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THEATERS A, B AND C MAY 3 - JULY 1<br />

HAVE YOU BOOKED YOUR SEATS YET?<br />

HAVE YOU BOUGHT YOUR BRiTPASS YET?<br />

HAVE YOU BECOME A <strong>59E59</strong> MEMBER YET?<br />

iF YOU ANSWERED ‘NO’ TO ANY OF THE ABOVE -<br />

AAAAAAGH!! YOU MIGHT MiSS OUT<br />

ON ONE OF THiS YEAR’S BRiTS OFF BROADWAY HiTS BY ALAN AYCKBOURN<br />

OR JONATHAN LiCHTENSTEiN OR NiNA RAiNE OR AL SMiTH OR … OR … OR<br />

THiS YEAR’S BRiTS OFF BROADWAY HAS COMEDY GALORE<br />

AND DRAMA TO STiR THE SOUL AND BREAK YOUR HEART<br />

EiGHT WHOLE WEEKS OF THEATER TO DIE FOR.<br />

DON’T MiSS A MiNUTE OF IT!<br />

WWW.<strong>59E59</strong>.ORG WWW.BRITSOFFBROADWAY.COM<br />

BUY TICKETS: IN PERSON AT <strong>59E59</strong> THEATERS BOX OFFICE 59 EAST 59TH STREET (PARK/MADISON)<br />

BY PHONE 212-279-4200 ONLINE AT WWW.TICKETCENTRAL.COM<br />

BECOME A <strong>59E59</strong> MEMBER NOW!! TO JOIN OR FOR MORE<br />

INFO CALL 212-753-5959 Ext.104 OR VISIT www.<strong>59E59</strong>.org<br />

SPECIALTY COCKTAILS, CHAMPAGNES<br />

WINES, SINGLE MALT SCOTCHES<br />

MEET YOUR FRIENDS ON THE MEZZANINE<br />

TUESDAY - SUNDAY, 7 TILL LATE<br />

ELYSABETH KLEINHANS President & Artistic Director<br />

PETER TEAR Executive Producer<br />

STEPHANIE MERCADO Theater Manager<br />

ERIC CHASE Production Manager<br />

COREY T. LIND Facilities Manager<br />

GINGER DZERK Ticketing Services Manager<br />

J. RYAN KIRK Theater Technician<br />

SPONDEE Theater Technician<br />

CHRISTINE HUERTAS Theater Technician<br />

STEFENI JUNG Business Manager<br />

MIRIAM GREEN Assistant to the Executive Producer<br />

KAREN GRECO Press Representative<br />

KELLY DAVIS Press and Marketing Assistant<br />

KENNY NUNEZ Assistant to the Theater Manager<br />

DIANNA LORA Assistant to the Ticketing Services Manager<br />

BRIAN J. HECK Box Office Supervisor<br />

ERIN SINGLETON Box Office Supervisor<br />

ALLISON BARBER Box Office Associate<br />

ERIC POINDEXTER Box Office Associate<br />

ALBERTO ROSARIO E:BAR Assistant<br />

DJ NIGHTS<br />

IN THE<br />

ALTERNATE THURSDAYS<br />

10 TILL 1<br />

with<br />

DJ DAN FORTUNE<br />

4/5, 4/19, 5/3, 5/17<br />

2007<br />

MAY 3 - JULY 1<br />

ALTERNATE SATURDAYS<br />

10 TILL 1<br />

and<br />

DJ JUNIOR JAZZ<br />

3/31, 4/14, 4/28, 5/12<br />

ANTHONY BAGNOLI E:BAR Staff<br />

WILFREDO FELIZ Front of House Assistant<br />

JASON MERCADO Front of House Assistant<br />

KRYSTLE ALVAREZ Usher<br />

JUSTIN GARCIA Usher<br />

LAUREN GORSTAYN Usher<br />

STEPHANIE MORO Usher<br />

JILLIAN OCASIO Usher<br />

YESH PAVLIK Usher<br />

JORELL REYES Usher<br />

JOSÉ RIVERA Usher<br />

ADAM SMITH Usher<br />

ANGEL VALLE Usher<br />

CANDY VAZQUEZ Usher<br />

KYMM ZUCKERT Lobby Attendant<br />

ERICK GOMEZ Security<br />

“JUNIOR” GOMEZ Facilities<br />

TAISHA ARENA Housekeeping<br />

ANDRE HANNA Housekeeping<br />

BILL THEATER B<br />

REVERIE PRODUCTIONS presents<br />

REARVIEWMIRROR<br />

BY ERIC WINICK<br />

DIRECTED BY CARL FORSMAN<br />

MARCH 31 - APRIL 22


REVERIE PRODUCTIONS<br />

presents<br />

BY ERIC WINICK<br />

DIRECTED BY CARL FORSMAN<br />

CAST<br />

PENN MARK ALHADEFF*<br />

INEZ SARAH NINA HAYON<br />

AGATHA AUDREY LYNN WESTON<br />

CREW<br />

Assoc. Producers: GENEROUS COMPANY<br />

Sets by RACHEL HAUCK<br />

Costumes by REBECCA EASTMAN<br />

Lights by COLIN D. YOUNG<br />

Sound by RYAN RUMERY<br />

Casting by JUDY BOWMAN CASTING<br />

Publicity by KAREN GRECO PUBLIC RELATIONS<br />

Postcard Design and styling BRADFORD LOURYK<br />

Dramaturg DAVID M. WHITE<br />

Asst. Director ALEXIS PREGOSIN<br />

Asst. Stage Manager MARIANA CARBONELL<br />

Production Stage Manager DENISE BLACKER*<br />

Development of Rearview<strong>mirror</strong> was supported by the Eugene O'Neill Theater Center<br />

during a residency at the Playwrights Conference of 2005. The play was also developed<br />

through a series of readings and workshops by Reverie Productions in 2001 and 2002.<br />

*Member of Actors' Equity Association ACTORS’ EQUITY ASSOCIATION (AEA) founded in 1913, represents<br />

more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and<br />

foster the art of live theatre as an essential component of our society. Equity negotiates wages and working<br />

conditions, producing a wide range of benefits, including health and pension plans. AEA is a member of<br />

the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity<br />

emblem is our mark of excellence. www.actorsequity.org<br />

CAST<br />

MARK ALHADEFF (Penn)<br />

New York: Sam Mark's play The Bigger Man<br />

for Partial Comfort Productions, Pagans at<br />

Abingdon Theatre, and Conor McPherson's<br />

one man show Rum and Vodka. Regional:<br />

plays by Mary Zimmerman at the McCarter,<br />

Berkeley Rep, and Seattle Rep; Cincinnati<br />

Playhouse; Pittsburgh Public; east coast<br />

premiere of Tom Stoppard's The Invention<br />

of Love at the Wilma (Barrymore Award<br />

nomination). In TV and film: TNT's “Monday<br />

Night Mayhem”, and roles in “Law & Order”<br />

(surprise), as well as award winning director<br />

Joe Maggio's “Paper Covers Rock”.<br />

SARAH NINA HAYON (Inez)<br />

New York: The Rattlestick, HERE, LAByrinth,<br />

EST, The Flea, The Women's Project, La Mama,<br />

The Lark, CSC and New Dramatists. Partial<br />

Comfort: Edith Freni's Baby Girl and Chad<br />

Beckim's A Matter of Choice. As a founding<br />

member of The Fire Dept. Theater Company,<br />

Sarah performed in the launch event SpeakEasy<br />

in Anton Dudley's Drowned People. Sarah is<br />

a co-creator of the playwriting development<br />

series The 24Seven Lab (www.24sevenlab.com).<br />

She is thrilled to be working with Carl and Eric<br />

Winick and Reverie Productions.<br />

AUDREY LYNN WESTON (Agatha) was<br />

nominated for a 2006 New York Innovative<br />

Theatre Award for her performance in Bloody<br />

Mary at CSV. Most recently, she played Sula<br />

in The Field of Mars (dir. Michael Counts,<br />

Counts Media). Other New York: The Flea<br />

Theater, Culture Project, INTAR, HERE, GAle<br />

GAtes, et al. and EST. Regional: Williamstown<br />

Theatre Festival, Guild Hall, Bay Street Theatre.<br />

Film: Hal Hartley’s “The Girl From Monday”,<br />

Evan Cabnet’s “Fools’ Errand”. Thank you to<br />

Kevin Thompson, Judy Boals, and Peter Stadlen.<br />

CREW<br />

DENISE BLACKER (Production Stage<br />

Manager) This is Denise’s first production with<br />

Reverie Productions and she is very excited to<br />

be a part of the team. Denise graduated from<br />

Wilkes University with a BA in Theater Arts in<br />

May 2006 and would like to send her thanks<br />

to everyone there and also to her friends<br />

and family for all of their love and support.<br />

Be excellent everyone! Proud member of AEA<br />

since Halloween 2006.<br />

JUDY BOWMAN CASTING (Casting)<br />

Reverie: Ping Pong Diplomacy and Havana<br />

Bourgeois. NY Theatre includes: Scituate,<br />

Points of Departure, A Matter of Choice, David<br />

Mamet’s The Old Neighborhood (Broadway,<br />

co-cast) and several musicals. Regional:<br />

Strike/Slip and dark play or stories for boys<br />

(Humana Fest), and casting 3 seasons for<br />

A.R.T. Film: “Body/Antibody”, “508 Nelson”,<br />

“Duane Incarnate” and several shorts. NY<br />

Casting Associate for “Something’s Gotta<br />

Give”, “Mean Girls” and “Shortbus”. TV:<br />

“Nate the Great” (PBS animated series).<br />

Judy is the NY Casting Director for the American<br />

Repertory Theatre at Harvard, INTAR and<br />

Partial Comfort.<br />

REBECCA EASTMAN (Costume Designer)<br />

Rebecca’s work as a Costume Designer has<br />

been seen in such nationally recognizable<br />

theaters as the Kansas City Repertory Theatre,<br />

the Unicorn Theatre and the Coterie Theatre.<br />

Ms. Eastman’s work on Rearview<strong>mirror</strong> began<br />

in 2005 as the Resident Costume Designer<br />

for the Eugene O’Neill Theatre Center’s<br />

Playwrights Festival. Rebecca currently works<br />

as the costume design assistant at the Long<br />

Wharf Theatre and is a founding member<br />

of Generous Company.<br />

P.J. ESCOBIO (Producing Associate for<br />

Generous Company) P.J., a founding member<br />

of Generous Company, received his MFA in<br />

Acting and Directing at the University of<br />

Missouri-Kansas City. His producing credits<br />

include TRASH at the NYFringe festival in 2005<br />

and Shakespeare Anyone?, a recurring evening<br />

of soliloquies, sonnets and scenes currently<br />

performed at The Cornelia St. Cafe. Some of<br />

his regional credits are Einstein in Pablo Picasso<br />

at the Lapine Agile, Father Matteo in Zorro,<br />

Don Pedro in Much Ado About Nothing, and<br />

Agamemnon in The Orestia. Thanks and Love<br />

to Susann and Isabelle.<br />

CARL FORSMAN (Director) is the founder<br />

and Artistic Director of Keen Company.<br />

He received a Drama Desk Nomination as<br />

Best Director for Voice of the Turtle. Other<br />

Keen highlights include Theophilus North,<br />

In The Matter of J. Robert Oppenheimer,<br />

and The Breadwinner. Also Sin: A Cardinal<br />

Deposed and Everythings Turning Into<br />

Beautiful for The New Group, and Tina Howe's<br />

new translations of Ionesco's The Bald Soprano<br />

and The Lesson for the Atlantic. Carl is<br />

also the Artistic Director of the Dorset<br />

Theatre Festival.<br />

RYAN RUMERY (Sound Designer) New<br />

York: Based on a Totally True Story (Manhattan<br />

Theatre Club); Getting Home (Second Stage);<br />

The Seagull (Blue Heron); Mayhem (SPF at<br />

Theatre Row); Macbeth (Theatre of the Riverside<br />

Church); Edward II, Much Ado About Nothing<br />

(Queen’s Company); Twelfth Night, Fortinbras<br />

(Juilliard School of Drama). Regional: Center<br />

Stage, Hartford Stage, Virginia Stage, Westport<br />

Country Playhouse, Philadelphia Theatre<br />

Company, Ford’s Theatre, Florida Stage, Alley<br />

Theatre, Round House Theatre, Studio Theatre,<br />

Syracuse Stage, Trinity Repertory Theatre,<br />

Adirondack Theatre Festival, Hangar Theatre,<br />

Theatre Alliance, Alliance Theatre, Woolly<br />

Mammoth, Theatre J, and Penguin Rep.<br />

DAVID M. WHITE (Dramaturg) works<br />

as a dramaturg, playwright and director. He<br />

is the former literary manager of the Eugene<br />

O'Neill Theater Center where he had the<br />

pleasure of developing many new works for<br />

the stage. He has worked in New York and<br />

regional theaters around the country,<br />

responding to plays and leading workshops<br />

at theaters, universities and conferences.<br />

Currently he is the Artistic Director of<br />

WordBRIDGE (www.wordbridge.org) and is<br />

a founding member of Generous Company.<br />

ERIC WINICK (Playwright) hails from<br />

Marblehead, Massachusetts, birthplace of<br />

the American Navy. His plays include<br />

Rearview<strong>mirror</strong> (O’Neill Conference); The<br />

Vocal Lords (Theatre at St. Clements); and<br />

Lay Me Down (Reverie Productions at the<br />

Present Company Theatorium). Readings and<br />

workshops at/by BIMA-NY @ Makor, Theater<br />

Masters (Aspen), Manhattan Theatre Club,<br />

MCC Theatre, and Reverie. Current projects<br />

include a new play, Zizmor, and the screenplay<br />

of Rearview<strong>mirror</strong>, optioned by Firefly Films.<br />

A graduate of Middlebury College, Eric is<br />

on the advisory boards of several local and<br />

national theater organizations, and serves as<br />

Playwrights Horizons’ Director of Marketing.<br />

He is a resident of Prospect Heights, Brooklyn.<br />

COLIN D. YOUNG (Lighting Designer/<br />

Reverie Artistic Director) Off Broadway:<br />

In the Continuum (Primary Stages/Perry St.<br />

Theatre), Classical Theatre of Harlem: The<br />

Blacks, Crazy Locomotive (2003 Audelco<br />

Award), Native Son and Ma Rainey's Black<br />

Bottom; Signature Theatre: Talking Pictures<br />

and Albee’s Fragments. Reverie: Billboard,<br />

Havana Bourgeois, Ping Pong Diplomacy,<br />

Ariane Mnouchkine’s Mephisto, Carson<br />

Kreitzer’s Valerie Shoots Andy, John Clancy’s<br />

Fatboy (2004 Edinburgh Fringe First), and<br />

Robert O’Hara’s Brave Brood and American<br />

Ma(u)l. Regional: Woolly Mammoth, Cincinnati<br />

Playhouse, Kirk Douglas Theatre, Yale Rep,<br />

Philadelphia Theatre Co. Colin was the<br />

founding Festival technical director for the<br />

New York International Fringe Festival,<br />

and is a co-founder and Artistic director<br />

of Reverie Productions.<br />

Reverie Productions<br />

is an NYC based not-for-profit theatre company<br />

dedicated to supporting and developing<br />

new work by established playwrights and<br />

emerging artists. Our mission is to promote<br />

a collaborative environment in which artists<br />

can learn from each other, explore new<br />

artistic ground, and produce theatre of<br />

uncompromising quality through some<br />

combination of bloodshed and eloquence.<br />

Now in our ninth season, we have produced<br />

16 NYC, U.S. or World Premieres of new plays,<br />

including the U.S. Premiere of Ariane<br />

Mnouchkine's Mephisto, Carson Kreitzer's<br />

Valerie Shoots Andy and Self Defense or,<br />

death of some salesmen, Robert O’Hara’s<br />

Brave Brood and American Ma(u)l, and John<br />

Clancy’s Fatboy starring Mike McShane, which<br />

won a coveted Fringe First Award at the 2004<br />

Edinburgh Festival Fringe. At <strong>59E59</strong> <strong>Theaters</strong>:<br />

Havana Bourgeois, Ping Pong Diplomacy<br />

and Billboard. Rearview<strong>mirror</strong> is Reverie’s<br />

20th full production.<br />

www.ReverieProductions.org<br />

Generous Company<br />

(Associate Producer) was founded in 2004<br />

and is dedicated to developing and producing<br />

works for stage, film and online media in<br />

a supportive, collaborative, generous<br />

environment. In addition to readings and<br />

developmental work, Generous Company<br />

has produced Trash by David White (2005),<br />

The Rambling Nut by Eric Love (2007),<br />

and is currently collaborating with Clemson<br />

University on WordBRIDGE Playwrights<br />

Laboratory, a two-week long developmental<br />

workshop bringing collegiate playwrights<br />

together with professional artists. Learn<br />

more at www.generouscompany.org<br />

This production made possible in part<br />

by grants from:

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