30.06.2013 Views

case comment - ITMA

case comment - ITMA

case comment - ITMA

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

CASE COMMENT<br />

CASE COMMENT<br />

The pen is mightier than<br />

the figurative mark?<br />

Beifa Group Co Ltd v OHIM (defendant) & Schwan-Stabilo Schwanhaüßer<br />

(intervener), Case T-148/08. Almost five years after Beifa’s Community<br />

registered design for a highlighter pen prompted an objection by<br />

Schwan-Stabilo, judgment of the General Court came down on<br />

12 May 2010. Arguably the most arresting aspect of the decision is<br />

the result itself, but there’s more to this <strong>case</strong> than meets the eye,<br />

says Ben Longstaff.<br />

What happens if you register a<br />

Community design for a product, and<br />

a competitor objects that your design<br />

is too much like one or more of their<br />

registered trade marks for the same<br />

product? It shouldn’t be too difficult<br />

to sort out, or at least you might hope<br />

not. Yet after just such unremarkable<br />

beginnings, this seemingly simple<br />

dispute over highlighter pens has<br />

become the first Community<br />

registered design appeal to reach<br />

judgment in the General Court.<br />

Beifa’s registration (no 352315-0007,<br />

published on 26 July 2005) was for<br />

a highlighter pen. The following<br />

summer, Stabilo succeeded in<br />

invalidating the registration under Art<br />

25(1)(e) of the Community Design<br />

Regulation (6/2002), which refers to<br />

earlier rights arising out of either<br />

national or Community law. In this<br />

<strong>case</strong> Stabilo relied on its rights under<br />

national law – the Markengesetz,<br />

which is Germany’s implementation<br />

of the Trade Mark Directive.<br />

The Stabilo trade mark in question<br />

showed a figurative drawing of a<br />

highlighter pen, with, it must be said,<br />

at least some resemblance to the<br />

Beifa design (see German trade<br />

mark 300454708).<br />

Beifa’s appeal from the Cancellation<br />

Division was dismissed at OHIM in<br />

January 2008. The Third Board of<br />

Appeal found that use of the sign<br />

would breach Stabilo’s rights under<br />

the Markengesetz, despite certain<br />

differences between the design and<br />

the mark. Consequently there was<br />

no need to consider Stabilo’s other<br />

evidence on invalidity (this conclusion<br />

was to have a crucial bearing on the<br />

outcome). Beifa then took its <strong>case</strong> to<br />

14 <strong>ITMA</strong> Review<br />

the General Court, arguing that the<br />

decision should be annulled and sent<br />

back to the Cancellation Division to<br />

hear the remaining points.<br />

Beifa made three particular pleas on<br />

the substance:<br />

1) Art 25(1)(e) should be restricted<br />

to designs identical to the earlier<br />

mark;<br />

2) Beifa was entitled to request proof<br />

of use of the earlier mark; and<br />

3) Art 25(1)(e) had been incorrectly<br />

applied, since there had not been<br />

a proper assessment of the<br />

likelihood of confusion<br />

Perhaps unsurprisingly, Beifa lost on<br />

the first point. The General Court held<br />

that there was no reason to interpret<br />

Art 25(1)(e) so restrictively – that<br />

would prevent trade mark owners<br />

objecting to all but identical signs,<br />

and would be at odds with the recitals<br />

to the designs Regulation.<br />

The second point provided at least a<br />

technical victory for Beifa. The court<br />

ruled that the company was certainly<br />

entitled to rely on the proof-of-use<br />

provisions in the Markengesetz,<br />

despite the fact that there are no<br />

equivalent entitlements in the<br />

Regulation. This suggests that Art<br />

25(1)(e) imports not just earlier rights<br />

arising under the national law, but<br />

also any corresponding limitations<br />

that qualify those rights.<br />

The catch was the General Court’s<br />

next finding: the correct time to ask<br />

for proof of use of the mark was<br />

during the period for preliminary<br />

observations by the proprietor.<br />

Unfortunately for Beifa, this request<br />

was therefore way out of time.<br />

Ben Longstaff<br />

The third of Beifa’s pleas created a<br />

lengthy discussion in the judgment.<br />

The appellant’s argument was<br />

that OHIM had not undertaken an<br />

assessment of the likelihood of<br />

confusion on the part of the relevant<br />

public. Again, the court turned to the<br />

national law relied on by Stabilo, the<br />

Markengesetz, which does indeed<br />

require a likelihood of confusion, in<br />

line with Art 5(1)(b) of the Trade<br />

Mark Directive. The correct test was<br />

therefore to apply the <strong>case</strong> law<br />

derived from that article – global<br />

assessment, overall impression and<br />

so on.<br />

The court duly identified the relevant<br />

public and the nature of the visual<br />

comparison to be made in this <strong>case</strong><br />

(conceptual and aural considerations<br />

being largely impossible for the shape<br />

of pens), apparently endorsing the<br />

approach taken by the Board at<br />

OHIM. In fact it all appeared to look<br />

very promising for Stabilo, until the<br />

issue of the mark itself came under<br />

scrutiny.<br />

Here things veered badly off course<br />

for the trade mark proprietor.<br />

The General Court noted that the<br />

Cancellation Division’s judgment had<br />

referred to the “three-dimensional<br />

shape” of the earlier trade mark. It also<br />

noted that the parties all agreed that<br />

the mark was in reality a figurative<br />

mark, as recorded in the minutes.<br />

The “inescapable conclusion” of this<br />

paradox was that the comparison<br />

made by the Cancellation Division<br />

was between the design and some<br />

other, unidentified three-dimensional<br />

mark. The suggestion was that the<br />

rogue mark might well have been a<br />

German 3D mark that Stabilo had<br />

July/August 2010

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!