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A Terrific Tube Preamplifier From Korea, And A - Ultra High Fidelity ...

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The Magic<br />

Without 3D<br />

What’s dominating movie screens<br />

this year? It’s 3D, that’s what. Or perhaps<br />

not.<br />

What caught our attention was a news<br />

item informing us that the next-to-last<br />

Harry Potter film, The Deathly Hallows,<br />

Part 1, would not, after all, be presented<br />

in 3D. Expecting us to cry? You’ll be<br />

waiting a long time. The reason for this<br />

supposedly disappointing announcement,<br />

says Warner, is that it would take<br />

too long to do the conversion.<br />

Wait a minute. Conversion?<br />

Do we need to say it again? A 3D<br />

movie needs to be shot with two lenses<br />

capturing two images. “Converting” to 3D<br />

is like “converting” a mono recording to<br />

stereo. They used to do that too some<br />

years ago, until public protests forced<br />

them to stop. Check the article in this<br />

issue, When 3D Falls Flat, and you’ll see<br />

what we’re on about.<br />

We’re disappointed to note that<br />

all news outlet other than ourselves<br />

seem to have accepted “conversion” as<br />

legitimate.<br />

Of course, releasing such a guaranteed<br />

blockbuster in 2D means leaving<br />

money on the table. Because cinemas<br />

charge extra for 3D, their operators<br />

love films that come with a 3D label,<br />

even when that label is fraudulent. Also<br />

losing money is RealD, the company<br />

whose projection process those cinemas<br />

use (the RealD system is legitimate, but<br />

it can’t add a dimension that doesn’t<br />

exist). Even IMAX may lose something.<br />

Though the new film will be shown in<br />

IMAX cinemas, more people might pay<br />

the extra dough if they thought they<br />

might see 3D.<br />

Of course Warner isn’t going to lose<br />

a dime. Is anyone, anyone, not going to<br />

see the new Harry Potter film because<br />

it’s not in 3D? We didn’t think so. Not<br />

us, anyway. We’ll be there.<br />

Now the bad news. It’s noised about<br />

that the film will eventually be released<br />

in 3D Blu-ray (still bogus, of course),<br />

and that it might first, eventually, be<br />

projected in “3D” at a theatre near<br />

you. Just as bad, Warner does expect to<br />

release the final film, coming next July,<br />

in the glory of full fake 3D.<br />

You’ve been warned!<br />

The UHF Reference Systems<br />

Equipment reviews are done on at least one of<br />

UHF’s reference systems, selected as working<br />

tools. They are changed as infrequently as<br />

possible, because a reference that keeps changing<br />

is no reference.<br />

The Alpha system<br />

Our original reference is in a room with special<br />

acoustics, originally a recording studio, letting<br />

us hear what we can’t hear elsewhere.<br />

Main digital player: Linn Unidisk 1.1<br />

Additional CD player: CEC TL-51X<br />

belt-driven transport, Moon 300D<br />

converter<br />

Digital cable: Atlas Opus 1.5m<br />

Digital portable: Apple iPod Touch<br />

Turntable: Audiomeca J-1<br />

Tone arm: Audiomeca SL-5<br />

Pickup: Goldring Excel<br />

Phono preamp: Audiomat Phono 1.6<br />

<strong>Preamplifier</strong>: Copland CTA-305<br />

Power amplifier: Simaudio Moon W-5LE<br />

Loudspeakers: Living Voice Avatar<br />

OBX-R<br />

Interconnects: Atlas Navigator All-Cu,<br />

Pierre Gabriel ML-1<br />

Loudspeaker cables: Atlas Mavros with<br />

WBT nextgen banana connectors<br />

Power cords: Gutwire, Wireworld Aurora<br />

AC filters: Foundation Research LC-2<br />

(power amp), Inouye SPLC<br />

The Omega system<br />

It serves for reviews of gear that cannot easily<br />

fit into the Alpha system, with its small room.<br />

Digital players: shared with the Alpha<br />

system<br />

Turntable: Linn LP12/Lingo II<br />

Tone arm: Alphason HR-100S MCS<br />

Pickup: London Reference<br />

Phono preamp: Audiomat Phono 1.6<br />

<strong>Preamplifier</strong>: Simaudio Moon P-8<br />

Power amplifier: Simaudio Moon W-8<br />

Loudspeakers: Reference 3a Suprema II<br />

Interconnects: Atlas Navigator All-Cu,<br />

Atlas Mavros, Pierre Gabriel ML-1<br />

Loudspeaker cables: Pierre Gabriel ML-1<br />

for most of the range, Wireworld Polaris<br />

for the twin subwoofers<br />

Power cords: BIS Audio Maestro,<br />

GutWire B-12, Wireworld<br />

AC filters: GutWire MaxCon Squared,<br />

Foundation Research LC-1<br />

Acoustics: Gershman Acoustic Art panels<br />

The Kappa system<br />

This is our home theatre system. As with the<br />

original Alpha system, we had limited space,<br />

and that pretty much ruled out huge projectors<br />

and two-metre screens. We did, however,<br />

finally come up with a system whose performance<br />

gladdens both eye and ear, with the<br />

needed resolution for reviews.<br />

HDTV monitor: Samsung PN50A550<br />

plasma screen<br />

DVD player (provisional): Pioneer BDP-<br />

51FD Blu-Ray player<br />

<strong>Preamplifier</strong>/processor: Simaudio Moon<br />

Attraction, 5.1 channel version<br />

Power amplifiers: Simaudio Moon W-3<br />

(main speakers), bridged Celeste 4070se<br />

(centre speaker), Robertson 4010 (rear)<br />

Main speakers: Energy Reference Connoisseur<br />

(1984)<br />

Centre speaker: Thiel MCS1<br />

Rear speakers: Elipson 1400<br />

Subwoofer: 3a Design Acoustics<br />

Cables: Atlas, Van den Hul, MIT,<br />

GutWire, Wireworld<br />

Line filter: GutWire MaxCon Squared<br />

All three systems have dedicated power lines,<br />

with Hubbell hospital grade outlets. Extensions<br />

and power bars are equipped with hospitalgrade<br />

connectors.<br />

ULTRA HIGH FIDELITY Magazine 79<br />

Gossip&News<br />

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