Ch 29-30 2013 - Bvsd

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ENGLISH NEOCLASSICAL Eiffel Tower, Paris, 1889
FRENCH NEOCLASSICAL Natural Art Vigee-Le Brun, Self- Portrait, 1790 Cue card Natural Art: based on Jean Jacque Rousseau’s views on man and his natural state: “To exist is to feel…nature must be the guide..” Thus, move away from Rococo & embrace a more natural style. Here: she has paused & is looking directly at viewer. Female, self-confident.
Page 1 and 2: Chapters 29 & 30: 1700-1870 Sequenc
Page 3 and 4: ENGLISH NEOCLASSICAL Ch 29-30 Impor
Page 5 and 6: Hotel: French town houses of the el
Page 7 and 8: ROCOCO
Page 9 and 10: Portrait of Louis XIV, 1701 BAROQUE
Page 11 and 12: • The beauty of a material object
Page 13 and 14: ROCOCO
Page 15 and 16: ROCOCO Francois Boucher, Cupid a Ca
Page 17 and 18: Fragonard was a student of Boucher
Page 19 and 20: Art of the Enlightenment ROCOCO Inc
Page 21 and 22: ENGLISH NEOCLASSICAL An Experiment
Page 23: ENGLISH NEOCLASSICAL Crystal Palace
Page 27 and 28: ENGLISH NEOCLASSICAL William Hogart
Page 29 and 30: ENGLISH NEOCLASSICAL
Page 31 and 32: Grand Manner portraiture: homage to
Page 33 and 34: ENGLISH NEOCLASSICAL Sir Joshua Rey
Page 35 and 36: ENGLISH NEOCLASSICAL Formal vs Info
Page 37 and 38: ENGLISH NEOCLASSICAL Thomas Gainsbo
Page 39 and 40: FRENCH NEOCLASSICAL Jacques-Louis D
Page 41 and 42: FRENCH NEOCLASSICAL Stylistc Qualit
Page 43 and 44: FRENCH NEOCLASSICAL Emphasized draw
Page 45 and 46: FRENCH NEOCLASSICAL Nicolas Poussin
Page 47 and 48: FRENCH NEOCLASSICAL Jacques-Louis D
Page 49 and 50: FRENCH NEOCLASSICAL Angelica Kauffm
Page 51 and 52: FRENCH NEOCLASSICAL Jean-Antoine Ho
Page 53 and 54: FRENCH NEOCLASSICAL Jean-Antoine Ho
Page 55 and 56: FRENCH NEOCLASSICAL Arc de Triomphe
Page 57 and 58: ENGLISH NEOCLASSICAL Palladio, Vill
Page 59 and 60: American Neoclassical AMERICAN NEOC
Page 61 and 62: American Neoclassical AMERICAN NEOC
Page 63 and 64: AMERICAN NEOCLASSICAL American Neoc
Page 65 and 66: AMERICAN NEOCLASSICAL Thomas Jeffer

Ch 29-30 2013 - Bvsd

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