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News Bulletin - Australian Animal Studies Group

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ANIMALS AND SCIENCE: From Colonial Encounters to the Biotech Industry edited<br />

by Maggie Bolton and Cathrine Degnen. Cambridge Scholars Publishing, 2011<br />

What exactly does a focus on animals bring to anthropological<br />

studies of science? This is a question that the various contributors<br />

to this edited collection set out to answer. This range of studies<br />

explores the intersections between animals and science across<br />

different ethnographic settings and in different historical periods.<br />

The contributions to this volume look at what it means to be human,<br />

the place of human beings vis à vis other species on this planet,<br />

our ideas of what nature and culture are, the limits to our ideas of<br />

kinship, the ethical debates that surround science, together with<br />

their interpretation by both scientific communities and the lay public,<br />

and the moral comportment of scientists.<br />

Through focusing on science, the contributors not only<br />

demonstrate that people elsewhere have different relationships<br />

with, and knowledge of, beasts (and that different possibilities of<br />

relating to animals exist within our own Western worldview), but<br />

further suggest that our Western knowledge about animals and their positions in society, arrived at<br />

through Western science and the social sciences, is itself in need of rethinking—to incorporate<br />

other ways of knowing. This volume contends that accounts in which animals meet science provide<br />

important theoretical insights for anthropologists and can set new agendas for theory in<br />

anthropology and science studies.<br />

Maggie Bolton is based at the University of Aberdeen, Scotland, and has published in journals<br />

such as the Journal of the Royal Anthropological Institute and The Sociological Review. Cathrine<br />

Degnen is Lecturer in Social Anthropology at Newcastle University, UK.<br />

WILD AND DANGEROUS PERFORMANCES: <strong>Animal</strong>s, Emotions, Circus by Peta Tait.<br />

Palgrave Macmillan, 2011<br />

Elephants, lions, tigers and leopards evoked fascination and awe,<br />

fear and excitement in the twentieth-century circus. Wild and<br />

Dangerous Performances: <strong>Animal</strong>s, Emotions, Circus explores what<br />

happened when big cats roared on cue and elephants danced<br />

together. Acts in live circus and cinema reveal how humans<br />

anthropomorphize animals with their emotions. Trained animals<br />

became caught up in scientific precepts from Darwin on emotions<br />

and in opposition to animal performance.<br />

This history considers acts by Carl Hagenbeck, Frank Bostock,<br />

Alfred Court, Clyde Beatty, Mabel Stark, Patricia Bourne, Damoo<br />

Dhotre, Gunther Gebel-Williams and others in leading international<br />

circuses. Their acts featured: Nero, the horse riding lion, Rajah, the<br />

wrestling tiger, Sonia, the waltzing leopard, and Champion, lying like<br />

a fur collar across the trainer's shoulders.<br />

<strong>Animal</strong>s embody a phenomenology of transacted emotions and<br />

feelings in culture, recently exemplified by Christian, the lion.<br />

Contributing to the growing scholarship in animal studies, this fascinating study has much to offer<br />

to anyone interested in circus animal performance, performance history, animal emotions and<br />

animal rights and ethics.<br />

Peta Tait is Professor and Chair of Theatre and Drama at La Trobe University, Australia.<br />

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