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Mobile TV is alive! - TVBEurope

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A new video server direction by Autocue<br />

By Fergal Ringrose<br />

NAB marks the official US<br />

launch of Autocue’s first four<br />

standalone, Linux-based video<br />

servers. The servers feature up<br />

to four bi-directional HD/SD<br />

channels for simultaneous record<br />

Marvin will be used in a film about<br />

Freddy Heineken, capturing every<br />

frame from two Red MX cameras<br />

Marvin scopes<br />

3D support<br />

By David Fox<br />

Marvin Technologies will introduce<br />

its new Marvin 2.0 on-set<br />

camera data management system.<br />

Along with support for all common<br />

digital cinema cameras,<br />

including Red, Arri Alexa,<br />

Silicon Imaging SI 2K and others,<br />

v<strong>is</strong>itors will get to see Marvin’s<br />

new stereoscopic 3D support.<br />

Marvin automates the creation<br />

of backups, LTO tape masters,<br />

QuickTime proxies for offline<br />

editing and DVD dailies as well as<br />

shot logging. Now, with Marvin<br />

2.0, filmmakers have a choice of<br />

three models, ensuring data safety<br />

and efficient transcoding for any<br />

size of project.<br />

The new stereo 3D support<br />

in Marvin 2.0 allows the system<br />

to ingest left and right eye<br />

images simultaneously, archiving<br />

to two LTO tapes — one for<br />

each eye. It will render stereoscopic<br />

content to side-by-side,<br />

interleaved or checkerboard<br />

QuickTimes for Final Cut Pro or<br />

MXF files for fast import into<br />

Avid systems.<br />

Marvin 2.0 <strong>is</strong> available in three<br />

models based on daily shooting<br />

requirements. Marvin 400 can<br />

process 400GB of camera data<br />

per day, the Marvin 800 can handle<br />

800GB per day, and the<br />

Marvin 3D can ingest up to<br />

1.5TB of regular or stereo 3D<br />

footage per day.<br />

“We’ll be using the new<br />

Marvin on our next feature,” said<br />

director Maarten Treurniet,<br />

inventor of the Marvin. “The film<br />

<strong>is</strong> a dramatic re-telling of the 1983<br />

kidnapping of Freddy Heineken,<br />

owner of the Heineken brewing<br />

empire. We’ll be shooting for 45<br />

days and Marvin will be capturing<br />

every frame from two Red<br />

MX cameras and generating all of<br />

our on-set deliverables right on<br />

the spot. You can’t get more efficient<br />

than that.”<br />

SL1716<br />

and playout, and a range of storage<br />

capabilities.<br />

They can also replace tape<br />

machines and be used for secondary<br />

applications within broadcasters. A<br />

beta version of the next generation<br />

server will also be on show, which<br />

incorporates v<strong>is</strong>ion and audio mixer<br />

handling, virtual playback channels,<br />

internal character generation,<br />

channel branding and virtual record<br />

channels. Th<strong>is</strong> new system would<br />

allow customers to use a single system<br />

to produce live programmes without<br />

the need for additional hardware.<br />

Also being launched at the show<br />

<strong>is</strong> the new Master Series 12-inch<br />

teleprompter. Using LED backlit<br />

technology, Autocue’s design team<br />

has created the first ever slimline,<br />

high-bright teleprompter monitors.<br />

C8525<br />

WORKFLOW<br />

OVER IP<br />

QTube shrinks the world.<br />

With QTube global media workflow you can:<br />

Edit content located anywhere.<br />

From anywhere.<br />

Over the internet.<br />

Find out how QTube can revolutionize your world<br />

quantel.com/qtube or see it at NAB booth #SL2014<br />

Workflow over IP<br />

<strong>TV</strong>BEU RO PE NAB 2011 SNEAK PREVIEW<br />

Autocue’s first Linux-based video<br />

servers can replace tape machines<br />

www.tvbeurope.com MARCH 2011 27

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