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Mothering Violence: Ferocious Female Resistance in Toni ...

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26 amanda putnam<br />

exclusion, and rejection. Their choices of violence—often rendered on those<br />

with<strong>in</strong> their own community or family—redirects that powerlessness and<br />

transforms it. Wreak<strong>in</strong>g havoc on societal expectations for their behavior<br />

and thoughts, these violent actions establish a new vision of African American<br />

fem<strong>in</strong><strong>in</strong>ity and femaleness. Black women are not powerless or without<br />

options; <strong>in</strong>stead, they can create new patterns and refuse socialized gender<br />

and racial identities that attempt to constra<strong>in</strong> them.<br />

Sometimes their violent choices negatively affect other members of the<br />

African American community <strong>in</strong> which these female characters reside; however,<br />

it reflects the often racially motivated violence of the world around<br />

them. In other words, while the violence may be wasteful or even damag<strong>in</strong>g<br />

to <strong>in</strong>dividual psyches and broader communities, it is also a reprojection of<br />

the white oppression that has been forced on their very souls. By tak<strong>in</strong>g the<br />

violence forced on them and redirect<strong>in</strong>g it, these characters redef<strong>in</strong>e themselves<br />

as compell<strong>in</strong>gly dom<strong>in</strong>ant women.<br />

This pattern of violence emerges <strong>in</strong> some dur<strong>in</strong>g early childhood. Realiz<strong>in</strong>g<br />

their own worth is <strong>in</strong> question, young black girls attempt to upset<br />

white oppression by redef<strong>in</strong><strong>in</strong>g the limits of their power and powerlessness.<br />

Young black girls react<strong>in</strong>g to the oppressiveness of white dom<strong>in</strong>ance or to the<br />

str<strong>in</strong>gency of traditional female-behavior expectations counter with physical<br />

violence to f<strong>in</strong>d strength with<strong>in</strong> what often are positions of weakness.<br />

Likewise, other black female children react verbally to withstand the force<br />

of ever-present white-societal beauty standards that could otherwise crush<br />

their self-identity.<br />

Most of Morrison’s youthful characters learn about violence with<strong>in</strong> a<br />

matril<strong>in</strong>eal home sett<strong>in</strong>g, when they are exposed to violence toward, and<br />

then from, their mothers and grandmothers. At times enslaved but always<br />

oppressed, these adult women characters are abused frequently by multiple<br />

sources: spouses, parents, employers, slaveowners, and community members.<br />

Consequently, the women’s mistreatment is then redirected toward others—<br />

often children—with<strong>in</strong> the family. While pa<strong>in</strong>ful to absorb, this redirection<br />

can also be seen as an additional mother<strong>in</strong>g lesson—an <strong>in</strong>st<strong>in</strong>ctive message<br />

teach<strong>in</strong>g black children cop<strong>in</strong>g mechanisms with<strong>in</strong> a world that denies and<br />

exploits their self-worth.<br />

Maternal abandonment, either literal or emotional, is one common manifestation<br />

of these lessons <strong>in</strong> Morrison’s texts, often result<strong>in</strong>g <strong>in</strong> child-driven<br />

violence. Regardless of whether the abandonment is <strong>in</strong>tentional or desired,<br />

the child perception of be<strong>in</strong>g abandoned often drives the child to act out<br />

violently. Disturb<strong>in</strong>g the development of necessary community-based sentiments,<br />

such as empathy or social identification, the mother violence creates

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