Ch 29-30 2013 - Bvsd

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FRENCH NEOCLASSICAL Jacques-Louis David, The Oath of the Horatii, 1787.
FRENCH NEOCLASSICAL Emphasized drawing of line (which appealed to the intellect), rather than color (which appeals to the senses) Brushwork was smooth and compositions were simple to avoid Rococo melodrama Neoclassical figures more solid looking than French Classical Baroque
Page 1 and 2: Chapters 29 & 30: 1700-1870 Sequenc
Page 3 and 4: ENGLISH NEOCLASSICAL Ch 29-30 Impor
Page 5 and 6: Hotel: French town houses of the el
Page 7 and 8: ROCOCO
Page 9 and 10: Portrait of Louis XIV, 1701 BAROQUE
Page 11 and 12: • The beauty of a material object
Page 13 and 14: ROCOCO
Page 15 and 16: ROCOCO Francois Boucher, Cupid a Ca
Page 17 and 18: Fragonard was a student of Boucher
Page 19 and 20: Art of the Enlightenment ROCOCO Inc
Page 21 and 22: ENGLISH NEOCLASSICAL An Experiment
Page 23 and 24: ENGLISH NEOCLASSICAL Crystal Palace
Page 25 and 26: FRENCH NEOCLASSICAL Natural Art Vig
Page 27 and 28: ENGLISH NEOCLASSICAL William Hogart
Page 29 and 30: ENGLISH NEOCLASSICAL
Page 31 and 32: Grand Manner portraiture: homage to
Page 33 and 34: ENGLISH NEOCLASSICAL Sir Joshua Rey
Page 35 and 36: ENGLISH NEOCLASSICAL Formal vs Info
Page 37 and 38: ENGLISH NEOCLASSICAL Thomas Gainsbo
Page 39 and 40: FRENCH NEOCLASSICAL Jacques-Louis D
Page 41: FRENCH NEOCLASSICAL Stylistc Qualit
Page 45 and 46: FRENCH NEOCLASSICAL Nicolas Poussin
Page 47 and 48: FRENCH NEOCLASSICAL Jacques-Louis D
Page 49 and 50: FRENCH NEOCLASSICAL Angelica Kauffm
Page 51 and 52: FRENCH NEOCLASSICAL Jean-Antoine Ho
Page 53 and 54: FRENCH NEOCLASSICAL Jean-Antoine Ho
Page 55 and 56: FRENCH NEOCLASSICAL Arc de Triomphe
Page 57 and 58: ENGLISH NEOCLASSICAL Palladio, Vill
Page 59 and 60: American Neoclassical AMERICAN NEOC
Page 61 and 62: American Neoclassical AMERICAN NEOC
Page 63 and 64: AMERICAN NEOCLASSICAL American Neoc
Page 65 and 66: AMERICAN NEOCLASSICAL Thomas Jeffer

Ch 29-30 2013 - Bvsd

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