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A History Of Rife's Instruments And Frequencies.pub

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is 2007.5093 which is less than a half a hertz off. Back in the 1950’s the best you could do was to get<br />

within one hertz of a frequency. As you can see, one of the two harmonic audio frequencies for cancer<br />

was off as Dr. Stafford suspected. Another problem was the accuracy of the instruments built back in<br />

the 1950’s. Dr. Stafford had to regularly calibrate them to keep them on frequency and mentioned this<br />

problem to Rife, Crane and Marsh.<br />

As mentioned you can only drive harmonics of a lower frequency to a higher frequency as long<br />

as you have enough power. When you take the frequency of 2130.14 hertz and try to drive the harmonics<br />

of that frequency to 1,604,000 hertz or cycles per second, with power, it is all but impossible to<br />

do. One million six hundred and four thousand cycles per second is the 753rd harmonic of 2130.14. In<br />

reality this is the 753rd ripple in the pool of water and this is why it is almost impossible to get this frequency<br />

to work on cancer. Power is the problem with the 753rd harmonic. The first harmonic only has<br />

about 1/9 the power of the fundamental frequency. In reality by the time you get to the 4th harmonic of<br />

a frequency the power is all but gone. Now lets take a look at the power level of the 753rd harmonic of<br />

1,604,000 which is 2130.14 hertz. For a simple illustration, if we had an instrument (like the AZ-58 that<br />

was used in the 1950’s) that output 50 watts of power we would divide 50 watts by 753 and then again<br />

by 753 [(50 ÷ 753) ÷ 753] in order to get the power of the 753rd harmonic. This will give us the power<br />

of the 753rd harmonic which is 0.0000881 watts. Anyone can see that the power level at this harmonic<br />

is virtually non existent. If you had an instrument that output 300 watts (which is far more power than<br />

what Dr. Rife considered safe) it would only be 0.000529 watts of power at the 753rd harmonic of<br />

2130.14. This description shows what we are up against when we use harmonic audio frequencies<br />

rather than Rife’s fundamental frequencies or M.O.R.S.<br />

Here is another way of looking at the power problem of harmonic audio frequencies. If we are<br />

using a square wave frequency of 2000 hertz, the first harmonic is 6000 hertz. The second harmonic is<br />

10,000 hertz. The third harmonic is 14,000 hertz and the fourth harmonic is 18,000 hertz. Now lets<br />

look at the power loss at each harmonic. If we had an audio frequency instrument that didn’t use any<br />

carrier and it output 1 watt (this is more power than most people could take without their muscles beginning<br />

to locking up) then this is what power levels we would have. At the fundamental frequency of<br />

2000 hertz we would have 1 watt. At the first harmonic of 6,000 hertz we would have 0.1111 of a watt.<br />

At the second harmonic of 10,000 we would have 0.04 of a watt. At the third harmonic of 14,000 we<br />

would have 0.020 of a watt and at the fourth harmonic of 18,000 hertz we would have 0.012 of a watt.<br />

Again it is easy to see that by the fourth harmonic the power is all but non existent, in fact, the power<br />

level is so low that by the fifth harmonic the noise in a circuit would probably be greater than the power<br />

of the fifth harmonic. Now if we look at a 300 watt instrument the power level would be only 3.7 watts<br />

at the fourth harmonic and by the 99 harmonic of 2000 hertz, which is 198000 hertz, you only have .03<br />

of a watt.<br />

Lets us now look at the 799 harmonic of 2008 hertz which is the cancer frequency of 1,604,000<br />

hertz. At this harmonic (the 799th or 1,604,000 hertz) we have only 0.000469 or four hundred sixty<br />

nine thousandths of a watt. If you had a broadcast station that put out one million watts you would only<br />

get 1.56 watts of power at the 799 harmonic or 1,604,000 hertz. Once we understand power loss in<br />

harmonics it doesn’t make sense to try and use harmonic audio frequencies in an attempt to reach any<br />

of Dr. Rife’s fundamental frequencies that he used. Eventually, sooner or later, we come to the understanding<br />

that we need to use Dr. Rife’s fundamental frequencies instead of the harmonic audio frequencies.<br />

Anyone can now understand if you use the true M.O.R.s, you’re going to have a better<br />

chance of success.<br />

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