil on canvas (framed).
(Provenance: Private Collection, Pennsylvania.) Signed “Schofield” and
stretcher stamped “LITTLE GALLERY, East Newark, NJ”. 28” x 36”.
693: TAYLOR OUGHTON (American, b. 1925) Two works of art: “Fallen
Leaves, Fallen Snow,” acrylic on canvasboard (framed), signed, 8” x 10”;
“Spring,” acrylic on linen stretched on board (framed), signed, 16” x 12”.
(Provenance: Private Collection, Pennsylvania.)
694: ROBERT J. SEUFERT (American, 20th C.) Three works of art:
“Northward View,” oil on canvas (framed), 1988, signed and dated, 5” x 7”;
“Winter Crystal III,” watercolor on paper (framed), 1986, signed and dated,
6” x 10” (sheet); “Autumn Afternoon,” oil on canvas (framed), 1994, signed,
dated and titled, 6” x 9”. Provenance: Golden Door Gallery, New Hope, PA
(labels on versos); Private Collection, Pennsylvania.
695: ROGER DEERING (American, b. 1904) “High Surf (Maine Coast),” oil
on canvas (framed), 1962. (Provenance: Private Collection, Pennsylvania.)
Signed, dated and titled. 8” x 10”.
696: CHRISTOPHER P. FORREST (American, b. 1946) Four lithographs in
colors (three framed): “Wood Ducks,” “Osprey,” “Yesterday” and “Red
Shonlederek Hawk”; each signed, titled and inscribed “Dedication proof”;
largest: 20 1/4” x 24” (sight). (Provenance: Private Collection, New Jersey.)
Together with: Lloyd Lozes Goff (American, 1908-1982) “Untitled,” two
lithographs in colors, 1979, each signed and dated.
697: LUDWIG BEMELMANS (American, 1898-1962) “Untitled (No. 32),”
watercolor ink and pencil on paper. (Provenance: Private Collection, New
Hope). Signed. (With notarized proof of authenticity signed by his wife.) 9
1/4” x 8” (sight).
698: BARBARA GELDERMAN HAILS (American, 20th C.) “Glorious
Morning,” pastel on board (framed), 1981. (Provenance: Private Collection,
New Jersey). Signed and dated. 26” x 29” (sheet). Together with a framed
lithograph in colors of a horse’s head, signed illegibly in plate, 15” x 11 1/4”
(sight).
699: WILLIAM SHARP (American, 1900-1961) Three works of art:
“Untitled,” oil on board (framed), initialed, 18” x 24”; “Untitled,” oil on
canvasboard, signed, 13 1/4” x 17 3/4”; “Untitled,” oil on board, initialed, 14”
x 16”. Both unframed pieces with paint loss, worn corners, and pinholes;
one with severe water damage. (Provenance: Private Collection, New
Jersey.)

700: 20TH C. PRINTS Three prints: Ben Shahn (American, 1898-1969)
Poster for the Print Making Council of New Jersey, 1979, lithograph in
colors, numbered 38/500; Minna Wright Citron (American, 1896-1991)
“White Band,” etching (framed), 1965, signed and numbered 7/75, 28” x 21”
(largest, sheet); Florence Wender (American, 1919-2008) “Faces,” ingalio on
metalic sheet (framed), numbered 4/15. Provenance: Estate of Florence
Wender, New Jersey.
Florence Wender (1919-2008) was an avid painter who experimented with a
wide variety of print media, papermaking and collage. She studied with
master-printers Don Stacy and Joe Leober. In 1973, along with four other likeminded
artists, Florence Wender co-founded the Printmaking Council of New
Jersey. More than thirty years later, the Council provides opportunities for
artists, educational workshop for children and adults, and studio facilities
furthering the art of the print in the Council’s permanent home in Somerville,
New Jersey. In the 1990s, she participated in two handmade book projects,
“In my Wildest Dreams,” featuring the work of contemporary New Jersey
artists. Selected works from the artist’s collection are being offered here for
the first time in the secondary market in this auction and upcoming events.
701: FLORENCE WENDER (American, 1919-2008) Three untitled works of
art, two on canvas, one on board. Largest: 22” x 47”.
702: FLORENCE WENDER (American, 1919-2008) Thirty-six watercolors,
some on handmade paper. (Provenance: Estate of the artist.) Some signed.
Largest: 30” x 22”.
703: FLORENCE WENDER (American, 1919-2008) Five untitled works of oil
on canvas (two framed). All signed. Largest: 36” x 36”.
704: FLORENCE WENDER (American, 1919-2008) Seven works of art: six
mixed media (four framed) and a portfolio of watercolor sketches.
705: FLORENCE WENDER (American, 1919-2008) Five works of art, each a
paper construction mounted in a Plexi box. Each signed. Largest: 36” x 25”.
706: FLORENCE WENDER (American, 1919-2008) Four works of art:
“Fruits,” woodblock print in colors (framed), signed, titled, and numbered
3/10, 9 3/4” x 13 3/4”(sight); “Sing It/Don’t Look Back,” intaglio on
handmade paper (framed), 1979, signed, dated, and numbered A.P., 20 1/4”
x 20” (sheet); “Sea,” intaglio (framed), signed, titled, and numbered 6/15,
24” x 19” (sight); “Haiku Harvest,” embossment print (framed), signed and
numbered A/P, 41 1/2” x 29 3/4” (sheet). (Provenance: Estate of the Artist,
New Jersey.)
707: FLORENCE WENDER (American, 1919-2008) Seven prints of various
kinds. Most signed and titled. Largest: 29 3/4” x 26 3/4” (sheet).
708: APRIL GORNICK (American, b. 1953) “Cascading Waterfall,”
softground etching and spitbite aquatint (framed), 1998. (Provenance:
Private Collection, Princeton.) Signed, dated, and titled. 22 1/4” x 30”
(sheet)
709: RAPHAEL SOYER (American, 1899-1987) “Untitled,” mixed media on
paper (framed). (Provenance: Private Collection, New Jersey.) Signed. 18
1/2” x 30 1/2” (sight).
710: DAVID ROBILLIARD (British, 1952-1988) “Untitled,” mixed media on
paper (framed), 1985. (Provenance: Private Collection, New York.
Exhibition: “David Robilliard (1952-1988),” Hirschl & Adler Modern, New
York, September 13 - October 6, 1990.) Initialed and dated. 16 3/8” x 23
3/8” (sheet).
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711: 20th C. CHARCOAL DRAWINGS Two untitled figure studies on paper
(each framed). (Private Collection, Pennsylvania.) Signed “Maya”. 23 1/4” x
17 1/2” (sight) each.
712: EDMUND QUINCY (American, 1903-1997) “Young Man,” charcoal on
paper (framed). (Provenance: Estate of the artist; Private Collection, New
York.) Signed with estate stamp on verso. 25” x 19” (sheet).
713: 20TH C. AMERICAN “Untitled,” oil on board (framed). (Provenance:
Private Collection, Pennsylvania.) Signed “BARTLETT”. 12” x 16”.
714: 19th/20th C. ARTWORKS Two untitled oil paintings, framed: Helen F.
Everett (American, 1883-1965) Still Life, oil on canvas, signed, 18” x 14”;
Agnes Elizabeth Shurly Wilson (American, 1832-1904), oil on both sides of
board, signed, 9” x 7”. (Provenance: Private Collection, New Jersey).
Together with three hand-colored engravings: two by Capewell & Kimmel
(each framed) and one by James Baillie, ca. 1850, largest 14” x 10”.
715: GLOBAL ART Seven pieces of art, most framed: Frederick Stuart
Church (American, 1842 - 1924) “The Mermaid and the Sea Wolf,” print,
1934, signed; mixed media on canvas (unstretched, unframed); print of
Napoleon; Southeast Asian print; pencil drawing of a fisherman; South
American ink and watercolor, signed illegibly; “Esmeraldos,” charcoal on
board, signed illegibly. Largest: 17 1/4” x 22 1/4” (sight).
716: IKAYUKTA (INUIT) “Angakuit tupignit,” stonecut in colors (framed),
1978. (Provenance: Private Collection, New York.) Signed, dated, titled, and
numbered 41/50. 20” x 25 3/4” (sight)
717: HAMADAN RUGS Two fine-quality hand-tied area rugs. Largest: 39” x
62”
718: PERSIAN MASHED Room-size rug with a rich orange medallion and
polychrome floral decoration on a ruby field, ca. 1970. 9’9” x 12’10”
719: KURD-BIJAR Area rug with geometric pattern and Arabic writing in
cinnabar and jade green, ca. 1970. 4’ x 7’3”
720: PERSIAN BAKHATIARI Area rug with diamond medallions in
cranberry, ivory, and dark cherry, ca. 1970. 5’1” x 7’.
721: BOKARA CARPETS Five hand-tied area rugs. Largest: 39” x 62”
722: CHINESE DECO STYLE Wool rug. 108” x 126”
723: HANDEL Large table lamp, its floral shade of caramel, rust, and green
slag glass on a Handel base. 23” overall
724: ARTS & CRAFTS LIGHTING Table lamp with a green and caramel slagglass-lined
shade in a verdigris-patinated metal frame. 23”
725: ARTS & CRAFTS LIGHTING Table lamp with a shade lined in slagglass,
in a patinated metal frame. Good original finish. 27” above finial.
726: ARTS & CRAFTS LIGHTING Early 20th C. ceiling fixture, all original
with shaped slag glass panels in patinated metal frame. 21” x 20”
727: ARTS & CRAFTS LIGHTING Two caramel leaded-glass chandeliers, one
with blown-out fruit decoration, the other elongated. Larger: 4” x 20” dia.
728: ARTS & CRAFTS LIGHTING Double floor lamp base. Electrified. 68
1/2”

729: ARTS & CRAFTS LIGHTING Floor-standing and tabletop candelabra,
both from the De Revuelta Studios dancing school in New York. Includes
period photograph and brochure. 71” overall.
730: ARTS & CRAFTS LIGHTING Pair of triple candelabra on tripod base.
Electrified. Unmarked. 61”
731: ARTS & CRAFTS LIGHTING Pair of brass sconces with matching
Quezal shades, signed. 10”
732: ARTS & CRAFTS LIGHTING Pair of wall-mounted hanging lanterns
with floral design, of green, white, and yellow slag glass. Unmarked. 12 3/4”
733: ARTS & CRAFTS LIGHTING Hammered copper table lamp, its barrelshaped
base topped by a mica-lined shade. 12 3/4”
734: AURORA STUDIOS / MICHAEL ADAMS Table lamp, its hammered
copper base topped by a four-panel mica shade. Stamped mark. 20 1/2” x
22 1/2”
735: NEW ARTS AND CRAFTS FRAMES Eleven picture frames, three of
hammered copper, eight oak. Some marked. Largest: 14” x 10” overall
736: ARTS AND CRAFTS COPPER Two hammered copper two-handled
vessels. New patinas. Unmarked. 10” and 11”
737: ARTS AND CRAFTS Seven items: five hammered copper pieces,
including an oval tray with riveted handles and brass details; book trough
decorated in pyrography; table runner embroidered with daisies. Unmarked.
Tray: 19” x 9 1/2”
738: HEINTZ STERLING-ON-BRONZE Four pieces: two boudoir lamps, 3
1/2” cabinet vase, and single blotter corner with seagulls. Dents to lamps
and vase, missing screw to dark lamp. Lamps: 10 1/2”
739: ROYCROFT Four hammered copper desk items: humidor, tray, and two
bud vases. Orb & Cross marks. Tray: 15” x 6”
740: ARTS & CRAFTS BOOKS Twenty books, including “In the Arts and
Crafts Style” by Barbara Mayer, “The Collected Works of Gustav Stickley,”
and several on the Hamptons.
741: THE STUDIO MAGAZINE Seventeen issues of “The Studio, And
Illustrated Magazine of Fine and Applied Art,” dating from 1900. Varied
condition.
742: JARVIE Hammered brass card tray embossed with a wreath of
blossoms. Cleaned patina. Stamped The Jarvie Shop. 7 1/2” dia.
743: HEINTZ, WELLER Tall Heintz Sterling-on-Bronze vase with cattails
and a Weller Roma jardiniere with birds on a wire. Vase: 10 3/4”
744: DEDHAM Small Crackleware plate painted with crab. Pottery stamp
and possible artist’s initials. 6” dia.
745: MARBLEHEAD Vase covered in matte green glaze. Marked. 3 1/2”
746: PAUL REVERE Vase covered in an unusual bubbled blue glaze.
Marked. 4 1/4”
747: AVON Jardiniere decorated with branches and crane against a pale
blue sky, ca. 1885. Signed Avon. 6” x 7 1/2”.
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RAGO ARTS AND AUCTION CENTER >
748: STANGL Oyster plate made for Port Norris Oyster Co., New Jersey, 9”.
749: HAMPSHIRE (Attr.) Pair of melon-shaped pitchers in dark green
glaze. 9”
750: WESTERN STONEWARE (MONMOUTH) Two-handled floor vase in
matte green glaze on ribbed body. Stamped. 26”
751: COWAN Etc. Cowan vase and pair of candlesticks, McCoy shoe, Haeger
vase, two Frankoma vases, Hull vase, Gonder bowl, large Stangl vase, and
pair of black ceramic figures. Most marked. Tallest: 14”
752: NEWCOMB GUILD Gourd-shaped vase covered in mottled blue-green
glaze. NC mark/paper label. 7”
753: HAMPSHIRE/SEG Five pieces: three Hampshire vases, together with a
Paul Revere/Saturday Evening Girls vase and flower frog. All marked.
Tallest: 6 3/4”
754: NEWCOMB COLLEGE/BROUWER Four pieces: three cabinet vases by
Newcomb College, Van Briggle, North Dakota School of Mines, together
with a Brouwer bulbous vase (reglued). All marked. Tallest: 4 1/4”
755: CARL WALTERS FOR STONELAIN Faience rooster vase with red and
black painted decoration on an ivory ground. Marked. 11 1/2” x 8”
756: MIDWESTERN POTTERY Ten pieces including pair of Red Wing wall
pockets, McCoy flower pot, Brush pottery, Hull, etc. Tallest: 8 1/2”
757: FIESTA-STYLE PITCHERS Seven pieces including one Fiesta, five Hall,
and one marked York.
758: PEWABIC Etc. Three pieces: Pewabic vase; Northwestern Terra Cotta
Co. frog dish; California Faience turquoise squat vessel. All marked.
Pewabic: 6”
759: DENVER LONHUDA Ovoid vase painted with mistletoe. Some glue
over decorated areas. Impressed mark. 7 3/4”
760: PALISSY WARE Charger with crab and sea life design. Stamped mark.
14” dia.
761: MAJOLICA Jardiniere with griffin design, early 20th C., 22”.
762: STYLE OF TEPLITZ Iridescent vase with applied cherry, leaf and vine
decoration, probably Austrian. 15”
763: ERNEST WAHLISS Gourd-shaped vase painted with flowers in amber
and red on mustard ground. Marked. 10 1/2” x 6 3/4”
764: GOUDA Costa lamp base with stylized floral designs. Marked 800
Costa Gouda Holland. 8 1/4” x 4 3/4”
765: ZSOLNAY Etc. Eight pieces: Zsolnay vase with crackled red finish,
two Japanese painted vases, Italian bowl, Harris Strong tile panel, and
three West German vases. All marked. Panel in frame: 10 1/2” x 41”
766: DOULTON LAMBETH Etc. Three pieces: Doulton Lambeth vase with
leaves, Czech vase with flowers, and tall vase in orange. Tallest: 10 3/4”

767: DOULTON (Attr.) Oil lamp base decorated with stylized flowers in
pink. 14”
768: ASSORTED POTTERY Four pieces: two humidors, one by Royal
Doulton; corked jug with Asian decoration and music box bottom; twohandled
majolica ewer, possibly German. Tallest: 8”
769: MOORCROFT Pomegranate vase together with an abstract vase.
Moorcroft: 6 1/2”
770: PICKARD China-painted vase with peacock and etched gilt
decoration, stamped on the base with various marks and original paper
label, 20th C.
771: NIPPON Three-piece Nippon tea set, vase, and Noritake bulbous vase.
Teapot: 9”
772: CHINA-PAINTING Six-piece cider set, strainer bowl, and underplate
all painted with pink floral or fruit design. Pitcher: 6” x 8” dia.
773: ART TILES Thirty five rectangular tiles transfer-printed with floral
and scroll design, ca. 1910. Unmarked. 5” x 7”
774: ART NOUVEAU TILES Seven 6” European floral tiles in majolica-type
glazes. Some marked, others obscured by grout.
775: FIGURAL PLAQUE Handpainted on metal, depicting a woman holding
flowers, illegibly signed, dated 1896. 29” sq.
776: GUSTAV STICKLEY Willow armchair with squared off back and arms
and loose seat and back cushion. 38 1/2” x 31” x 28”
777: GUSTAV STICKLEY Wicker lounge chair with low back and squared off
arms. 29 1/2” x 32” x 26”
778: GUSTAV STICKLEY H-back side chair with drop-in rush seat. 32” x 16
1/2” x 16”
779: GUSTAV STICKLEY Ladderback child’s rocker with leather seat.
Branded marks. 23” x 14” x 15”
780: HARDEN Magazine stand with arched upper and lower rails and
slatted sides. Partial paster. 29” x 20 1/2” x 11”
781: HARDEN Wavy arm chair in oak. 38” x 29 1/2” x 22”
782: ARTS & CRAFTS Blanket box with hinged paneled top and paneled
sides. 19 1/2” x 30” x 18”
783: CONTEMPORARY ARTS & CRAFTS Set of ten reproduction spindleback
dining chairs in the style of Gustav Stickley in dark oak with leather
seats. Armchair: 46 1/2” x 25” x 19 1/2”
784: CONTEMPORARY ARTS & CRAFTS Reproduction night stand. Branded
Stickley. 27 1/2” x 22” x 16”
785: CONTEMPORARY ARTS & CRAFTS Queen-sized bed with paneled head
and foot boards, pencil posts, and large crest rails. 48 3/4” x 62 1/2” x 86”
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786: CONTEMPORARY ARTS & CRAFTS Queen-sized bed with slatted head
and foot boards, rectangular posts, and arching crest rails. 56” x 86” x 64
1/4”
787: CONTEMPORARY ARTS & CRAFTS King-sized bed with slatted head
and foot boards, pencil posts, and arching crest rails. 56” x 79” x 85 1/4”
788: CONTEMPORARY ARTS & CRAFTS Butterfly-joined quarter-sawn oak
frame around a mirror. Unmarked. Frame: 23 3/4” x 28”, mirror: 20” x 15
3/4”
789: CONTEMPORARY ARTS & CRAFTS Three frames: butterfly-joined
quarter-sawn oak, in two sizes. Square one has scratches to surface.
Unmarked. 18 1/2” x 17 1/4” and 22” x 28”
790: ARTS & CRAFTS Wrought-iron fireplace set consisting of mesh
firescreen, two andirons with ball finials, and fireplace tools with holder, all
with hammered detailing. Firescreen: 30” x 37”
791: ARTS & CRAFTS Wrought-iron fireplace tools, together with matching
log rack. Tools: 38” tall
792: SHAKER STYLE Ladderback side chair with woven rushed seat. 32
1/2” x 18 1/2” x 15”
793: ARTS & CRAFTS Split pedestal table of quartersawn oak with heavy
buttressed base. 29 1/2” x 54” dia.
794: ARTS & CRAFTS Tabouret with circular top and arched stretchers. 16”
x 14” dia.
795: ENGLISH ARTS & CRAFTS Armoire in quartersawn oak with mother of
pearl and mahogany inlay. 82 1/2” x 51” x 22 1/2”
796: GEORGE LOGAN Scottish Arts & Crafts side chair with heart cutout.
41 1/2” x 19” x 18”
797: WILLIAM BIRCH Side chair with turned legs and cross stretcher and
rush seat. 38 1/2” x 16 1/2” x 17”
798: STYLE OF CHARLES RENNIE MACKINTOSH Oak side chair with
leather drop-in seat. 42” x 21” x 17”
799: STICKLEY BROS. Tilt-top side table with tapering trapezoidal base
and inset wicker. Quaint label. 29” x 30” dia.
800: L. & J.G. STICKLEY Ladderback side chair with arched rails and drop
in leather seat. Unmarked. 36 3/4” x 19” x 20”
801: ROYCROFT Oak side chair with tacked on seat. 36 1/2” x 17” x 17”
802: ROOKWOOD Two lidded vessels: one with pierced top and leaf
design, the other painted by Harriet Wilcox with daisies, 1892.
803: ROOKWOOD Two vases, one Iris Glaze by Elizabeth Nourse with
nasturtium (hairline), the other Standard Glaze by Grace Hall with
crocuses. Taller: 7 1/4”
804: ROOKWOOD Two vases, one Decorated Mat, the other with blue and
olive glaze. Taller: 4 3/4”

805: ROOKWOOD Two vases: Vellum by Lenore Asbury with pink flowers
on green ground (spidering cracks), 1921, and Jewel Porcelain with band of
cattails and branches with blossoms, 1920 (opposing lines). Both marked. 8
1/2” and 8”
806: ROOKWOOD Green glazed bowl together with a matte black
cylindrical vase, paper label Ravelli Made in Holland. Taller: 8 1/2”
807: ROOKWOOD FAIENCE Pair of architectural tiles with green flower. 7
1/2” sq.
808: ROOKWOOD Production triple vase in pink and green. 3” crack
extending from chip at rim through body. 7 1/2”
809: ROOKWOOD Five Production vases covered in glossy rose or blue
glaze. All marked. Tallest: 7”
810: ROOKWOOD Four Production pieces including two vases, and a
figural paperweight and dish. Long line to yellow vase. All marked. Tallest:
7”
811: ROOKWOOD Two Standard Glaze vases, one by Sara Sax with berries,
the other with thistle by Adeliza Sehon (line to rim). Both marked. 6” and 6
1/4”
812: ROOKWOOD Two Standard Glaze vases, one by Josephine Zettel with
daffodils, the other Olga Reed with pansies. Touch-up to rim of smaller.
Both marked. 7 1/4” and 6”
813: FULPER Urn with hammered texture covered in Leopard Skin
Crystalline glaze. Vertical mark. 12” x 11 1/2”
814: FULPER Tall vase covered in a Leopard Skin Crystalline glaze.
Rectangular vertical mark. 12 1/2” x 6”
815: FULPER Tall vase in frothy turquoise crystalline glaze. Bruise to rim.
Vertical mark. 17 1/4”
816: FULPER Tall two-handled ribbed vase in green crystalline glaze.
Vertical mark. 18”
817: FULPER Barrel-shaped vase covered in a turquoise crystalline glaze.
Chips and spiderline to base. Horizontal mark. 17”
818: FULPER Five cabinet vases, three in Chinese Blue, two in mustard
flambe. Four marked. Tallest: 6”
819: FULPER Four two-handled vases in various glazes. All marked. Taller:
5”
820: FULPER Six pieces: five cabinet vessels in various glazes, together
with a Fulper/Stangl commemorative sign. Marked. Tallest: 7”
821: FULPER Two two-handled vases, one in Flemington green (restored),
the other in mustard flambe glaze. Marked. Taller: 7 1/4”
822: FULPER Three vases, two in turquoise crystalline, one in Mirror Black.
Hairline to squat. All marked. Tallest: 8”
823: FULPER Four vases, two in frothy green and black glaze, two in Cats
Eye. Repair to rim of vase with prunts. All marked. Tallest: 7 1/2”
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RAGO ARTS AND AUCTION CENTER >
824: FULPER Faceted vase covered in blue to ivory flambe glaze. 3 3/4”
line from rim. Vertical mark. 10”
825: FULPER Three vases covered in Chinese Blue glaze. All marked.
Tallest: 7”
826: FULPER Etc. Two Fulper vases together with a large Ohio vase. Taller
Fulper has vertical mark. Tallest: 15”
827: FULPER/VAN BRIGGLE Two Fulper vases together with a Van Briggle
vase and pitcher. Tallest: 9 3/4”
828: FULPER Etc. Three flower frogs: Van Briggle Persian Rose with frogs,
Fulper with fish, and Cowan scarf dancer. Two marked. Cowan: 6 1/2”
829: FULPER Five bud vases in various glazes. Three marked. Tallest: 8
1/4”
830: FULPER Three bulbous two-handled vases covered in Famille Rose,
Chinese Blue, or mottled green glaze. All marked. 7 1/2”
831: FULPER Three vases covered in bright blue, or blue to Famille Rose
glaze. All marked. Tallest: 10 1/2”
832: FULPER Two vases covered in bright green or green crystalline glaze.
Both marked. Taller: 11 3/4”
833: FULPER Footed vase covered in a Chinese blue to green flambe glaze.
Restoration to rim chip. Marked. 9 1/2”
834: LALIQUE ETC. Four pieces: Lalique perfume bottle and dish with fish;
Sabino floral perfume bottle; and Julien center bowl with leaves. Bowl: 12”
dia.
835: SABINO ETC. Six perfume bottles, one green with dancing figures,
missing lid. Tallest: 6 1/2”
836: ART GLASS Four pieces including a Lalique ring tray. Two marked.
Tallest: 9”
837: ART GLASS Three vases: blue and white consolidated type with floral
decoration; iridescent amethyst imperial type; and rose-colored iridescent
imperial type. Tallest: 11 3/4”
838: ART GLASS VASE Jack-in-the-pulpit form iridescent vase with
aubergine interior, possibly Imperial. 13”
839: CAMEO GLASS Vase with cobalt ground and applied winter scenery.
Unsigned. 10”
840: ART GLASS Two vases, one with amber landscape, the other with
silver rim. Taller: 7”
841: ART GLASS Five vases, one with fitted metal cover. Tallest: 9”
842: ART GLASS Three pieces: pair of vases enamel-decorated with forest
scene, together with a lidded jar. Tallest: 9”
843: ART GLASS Etc. Three vases, one with heart and vine design, one
with ruffled rim, and one ceramic. Tallest: 9 1/2”

844: TIFFANY Gold Favrile bulbous vase. Marked LCT on base. 3 1/2”
845: ART GLASS Vase with marigold iridescent design, unsigned. 7”
846: ART GLASS Three vases including one iridescent jack-in-the-pulpit,
and two green with ruffled rims. Tallest: 27”
847: ART GLASS Three vases, one in the style of Tiffany with metal foot.
Tallest: 10 1/4”
848: 20th C. GLASS Two iridescent glass pieces: 10” Aurene style bowl
with triangular paper label together with a 10” pulled feather design vase,
both possibly Steuben.
849: ART GLASS Table lamp base with glass body, possibly Durand, on
metal foot. Unmarked. 27” overall.
850: ART GLASS Modern table lamp of blue iridescent art glass, illegibly
signed, and dated 1991. 21”
851: ROSEVILLE ‘Vista’ pattern cylindrical vase in shades of lavender and
green. 15”
852: ROSEVILLE Pink Snowberry floor vase, IV-18”. Raised mark.
853: ROSEVILLE Two pieces: green Panel vase (nick and line from rim) and
a green Pine Cone hanging basket. Vase marked. Vase: 8”
854: ROSEVILLE Two Imperial II pieces: an 8 1/2” jardiniere together with
a 10” basket. Tight line to base of jardiniere. Both unmarked.
855: ROSEVILLE Seven pieces: blue Water Lily cookie jar; pair of brown
Clematis bookends; green Clematis wall pocket; brown Peony 10” basket;
green Peony hanging basket; pink Peony bowl.
856: ROSEVILLE Seven pieces: three Freesia pieces in blue and brown
(blue vase repaired); blue Snowberry vase (chip to handle); three Magnolia
pieces including two cornucopias and a vase.
857: ROSEVILLE Five pieces: blue Pine Cone vase; green Pine Cone bowl;
two brown Bushberry vases, 28-4”, 34-8” (chip to rim); blue Bushberry
cornucopia, 154-8”. All marked.
858: ROSEVILLE Four pieces: brown Fuchsia ewer, 902-10”; pink
Columbine vase, 400-6”; blue White Rose vase, 982-7”; green Poppy vase,
335-6”. All marked.
859: ROSEVILLE Nine pieces: pair of gray Raymor covered dishes; blue
Wincraft bowl (small chip to foot), 228-12”; brown Zephyr Lily vase
(restored); pink Ixia bowl; Donnatello double bud vase; pink Thornapple
vase, 810-6”; Carnelian I candlestick; brown Gardenia double vase, 622-8”.
Most marked.
860: ROSEVILLE Two brown Laurel vases. Unmarked. Taller: 7 1/2”
861: ROSEVILLE Etc. Four brown-glazed vases including one Roseville and
one Owens Utopian. Tallest: 9 1/2”
862: ROSEVILLE Nine pieces: six green and blue Bushberry, one pink
White Rose, and two brown Clematis. Tallest: 8”
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RAGO ARTS AND AUCTION CENTER >
863: ROSEVILLE Three jardinieres: Sunflower, blue Bushberry, and blue
Pine Cone. One marked. Tallest: 4”
864: ROSEVILLE Three brown Pine Cone vases, 278-4”, 472-6”, and one 6
1/2” ovoid. Two marked.
865: ROSEVILLE Two pieces: brown Wisteria vase and green Fuchsia
jardiniere. Vase: 6 1/2”
866: ROSEVILLE Three pieces: green Snowberry teapot, brown Clemana
vase, and Dahlrose vase. Tallest: 6”
867: ROSEVILLE Two Pine Cone pieces: brown pitcher, 485-10”, and a
green 7 1/2” vase. One marked.
868: ROSEVILLE Three pieces: brown Zephyr Lily basket, 394-8”, brown
White Rose vase, 984-8”, and a pink Moss 7 1/2” vase. All marked.
869: ROSEVILLE Three Ming Tree pieces: green 8” vase, white bowl, 526-
9”, and white basket (broken handle), 509-12”.
870: ROSEVILLE Two vases, one red Ferrella, the other green Luffa. One
marked. 7”
871: ROSEVILLE Six pieces: blue Wincraft basket; green Snowberry teapot
and sugar bowl; Donatello bowl; blue White Rose vase; green Peony ewer.
One unmarked.
872: ROSEVILLE Four pieces: two large Rosecraft Color vases in glossy
black and blue; Imperial II bowl; Tourmaline ribbed flaring vase. Unmarked.
Tallest: 13 1/2”
873: ZANESVILLE Tall two-handled vase in matte green glaze. Chip to
base. Unmarked. 18 1/4”
874: ZANESVILLE Large two-handled vase covered in green and mahogany
flambe glaze. Unmarked. 14 1/4”
875: LONHUDA Vase with flowers. Marked. 11”
876: PETERS & REED Tall and unusual Moss Aztec umbrella stand with
medieval decoration. Unmarked. 21 1/2” x 9” dia.
877: BURLEY WINTER Two-handled floor vase covered in orange and green
sponged glaze. Unmarked. 24”
878: CLEWELL Bottle-shaped vase with verdigris patina. Lines to jacket.
Incised Clewell 361-26. 10”
879: ROSEVILLE / WELLER Two Matt Green jardinieres. Unmarked.
Opposing lines to RV, restored chip to Weller. 10 1/4” each
880: ROSEVILLE / FULPER Etc. Roseville Wincraft 14” vase, Corinthian
planter, brown Clematis bowl, brown Freesia vase, Carnelian I vase,
Jugtown blue vase, Fulper tear-shaped vase and mushroom flower frog,
Weller vase, and Van Briggle flower frog. Some marked.
881: ROSEVILLE / WELLER Three pieces: two Weller green Velva vases,
one with lid, and a Roseville Silhouette box. All marked. Tallest: 8 1/4”

882: ROSEVILLE/WELLER Four pieces: Roseville brown Laurel 6” vase;
Roseville Mostique 10” vase; Weller White and Decorated 6 1/2” vase with
cherry blossoms; and Weller Blue Ware jardiniere (lines to rim and foot).
Only White and Decorated vase marked.
883: ROSEVILLE, Etc. Yellow Clematis tan ewer together with an early
20th C. Japanese satsuma decorated vase. Ewer: 15 1/2”.
884: WELLER Hudson “KKT” vase painted by Dorothy England with irises.
Restoration to small area at base. Kiln stamp, artist’s signature, KKT. 7” x 3
3/4”
885: WELLER Fru Russett two-handled vase with hanging branches of
yellow blossoms. Lifting of glaze. Impressed mark. 7 1/4” x 5 1/2”
886: WELLER Rare Fudzi vase with leaves. Marked. 7”
887: WELLER Coppertone bowl with perched frog. Incised mark. 5 1/2” x
10”
888: WELLER Coppertone large two-handled vase. Excellent color. 18” x 8
3/4”
889: WELLER Louwelsa planter with floral decoration together with a
similar pitcher and vase. Planter: 7 1/4” x 6” dia.
890: WELLER Three pieces including LaSa vase. LaSa vase: 6 1/2”
891: WELLER Four vessels: three Forest and one Woodcraft. Tallest: 11”
892: WELLER Dickensware squat bowl, “Mr Riah and Jenny Wren, Our
Mutual Friend”. Marked. 1 1/2” x 4 3/4”
893: WELLER Two pieces: 4” tile with ship and L.P.E. dish, 1904. Both
marked.
894: WELLER Five pieces: Eocean bud vase, glossy Art Nouveau bud vase,
Pearl 7 1/2” wall pocket, Klyro chamberstick, and a Tupelo footed bowl.
895: WELLER Muskota fishing boy flower frog. Unmarked. 7 1/2”
896: WELLER Novelty “Woman” and “Man” vases. Both marked. Taller: 6”
897: WELLER Three Matt Green pieces: twisted vase (hairlines) and pair of
candlesticks. All marked. Vase: 6 3/4”
898: WELLER Hudson two-handled vase painted by Ruth Axline with
clusters of pastel blossoms. Marked. 10”
899: WELLER Two pieces: Weller Dickensware mug with leaves, and a
Burntwood vase. Taller: 7”
900: WELLER Sicard bud vase with tall stylized flowers. Signed on body. 6
1/4”
901: WELLER Etc. Two brown-glazed pieces: Weller Louwelsa tapered vase,
and one by unknown company painted with mums. One marked. Taller: 8
1/2”
902: WELLER Cretone large bulbous vase painted with white gazelles and
flowers. Incised mark. 7” x 7 1/2”
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RAGO ARTS AND AUCTION CENTER >
903: WELLER Geode squat vase painted with shooting stars in blue on an
ivory ground. Incised mark. 5 3/4” x 5 3/4”
904: WELLER Stellar vase painted by Hester Pillsbury with white stars on
a black ground. Incised mark, artists initials. 5 1/2” x 6 1/2”
905: WELLER Hunter three-handled vase with fish on each side. Incised
Hunter, impressed numbers. 6 1/4” x 5”
906: WELLER Dickensware mug incised and painted by AD with monk.
Marked. 5 1/2”
907: WELLER Jap Birdimal corseted vase decorated with geisha under
trees. Very small touch-up at rim. Impressed numbers. 7”
908: WELLER Jap Birdimal mug decorated with tall trees on an orange
ground. Impressed numbers. 5 1/4”
909: WELLER Matt Green vase embossed with tobacco leaves. Unmarked.
13 1/2”
910: WELLER Matt Green umbrella stand with tall flowers. Unmarked. 20”
x 10 1/2”
911: PENNSYLVANIA STONEWARE Five-gallon jar with blue floral
decoration. 15 3/4” tall.
912: STONEWARE Two early 19th C. ovoid jugs, together with a flask.
Tallest: 17”.
913: AMERICAN STONEWARE Two-gallon jug with unusual tornado-like
decoration. 15” tall
914: N. CLARK AND W.A. MACQUOID & CO. POTTERY WORKS Four
stoneware items: two-gallon and one-and-a-half gallon crocks decorated in
cobalt with brushed flowers, together with unsigned jar and jug.
(Provenance: Collection of Derek Mason and Daniel Jacobs, Virginia.) Crocks
signed N. Clark Jr. Athens, NY and Pottery Works Little 12th Street. 9 1/2” x
10”, 8” x 9 1/2” and 10”
915: STONEWARE Jug with abstract design. 11 1/2”
916: COWDEN STONEWARE Two crocks: Cowden & Wilcox three-gallon jar,
and F.H. Cowden four-gallon jar. Tallest: 14”
917: REDWARE Four 19th C. redware jugs. Tallest: 16 1/2”.
918: REDWARE Six assorted plates, most with slip decoration. Largest: 14”
dia.
918A: DEBORAH TINSMAN Eight pottery pieces, most with incised
decoration, all marked Tinsman. Tallest: 9”
919: MARBLEHEAD, AMERICANA Three pieces: painted red box; oval
mahogany tray with brass handles; and a Marblehead tile tray.
920: AMERICANA Six pieces: a red wood firkin; two Toleware trays;
wooden bowl; food chopper; and a copper tea pot.
921: AMERICANA Four items: wood mortar and pestle; wood lemon
squeezer; powder horn; and string of sleigh bells.

922: DUCK DECOYS Assortment of six carved wood duck decoys, including
a mallard, buffleheads and mergansers.
923: AMERICANA Sampler by Mary Nuttall dated 1853 in period oak
frame. 30” x 28” sight.
924: AMERICAN TAPESTRY Fragment depicting Penn’s Treaty with the
Native Americans (framed). Fabric in deteriorating condition. Frame size: 11
1/2 x 29”
925: HOOKED RUGS Three handmade rugs with various designs. Largest:
5’1” x 3’1”
926: PATCHWORK QUILTS Late 19th C. crazy quilt mounted on board
together with an album quilt, dated 1840. Larger: 62” x 67”
927: AMERICAN QUILTS Mid 19th C. applique quilt with grapevines in pink
and green together with early 20th C. album quilt.
928: QUILTS, Etc. Five pieces: three blue and white coverlets; 20th C.
popcorn quilt; and 19th C. chintz quilt.
929: QUEEN ANNE New England two-piece mahogany highboy, ca. 1760.
64” x 21” x 38 1/2”
930: QUEEN ANNE 18th C. chairs, married pair in mixed hardwoods. 41
1/2” x 19” x 18”
931: FEDERAL PERIOD Mahogany card table with maple inlay together
with a mahogany tilt-top table with inlaid top (one broken leg to card
table). 13 1/2” x 18” x 36”
932: FEDERAL PERIOD Walnut candlestand together with a dark green
painted sea chest. Candlestand: 27” x 18” x 17 1/2”
933: MAHOGANY TABLES Turned leg mahogany drop-leaf table together
with a mahogany tilt-top table. Larger, closed: 29” x 42 1/2” x 19 1/4”
934: MAPLE CANDLESTAND Together with a two drawer mahogany dropleaf
work table. Candlestand: 27 1/2” x 18 1/2” x 16 1/2”
935: SHERATON STYLE Mahogany card table, early 20th C. 30” x 36 1/2” x
18”
936: SHERATON New England four drawer chest, ca. 1810, together with a
single drawer stand. 39 1/2” x 18” x 39”
937: HEPPLEWHITE Country pine card table, ca. 1810, together with a
single drawer pine work table. Card table: 28 1/2” x 37” x 17 1/2”
938: COUNTRY PINE SECRETARY One piece desk with bookcase top. 63” x
33” x 25”
939: COUNTRY CHEST Bootjack end green painted blanket chest together
with a similar chest in red, both 19th C. Larger: 16 1/2” x 26” x 12 1/2”
940: BLANKET CHEST New England three drawer blanket chest in pine
together with a wall hanging shelf. 44” x 46 1/2” x 20”
941: GATELEG TABLES Two cherry drop leaf tables, mid 19th C. Larger,
closed: 30” x 46” x 26 1/2”
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RAGO ARTS AND AUCTION CENTER >
942: WALNUT SECRETARY Wall hanging with raised panel door, pull out
shelf, and interior fitted with cubbies, 19th C. 28 1/2” x 25 1/4” x 15”
943: ARROWBACK CHAIRS Painted arrowback chairs, set of three,
together with a child’s stepdown Windsor chair. Arrowback chair: 33 1/2” x
19” x 19”
944: WINDSOR Knuckle-arm chair and step-down rocker. 35 1/2” x 23 11/2”
x 19”
945: AMERICAN EMPIRE Bird’s eye maple four drawer chest together with
a matching work table. Chest: 42” x 47” x 21”
946: EUGENE ROLLIER (French, 20th C.) “Bretagne,” lithograph in colors
(linen-backed), c. 1925. (Provenance: Private Collection, New Jersey.)
Publisher: Societe Nouvelle Publicitas, Paris. 48” x 24”.
947: LOUIS JUSTIN LAURENT ICART (French, 1888-1950) “Untitled,”
watercolor on paper, (Provenance: Private Collection, New Jersey.) Signed.
21” x 13” (sight).
948: LOUIS JUSTIN LAURENT ICART (French, 1888-1950) “Faust,” etching
with aquatint (framed), 1928. (Provenance: Private Collection, New Jersey.)
Signed and numbered 416/500. 23 1/2” x 16” (sight), irregular.
949: RENE FUMERON (French, b. 1921) Three large framed silkscreen
prints. Two signed within print. Sight: 46” x 71 1/2”, 46” x 66” and 46” x 63
1/2”
950: DAVID GUILMET (New Hope, PA) After Matisse (four panels), 1996;
Oil on hollow-core panels. (Provenance: New Jersey Collection.) Signed and
dated on each panel. Each panel 64” x 24”, total: 64” x 84”
951: 20th C. PRINTS & ORIGINALS Fifteen works of art, including work by
Luis Moret, Betty Jardine, Roger Bezombes, etc.
952: JEAN MAURICE EUGENE COCTEAU (French, 1889-1963) “Untitled,”
lithograph (framed), 1957, signed and numbered 124/220, 19 1/4” x 13 1/4”
(sight). Together with a 19th C. French tourist print (framed), signed in
plate Chilloux, 17 1/2” x 14 1/2” (sight). Provenance: Private Collection, New
Jersey.
953: JUN’ICHIRO SEKINO (Japanese, 1914-1988) “Untitled,” woodcut in
colors (framed). (Provenance: Private Collection, Pennsylvania.) Signed and
numbered (illegible). Distressed condition and laid down. 25 1/4” x 12 3/4”
(sheet).
954: OHARA KOSSON (Japanese, 1877-1945) Watercolor of two ducks, in
round wooden frame, signed and sealed Kosson, with frame: 13” dia.
Together with a painted scroll with a temple by a lake in snow covered
landscape, Meiji period, overall: 71” x 22”
955: GERRIT HONDIUS (American, 1891-1970) “Untitled,” gouache on
paper (framed). (Provenance: Private Collection, New Hope, PA) Signed. 18
1/2” x 24 1/2” (sight).
956: WILLIAM SAMUEL SCHWARTZ (Russian/American, 1896-1977) Three
works on paper, framed: “Il Trovatore,” ink, 1916, signed, dated and titled,
19” x 13” (sight); “Woman with Hand on Her Cheek,” charcoal, initialed, 12” x
8” (sight); “Lithograph, no. 43 (Still Life with Fruit),” lithograph, signed, 20”
x 18” (sheet). Provenance: Estate of the artist; Private Collection, New
York.

957: MAXIM BUGZESTER (Polish/American, 1910-1978) “Untitled (Central
Park),” oil on board (framed). (Provenance: Private Collection,
Massachusetts.) Signed. 16” x 19 3/4”.
958: RAYMOND PERRY RODGERS NEILSON (American, 1881-1964)
“Untitled,” oil on board (framed). (Provenance: Private Collection, New
Jersey.) Signed. 19 3/4” x 24”
959: 20th C. ART Three works of art, framed: Alfred Birdsey (British, 1912-
1996) “Untitled,” watercolor and ink on paper, signed, 15 1/2” x 19 1/4”
(sight); Hoyt Leon Sherman (1903-1981) “Untitled,” oil on canvas, 1938
(Exhibition: The Columbus Art League, 1938), signed, 20 1/4” x 24”; Joseph
Margulies (American, 1896-1984) “Reflections of Gloucester,” hand-colored
lithograph, signed and titled, 9 1/2” x 12 1/2” (sight). Together with a
decorative frame, inset with mother-of-pearl, housing a print of a portrait,
frame: 10 1/4” x 9 1/2”.
960: FRANCIS J. FLANAGAN (American, early 20th C.) “Old Marblehead,”
oil on board. (Provenance: Private Collection, Connecticut. Exhibition: “The
Springfield Art League Ninth Annual Members’ Exhibition”, Massachusetts,
March 10-25, 1926; “Paintings and Sculptures by Boston artists, Copley
Society of Boston.) Signed. 15” x 17 3/4”.
961: J.F. BECKER (American, 19th C.) Two untitled oils on canvas (framed).
Provenance: Private Collection, New Jersey. Both signed. 12” x 20”, 12” x
17”.
962: FRED H. DANIELS (American, 1872-) Two oils on board, framed, 1933:
“On Vineyard Sound,” 16” x 12”; “Vineyard Haven Harbor,” 14” x 19 1/4”.
(Provenance: Private Collection, New Jersey). Signed, dated, and titled.
963: CHRIS PFISTER (American, 20th C.) “Untitled,” oil on plywood, 1989.
(Provenance: Bess Cutler, New York (label on verso); Winston Wachter Fine
Art, New York (label on verso); Private Collection, New York.) Signed and
dated. 36 1/4” x 48”.
964: 19th C. LANDSCAPES Two untitled oils on board of Canadian
landscapes: Near Quebec, and Near Toronto. (Provenance: Private
Collection, New Jersey.) 8 1/2” x 13 1/2”.
965: JOSEF WENGLEIN (Attr., 1845-1919) “Untitled,” oil on board (framed).
(Provenance: Private Collection, New Jersey.) Signed. 10 1/2” x 18 1/2”
966: 19th/20th C. AMERICAN “Untitled (Sheep in Barn)”, oil on panel.
(Provenance: Private Collection, New Jersey.) 7” x 10”.
967: 19th/20th C. PAINTINGS Three untitled works: oil on board (framed),
possibly signed, 20” x 18” (frame); Portrait of a Woman, oil on board
(framed), 13” x 12” (frame); oil on panel, 10 3/4” x 8 1/2” (Provenance:
Private Collection, New Jersey.)
968: ELOF WEDIN (American, 1901-1983) “Untitled,” oil on canvas
(framed). (Provenance: Private Collection, North Carolina.) Signed. 26” x 22
1/4”
969: 19th & 20th C. PAINTINGS Two untitled oils on canvas, framed. Each
with tears. Signed illegibly, one dated. 26 1/2” x 22 1/2”; 36” x 22”.
970: 19th C. PAINTING “Untitled,” (mother and child), oil on canvas
(framed). (Provenance: Private Collection, New Jersey.) 26” x 20”
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RAGO ARTS AND AUCTION CENTER >
971: 19th/20th C. PRINTS & PHOTOGRAPHS Seven works, each framed,
with varying subjects. Largest: 20” x 14 1/4” (sight). Together with four
contemporary gelatin silver prints, three signed and dated “Monte L. White
5/16/95”.
972: 20th C. ILLUSTRATION ART Four works of art: Bob Kane (American,
1939-1998) “Untitled,” pastel on paper (framed), signed and inscribed “To
George”, 8” x 10 1/2” (sight); R. Annunziata (20th C.) “Untitled,” watercolor
and ink on paper (framed), signed, 19” x 13 1/2” (sight); Disney animation
cell, “Little Ginger,” ca. 1950, 7 1/2” x 9 1/2” (sight); Henry Hutt (American,
1875-1950) “Untitled,” chromolithograph (framed), 12” x 10 1/2” (sight).
Provenance: Private Collection, New Jersey.
973: 20th C. ART Three works on paper, framed: Elizabeth O’Neill Verner
(American, 1883-1979) “The Market Hall, Charleston,” etching, signed and
titled, 7” x 6 1/4” (sight); Benjamin Dewey Tittsworth (American, 1898-
1970) “Untitled,” watercolor, 1950, signed and dated, 10” x 11 3/4” (sheet);
George Charles Aid (American, 1872-1938) “Untitled,” pastel, signed, 25 1/2”
x 19 1/2” (sight). (Provenance: Private Collection, New Jersey.)
974: MARION D. HARRIS (American, 1904-1988) “Untitled,” oil on canvas.
(Provenance: Private Collection, Pennsylvania.) Signed. 45” x 40 1/2”.
975: 18th & 19th C. ENGRAVINGS Eleven hand-colored engravings (each
framed): two botanicals by John Edwards (1768-1795), 16 1/4” x 10 1/4”
(sheet) each; four French prints of fruit, 8 7/8” x 5 3/4” (sheet) each; three
of shells, 9 1/8” x 5 3/8” (sheet) each; two of birds, 8 1/4” x 5 1/2” (each)
sheet. Together with a 19th C. needlepoint, signed and dated “J.A. Schroder
20 Feb 1835,” 7 14” x 4 1/8”
976: 19th C. BOTANICAL PRINTS Two lithographs in colors (framed), by S.
Holden. 9 1/2” x 6 1/2” (sight) each.
977: EARLY 19th C. ENGRAVINGS Two French hand-tinted engravings
depicting birds. 12 1/2” x 15 1/4”
978: 20th C. DRAWINGS Four works on paper, framed: S.A. Simonski
(American), two ink drawings, 13” x 13 3/4” (sight) each; watercolor and
gouache painting, signed illegibly, 10 1/4” x 16 1/4” (sight); pencil and
watercolor study, 11 1/2” x 7 1/4” (sight). Together with a map of the North
Sea, 20” x 24” (sight).
979: AMERICAN HISTORICAL PRINTS Two framed prints: “Battle of Bull
Run, Virginia, July 21st 1861” and “Battle of Bunker’s Hill”. Largest: 18” x 22”
(sight). Together with a membership certificate for the Society of the Sons
of the American Revolution, dated 1891.
980: WALL HANGINGS Two tapestry fragments in the Asian taste,
together with two framed prints of butterflies, 9 3/4” x 7 3/4” (sight)
981: NO LOT
982: NO LOT
983: ALFRED BERLINI (20th Century) “Untitled,” gilt bronze (on base),
1975. (Provenance: Private Collection, Pennsylvania.) Signed, dated and
numbered 1/10. 28 1/2” high (with base).
984: AFTER JEAN-ANTOINE HOUDON Two bronze busts, one of a young
boy, the other of a young girl. 8”
985: ADRIEN ETIENNE GAUDEZ (French, 1845-1902) “Etoile du Matin”
bronze statue. Signed. Losses. 21 3/4”

986: BRONZES Two bronzes on marble bases: figure of a mouse signed
Valton, together with a bust of a composer. Taller: 4 1/2”
987: FIGURAL BRONZES Two figures of goats, one with mother and kid on
marble base, signed Fratin, the other unsigned on wood base. Larger: 5” x
7”
988: MARBLE Tall marble pedestal topped by Romanesque male figure. 58
1/2” overall.
989: ALABASTER BUSTS One of Richard Wagner, the other of Henry
Longfellow, late 19th C. 14”.
990: ALABASTER STATUE Of boy with writing tablet, signed Antonio
Canova 1852. 16”
991: WOOD CARVINGS Three tall carved wood Spanish figures. Tallest: 34”
992: WAX FIGURE Full length figure of a mustached gentleman with curly
hair holding a sword. 28” tall
993: DECORATIVE CANDELABRA Pair of cherub decorated four-arm
candelabra together with a pair of French chenets. Candelabra: 25”
994: GARNITURE SET Three piece set of bronze girondoles with prisms. 16
1/2”
995: BRASS SCONCES Pair of mirrored sconces together with a hanging
relief plaque depicting a mythological figure of a woman. Sconces: 17”
996: GRAND TOUR Bronze model of Nelson’s column at Trafalgar Square
together with a bronze rectangular plaque with relief figure of dog. Column:
12 1/2”
997: BRASS AND GLASS HANGING FIXTURE Four light chandelier with
acid etched glass panels, 20th C. Total height: 39”. 18” dia.
998: PAIR OF BRASS CANDELABRA Seven-light lamps with pierced column
flanked by two griffins and four arms with griffin supports, 20th C. Total
height: 37 1/2”
999: FRENCH LIGHTING Pair of seltzer bottles mounted as lamps, on
ceramic bases with pewter mounts marked Gazogene Briet, within a basket
weave casing. Together with a Seth Thomas ebonized mantle clock and a
gilded oval framed mirror (not pictured). Lamps: 35 3/4” to finial.
1000: GEORGIAN STYLE BALLOT BOX In mahogany with three lockplates,
each with individual key, dovetail construction with iron fittings, 19th C. 8
1/2” x 12 1/2” x 12 1/4”
1001: DOCUMENT BOX With marquetry decoration and cloth lining, 19th
C. 9 1/2” x 13 1/2”
1002: MINIATURE DESK In the William & Mary style, 20th C. Stamped on
side of top drawer Alfred Assid. 19 3/4” x 19 3/4” x 10 1/4”.
1003: MIRROR Gilt frame oval mirror, mid 19th C. 37” x 23”
1004: ART NOUVEAU WOOD BRACKET Carved and stained with iris in
openwork. Penciled B. Tafernet 1914. 15 1/2” x 17 1/2” x 8”
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RAGO ARTS AND AUCTION CENTER >
1005: JEWELRY BOX In mixed metal with key, 20th c.
1006: BRASS FOOTMAN With iron frame on cabriole legs. 11” x 16”
1007: DECORATIVE FIRESCREEN With black ground, hammered iron trim,
and jumping horse tile. 31” x 43”
1008: FIREPLACE TOOLS Two sets of andirons: 19th C. set with decorative
figural finial together with a 20th C. set in brass.
1009: COPPER ITEMS Three highly polished utensils: gooseneck teapot; 9”
saucepan with dovetailed bottom; and 19 1/2” watering can with trumpet
form pierced spout.
1010: MEDALS LOT Five pieces, including Abraham Lincoln medal signed
Morgan, Wellington medal, Admiral Nelson tobacco box, and ‘Victor Touze’
Napoleonic medal. Together with relief wood carved angel in frame.
Largest: 4 1/2”
1011: WALKING STICKS, ETC. Bone walking stick with ebony ferrule and a
horn handled cane together with an European type pipe and a bronze staff
with animal adornment.
1012: VICTORIAN Dropfront secretary in walnut with burlwood insets. 93”
x 40” x 19 1/2”
1013: VICTORIAN Eastlake style etagere in ebonized wood. 72” x 48 1/4” x
14”
1014: VICTORIAN Renaissance Revival walnut pedestal, ca. 1870. 38” x 25”
x 15”
1015: VICTORIAN Mahogany bookcase with three bays, each with glass
door and carved cornice and frieze. 72” x 79” x 13”
1016: VICTORIAN Center hall table in burl walnut and ebony with
marquetry top. 29 1/2” x 52” x 26”
1017: VICTORIAN Empire style mahogany bookcase with barley twist
columns and carved frieze paw feet. 60” x 48 1/2” x 16 1/4”
1018: VICTORIAN Pair of armchairs with inlaid backs and barley twist
turned spindles, together with a marble and brass etagere. Etagere: 52 1/2”
x 22” x 11”
1019: VICTORIAN Full size rope bed in walnut with paneled headboard. 79”
x 56 1/2” x 77”
1020: VICTORIAN Pedestal dining table with four leaves. Closed 29 1/2” x
48”; each leaf is 9 3/4”
1021: 19th C. GARDEN SET Five chairs with slatted seats and back and a
round table, painted green. Table 27” x 21 1/4”.
1022: OAK CATALOGUERS CHEST, Etc. Bamboo plant stand, and New York
Medical School captain’s chair. Chest: 78 1/4” x 19” x 14”
1023: CHIPPENDALE STYLE Set of ten mahogany dining side chairs with
upholstered drop in seats and pierced backsplats. 38” x 20” x 21”

1024: LOUNGE CHAIR Upholstered back and seat with wooden arms and
cabriole legs. 37” x 27” x 36”
1025: L. HITCHCOCK Walnut side chair with upholstered seat and
stenciled fruits on backsplat, stamped L. Hitchcock, Hitchcocksville, Conn.
Together with a Queen Anne-style dropfront desk. Desk 40” x 26” x 16 1/2”
1026: NEO-CLASSICAL Campaign table with paw feet and pietra dura top.
32” x 21 1/2” dia.
1027: NEO-CLASSICAL Campaign chair with hand-wrought copper arms
and cross base, figural parrot finials and exaggerated claw feet. 41 1/2” x
24” x 14 1/2”
1028: NEO-CLASSICAL Console table with marble top. Together with a
19th C. concrete garden bust of David. Table: 35 1/2” x 45” x 17”
1029: LOUIS XV-STYLE PARLOR SET Settee and four chairs of carved and
painted wood upholstered in pink and cream fabric, ca. 1900. Settee: 40” x
21 1/2” x 50 1/4”
1030: LOUIS XV-STYLE Pair of armchairs. 34 3/4” x 25” x 23”
1031: CHINOISERIE Laquered cabinet and bookshelf painted with Asian
scenes on mottled yellow ground, with interior compartments. 79” x 45” x
18”
1032: THONET Bentwood child’s rocker late 19th C. 34” x 20 1/2” x 31”
1033: INDIAN ETAGERE Constructed of parts from an elephant pannier for
export to England, early 19th C. 78” x 35” x 15 1/2”
1034: ENGLISH WRITING BOX In the campaign style with brass mounts,
19th c. 10 3/4” x 17 3/4”
1035: HUNZINGER Flip-top game table in walnut with felt top and brass
fittings. 28 1/2” x 33” dia.
1036: ENGLISH SIDEBOARD In mahogany with string inlay. 41 1/2” x 16” x
22”
1037: MINTON WILMINGTON CHINA Forty-two pieces in the Black Band
pattern. Thirty dinner plates and twelve salad plates. Largest: 10 1/2” dia.
1038: MIXED CHINA LOT Sixty-five pieces includes: ten Minton for Tiffany
& Co. bread and butters; six Limoges cups and saucers; twelve porcelain
bullion cups and saucers; and nineteen pieces of Wedgwood Torbay
pattern.
1039: ROYAL WORCESTER PORCELAIN Set of twelve 10” gold rim dinner
plates, twelve matching salad plates and twelve 9” transfer decorated
luncheon plates, not matching.
1040: ROYAL WORCESTER PORCELAIN Five egg cups with floral
decoration and accompanying salt & peppers.
1041: CAULDON CHINA Set of twelve service plates transfer-decorated
with floral borders and centers. 10 1/2” dia.
1042: CAULDON CHINA Nine service plates made for Higgins & Seiter,
New York with gold trim and transfer decorated flowers. 10”
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RAGO ARTS AND AUCTION CENTER >
1043: ROYAL BAYREUTH CHINA Set of twelve plates with foliate design
on golden rim. 10 1/2” dia.
1044: ROSENTHAL IVORY CHINA Partial fifty-nine pieces set includes:
cups and saucers; boullions and underplates; and cake plates.
1045: VICTORIA AUSTRIA CHINA Luncheon service in the Blue Bird
pattern. Twenty-seven pieces includes plates, teapot, sugar, creamer,
platters, etc.
1046: LENOX BLUE TREE CHINA Service for sixteen. Includes dinner
plates, salad plates, bread & butters, cups, and saucers (one cup missing).
Largest: 10 1/2” dia.
1046A: PICKARD, ETC. Assembled china service for eight. Forty-eight
pieces includes dinner, salad, and bread & butter plates, cups, saucers, and
soup bowls by Charter Club. Dinner plate: 11” dia.
1047: LENOX MING TREE Vase with green mark. 11 1/2”
1048: ASIAN CHINA TABLEWARE Eight plates including Imari, Chinese
Export, Nippon, etc. Largest: 11” dia.
1049: SEVRES Floral decorated porcelain jardiniere with ormolu fittings
and stand. With stand: 6” x 8 1/4” dia.
1050: SEVRES Tall two-socket candlestick lamp painted with a young
man, and a bouquet of flowers. In ormolu mount. Unmarked. 28”
1051: BISQUE BUSTS Two busts of ladies, one French signed Paul Duboy,
converted to use as a lamp, the other with a feathered hat, possibly French.
Tallest: 22”
1052: ITALIAN FAIENCE Double-handled urn with genre scene on front and
landscape on back. 26”
1053: CHESAPEAKE POTTERY/HAYNES Pitcher with colorful foliate design
on ivory ground. 14 1/2”
1054: GLASS & CERAMICS Four pieces: a Japanese cloisonne vase;
Majolica tray; 19th C. flint glass bowl; and a Willetts Beleek Oriental
covered jar. Tallest: 9 1/2”.
1055: MINTON ASTRA WARE Pair of vases in bulbous form with red
mottled glaze. 12”
1056: FLOW-BLUE English Ironstone centerpiece bowl in the ‘Peking’
pattern, 14” dia.
1057: ENGLISH IRONSTONE Three pieces: Mulberry Jeddo platter; Jeddo
covered dish; and a Flow-Blue Chusan platter. Largest: 17 1/2”.
1058: MIXED LOT Three pieces including an Ironstone platter, English
pewter tankard and a Continental pewter covered bowl. Platter: 22”
1059: MIXED CHINA LOT Eighteen pieces include an Ansonia cobalt
porcelain clock, floral decorated pouring stein with pewter lid, Asian
porcelain vase with raised dragon decoration, and fifteen pieces assorted
china. Clock: 10 3/4”

1060: LLADRO PORCELAIN Seven figural pieces. Tallest: 10 3/4”
1061: ROYAL COPENHAGEN Bird figurine and commemorative Christmas
plates together with three similar figural pieces. Plates: 7 3/8” dia.
1062: LENOX CHINA Group lot of thirty-two pieces including figurines,
serving dishes, and decorative vases and ewers. Tallest: 9”
1063: MIXED CHINA LOT Thirty-six piece lot includes assorted white
ironstone, Haviland/Limoges, Imari bowl, Copeland cake plates, shaving
mug, and Lenox pitcher.
1064: CHINA BOX LOT Forty-six pieces including Stangl bird and pitchers,
Blue Willow platter, and others. Bird: 3 3/4”
1065: PORCELAIN BIRDS Twenty-nine pieces, including six by Lenox, three
National Audubon Society, West German, and others. Tallest: 6 3/4”
1066: HUMMELS Goebels and Hummel-style figurines, twenty-one pieces.
Tallest: 6 1/2”
1067: WATERFORD STEMWARE Twenty-six pieces including goblets,
clarets, and water glasses.
1068: MIXED STEMWARE Twenty-three assembled glasses: twelve large
champagnes and eleven goblets, not matching.
1069: MIXED STEMWARE Fifty-four matching pieces including: goblets;
wine; champagne; sherberts; and cordials.
1070: MIXED STEMWARE Thirty-four pieces including: eleven wines;
eleven cordials; twelve matching 7 1/2” plates.
1071: STEMWARE AND VENETIAN GLASS Thirty-seven pieces includes:
twelve swan figural venetian glass open salts; ten cut crystal old fashioned
glasses; and fifteen crystal wines. Tallest: 4 1/2”
1072: MIXED STEMWARE LOT Fifty-five pieces includes assorted cut
crystal wines, tumblers, juice glasses, cordials, etc.
1073: STEMWARE LOT Sixty-seven cut crystal pieces with drape
decoration including goblets, finger bowls, sherberts, etc.
1074: BACCARAT, WATERFORD, ETC. Baccarat vase and Waterford compote
together with cut glass rose bowl and snail form silverplated ice bucket.
Vase: 8”
1075: MIXED GLASS LOT Thirty-four pieces includes: eleven shrimp
servers; six hunt scene decorated cordials; nine hunt scene decorated
tumblers; and eight enameled wines. Tallest: 5”
1076: CUT GLASS Five pieces including three bowls, tall vase and a wine
carafe. Tallest: 12”
1077: BLACK AMETHYST GLASS Three pieces with bronze trim: ashtray,
dresser box, and pineapple form vessel. Tallest: 9”.
1078: GLASS LOT Three pieces includes a pair of cobalt vases with
Moorish design in white enamel and a crystal claret jug with repaired
silverplate fitting. Tallest: 13 1/2”
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RAGO ARTS AND AUCTION CENTER >
1079: GLASS LOT Nineteen pieces including Lenox and Waterford
figurines, pressed glass, cranberry glass, and commemorative glasses and
booklets. Tallest: 12”
1080: LIGHTING LOT Eleven pieces including four oil lamps, two electric
lamps and five chimneys.
1081: DEPRESSION GLASS Mixed lot with nineteen pieces including
Fenton opalescent cranberry vase, amber luncheonette set, three snack
trays, etc. Vase: 5 1/4”
1082: STEUBEN Figural glass caterpillar #8244. No longer in production.
13”
1083: STEUBEN Seven pieces including a turtle, snail, seahorse, cat, etc.
1084: TAUNI DE LESSEPS / BACCARAT Crystal horse head sculpture.
Signed Baccarat/Tauni de Lesseps. 7” x 6”
1085: BACCARAT CRYSTAL Three pieces including a turtle, a rabbit and a
13” vase. Together with a Murano glass turtle.
1086: TIFFANY & CO. Etc. Three pieces: flaring clear glass vase with
ribbed detailing, etched Tiffany & Co.; together with pressed glass vase
and an opalescent vase. Tallest: 10 3/4”
1087: GLASS PAPERWEIGHTS Assorted grouping of fourteen paperweights
with varying designs and patterns.
1088: ART GLASS Four pieces, including a tall cut glass vase in green with
daisies. Tallest: 12”
1089: GLASS AND METAL DECORATIVE ITEMS A pair of gilded floral form
pricket candlesticks along with three pieces of red bohemian cut glass.
Tallest: 15”
1090: ART GLASS Seven pieces: two pitchers and three tumblers painted
with poppies together with peach blow pitcher and lobed vessel. Tallest: 10
1/4”
1091: ART GLASS Four pieces: carafe with pewter fittings, rectangular
planter with metal lotus flower mount, and two others. Tallest: 12”
END OF AUCTION

RAGO AUCTIONS
Auction Management:
MIRIAM TUCKER
JOHN SOLLO
DAVID RAGO
SUZANNE PERRAULT
Head Cataloguer:
KRISTINA WILSON
Cataloguers:
CAROL CRUICKSHANKS, HEATHER GIBSON,
DENISE RAGO, AMANDA SMITH, AMY HUNT
Chief Executive Officer:
MIRIAM TUCKER
Chief Operating Officer:
MICHAEL INGHAM
Chief Administrative Officer:
ELIANE M. TALEC
Art Director:
ANTHONY BARNES
Photographer:
LYNNETTE MAGER WYNN
Coordinator of Client Services:
KAREN DAVIES
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RAGO ARTS AND AUCTION CENTER >
Shipping/Transportation Services Administrator:
TODD WALLACE
Art Handlers and Movers:
CASSIDY ENOCH–REX (foreman)
DION BOEHM
CHARLES CHAMBERLIN
KEVIN LOFARO
RICHARD PALLESCHI
Controller:
LISA KOLVA
Administrative Assistants:
HELEN MELAMED
SUSIE CHORRO
Our thanks to the entire auction staff.

TERMS OF SALE ***LOTS 1–300, 531–1091***
clears. If you are successful and do not remit payment within thirty (30)
days, the balance will be charged to your credit card together with such
THIS IS AN "AS-IS, WHERE-IS"
charges set forth in these terms of sale. The auctioneer reserves the right
to refuse participation by any bidder, whether on premises or participating
ABSOLUTE AUCTION. NO RETURNS.
on-line or by telephone, whom the auctioneer deems in its discretion to be
or have been disruptive of the bidding or auction process, or otherwise
David Rago Auctions, Inc.
609-397-9374 (p) / 609-397-9377 (f)
deemed affect the integrity of the process.
(Hereafter referred to as "the Auction House")
5. Absentee Bids
All bidders are responsible for reading and understanding these Terms of
Sale, as well as any supplemental notices. If you have any questions after
having read the Terms of Sale, please contact the C.E.O., Miriam Tucker, at
mtucker@ragoarts.com or 609.397.9374, extension 241.
We accept absentee bids by phone, by mail, in person, or by fax. Absentee
bids are requested by no later than 6:00 p.m. on the business day before
the auction. If you fax your absentee bids, please call us to confirm receipt.
All absentee bidding is handled as though you are in attendance. We buy
all designated lots for you one bidding increment above where competition
stops. Please check and comply with these increments. In case of failure to
1. General
comply, we will reduce each off-increment bid to the next lower figure.
ALL PROPERTY IS SOLD "AS IS". THE CONSIGNOR MAKES NO WARRANTIES
OR REPRESENTATIONS OF ANY KIND WITH RESPECT TO ANY PROPERTY
OFFERED FOR SALE. THE AUCTIONEER MAKES NO WARRANTY OF TITLE,
WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR
PURPOSE, OR ANY OTHER WARRANTY OR REPRESENTATION OF ANY KIND
OR NATURE WITH RESPECT TO THE PROPERTY. In no event shall either be
responsible for the correctness of descriptions, nor deemed to have made
any representation or warranty of description, genuineness, attribution,
provenance or condition of the property and no statement by anyone or in
the catalogue, in any advertisement, or which is made at the sale, in the
bill of sale or invoice, or elsewhere, shall be deemed such a warranty or
representation or an assumption of liability. All bidders acknowledge their
right to have made full inspection of any and all properties prior to sale
"Plus" bids: Because of our structured bidding increments, it is more likely
that several people will leave identical bids. Since an earlier bid left with
the auction house wins in the event of a tie, a later bid with an added
"plus" bid to the next increment would win the piece. All absentee bidder
names and bids are held in strictest confidence, disclosed only in the event
of a question after the sale. Absentee bidding is a convenience offered to
our customers and, while we will make every effort to execute your
instructions, the Auction House is not liable or responsible for any errors or
failure to do so. If you place absentee bids with the Auction House, then
choose to attend in person, bid by phone or any other means, it is solely
your responsibility to cancel any or all absentee bids prior to the start of
the auction.
and agree to be charged with all matters such inspection may have
6. Telephone Bids
disclosed or indicated. The Auction House retains all rights to copyright
and other intellectual property contained in this catalogue.
Lines are available on a first-come, first-served basis - please reserve as
soon as you are able. We want to hear from you no later than 12 noon on
the business day before the auction. Please call to set up all phone line
2. Buyer’s Premium, Purchase Price, Taxes, and Billing
requests. Do not fax phone line requests. If you are unsure of where you or
Upon the fall of the auctioneer’s hammer, the successful bidder becomes
the buyer and owner of the property and is responsible for the property,
the amount of the successful bid, the buyer’s premium, applicable taxes,
and other charges provided for in the Terms of Sale in U.S. Dollars, payable
immediately.
Buyer's Premium/Purchase Price: A buyer’s premium in the amount of 20%
of the successful high bid will be added to the amount of the successful bid
price regardless of payment method. All bidding at auction and all
purchases will be in U.S. Dollars.
your agent will be during the sale, we recommend you leave absentee bids.
All requests for overseas telephone lines must be accompanied by
absentee bids, which will be executed on the buyer's behalf, should there
be any problems with telephone connections. Bids are placed on the
telephone at the discretion of the Auction House and at the caller’s risk.
Telephone bidding is a convenience offered to our customers and, while we
will make every effort to execute your instructions, the Auction House is
not liable or responsible for any errors or failure to do so. If you place
absentee bids with the Auction House, bid in person, by phone or any other
means, it is solely your responsibility to cancel any or all absentee bids
Taxes: Applicable taxes shall include New Jersey sales tax (7%), use tax, prior to the start of the auction. If you do not or cannot, regardless of
excise tax, and other taxes or levies. Only valid resale certificates are
accepted as proof of exemption from New Jersey sales tax by U.S. dealers.
reason, you will be held responsible for the property's purchase.
No New Jersey sales tax is charged for purchases shipped out of state.
Billing: Payment is due upon receipt, unless special arrangement has been
made with the Auction House. All successful telephone and absentee
bidders will be sent invoices the Monday after the auction.
7. Auctioneer’s Determination Final
A lot will be sold to the highest bidder as determined in the sole and
exclusive judgment of the auctioneer. The auctioneer will also have the
sole and exclusive power and authority to a) resolve any disputes between
bidders, b) determine whether to pass or re-offer a lot for sale, c) reject or
3. Methods of Payment and Fees
challenge any bid or advance in the bidding, d) exclude any bidder from the
Cash. Check. Wire Transfers. Visa. MasterCard. Discover. PayPal. All
premises and e) otherwise regulate the bidders, the bidding and its
payments are due immediately upon receipt of invoice. We reserve the
right to hold all goods paid for by check until payment has cleared.
increments.
4. Qualifying to Bid
8. Withdrawal of Property from Sale
The Auction House reserves the right to withdraw property from the sale
Bidding Numbers: All bidders must register and receive a bidding number
for any reason and with no liability whatsoever for such withdrawal.
from the Auction House prior to bidding at the auction.
9. Rescission by the Auction House
New Buyers: If we do not know you, you will be asked to furnish
In the event the Auction House receives notice of an adverse claim with
identification, a valid credit card number, and, possibly, credit references. If respect to purchased Property, the Auction House shall have the right (but
you are acting as another’s agent or principal, we may request a letter of not the obligation), in its sole and absolute discretion, to rescind the sale
authorization. If paying by check, you must establish credit with the C.A.O., to the buyer, upon written notice to the buyer. Upon such notice, the buyer
Eliane Talec, extension 118, at least three (3) business days prior to the will promptly return the purchased property to the Auction House’s
auction. A letter from your bank, presented before the sale, may also be premises in the same condition as when purchased. The Auction House will
accepted, at our discretion, although we will retain your purchase(s) until then promptly refund the purchase price, including the buyer’s premium
the check
and applicable taxes paid. Buyer will have no further recourse against the
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RAGO ARTS AND AUCTION CENTER >

Auction House or the consignor, and the Auction House and the consignor Auction House’s possession to reduce or satisfy the buyer’s obligations.
shall not be liable for any damages of any nature suffered by the buyer. - Security Interest: As security for full payment to the Auction House and
the consignor of all amounts due, the buyer grants the Auction House the
10. Payment, Collection, and Shipping Responsibilities of Buyer
right to retain a security interest in the Property purchased at auction and
- Buyer Obligations: On the fall of the auctioneer’s hammer, title to the
property immediately transfers to the successful bidder who, in turn,
becomes the buyer of the Property. The buyer assumes full risk and
responsibility for the purchased Property, including all costs and expenses
of handling, shipping, insurance, taxes, export, and otherwise, and is liable
for the full purchase price, plus the buyer’s premium, applicable taxes, and
any other associated expenses.
in any other property or money of buyer in the Auction House’s possession
or coming the Auction House’s possession (collectively, "collateral.") The
Auction House shall have the rights of a secured creditor as provided by
the Uniform Commercial Code and other applicable law. Such security
interest in the Property or other collateral will cease when the Property is
physically delivered to the buyer or the buyer’s agent.
- Collection of Property and Storage Charges: The buyer will pay for the 12. Governing Law and Forum for Disputes
purchased Property immediately and remove it from the premises of the The laws of New Jersey shall govern the auctions of the Auction House.
Auction House except by prior arrangement with the Auction House. The Any disputes that may arise in connection with the auction and/or any
Auction House may, at its discretion, remove the purchased Property to auction purchase, and all of the terms and conditions set forth herein
public storage at the buyer's risk and expense. Those with permission to above, shall be governed by and construed in accordance with New Jersey
pick up their property from the Auction House following the sale must call law. Any one who participates in the auction and/or makes auction
24 hours in advance to arrange pick-up. Normal pick-up hours are Monday- purchases agrees to submit to the jurisdiction of the courts of the State of
Friday, 9:00 a.m. - 5:00 p.m., excepting the hour between 12:00 and 1:00 New Jersey with respect to any dispute arising in connection with the
p.m. Property purchased and left at the auction house for two weeks will be auction and/or any auction purchases. In the event that the Auction House
sold or donated for you.
needs to bring an action to enforce the terms and conditions herein and/or
- Packing and Shipping: The buyer is responsible for the shipment of all to collect any sum due and owing to it the Auction House shall be entitled
purchased Property. As a convenience to the buyer, the Auction House will, in addition to collect its reasonable attorney's fees, collection agency fees,
if requested, give your property to Masterpiece Shipping in Buckingham,
PA. This company will pack and ship or arrange shipment for you via UPS,
and cost of suit.
FedEx or other carrier, fully insured, for a fee payable in advance by credit
card. Shipments are made within a few days after payment has been
received. (If you have any shipping preference for any reason, please make
sure your shipper carries insurance. We are not responsible for any damage
or loss that occurs while your objects are in another's care. We will also not
13. Limitations of Liability
The Auction House acts only as the agent for the consignor and in no event
will be liable for any breach or default by the consignor.
be responsible for any damage or loss that occurs if you choose a shipping 14. Severability and Waiver
method that we have advised against and we will require a waiver from you
acknowledging this.) All international customs, duties, and other tariffs are
the responsibility of the Buyer. The Auction House and Masterpiece
Shipping will declare the selling price as the value in all cases. Shipping
larger items: Larger items are objects such as furniture, andirons, floor
vases, or any other item whose safe packing will exceed the limits of
common carriers. The Auction House can arrange delivery by freight almost
anywhere in the United States, fully insured, for a fee. The delivery of large,
If any provision of portion of these Terms of Sale shall be deemed unlawful,
void, or unenforceable under applicable law, that provision or portion shall
be stricken and severed from the remaining provisions, which shall remain
in full force and effect. Failure to enforce any of the provisions in these
Terms of Sale shall not be deemed a waiver of the right to enforce any
other provisions of these Terms of Sale.
heavy, or expensive objects is not an inexpensive proposition and we urge 15. No Assignment
you to consider this before bidding. We will work with any shipper of your
choosing.
Unless the Auction House consents in writing, buyers may not assign their
rights or any of their obligations related to an auction or other sale by the
Auction House.
11. Buyer Default
- Remedies: If any of the Terms of Sale are not fully complied with by the
buyer, the buyer will be in default without need of notice by the Auction
House. The buyer shall be liable to the Auction House and the consignor
for the total purchase price, including all premiums, charges, and expenses
specified in the Terms of Sale. Interest shall accrue at the rate of 18% per
annum commencing with the date of the auction. In addition to other
remedies available to the Auction House by law, the Auction House may, at
its option, a) cancel the sale of the lot(s) on which the buyer defaulted and
of any other lots sold to the defaulting buyer at the same or any other
auction(s) and retain as liquidated damages all payments made by the
buyer, b) resell the purchased Property, whether at public auction or
private sale, or c) pursue any combination of a) and b) above. In event of
default, the buyer will be responsible to the Auction House and the
consignor for any deficiency, any and all costs and expenses, including
reasonable attorneys’ fees, collection fees and expenses, late charges, and
other damages. The Auction House may, at its discretion, apply any
proceeds of sale otherwise due to the buyer or monies of the buyer in the
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RAGO ARTS AND AUCTION CENTER >
16. No Modifications
These Terms of Sale may not be changed unless the Auction House and
buyer have agreed to do so in a written agreement signed by both parties.
17. Miscellaneous
Export or Import: An export license may be required for the export of
certain materials. Some countries prohibit the importation of certain
materials. It is the sole responsibility of buyers to familiarize themselves
with any required license and import/export requirements. The Auction
House will have no responsibility with regard to these matters.
Private Sales: These Terms of Sale shall apply to both auction and private
sales of property.
Paragraph Headings: Paragraph and subheadings are included in these
Terms of Sale for ease of reference and should not be used to interpret the
meaning of the substantive provisions.

ABSENTEE / TELEPHONE BIDDING FORM – 06/08 DISC.
Please phone or fax any bids, in addition to sending us this form,
to assure our receiving them as early as possible.
Please review bidding procedures and the Terms of Sale in the catalogue.
DO NOT fax phone line requests, please.
Name _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Business Name _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Address _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
City _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ State _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Zip Code _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ E-mail _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Telephone (home) _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ (work) _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ F a x _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Resale/Tax Identification_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ State _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
*Remember a 20% Buyer’s Premium will be added to
each successful bid (i.e. a $1000 bid = $1200).
Lot# Description Bid
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
1). Telephone Day of Sale _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
2). Telephone Day of Sale (backup) _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Auction house or other reference and a valid credit card number (if a first-time bidder)
Reference Company Name _ Buyer Number
Staff initial Date/Time
PLEASE ADHERE TO THE BIDDING INCREMENTS
$10 until $100 is reached $500 until $10,000 is reached
$25 until $500 is reached $1,000 until $30,000 is reached
$50 until $1,000 is reached $2,500 until $50,000 is reached
$100 until $3,000 is reached $5,000 until $100,000 is reached
$250 until $5,000 is reached $10,000 over $100,000
Contact Name _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Visa/MC/Disc. _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Telephone _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Exp. Date _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
I hereby confirm that I have read and am bound by the “Terms of Sale” for the auction. If I place absentee bids, then choose to attend in
person, bid by phone, or by any other means, it is solely my responsibility to cancel any or all absentee bids prior to the start of the
auction.
_ Signed (Signature required to execute your bids) Date
RAGO ARTS AND AUCTION CENTER >
333 North Main Street • Lambertville, NJ 08530 • 609.397.9374 • fax 609.397.9377 • www.ragoarts.com

CONDITION REPORT FORM – 06/08 DISC.
We are happy to provide you with condition reports on all lots as requested. Note that we are neither professional restorers nor
conservators and specialist opinions are subjective and not a statement of fact. Therefore, we do not guarantee the content of the
written or verbal condition report. Not withstanding this report, all lots are offered and sold in accordance with Paragraph 4 of the
Conditions of Sale listed in the catalogue.
NOTES:
Lot Number Description Specific Questions
Name: ______________________________________________________________________________________________________________________________________________________________________________
Daytime Telephone #: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Hours: _ _ _ _ _ _ _ _ _ _ _ _ _ to _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Evening Telephone #: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Hours: _ _ _ _ _ _ _ _ _ _ _ _ _ to _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
E-mail: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
RAGO ARTS AND AUCTION CENTER >
Staff initial Date/Time
333 North Main Street • Lambertville, NJ 08530 • 609.397.9374 • fax 609.397.9377 • www.ragoarts.com