Conference Programme - European Association of Social ...
Conference Programme - European Association of Social ...
Conference Programme - European Association of Social ...
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W085 Performing Copyright: The<br />
Politics <strong>of</strong> Creative Practice and the<br />
Poetics <strong>of</strong> Technology<br />
28 August<br />
9:00-10:30<br />
11:00-12:30<br />
Room 535<br />
Room 535<br />
5 th<br />
Floor<br />
Convenors:<br />
Panagiotis Panopoulos, University <strong>of</strong> the Aegean<br />
Sissie Theodosiou, Epirus Institute <strong>of</strong> Technology<br />
Discussant: Rajko Muršič<br />
28 August, 9:00-10:30 Room 535<br />
“Best Version”: Performing Middle-Classness<br />
through the Consumption <strong>of</strong> Pirated DVDs<br />
Trina Joyce Sajo Agena, Third World Studies<br />
Center<br />
Embroideries on the Web<br />
Jean-Yves Durand, Universidade do Minho<br />
“Samples” <strong>of</strong> Copyright’s Multiple Meanings:<br />
Intellectual Ownership and Cultural<br />
Representation in World Music<br />
Panagiotis Poulos, University <strong>of</strong> Athens<br />
28 August, 11:00-12:30 Room 535<br />
Copyrights in Cyberspace: Musical Creation in<br />
Virtual Places<br />
Marilou Polymeropoulou<br />
The Pirates <strong>of</strong> the Pirates <strong>of</strong> the Caribbean<br />
Balazs Bodo<br />
The Paradox <strong>of</strong> Gypsy Music Revised: Properties<br />
and Improprieties <strong>of</strong> Gypsyness at World Music<br />
Scene<br />
Sissie Theodosiou, Epirus Institute <strong>of</strong> Technology<br />
W086 Transcultural Montage: The<br />
Uses <strong>of</strong> Filmic Montage in Conveying<br />
Diversity and Mutuality<br />
27 August<br />
28 August<br />
9:00-10:30<br />
11:00-12:30<br />
14:00-15:30<br />
9:00-10:30<br />
DID<br />
DID<br />
DID<br />
DID<br />
Wing<br />
Convenors:<br />
Rane Willerslev, Århus University<br />
Alberto Corsin Jimenez, Manchester University<br />
Christian Suhr Nielsen, Århus University<br />
Discussant: Peter I. Crawford<br />
27 August, 9:00-10:30 Room DID<br />
Memory, Imagination, and Montage<br />
Alyssa Grossman, Manchester University<br />
Deterritorialization <strong>of</strong> Power: Filmic<br />
Representations as a Critique <strong>of</strong> Representation<br />
Carena Brenner, Leuphana Universität Lüneburg/<br />
Università degli Studi di Macerata<br />
27 August, 11:00-12:30 Room DID<br />
“Global documentary”: Representing “the<br />
Other” between Political Commitment and<br />
Reality Claim<br />
Julia Binter, University <strong>of</strong> Vienna<br />
The Dynamics <strong>of</strong> “Assemblage”: An Analysis <strong>of</strong><br />
Perrault’s Multiple Uses <strong>of</strong> Editing in “The Land<br />
without Trees or the Mouchouânipi”<br />
Noemie Oxley, Ecole des Hautes Etudes en<br />
Sciences <strong>Social</strong>es<br />
(Re)Image-ining African Experimental<br />
Ethnographic Film: Insights from the Surrealist<br />
Movement and Contemporary African<br />
Philosophy on the Methodological Importance<br />
<strong>of</strong> Montage<br />
Sasha Rubel, Ecole Normale Superieure/Ecole<br />
des Hautes Etudes En Sciences <strong>Social</strong>es<br />
27 August, 14:00-15:30 Room DID<br />
Cinematic Constraints and Ritual Dances<br />
Smaranda Olcèse-Trifan, Ecole des Hautes<br />
Etudes en Sciences <strong>Social</strong>es<br />
Non-Representational and Anti-Didactic: The<br />
Ethnographic Exhibition as Collage<br />
Peter Bjerregaard, Århus University<br />
How to “Cut” without Losing your Head?<br />
Maria Vivod, CNRS<br />
28 August, 9:00-10:30 Room DID<br />
Montage Begins from the Filming Process: An<br />
Experience <strong>of</strong> an MA Film Fieldwork<br />
Adamou Amadou, Tromsø University<br />
Editing Ethnographic Material: A View from the<br />
Practice <strong>of</strong> Filming Culture<br />
Florian Walter, Free University Berlin<br />
Steffen Köhn<br />
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