Henning Larsen - Copper Concept
Henning Larsen - Copper Concept
Henning Larsen - Copper Concept
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Architectural <strong>Copper</strong> Review | 2005 / 2<br />
Henrik <strong>Larsen</strong>’s famous door handle – Sewer lid in cast iron adorned with water drops – <strong>Copper</strong> lamp designed for the opera house<br />
<strong>Henning</strong> <strong>Larsen</strong> – from the small to<br />
<strong>Henning</strong> <strong>Larsen</strong>, 80 years old – world renowned Danish architect whose<br />
mind wanders from the small to the large, and the large in the small,<br />
from detail to entirety. He is master of creating, from a sketch, everything<br />
from door handles, chairs, furnishings and buildings to master<br />
plans, the latest one an overall plan for the town Dalian in northern<br />
China.<br />
The independent artist, such as the<br />
painter or the sculptor, has nothing else<br />
to consider than the material he or she<br />
is working with. The architect is a<br />
craftsman, with the difficult task to take<br />
into consideration all human functions,<br />
materials, techniques and social condi-<br />
tions.<br />
<strong>Henning</strong> <strong>Larsen</strong> is a dreamer, a creative<br />
visionary who thinks in practical terms<br />
and knows how to materialize an idea.<br />
He is an architect who has had the<br />
possibility to realize the most prestig-<br />
ious projects, sometimes with setbacks.<br />
But how does he think when he creates?<br />
I am on my way to visit <strong>Larsen</strong> in<br />
Copenhagen. I find the address,<br />
Vesterbrogade 76 and <strong>Henning</strong> <strong>Larsen</strong>s<br />
Tegnestue. The office is on the two top<br />
stories of an eight-story building. The<br />
receptionist announces my visit. <strong>Larsen</strong><br />
has his work station, “<strong>Henning</strong>’s<br />
4<br />
Corner”, at one end of the large open-<br />
plan office. He greets me with a big<br />
smile; it has been 45 years since we last<br />
saw each other in Stockholm.<br />
It’s been a long time, we say simultane-<br />
ously. We are both marked by the<br />
passing years.<br />
A lot has happened since that time in<br />
1961, when <strong>Larsen</strong> won first prize in a<br />
Nordic architect contest for the new<br />
university building in Stockholm. We sit<br />
down and I show him a photo I took at<br />
the competition. He studies it for a long<br />
time and laughs.<br />
Do you remember that time? – Yes, I<br />
remember it like it was yesterday – from<br />
the joy over the first prize and the<br />
celebration, to the disappointment. I will<br />
never forget it.<br />
Cheated on the commission<br />
<strong>Henning</strong> <strong>Larsen</strong> was granted first prize<br />
for the very special architecture with an<br />
Text og photo: Alf Folmer<br />
Architect: SAR/MAA, Sweden<br />
mail: alf@mbox316.swipnet.se<br />
entirely new and fresh approach to the<br />
university environment in human scale, a<br />
university for 10,000 students. All<br />
buildings were placed on a large, floating<br />
concrete deck that was shaped for the<br />
landscape. Below the deck there was<br />
parking space for 3,000 cars. Young<br />
<strong>Larsen</strong> was at the time unknown as an<br />
architect.<br />
What were you thinking, when you were<br />
awarded such an honourable prize?<br />
– I was in Denmark at the time and<br />
couldn’t believe it at first! I was sum-<br />
moned to Stockholm to receive the<br />
prize. Then the cold shower and the<br />
disappointment.<br />
The politicians’ viewpoint was that a<br />
Swedish university should be designed<br />
by a Swedish architect. So I was in fact<br />
cheated on the commission, which<br />
instead was given to the second-prize<br />
winner, the well-known Swedish archi-<br />
tect David Heldén, who had designed