rearview mirror - 59E59 Theaters
rearview mirror - 59E59 Theaters
rearview mirror - 59E59 Theaters
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
THEATERS A, B AND C MAY 3 - JULY 1<br />
HAVE YOU BOOKED YOUR SEATS YET?<br />
HAVE YOU BOUGHT YOUR BRiTPASS YET?<br />
HAVE YOU BECOME A <strong>59E59</strong> MEMBER YET?<br />
iF YOU ANSWERED ‘NO’ TO ANY OF THE ABOVE -<br />
AAAAAAGH!! YOU MIGHT MiSS OUT<br />
ON ONE OF THiS YEAR’S BRiTS OFF BROADWAY HiTS BY ALAN AYCKBOURN<br />
OR JONATHAN LiCHTENSTEiN OR NiNA RAiNE OR AL SMiTH OR … OR … OR<br />
THiS YEAR’S BRiTS OFF BROADWAY HAS COMEDY GALORE<br />
AND DRAMA TO STiR THE SOUL AND BREAK YOUR HEART<br />
EiGHT WHOLE WEEKS OF THEATER TO DIE FOR.<br />
DON’T MiSS A MiNUTE OF IT!<br />
WWW.<strong>59E59</strong>.ORG WWW.BRITSOFFBROADWAY.COM<br />
BUY TICKETS: IN PERSON AT <strong>59E59</strong> THEATERS BOX OFFICE 59 EAST 59TH STREET (PARK/MADISON)<br />
BY PHONE 212-279-4200 ONLINE AT WWW.TICKETCENTRAL.COM<br />
BECOME A <strong>59E59</strong> MEMBER NOW!! TO JOIN OR FOR MORE<br />
INFO CALL 212-753-5959 Ext.104 OR VISIT www.<strong>59E59</strong>.org<br />
SPECIALTY COCKTAILS, CHAMPAGNES<br />
WINES, SINGLE MALT SCOTCHES<br />
MEET YOUR FRIENDS ON THE MEZZANINE<br />
TUESDAY - SUNDAY, 7 TILL LATE<br />
ELYSABETH KLEINHANS President & Artistic Director<br />
PETER TEAR Executive Producer<br />
STEPHANIE MERCADO Theater Manager<br />
ERIC CHASE Production Manager<br />
COREY T. LIND Facilities Manager<br />
GINGER DZERK Ticketing Services Manager<br />
J. RYAN KIRK Theater Technician<br />
SPONDEE Theater Technician<br />
CHRISTINE HUERTAS Theater Technician<br />
STEFENI JUNG Business Manager<br />
MIRIAM GREEN Assistant to the Executive Producer<br />
KAREN GRECO Press Representative<br />
KELLY DAVIS Press and Marketing Assistant<br />
KENNY NUNEZ Assistant to the Theater Manager<br />
DIANNA LORA Assistant to the Ticketing Services Manager<br />
BRIAN J. HECK Box Office Supervisor<br />
ERIN SINGLETON Box Office Supervisor<br />
ALLISON BARBER Box Office Associate<br />
ERIC POINDEXTER Box Office Associate<br />
ALBERTO ROSARIO E:BAR Assistant<br />
DJ NIGHTS<br />
IN THE<br />
ALTERNATE THURSDAYS<br />
10 TILL 1<br />
with<br />
DJ DAN FORTUNE<br />
4/5, 4/19, 5/3, 5/17<br />
2007<br />
MAY 3 - JULY 1<br />
ALTERNATE SATURDAYS<br />
10 TILL 1<br />
and<br />
DJ JUNIOR JAZZ<br />
3/31, 4/14, 4/28, 5/12<br />
ANTHONY BAGNOLI E:BAR Staff<br />
WILFREDO FELIZ Front of House Assistant<br />
JASON MERCADO Front of House Assistant<br />
KRYSTLE ALVAREZ Usher<br />
JUSTIN GARCIA Usher<br />
LAUREN GORSTAYN Usher<br />
STEPHANIE MORO Usher<br />
JILLIAN OCASIO Usher<br />
YESH PAVLIK Usher<br />
JORELL REYES Usher<br />
JOSÉ RIVERA Usher<br />
ADAM SMITH Usher<br />
ANGEL VALLE Usher<br />
CANDY VAZQUEZ Usher<br />
KYMM ZUCKERT Lobby Attendant<br />
ERICK GOMEZ Security<br />
“JUNIOR” GOMEZ Facilities<br />
TAISHA ARENA Housekeeping<br />
ANDRE HANNA Housekeeping<br />
BILL THEATER B<br />
REVERIE PRODUCTIONS presents<br />
REARVIEWMIRROR<br />
BY ERIC WINICK<br />
DIRECTED BY CARL FORSMAN<br />
MARCH 31 - APRIL 22
REVERIE PRODUCTIONS<br />
presents<br />
BY ERIC WINICK<br />
DIRECTED BY CARL FORSMAN<br />
CAST<br />
PENN MARK ALHADEFF*<br />
INEZ SARAH NINA HAYON<br />
AGATHA AUDREY LYNN WESTON<br />
CREW<br />
Assoc. Producers: GENEROUS COMPANY<br />
Sets by RACHEL HAUCK<br />
Costumes by REBECCA EASTMAN<br />
Lights by COLIN D. YOUNG<br />
Sound by RYAN RUMERY<br />
Casting by JUDY BOWMAN CASTING<br />
Publicity by KAREN GRECO PUBLIC RELATIONS<br />
Postcard Design and styling BRADFORD LOURYK<br />
Dramaturg DAVID M. WHITE<br />
Asst. Director ALEXIS PREGOSIN<br />
Asst. Stage Manager MARIANA CARBONELL<br />
Production Stage Manager DENISE BLACKER*<br />
Development of Rearview<strong>mirror</strong> was supported by the Eugene O'Neill Theater Center<br />
during a residency at the Playwrights Conference of 2005. The play was also developed<br />
through a series of readings and workshops by Reverie Productions in 2001 and 2002.<br />
*Member of Actors' Equity Association ACTORS’ EQUITY ASSOCIATION (AEA) founded in 1913, represents<br />
more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and<br />
foster the art of live theatre as an essential component of our society. Equity negotiates wages and working<br />
conditions, producing a wide range of benefits, including health and pension plans. AEA is a member of<br />
the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity<br />
emblem is our mark of excellence. www.actorsequity.org<br />
CAST<br />
MARK ALHADEFF (Penn)<br />
New York: Sam Mark's play The Bigger Man<br />
for Partial Comfort Productions, Pagans at<br />
Abingdon Theatre, and Conor McPherson's<br />
one man show Rum and Vodka. Regional:<br />
plays by Mary Zimmerman at the McCarter,<br />
Berkeley Rep, and Seattle Rep; Cincinnati<br />
Playhouse; Pittsburgh Public; east coast<br />
premiere of Tom Stoppard's The Invention<br />
of Love at the Wilma (Barrymore Award<br />
nomination). In TV and film: TNT's “Monday<br />
Night Mayhem”, and roles in “Law & Order”<br />
(surprise), as well as award winning director<br />
Joe Maggio's “Paper Covers Rock”.<br />
SARAH NINA HAYON (Inez)<br />
New York: The Rattlestick, HERE, LAByrinth,<br />
EST, The Flea, The Women's Project, La Mama,<br />
The Lark, CSC and New Dramatists. Partial<br />
Comfort: Edith Freni's Baby Girl and Chad<br />
Beckim's A Matter of Choice. As a founding<br />
member of The Fire Dept. Theater Company,<br />
Sarah performed in the launch event SpeakEasy<br />
in Anton Dudley's Drowned People. Sarah is<br />
a co-creator of the playwriting development<br />
series The 24Seven Lab (www.24sevenlab.com).<br />
She is thrilled to be working with Carl and Eric<br />
Winick and Reverie Productions.<br />
AUDREY LYNN WESTON (Agatha) was<br />
nominated for a 2006 New York Innovative<br />
Theatre Award for her performance in Bloody<br />
Mary at CSV. Most recently, she played Sula<br />
in The Field of Mars (dir. Michael Counts,<br />
Counts Media). Other New York: The Flea<br />
Theater, Culture Project, INTAR, HERE, GAle<br />
GAtes, et al. and EST. Regional: Williamstown<br />
Theatre Festival, Guild Hall, Bay Street Theatre.<br />
Film: Hal Hartley’s “The Girl From Monday”,<br />
Evan Cabnet’s “Fools’ Errand”. Thank you to<br />
Kevin Thompson, Judy Boals, and Peter Stadlen.<br />
CREW<br />
DENISE BLACKER (Production Stage<br />
Manager) This is Denise’s first production with<br />
Reverie Productions and she is very excited to<br />
be a part of the team. Denise graduated from<br />
Wilkes University with a BA in Theater Arts in<br />
May 2006 and would like to send her thanks<br />
to everyone there and also to her friends<br />
and family for all of their love and support.<br />
Be excellent everyone! Proud member of AEA<br />
since Halloween 2006.<br />
JUDY BOWMAN CASTING (Casting)<br />
Reverie: Ping Pong Diplomacy and Havana<br />
Bourgeois. NY Theatre includes: Scituate,<br />
Points of Departure, A Matter of Choice, David<br />
Mamet’s The Old Neighborhood (Broadway,<br />
co-cast) and several musicals. Regional:<br />
Strike/Slip and dark play or stories for boys<br />
(Humana Fest), and casting 3 seasons for<br />
A.R.T. Film: “Body/Antibody”, “508 Nelson”,<br />
“Duane Incarnate” and several shorts. NY<br />
Casting Associate for “Something’s Gotta<br />
Give”, “Mean Girls” and “Shortbus”. TV:<br />
“Nate the Great” (PBS animated series).<br />
Judy is the NY Casting Director for the American<br />
Repertory Theatre at Harvard, INTAR and<br />
Partial Comfort.<br />
REBECCA EASTMAN (Costume Designer)<br />
Rebecca’s work as a Costume Designer has<br />
been seen in such nationally recognizable<br />
theaters as the Kansas City Repertory Theatre,<br />
the Unicorn Theatre and the Coterie Theatre.<br />
Ms. Eastman’s work on Rearview<strong>mirror</strong> began<br />
in 2005 as the Resident Costume Designer<br />
for the Eugene O’Neill Theatre Center’s<br />
Playwrights Festival. Rebecca currently works<br />
as the costume design assistant at the Long<br />
Wharf Theatre and is a founding member<br />
of Generous Company.<br />
P.J. ESCOBIO (Producing Associate for<br />
Generous Company) P.J., a founding member<br />
of Generous Company, received his MFA in<br />
Acting and Directing at the University of<br />
Missouri-Kansas City. His producing credits<br />
include TRASH at the NYFringe festival in 2005<br />
and Shakespeare Anyone?, a recurring evening<br />
of soliloquies, sonnets and scenes currently<br />
performed at The Cornelia St. Cafe. Some of<br />
his regional credits are Einstein in Pablo Picasso<br />
at the Lapine Agile, Father Matteo in Zorro,<br />
Don Pedro in Much Ado About Nothing, and<br />
Agamemnon in The Orestia. Thanks and Love<br />
to Susann and Isabelle.<br />
CARL FORSMAN (Director) is the founder<br />
and Artistic Director of Keen Company.<br />
He received a Drama Desk Nomination as<br />
Best Director for Voice of the Turtle. Other<br />
Keen highlights include Theophilus North,<br />
In The Matter of J. Robert Oppenheimer,<br />
and The Breadwinner. Also Sin: A Cardinal<br />
Deposed and Everythings Turning Into<br />
Beautiful for The New Group, and Tina Howe's<br />
new translations of Ionesco's The Bald Soprano<br />
and The Lesson for the Atlantic. Carl is<br />
also the Artistic Director of the Dorset<br />
Theatre Festival.<br />
RYAN RUMERY (Sound Designer) New<br />
York: Based on a Totally True Story (Manhattan<br />
Theatre Club); Getting Home (Second Stage);<br />
The Seagull (Blue Heron); Mayhem (SPF at<br />
Theatre Row); Macbeth (Theatre of the Riverside<br />
Church); Edward II, Much Ado About Nothing<br />
(Queen’s Company); Twelfth Night, Fortinbras<br />
(Juilliard School of Drama). Regional: Center<br />
Stage, Hartford Stage, Virginia Stage, Westport<br />
Country Playhouse, Philadelphia Theatre<br />
Company, Ford’s Theatre, Florida Stage, Alley<br />
Theatre, Round House Theatre, Studio Theatre,<br />
Syracuse Stage, Trinity Repertory Theatre,<br />
Adirondack Theatre Festival, Hangar Theatre,<br />
Theatre Alliance, Alliance Theatre, Woolly<br />
Mammoth, Theatre J, and Penguin Rep.<br />
DAVID M. WHITE (Dramaturg) works<br />
as a dramaturg, playwright and director. He<br />
is the former literary manager of the Eugene<br />
O'Neill Theater Center where he had the<br />
pleasure of developing many new works for<br />
the stage. He has worked in New York and<br />
regional theaters around the country,<br />
responding to plays and leading workshops<br />
at theaters, universities and conferences.<br />
Currently he is the Artistic Director of<br />
WordBRIDGE (www.wordbridge.org) and is<br />
a founding member of Generous Company.<br />
ERIC WINICK (Playwright) hails from<br />
Marblehead, Massachusetts, birthplace of<br />
the American Navy. His plays include<br />
Rearview<strong>mirror</strong> (O’Neill Conference); The<br />
Vocal Lords (Theatre at St. Clements); and<br />
Lay Me Down (Reverie Productions at the<br />
Present Company Theatorium). Readings and<br />
workshops at/by BIMA-NY @ Makor, Theater<br />
Masters (Aspen), Manhattan Theatre Club,<br />
MCC Theatre, and Reverie. Current projects<br />
include a new play, Zizmor, and the screenplay<br />
of Rearview<strong>mirror</strong>, optioned by Firefly Films.<br />
A graduate of Middlebury College, Eric is<br />
on the advisory boards of several local and<br />
national theater organizations, and serves as<br />
Playwrights Horizons’ Director of Marketing.<br />
He is a resident of Prospect Heights, Brooklyn.<br />
COLIN D. YOUNG (Lighting Designer/<br />
Reverie Artistic Director) Off Broadway:<br />
In the Continuum (Primary Stages/Perry St.<br />
Theatre), Classical Theatre of Harlem: The<br />
Blacks, Crazy Locomotive (2003 Audelco<br />
Award), Native Son and Ma Rainey's Black<br />
Bottom; Signature Theatre: Talking Pictures<br />
and Albee’s Fragments. Reverie: Billboard,<br />
Havana Bourgeois, Ping Pong Diplomacy,<br />
Ariane Mnouchkine’s Mephisto, Carson<br />
Kreitzer’s Valerie Shoots Andy, John Clancy’s<br />
Fatboy (2004 Edinburgh Fringe First), and<br />
Robert O’Hara’s Brave Brood and American<br />
Ma(u)l. Regional: Woolly Mammoth, Cincinnati<br />
Playhouse, Kirk Douglas Theatre, Yale Rep,<br />
Philadelphia Theatre Co. Colin was the<br />
founding Festival technical director for the<br />
New York International Fringe Festival,<br />
and is a co-founder and Artistic director<br />
of Reverie Productions.<br />
Reverie Productions<br />
is an NYC based not-for-profit theatre company<br />
dedicated to supporting and developing<br />
new work by established playwrights and<br />
emerging artists. Our mission is to promote<br />
a collaborative environment in which artists<br />
can learn from each other, explore new<br />
artistic ground, and produce theatre of<br />
uncompromising quality through some<br />
combination of bloodshed and eloquence.<br />
Now in our ninth season, we have produced<br />
16 NYC, U.S. or World Premieres of new plays,<br />
including the U.S. Premiere of Ariane<br />
Mnouchkine's Mephisto, Carson Kreitzer's<br />
Valerie Shoots Andy and Self Defense or,<br />
death of some salesmen, Robert O’Hara’s<br />
Brave Brood and American Ma(u)l, and John<br />
Clancy’s Fatboy starring Mike McShane, which<br />
won a coveted Fringe First Award at the 2004<br />
Edinburgh Festival Fringe. At <strong>59E59</strong> <strong>Theaters</strong>:<br />
Havana Bourgeois, Ping Pong Diplomacy<br />
and Billboard. Rearview<strong>mirror</strong> is Reverie’s<br />
20th full production.<br />
www.ReverieProductions.org<br />
Generous Company<br />
(Associate Producer) was founded in 2004<br />
and is dedicated to developing and producing<br />
works for stage, film and online media in<br />
a supportive, collaborative, generous<br />
environment. In addition to readings and<br />
developmental work, Generous Company<br />
has produced Trash by David White (2005),<br />
The Rambling Nut by Eric Love (2007),<br />
and is currently collaborating with Clemson<br />
University on WordBRIDGE Playwrights<br />
Laboratory, a two-week long developmental<br />
workshop bringing collegiate playwrights<br />
together with professional artists. Learn<br />
more at www.generouscompany.org<br />
This production made possible in part<br />
by grants from: