A Terrific Tube Preamplifier From Korea, And A - Ultra High Fidelity ...
A Terrific Tube Preamplifier From Korea, And A - Ultra High Fidelity ...
A Terrific Tube Preamplifier From Korea, And A - Ultra High Fidelity ...
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The Magic<br />
Without 3D<br />
What’s dominating movie screens<br />
this year? It’s 3D, that’s what. Or perhaps<br />
not.<br />
What caught our attention was a news<br />
item informing us that the next-to-last<br />
Harry Potter film, The Deathly Hallows,<br />
Part 1, would not, after all, be presented<br />
in 3D. Expecting us to cry? You’ll be<br />
waiting a long time. The reason for this<br />
supposedly disappointing announcement,<br />
says Warner, is that it would take<br />
too long to do the conversion.<br />
Wait a minute. Conversion?<br />
Do we need to say it again? A 3D<br />
movie needs to be shot with two lenses<br />
capturing two images. “Converting” to 3D<br />
is like “converting” a mono recording to<br />
stereo. They used to do that too some<br />
years ago, until public protests forced<br />
them to stop. Check the article in this<br />
issue, When 3D Falls Flat, and you’ll see<br />
what we’re on about.<br />
We’re disappointed to note that<br />
all news outlet other than ourselves<br />
seem to have accepted “conversion” as<br />
legitimate.<br />
Of course, releasing such a guaranteed<br />
blockbuster in 2D means leaving<br />
money on the table. Because cinemas<br />
charge extra for 3D, their operators<br />
love films that come with a 3D label,<br />
even when that label is fraudulent. Also<br />
losing money is RealD, the company<br />
whose projection process those cinemas<br />
use (the RealD system is legitimate, but<br />
it can’t add a dimension that doesn’t<br />
exist). Even IMAX may lose something.<br />
Though the new film will be shown in<br />
IMAX cinemas, more people might pay<br />
the extra dough if they thought they<br />
might see 3D.<br />
Of course Warner isn’t going to lose<br />
a dime. Is anyone, anyone, not going to<br />
see the new Harry Potter film because<br />
it’s not in 3D? We didn’t think so. Not<br />
us, anyway. We’ll be there.<br />
Now the bad news. It’s noised about<br />
that the film will eventually be released<br />
in 3D Blu-ray (still bogus, of course),<br />
and that it might first, eventually, be<br />
projected in “3D” at a theatre near<br />
you. Just as bad, Warner does expect to<br />
release the final film, coming next July,<br />
in the glory of full fake 3D.<br />
You’ve been warned!<br />
The UHF Reference Systems<br />
Equipment reviews are done on at least one of<br />
UHF’s reference systems, selected as working<br />
tools. They are changed as infrequently as<br />
possible, because a reference that keeps changing<br />
is no reference.<br />
The Alpha system<br />
Our original reference is in a room with special<br />
acoustics, originally a recording studio, letting<br />
us hear what we can’t hear elsewhere.<br />
Main digital player: Linn Unidisk 1.1<br />
Additional CD player: CEC TL-51X<br />
belt-driven transport, Moon 300D<br />
converter<br />
Digital cable: Atlas Opus 1.5m<br />
Digital portable: Apple iPod Touch<br />
Turntable: Audiomeca J-1<br />
Tone arm: Audiomeca SL-5<br />
Pickup: Goldring Excel<br />
Phono preamp: Audiomat Phono 1.6<br />
<strong>Preamplifier</strong>: Copland CTA-305<br />
Power amplifier: Simaudio Moon W-5LE<br />
Loudspeakers: Living Voice Avatar<br />
OBX-R<br />
Interconnects: Atlas Navigator All-Cu,<br />
Pierre Gabriel ML-1<br />
Loudspeaker cables: Atlas Mavros with<br />
WBT nextgen banana connectors<br />
Power cords: Gutwire, Wireworld Aurora<br />
AC filters: Foundation Research LC-2<br />
(power amp), Inouye SPLC<br />
The Omega system<br />
It serves for reviews of gear that cannot easily<br />
fit into the Alpha system, with its small room.<br />
Digital players: shared with the Alpha<br />
system<br />
Turntable: Linn LP12/Lingo II<br />
Tone arm: Alphason HR-100S MCS<br />
Pickup: London Reference<br />
Phono preamp: Audiomat Phono 1.6<br />
<strong>Preamplifier</strong>: Simaudio Moon P-8<br />
Power amplifier: Simaudio Moon W-8<br />
Loudspeakers: Reference 3a Suprema II<br />
Interconnects: Atlas Navigator All-Cu,<br />
Atlas Mavros, Pierre Gabriel ML-1<br />
Loudspeaker cables: Pierre Gabriel ML-1<br />
for most of the range, Wireworld Polaris<br />
for the twin subwoofers<br />
Power cords: BIS Audio Maestro,<br />
GutWire B-12, Wireworld<br />
AC filters: GutWire MaxCon Squared,<br />
Foundation Research LC-1<br />
Acoustics: Gershman Acoustic Art panels<br />
The Kappa system<br />
This is our home theatre system. As with the<br />
original Alpha system, we had limited space,<br />
and that pretty much ruled out huge projectors<br />
and two-metre screens. We did, however,<br />
finally come up with a system whose performance<br />
gladdens both eye and ear, with the<br />
needed resolution for reviews.<br />
HDTV monitor: Samsung PN50A550<br />
plasma screen<br />
DVD player (provisional): Pioneer BDP-<br />
51FD Blu-Ray player<br />
<strong>Preamplifier</strong>/processor: Simaudio Moon<br />
Attraction, 5.1 channel version<br />
Power amplifiers: Simaudio Moon W-3<br />
(main speakers), bridged Celeste 4070se<br />
(centre speaker), Robertson 4010 (rear)<br />
Main speakers: Energy Reference Connoisseur<br />
(1984)<br />
Centre speaker: Thiel MCS1<br />
Rear speakers: Elipson 1400<br />
Subwoofer: 3a Design Acoustics<br />
Cables: Atlas, Van den Hul, MIT,<br />
GutWire, Wireworld<br />
Line filter: GutWire MaxCon Squared<br />
All three systems have dedicated power lines,<br />
with Hubbell hospital grade outlets. Extensions<br />
and power bars are equipped with hospitalgrade<br />
connectors.<br />
ULTRA HIGH FIDELITY Magazine 79<br />
Gossip&News<br />
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