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As you will have<br />

found from reading<br />

Stereophile’s<br />

live on-line coverage<br />

of the <strong>2007</strong><br />

Consumer Electronics<br />

Show, held in Las<br />

Vegas last January—see<br />

http://blog.stereophile.<br />

com/ces<strong>2007</strong>—the venue for<br />

high-end audio at the annual<br />

Consumer Electronics Show<br />

has been shifted from the<br />

motel-like Alexis Park Hotel<br />

to the rooms and suites of<br />

the Venetian Hotel and Casino.<br />

It will take a while to<br />

learn the Venetian’s lanes<br />

and byways, but some audiorelated<br />

problems are already<br />

apparent. Most of the larger<br />

rooms, on the meeting-room<br />

floors, suffer greatly from a lack of isolation<br />

(separation was provided by<br />

flimsy, movable partition walls),<br />

strange proportions (in most, the greatest<br />

dimension was height), tray ceilings<br />

(read: chancy and irregular room<br />

modes), and a general lack of acoustic<br />

considerations.<br />

One of the best-sounding of those<br />

rooms was chock-full of Echo Buster<br />

products. Head Buster Michael<br />

Kochmann said that he was getting<br />

many requests for his products, and<br />

while he would have loved to have had<br />

them displayed in many rooms, he<br />

needed all he had for his own display.<br />

Others had to coordinate their demos<br />

with their neighbors: simultaneous adjacent<br />

demos would have meant cacophony<br />

for all. It was great to see our<br />

friends playing nicely with each other.<br />

There was more cause for optimism<br />

upstairs at the Venetian. The larger<br />

suites were the sites of some really<br />

great demos, such as that of the new<br />

TAD Reference One loudspeakers, in<br />

a multichannel system of staggering<br />

proportions. Even the smaller rooms<br />

were, on the whole, more acoustically<br />

friendly than those at the Alexis. Still,<br />

as usual, there were winners and losers,<br />

suggesting that demonstrators with<br />

setup talent will always make a better<br />

showing. But the best aspect of the<br />

MUSIC IN THE ROUND<br />

Kalman Rubinson<br />

The <strong>2007</strong> CES & the Mark Levinson No.433 power amplifier<br />

Editor John Atkinson photographs a very proud Kevin Voecks as he shows off his new<br />

Ultima Salon2 speaker and the award received from Stereophile for the<br />

Revel Concerta F12, one of our “Budget Products of 2006.”<br />

new venue, in my opinion, is that the<br />

Venetian’s wide variety of accommodations<br />

could draw back to a single central<br />

site companies that for years have<br />

exhibited off-site at other hotels.<br />

I didn’t see much progress in multichannel<br />

audio-only sound at CES.<br />

There were a few multichannel demos,<br />

but for the most part the high-end<br />

audio industry seems to be marking<br />

time while it waits for a new<br />

audio/video<br />

format to take<br />

center stage.<br />

Having been<br />

burned by<br />

investing in<br />

the hardware<br />

for SACD and<br />

DVD-Audio,<br />

the specialtyaudio<br />

industry<br />

is letting the<br />

big boys and<br />

the mass market<br />

figure out<br />

what that format<br />

will be.<br />

Sure, Dolby<br />

and DTS each<br />

offer a lossless, high-resolution, multichannel<br />

format eminently suited to<br />

serious sound for both Blu-ray and<br />

HD DVD, but until the war being<br />

fought over hi-rez<br />

video formats is<br />

resolved, high-end<br />

audio manufacturers<br />

and the major record<br />

labels are content to<br />

watch from the sidelines.<br />

There was notable<br />

interest at CES in<br />

wireless audio and<br />

video transmission.<br />

Driven mostly by<br />

modish interconnectivity<br />

issues, wireless<br />

transmission can<br />

have great impact on<br />

multichannel audio.<br />

In most domestic<br />

environments, where<br />

to run the necessary<br />

wires for just two<br />

channels can lead to arguments; when<br />

the number of channels triples, a family<br />

crisis is almost assured. Following<br />

the 2006 CES, I reported on the development<br />

of 802.11a/g/n-based wireless<br />

audio speakers by Australia’s Avega<br />

Systems. This year, Avega had gone<br />

OEM, but their partner, WebeckMolloy<br />

(www.webeckmolloy.com),<br />

demonstrated the truly high-end wireless<br />

speaker featured in my YouTube<br />

Theta’s Valis processor and Virtu digital amp are digital through and through<br />

using a quartet of S/PDIF-like connectors to link them.<br />

debut (www.youtube.com/watch?v=<br />

MfMWe1G7s10).<br />

Even more relevant to this column<br />

was the demonstration of a complete<br />

www.Stereophile.com, May <strong>2007</strong> 37

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