A History Of Rife's Instruments And Frequencies.pub

When Edwards was on the stand he said this:
Comperet: “Did Mr. Hoyland tell you at any time in the fall of last year that the machines he was manufacturing
for Beam Ray corporation operated on a principle fundamentally different from Dr. Rife’s machine?”
Edwards: “Mr. Hoyland told me at one time that Dr. Rife thought that he had the frequencies but he
didn’t have them [here Edwards is talking about the Beam Ray Corporation instruments that used audio
frequencies and not the Rife Ray #4 instrument because Hoyland said, on the stand, that he gave the
Rife Ray #4 frequencies to Dr. Johnson and Dr. Rife in 1935].” (Beam Ray trial papers www.rife.org)
Philip Hoyland also said this on the stand:
Hoyland: “Regarding the frequencies of the machine [Beam Ray Corporation instrument that used the
audio frequencies], you will remember me telling you that the frequencies used are not the same ones
on the Rife machine [The Rife Ray #4]. They [The Rife Ray #4] were in the upper bands [139,000
hertz to 1,604,000 hertz].” (Beam Ray trial papers www.rife.org)
There are some good reasons why Hoyland built the instruments the way he did. Rife and Hoyland
became partners in Beam Ray Corporation in 1937. Rife had 45% ownership and Hoyland had
55%. Hoyland was worried about keeping the frequencies a secret because he felt that people would
steal their invention. This concern of Hoyland’s was not unfounded because Mr. Parsons of the British
Group did try to steal their invention. From the trial we learn they had no way to patent the instrument
because everything they were doing was in public domain. Hoyland felt that he had to come up with a
way to keep anyone from finding out what the true frequencies were (the Rife Ray #4 frequencies). So
he built the instruments using audio frequencies. He also built those instruments using gating and a
harmonic carrier frequency. It was the interaction of the sine wave audio frequencies and the harmonic
carrier frequency along with the gating that made them produce harmonics that would reach the fundamental
frequencies of the Rife Ray #4 (more about this later). Benjamin Cullen said Philip Hoyland
spent allot of time at the lab. In Cullen’s taped interview he said this:
Cullen: “Philip Hoyland was in there quite a lot...Hoyland developed some few items in the
lab...Hoyland seemed to help quite a lot and he got into the bacteriology side with Rife a good deal because
Rife had so much to work out...he finally got to the point where he [Rife] had to delegate some of
the work.” (John Marsh Rife CDs, CD 6 track 1)
From the trial we learn Hoyland developed and tested his instrument in the lab. How could Hoyland
have tested it unless he put micro-organisms under the microscope? From both Cullen and Hoyland’s
testimony it is clear Hoyland designed and built these instruments and found the audio frequencies
that were used in them. From the trial papers we learn that Hoyland didn’t tell Rife what frequencies
he was using in the instruments. Rife thought that the instruments were using his frequencies (the
frequencies used in the Rife Ray #4) but with harmonics. Hoyland built these instruments using audio
frequencies, harmonics and gating. Hoyland told many of the other owners of the corporation that the
instruments were not using Rife’s frequencies. Rife’s frequencies were in the upper bands and Hoyland’s
were in the lower bands. Dr. Rife eventually found out about this and was very unhappy that the
instruments were not working on his frequencies and principles. He Stated this:
Rife: “I spoke only Friday evening to a Mr. John Chamblin, a radio man now connected with Beam
Rays inc., about the redesign and building of a device according to the old Rife Ray principles; as the
present instrument has been so deviated away from that old principle that it is nowhere near the
same...those devices which you have are merely working on a harmonic and not a true frequency; and
in our research on electronics, we definitely know that there is no possible way of controlling electrical
harmonics of a frequency.” (Rife to Gonin letter May 14, 1939)
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