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FLETCH<br />
Hi, Jim Swarthout, please. Oh, hello, my name<br />
is Igor Stravinski and I'm looking for some ranch property.<br />
110 INT. SWARTHOUT REALTY<br />
Jim Swarthout is a rugged-looking man in his forties. He sits in<br />
the den/office of his house talking on the phone, surrounded by<br />
pine-paneling, property tract maps and wall-mounted animal heads.<br />
SWARTHOUT<br />
Good, Mr. Starinski, what'd you have in mind?<br />
(pause)<br />
Uh huh. Oh are you a friend of Alan's?<br />
111 INT. FLETCH'S MOTEL ROOM<br />
FLETCH<br />
No, I just heard some people at the club talking about the<br />
property<br />
you sold him, and the way it was described, three million sounded<br />
like<br />
a pretty good price.<br />
(pause)<br />
What?<br />
<strong>Fletch</strong> pauses again to listen, flummoxed over what he has just<br />
heard.<br />
FLETCH<br />
Are you sure?<br />
(pause)<br />
Of course. I guess I was misinformed. Listen,<br />
I'd love to come out and see you anyway.<br />
When are you available?<br />
112 INT. SWARTHOUT REALTY<br />
SWARTHOUT<br />
Well, I'm about to close up shop and go out for the<br />
evening. How about first thing in the AM?<br />
(pause)<br />
Great. See you tomorrow.<br />
113 INT. FLETCH'S MOTEL ROOM<br />
FLETCH<br />
Tomorrow.<br />
<strong>Fletch</strong> hangs up, very interested.<br />
114 OMITTED