|melin & österlin]: Olika sidor Reklam ... - Antikvariat Morris

|melin & österlin]: Olika sidor
Reklam & Designhistoriska föreningen, Malmö 1998.
Opaginerad (c. 44 blad). Tvärformat (24 x 27 cm).
Katalogen hålls samman med genomgående skruvar,
framsida av kartong och baksida av plåt. I en enkel
tryckt pappkassett. Framtagen av Reklam & Designhistoriska
föreningen och (2) Screen till utställningen
Screentryck som visades på Form/Design Center i
Malmö 5 december 1998 - 6 januari 1999. Katalogen
har en inledande text följt av utsnitt från affischer signerade
M&Ö tryckta hos Reklamteknik och (2) Screen
i Malmö. Spektakulärt och påkostat tryck med stort
antal färger på olika material som kraftboard, däckelpapper, vinyl, kvistpapper, pvc o.s.v.
SEK400 / €45
remington, r. roger & hodik, barbara j.: Nine Pioneers
in American Graphic Design
The MIT Press, Cambridge (Mass.) 1989. xvi, 179 pages. 4to
(31 x 22,5 cm). Blue cloth binding with dust jacket. Foreword
by Massimo Vignelli. More than 300 illustrations, 55 in colour,
are drawn from almost every medium of graphic expression,
including posters, advertising, magazines, book jackets, business
graphics, and signage. This is a comprehensive look at these pioneering
designers: Mehemed Fehmy Agha, Alexey Brodovitch,
Charles Coiner, William Golden, Lester Beall, Will Burton,
Alvin Lustig, Ladislav Sutnar, Bradbury Thompson.
SEK750 / €85
young, doyald:
Fonts & Logos. Font
Analysis, Logotype
Design, Typography,
Type Comparison,
and History
Delphi Press, Sherman
Oaks, California 1999. 387 pages. 4to (31 x 23,5 cm).
Blind stamped black cloth with slightly worn dust jacket.
Signed and dated by the author. Introduction by Hermann
Zapf. Type samples, letter forms and other illustrations.
The subjects covered include: the characteristics of
serif, sans serif, and script; how to space type for greatest
legibility; when to use expert fonts; guidelines for choosing
the right font for the job, how to construct your own
fonts, and pitfalls to avoid. It is a superb reference and
source book for students, educators, graphic designers,
font designers, and typophiles.
SEK800 / €91

nishio, tadahisa: Herb Lubalin
IDEA, No place & date (1969). 120 pages. 4to (30,5 x
23 cm). Bound in cloth, dust wrapper worn and with
tears, covers slightly warped, rear end paper with a
scratch mark. First 81 pages with illustrations from
Lubalin’s work with Eros, Avant Garde, Fact, Cover
design, Ads for Smucker’s; National City Bank;
WCBS; Vistal; Ebony, Pamphlets, Hairline Typeface,
Posters, Logotype and Letterhead. This section follows
by an essay on Herb Lubalin by Louis Dorfsman. An
interview, ”dialogue”, with Tadahisa Nishio. Ending up
with John Durniak: ”Herb Who?” English and Japanese
text. Hard to find title. SEK1750 /€198
diethelm, walter: form + communication. Wege zur
Visualisierung. Way to visualization. Voies de visualisation
ABC Verlag, Zürich 1974. 227 pages. (25,5 x 26,5
cm). White cloth spine lettered in black, laminated
boards, in fine dust jacket. Illustrated in colour and
black and white throughout. Text in English, German
and French. First edition. A nice copy indeed. ”The
perfection of visualization, now and in the future,
is a main desire of all graphic designers. /.../ There
are indications of sign systems /.../ giving exhaustive
information on new methods of making international
communication possible.”
SEK1200 / €136
morison, stanley & day, kenneth: The Typographic
Book 1450-1935. A study of fine typography through
five centuries. Exhibited in upwards of three hundred and
fifty title and text pages drawn from presses working in the
European tradition
Ernest Benn, London 1963. xiv, 98, (1) pages + 377
plates. Large 4to (31,5 x 25,5 cm). Black buckram,
dust jacket chipped, scratched and paper loss at spine.
Two title pages in reddish-brown and one initial letter

printed from wood-blocks engraved by Reynolds Stone. With an introductory essay by Stanley Morison,
and supplementary material by Kenneth Day. With an index to the text and the list of plates. First
edition.
The book, which took five years to finish, is definitely a corner-stone in the history of typography. The
book is set in Monotype Bembo and printed at the University Printing House, Cambridge by Brooke
Crutchley, University Printer. The plates are printed by L. Van Leer, Amsterdam on paper made by
Van Gelder Zonen. (Appleton 221).
“Tradition is a discipline whose most valid rule, in respect to our subject, is that the typographic book
is produced not for the satisfaction of a single person or select collectivity but for the pleasure of the
general reader of this age and the text.” S.M. page 13. SEK1600 / €181
melin & österlin: Nordstjernan. Landsvägsvelociped 1914
Trelleborgs Gummifabriks ab, [c.1965-68]. Litograferad plansch utan passepartout. (80 x 105 cm). Utdrag
ur katalog från tillverkaren: ”Velocipeden levereras med elegant, svart lackering och förnickling,
skärmar i trä, celluloidpump, verktygsväska, skrufnycklar, reparationsask, oljekanna och putsduk.”
Givetvis är cykeln utrustad med ”Svea-däck” från Trelleborgs Gummifabrik.
AB Svenska Telegrambyrån, Malmö hade det reklam-historiskt legendariska uppdraget för Trelleborgs
Gummifabriks AB. SEK2000 / €227
karin tyrefors: Tablette
Table made of natural stone and stainless steel. Stoneplate in Diabase or Carrara marble.
http://www.karintyrefors.com
Tablette is represented at:The Swedish Embassy in Berlin and London,
at UD, Leif Pagrotsky ”En handelsministers rum”, Stockholm.

sandholm, thure: Handbok i skyltmålning. Praktiska
och kortfattade regler och råd vid teckning och målning
af speciellt affärsskyltar samt beskrifning öfver utförande af
glasskyltar, sgrafitomålning standar och fanor m.m.
Ernst Karlssons Förlag, Stockholm 1905. 87 s. + 2
annonssidor. 4:o (31,5 x 25,5 cm). Trådhäftad. Omslagen
fläckade och revade vid ryggen samt loss från
inlagan. Inlagan lös i trådhäftningen, annars är inlagan
ren och fin. Exempelsamling i färg och svartvitt.
Första och enda upplagan. Ej vanlig.
SEK975 / €110
kwon, young-soo & jung, yong-seock (eds.): The Best in World Trademarks. Corporate Identity.
Brand Identity. 1-2
Millim Publishing Company, 2000. 295 s. + 295 s. 4to (30,5 x 23 cm). Laminated paper boards with
dust jackets. Almost 3900 symbols and
brand marks in colour. Text in English and
Korean. Two volumes.
If you want to see the world’s famous industrial
and enterprise symbols and brand
marks, this is what you are looking for.
SEK1500 / €170

Warmly welcome to our new shop in Stockholm
Hantverkargatan 21
Opening hours: Mo-Fr 11.00–6.00
A section of books, above three posters by
Melin & Österlin and in the foreground a
table designed by Karin Tyrefors
http://www.karintyrefors.com
Left: Playing cards by jockum nordström,
designed for for the Museum of
Modern Art, Stockholm 2005. Printed in a
limited edition of 200 copies.
Right: Playing cards designed by a.m. cassandre
for Hermès 1948, first edition
Four posters designed by carl fredrik
hultenheim

john kandell: Pilaster
Shelf. H 205, W 22, D 20 cm. Solid birch; stained in National
Geographic-yellow. Fulfils the requirements for the eco
label Svanen. Källemo, 1989: http://www.kallemo.se
mats theselius: National Geographic
Bookcase. Glas doors, stained yellow, brass details. Base
of solid, natural beech. Suitable for storing The National
Geographic Magazines, each section stores 25 years of the
magazine. Källemo, 1990: http://www.kallemo.se
komplot design - boris berlin/poul christiansen:
NON
Table. Steel frame encased in PUR-rubber. For in and outdoor
use. H 72/112, 68x68 cm.
Chair. Steel frame encased in PUR-rubber with feathersteel
in back. For in and outdoor use. H 77, W 44, D 39 cm Källemo,
2000. http://www.kallemo.se