News Bulletin - Australian Animal Studies Group
News Bulletin - Australian Animal Studies Group
News Bulletin - Australian Animal Studies Group
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Art Work: Projects, research, installations, reviews<br />
Dacia Pierson<br />
Chicken processing from Slaughter series. Photograph.<br />
Artist Statement<br />
48<br />
Over 100 million<br />
cows, pigs, and<br />
sheep are raised and<br />
slaughtered in the<br />
United States alone<br />
each year, and for<br />
poultry, which<br />
includes geese, duck<br />
and chickens, the<br />
figure is staggeringly<br />
higher: 5 billion each<br />
year. Weekly, 102<br />
million chickens are<br />
slaughtered, which is<br />
more than half a<br />
million chickens per<br />
hour.<br />
Slaughter is a documentation of the process by which an animal becomes food. Within the<br />
American food system, this process is largely hidden by the USDA and willfully ignored by<br />
consumers. The project aims to create more transparency in this system.<br />
Growing up on a farm, we grew our own vegetables and raised all our own cows, chickens, and<br />
pigs for food. In late summer, we would preserve all the fresh goods that we could for winter, and<br />
when the ground began to frost, the livestock was killed, processed locally and humanely, and<br />
eaten throughout the rest of the year. Like many Americans, my perception of our food system was<br />
distorted, but for different reasons. With research, I began to understand how distanced the<br />
general population has become from our sources of food and the repercussions that has on our<br />
health, environment and the future of food. Few people know the reality of where our food is<br />
coming from, but this responsibility is not solely the consumer‘s; agribusiness has high stakes in<br />
keeping such knowledge out of public consciousness.<br />
Slaughter is influenced by the elevation of a common scene of Christ-like sacrifice in Rembrandt's<br />
The Slaughtered Ox and Joel Peter-Witkin's complicated images that both repulse and intrigue. I<br />
explore the dichotomy of the grotesque and the beautiful within slaughter, sacrifice, blood and<br />
death.<br />
My agenda is not to judge, not to promote veganism or vegetarianism. Simply, I am interested in<br />
what is hidden, and challenge complacency with information. This is not in protest to individual<br />
farmers, nor in direct opposition to eating meat, but to bring forth information so that we may make<br />
more mindful decisions.<br />
Further information and 28 more works in the series see: http://www.principleoflocality.com