KS3 Drama Lesson Plan Masks: exploring characters - Boardworks
KS3 Drama Lesson Plan Masks: exploring characters - Boardworks
KS3 Drama Lesson Plan Masks: exploring characters - Boardworks
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<strong>Lesson</strong> by<br />
Patrick Salvadori<br />
Focus<br />
Background<br />
Resources<br />
<strong>KS3</strong> <strong>Drama</strong> <strong>Lesson</strong> <strong>Plan</strong><br />
<strong>Masks</strong>: <strong>exploring</strong> <strong>characters</strong><br />
• Using body language and movement as an explorative technique<br />
• Using status as part of a characterisation<br />
• Using mime-based improvisation to devise a scenario (lazzo)<br />
<strong>Masks</strong> are a very exciting prop to use in a drama course at any level but especially at<br />
<strong>KS3</strong> when it might be the first time for many of the students to use masks in a serious,<br />
focused way. Students usually regard masks as fun to wear (Halloween; parties; etc.)<br />
and treat them very casually because of this association. Without spoiling it for them,<br />
the more the teacher turns this event into a ritual – something special – the students<br />
will really appreciate the power of masks to make a strong impact on an audience and to<br />
transform the appearance of the performer to such an extent that he or she becomes not<br />
only unrecognisable but uncannily eerie or mysterious on stage.<br />
It is worth investing in a set of different masks as a resource for the drama department.<br />
A set of about 7 or 8 quality masks is a very valuable resource that can be used on many<br />
occasions with all age groups, so the money won’t be wasted.<br />
My suggestions are the following:<br />
Download the free materials from<br />
www.boardworks.co.uk<br />
• <strong>Boardworks</strong> <strong>KS3</strong> <strong>Drama</strong> presentation, ‘<strong>Masks</strong>’.<br />
• Trestle Theatre Company sell a box of masks<br />
with instructions on how to use them and<br />
how to make masks.<br />
• There is a quality set of half-masks that<br />
can be bought very cheaply from Mamelock<br />
Press Ltd, PO Box 12, Bury St Edmunds,<br />
IP32 6NQ. These masks are also on sale at<br />
the Victoria and Albert Museum and the<br />
Museum of London. They usually stock a wide Free sample material: <strong>KS3</strong> <strong>Drama</strong>, <strong>Masks</strong><br />
selection of these Victorian masks and they are<br />
particularly effective for work on body language and status.<br />
• Piano music from silent films. This can be bought cheaply from the BBC or played<br />
directly from the web.
<strong>Lesson</strong> continued...<br />
Aims & Objectives<br />
Main Activity (Phase 1)<br />
<strong>KS3</strong> <strong>Drama</strong> <strong>Lesson</strong> <strong>Plan</strong><br />
<strong>Masks</strong>: <strong>exploring</strong> <strong>characters</strong><br />
• To enable students to appreciate the transformational power of masks,<br />
both on themselves and an audience<br />
• To enable students to highlight <strong>characters</strong>’ attitudes and status through<br />
their body language and movement in the acting space<br />
• To enable students to devise scenarios that focus on the actions and<br />
movement of <strong>characters</strong> rather than what they say or the dialogue between them.<br />
Show the students a slide about gestures and<br />
movement taken from the <strong>Boardworks</strong> <strong>KS3</strong> <strong>Drama</strong>,<br />
<strong>Masks</strong> presentation. Discuss the effect of the<br />
performers wearing the masks in the different<br />
images.<br />
Place four or five masks on a table to show the<br />
students. Get them to walk past the masks and<br />
consider the expressions on the masks. Ask them<br />
to consider what gestures or movement they think<br />
would go with the masks you have laid out for<br />
them on the table.<br />
Free sample material: <strong>KS3</strong> <strong>Drama</strong>, <strong>Masks</strong><br />
Get a group of four or five to go up to the table, put on one of the masks and then stand in<br />
the acting space. If all the other students are sat in front of them as an audience and you<br />
have the use of stage lights, this will be more effective. Fade in the lights slowly and when<br />
you have done so the students have to show a freeze frame signifying a gesture of greeting,<br />
welcoming, shooing away, aggression, etc. When the lights snap off and snap on again the<br />
students perform a brief piece of movement related to their gesture. The lights snap off again<br />
and this time each student performs a different freeze frame. Fade in the lights; snap them<br />
off. Movement signifying the new gesture. Snap off the lights.<br />
This could be done three times so that each group gets to perform three gestures with<br />
accompanying movement. When this phase has been concluded the students can discuss<br />
the effect on them as an audience and as performers. Most of them will have found it ‘weird’<br />
but the question is why?
<strong>Lesson</strong> continued...<br />
Phase 1B<br />
<strong>KS3</strong> <strong>Drama</strong> <strong>Lesson</strong> <strong>Plan</strong><br />
<strong>Masks</strong>: <strong>exploring</strong> <strong>characters</strong><br />
If the students try to answer this question it will help them to understand how masks<br />
depersonalise the performer and at the same time invest the performer with an attitude<br />
and behaviour beyond his / her control…<br />
Show the students a slide from the same<br />
<strong>Boardworks</strong> presentation on the stock <strong>characters</strong><br />
of commedia dell’arte, with descriptions of their<br />
qualities and the masks they typically wore.<br />
Explain the background to the slide by telling<br />
them about the style of commedia dell’arte – the<br />
lazzo, which is a typical slapstick scenario used<br />
frequently by commedia dell’arte performers to<br />
create a sense of chaos and generate lots of visual<br />
humour. They used mime and therefore projected<br />
their gestures and movement so that the audience<br />
could appreciate the humour and follow the story.<br />
Free sample material: <strong>KS3</strong> <strong>Drama</strong>, <strong>Masks</strong><br />
When the students have understood the nature of this style, get them all to devise and<br />
rehearse a similar scenario without any masks. When it is their turn to perform their<br />
scenario in front of an audience then they will be given the masks to wear. This discipline<br />
of not distributing the masks until the time of the performance makes them special and also<br />
emphasises the point that the students need to prepare for their use of the masks. They<br />
can’t be put on casually and ‘messed around’ with!<br />
When you think they are ready, play the silent films music. This should last about a minute.<br />
Now tell the students that they have to maintain their discipline but perform their mime /<br />
movement sequences in double time or faster, as the commedia dell’arte performers did in<br />
their touring performances. The students really enjoy this condition on their performances.<br />
Play the music a few times so that they get their timing right for their beginning, middle and<br />
end. When they are ready they can now perform their final versions and evaluate the result.<br />
Want to try out more from <strong>Boardworks</strong> <strong>Drama</strong> products? Then why not order your<br />
free sample disc at: www.boardworks.co.uk/drama