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Henning Larsen - Copper Concept

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Architectural <strong>Copper</strong> Review | 2005 / 2<br />

Henrik <strong>Larsen</strong>’s famous door handle – Sewer lid in cast iron adorned with water drops – <strong>Copper</strong> lamp designed for the opera house<br />

<strong>Henning</strong> <strong>Larsen</strong> – from the small to<br />

<strong>Henning</strong> <strong>Larsen</strong>, 80 years old – world renowned Danish architect whose<br />

mind wanders from the small to the large, and the large in the small,<br />

from detail to entirety. He is master of creating, from a sketch, everything<br />

from door handles, chairs, furnishings and buildings to master<br />

plans, the latest one an overall plan for the town Dalian in northern<br />

China.<br />

The independent artist, such as the<br />

painter or the sculptor, has nothing else<br />

to consider than the material he or she<br />

is working with. The architect is a<br />

craftsman, with the difficult task to take<br />

into consideration all human functions,<br />

materials, techniques and social condi-<br />

tions.<br />

<strong>Henning</strong> <strong>Larsen</strong> is a dreamer, a creative<br />

visionary who thinks in practical terms<br />

and knows how to materialize an idea.<br />

He is an architect who has had the<br />

possibility to realize the most prestig-<br />

ious projects, sometimes with setbacks.<br />

But how does he think when he creates?<br />

I am on my way to visit <strong>Larsen</strong> in<br />

Copenhagen. I find the address,<br />

Vesterbrogade 76 and <strong>Henning</strong> <strong>Larsen</strong>s<br />

Tegnestue. The office is on the two top<br />

stories of an eight-story building. The<br />

receptionist announces my visit. <strong>Larsen</strong><br />

has his work station, “<strong>Henning</strong>’s<br />

4<br />

Corner”, at one end of the large open-<br />

plan office. He greets me with a big<br />

smile; it has been 45 years since we last<br />

saw each other in Stockholm.<br />

It’s been a long time, we say simultane-<br />

ously. We are both marked by the<br />

passing years.<br />

A lot has happened since that time in<br />

1961, when <strong>Larsen</strong> won first prize in a<br />

Nordic architect contest for the new<br />

university building in Stockholm. We sit<br />

down and I show him a photo I took at<br />

the competition. He studies it for a long<br />

time and laughs.<br />

Do you remember that time? – Yes, I<br />

remember it like it was yesterday – from<br />

the joy over the first prize and the<br />

celebration, to the disappointment. I will<br />

never forget it.<br />

Cheated on the commission<br />

<strong>Henning</strong> <strong>Larsen</strong> was granted first prize<br />

for the very special architecture with an<br />

Text og photo: Alf Folmer<br />

Architect: SAR/MAA, Sweden<br />

mail: alf@mbox316.swipnet.se<br />

entirely new and fresh approach to the<br />

university environment in human scale, a<br />

university for 10,000 students. All<br />

buildings were placed on a large, floating<br />

concrete deck that was shaped for the<br />

landscape. Below the deck there was<br />

parking space for 3,000 cars. Young<br />

<strong>Larsen</strong> was at the time unknown as an<br />

architect.<br />

What were you thinking, when you were<br />

awarded such an honourable prize?<br />

– I was in Denmark at the time and<br />

couldn’t believe it at first! I was sum-<br />

moned to Stockholm to receive the<br />

prize. Then the cold shower and the<br />

disappointment.<br />

The politicians’ viewpoint was that a<br />

Swedish university should be designed<br />

by a Swedish architect. So I was in fact<br />

cheated on the commission, which<br />

instead was given to the second-prize<br />

winner, the well-known Swedish archi-<br />

tect David Heldén, who had designed

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