A History Of Rife's Instruments And Frequencies.pub

More documents

Recommendations

Info

The instrument in the photo on the left was Dr. Couche’s instrument that he bought in 1936. You can see the two frequency dials that made it so they could run two frequencies at the same time. This was a unique characteristic of the instruments patterned after the #4 instrument. This instrument of Dr. Couche’s was purchased by Dr. Tully in 1952. On the John Marsh Rife CDs, Dr. Rife and Dr. Tully talk about the double bubble tube and how it was all dark inside. Dr. Rife told Dr. Tully that this tube was the best ray tube he ever had. Rife said he used this ray tube for over sixteen years. If you look closely at the photo on the left you will see how dark the ray tube is. The photo on the right is of the 1939 Beam Ray Corporation instrument. This instrument used Hoyland’s audio frequencies. It only output 1 audio frequency at a time and this is why it only has one big frequency knob between the two smaller knobs. The smaller knobs change the amplitude and the frequency band settings. The 1950’s ray tube instruments were patterned after these instruments, but with some changes. 1950’s Life Labs ray tube instrument 1) Used a ray tube. 2) Could change between 2.2 and 4.8 MHz sine wave carrier frequency. 3) Modulated square wave audio frequencies onto a sine wave carrier frequency. 4) Power usage was about 460 watts. Output to the ray tube about 60 RF watts. Some of the following information comes from the John Marsh collection of Rife audio CDs. In 1950 John Crane met Dr. Rife and in 1952-53 he met John Marsh. Marsh became John Crane’s supervisor at Convair Aeronautics when Marsh moved from Tucson, Arizona to California. Marsh’s wife had cancer and they were not able to help her in Tucson so the doctors recommended that he take her to San Diego for specialized care. Marsh and Crane became friends. Crane told Marsh about Dr. Rife and so they went to see him. Dr. Rife gave them an old Hoyland Beam Ray instrument which they had Vern Thompson repair. Crane and Marsh then used this instrument on Marsh’s wife and after several 14
treatments Marsh said that she fully recovered. Here are Marsh’s statements made in 1976 and 1986: Marsh: (1976) “I met this Rife. I said Dr. Rife, I said, my name is John Marsh, I’ve got a wife that’s dying. She’s got cancer of the uterus.” Rife said: “I won’t touch that thing with a 20 yard pole.” After some discussion Rife said: Rife: “I have an old instrument down here in the basement.” Marsh: “I dug up that old instrument and of course it had tubes in it, antique stuff, and so I rebuilt the darn thing.” (John Marsh Rife CDs, CD 10 track 1) Marsh: (1986) “I went to see him [Dr. Rife], and I talked with him and he said he didn’t want to have any part of it...I said look, I got a wife that’s dying and I need your help! <strong>And</strong> so I got him out of his cocoon, so to speak, and we took an old instrument and rebuilt it. <strong>And</strong> I treated my wife and by darn all the pain left her and she got well.” In another part of the tape he said: “I discovered that this Dr. Rife was a very great individual...I told John [Crane], I said look if we have any of those old instruments laying around loose, let’s rejuvenate one of them and see if we can get my wife well. Well Vern Thompson who was with the San Diego police department radios, uh, radio expert, uh, had built some instruments and they were antiques when I saw them.” (John Marsh Rife CDs, CD 2 track 3) Marsh and Crane then decided they would like to work with Dr. Rife and try to get the frequency instruments built and back into doctor’s hands so they could help people who were suffering from many incurable diseases. From earlier quotes we learned that Vern Thompson had in the 1930’s worked on Dr. Yale’s Beam Ray Corporation instruments. He knew these instruments inside and out and this is why Marsh and Crane had him repair the instrument that Dr. Rife gave them. Vern Thompson also knew the frequencies these Hoyland instruments used. From Rife’s deposition we learn that he and Vern Thompson gave Crane the frequencies in 1950. Dr. Rife did not approve of Hoyland’s instrument so he would have given him the Rife Ray #4 frequencies and possibly the lab note frequencies. On the John Marsh Rife CDs Henry Siner reads from a lab note that was for the BX cancer virus. The frequency that he read was 1,604,000 cycles per second for the BX and this also confirms the frequency used in the #4 instrument. So it is clear that Dr. Rife had given Crane his frequencies, not Hoyland’s. Logically, Vern Thompson would have given Crane and Marsh, Philip Hoyland’s audio frequencies. For some unknown reason Rife, Crane and Marsh started building instruments that used audio frequencies. It may have been that they were the easiest to build because they already had a working Beam Ray instrument, or maybe it was because they had worked so well for doctors in the 1930’s. Hoyland’s instrument had achieved incredible results. The underlying technology was still Dr. Rife’s. He had discovered this technology and Hoyland had built an instrument that used harmonics to get to Dr. Rife’s fundamental frequencies that he had used in the Rife Ray #4 instrument. Because of the results of these doctors, Dr. Rife must have relented enough to at least give them a thorough test. It really doesn’t matter. Whatever the reason was they built audio frequency instruments. For some reason they also changed Hoyland’s instrument to make their own. Hoyland had used a harmonic carrier frequency. Rife did not like the harmonics and had openly expressed in letters his dislike for them. John Crane said that the first instrument they built didn’t work and it took a few years to get it working. Let’s take a logical look at the changes they made. When they changed the harmonic carrier frequency in the instrument to a non-harmonic carrier frequency and took out the gating the sine wave audio frequencies wouldn’t work anymore. The audio frequencies are not true M.O.R.s. M.O.R. Stands for mortal oscillatory rate. Dr. Rife said this is the frequency that kills the organism. We know that the Rife Ray #4 frequencies were the true M.O.R.s. Hoyland’s instrument needed a harmonic carrier frequency to work. All the audio frequencies used in Hoyland’s instrument were to interact with the harmonic carrier and gating to produce the true M.O.R.s. It most likely took them a little while to figure out why the instrument didn’t work. This explains why it took a few years to get the instrument they were building to 15
Page 1 and 2: A History Of Rife’s Instruments A
Page 3 and 4: instruments as the output power. Dr
Page 5 and 6: hold the hand cylinders or use the
Page 7 and 8: Dr. Rife’s 1934 instrument was ve
Page 9 and 10: Bacillus X (Cancer carcinoma & sarc
Page 11 and 12: 1937-39 Beam Ray Corporation instru
Page 13: From the Beam Ray trial we have now
Page 17 and 18: And in the Marsh Gonin papers we re
Page 19 and 20: 1950’s Life Labs ray tube instrum
Page 21 and 22: Life Labs1950’s pad instrument (w
Page 23: Summary In summary, with all the hi

A History Of Rife's Instruments And Frequencies.pub

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?