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A Martian Sends a Postcard Home – Craig Raine Caxtons are ...

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A <strong>Martian</strong> <strong>Sends</strong> a <strong>Postcard</strong> <strong>Home</strong> <strong>–</strong> <strong>Craig</strong> <strong>Raine</strong><br />

<strong>Caxtons</strong> <strong>are</strong> mechanical birds with many wings<br />

and some <strong>are</strong> treasured for their markings <strong>–</strong><strong>–</strong><br />

they cause the eyes to melt<br />

or the body to shriek without pain.<br />

I have never seen one fly, but<br />

sometimes they perch on the hand.<br />

Mist is when the sky is tired of flight<br />

and rests its soft machine on the ground:<br />

then the world is dim and bookish<br />

like engravings under tissue paper.<br />

Rain is when the earth is television.<br />

It has the properites of making colours darker.<br />

Model T is a room with the lock inside <strong>–</strong><strong>–</strong><br />

a key is turned to free the world<br />

for movement, so quick there is a film<br />

to watch for anything missed.<br />

But time is tied to the wrist<br />

or kept in a box, ticking with impatience.<br />

In homes, a haunted apparatus sleeps,<br />

that snores when you pick it up.<br />

If the ghost cries, they carry it<br />

to their lips and soothe it to sleep<br />

with sounds. And yet, they wake it up<br />

deliberately, by tickling with a finger.<br />

Only the young <strong>are</strong> allowed to suffer<br />

openly. Adults go to a punishment room<br />

with water but nothing to eat.<br />

They lock the door and suffer the noises<br />

alone. No one is exempt<br />

and everyone's pain has a different smell.<br />

At night, when all the colours die,<br />

they hide in pairs<br />

and read about themselves <strong>–</strong><strong>–</strong><br />

in colour, with their eyelids shut.


The Pylons <strong>–</strong> Stephen Spender<br />

The secret of these hills was stone, and cottages<br />

Of that stone made,<br />

And crumbling roads<br />

That turned on sudden hidden villages.<br />

Now over these small hills, they have built the concrete<br />

That trails black wire;<br />

Pylons, those pillars<br />

B<strong>are</strong> like nude giant girls that have no secret.<br />

The valley with its gilt and evening look<br />

And the green chestnut<br />

Of customary root,<br />

Are mocked dry like the parched bed of a brook.<br />

But far above and far as sight endures<br />

Like whips of anger<br />

With lightning's danger<br />

There runs the quick perspective of the future.<br />

This dwarfs our emerald country by its trek<br />

So tall with prophecy:<br />

Dreaming of cities<br />

Where often clouds shall lean their swan-white neck.<br />

Nobody Comes <strong>–</strong> Thomas Hardy<br />

Tree-leaves labour up and down,<br />

And through them the fainting light<br />

Succumbs to the crawl of night.<br />

Outside in the road the telegraph wire<br />

To the town from the darkening land<br />

Intones to travelers like a spectral lyre<br />

Swept by a spectral hand.<br />

A car comes up, with lamps full-gl<strong>are</strong>,<br />

That flash upon a tree:<br />

It has nothing to do with me,<br />

And whangs along in a world of its own,<br />

Leaving a blacker air;<br />

And mute by the gate I stand again alone,<br />

And nobody pulls up there.<br />

The Line-Gang <strong>–</strong> Robert Frost<br />

Here come the line-gang pioneering by.<br />

They throw a forest down less cut than broken.<br />

They plant dead trees for living, and the dead<br />

They string together with a living thread.<br />

They string an instrument against the sky<br />

Wherein words whether beaten out or spoken<br />

Will run as hushed as when they were a thought.<br />

But in no hush they string it: they go past<br />

With shouts afar to pull the cable taut,<br />

To hold it hard until they make it fast,<br />

To ease away <strong>–</strong> they have it. With a laugh,<br />

An oath of towns that set the wild at naught<br />

They bring the telephone and telegraph.

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