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SHOOTING DOGS screenplay by David Wolstencroft

SHOOTING DOGS screenplay by David Wolstencroft

SHOOTING DOGS screenplay by David Wolstencroft

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Episode 5 - Yellow Pages 28.4.04 12.<br />

CONTINUED:<br />

ZOE<br />

But why do we have to do it on the<br />

ferry?<br />

ADAM<br />

Controlled environment. Once you<br />

speak to him he'll have a sleepless<br />

night to digest the bad news and<br />

*<br />

the deal will be off <strong>by</strong> breakfast<br />

time.<br />

Danny and Zoe shake their heads, briefing over, Adam turns a<br />

corner. Zoe joins Danny as they walk back to The Grid,<br />

slightly frayed exchange.<br />

ZOE<br />

What's up with you these days?<br />

DANNY<br />

Nothing. Why, what's up with you?<br />

14 INT. CORNER OF COMPUTER ROOM - DAY 2. 1000<br />

14 *<br />

Ruth is alone. She looks around, sits herself in a booth,<br />

headphones on, clicks "PLAY" on a screen that says: "SOURCE<br />

KARL: AUDIO FILE 12/334". We sense this is a guilty<br />

pleasure. This is not a local library ...<br />

MAN'S VOICE<br />

Not like that. I'm a successful<br />

man, aren't I?<br />

An old friend speaks, a sister even.<br />

WOMAN'S VOICE<br />

Last time I looked.<br />

MAN'S VOICE<br />

So why is the only thing I think<br />

about these days the only part of<br />

my life I've neglected?<br />

WOMAN'S VOICE<br />

John, come on, you shouldn't be so<br />

down on yourself ...<br />

(CONTINUED)<br />

*

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