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10<br />
aBoUt <strong>the</strong> artists<br />
michael spiro is an internationally recognized percussionist, recording artist, and educa<strong>to</strong>r,<br />
known specifically for his work in <strong>the</strong> Latin music field. He has performed on thousands <strong>of</strong><br />
records, co-produced and played on several instructional videos for Warner Bros. Publications<br />
(including Talking Drums, Changui<strong>to</strong>, Giovanni Hidalgo, and Ignacio Berroa), and produced<br />
seminal recordings in <strong>the</strong> Latin music genre, including Orquesta Batachanga, Grupo Bata-Ketu,<br />
Mark Levine and <strong>the</strong> Latin Tinge, and Grupo Ilu-Aña. He currently resides in San Francisco,<br />
w<strong>here</strong> he is an integral part <strong>of</strong> <strong>the</strong> Bay Area music scene. He records and produces with groups<br />
throughout <strong>the</strong> West Coast and still <strong>to</strong>urs worldwide with <strong>the</strong> percussion trio Talking Drums,<br />
which he co-leads with David Garibaldi and Jesus Diaz.<br />
A champion <strong>of</strong> contemporary music in <strong>the</strong> U.S. and abroad, violist ellen ruth rose currently<br />
is a member <strong>of</strong> Empyrean Ensemble, <strong>the</strong> new music ensemble in residence at <strong>UC</strong> <strong>Davis</strong>, and<br />
Earplay, <strong>the</strong> San Francisco-based contemporary ensemble, and performs regularly with o<strong>the</strong>r California<br />
ensembles such as <strong>the</strong> San Francisco Contemporary <strong>Music</strong> Players, Santa Cruz New <strong>Music</strong> Works, Left<br />
Coast Ensemble, and <strong>the</strong> Berkeley Contemporary Chamber Players. She has worked extensively<br />
with Frankfurt’s Ensemble Modern and <strong>the</strong> experimental ensembles Musik Fabrik and Thürmchen<br />
Ensemble, appearing at <strong>the</strong> Cologne Triennial, Berlin Biennial, Salzburg Zeitfluß, Brussels Ars<br />
Nova, Venice Biennial, Budapest Autumn, and Kuhmo (Finland) festivals. She has performed as<br />
soloist with <strong>the</strong> West German Radio Chorus, Empyrean Ensemble, Thürmchen Ensemble, <strong>the</strong><br />
San Francisco Contemporary <strong>Music</strong> Players, Santa Cruz New <strong>Music</strong> Works, and <strong>the</strong> symphony<br />
orchestras <strong>of</strong> <strong>UC</strong> Berkeley and <strong>UC</strong> <strong>Davis</strong>, and at <strong>the</strong> San Francisco O<strong>the</strong>r Minds and Ojai <strong>Music</strong><br />
festivals. She has appeared on numerous recordings, including a Wergo CD <strong>of</strong> <strong>the</strong> chamber music <strong>of</strong><br />
German composer Caspar Johannes Walter—featuring several pieces written for her—which won <strong>the</strong><br />
German Recording Critics’ new music prize in 1998. In 2003 she created, organized, and directed<br />
Violafest!, a four-concert festival at <strong>UC</strong> <strong>Davis</strong> celebrating <strong>the</strong> viola in solos and chamber music new<br />
and old, including solos from <strong>the</strong> recently published anthology The American Viola (JB Elkus & Son,<br />
2003) and premieres <strong>of</strong> pieces for four violas by Yu-Hui Chang and Laurie San Martin.<br />
Rose has premiered several works by Nor<strong>the</strong>rn California composers, including Kurt Rohde<br />
(Double Trouble double viola chamber concer<strong>to</strong>, 2002), Pablo Ortiz (Le vrai tango argentin for<br />
solo viola, 2001), Miguel Galperin (Projections for solo viola, 2004), Steed Cowart (Zephyr for<br />
solo viola, 1989/2001), Edmund Campion (Melt me with thy delicious numbers for viola and live<br />
electronics, 2003), Aaron Einbond (Self Similarity for viola and live electronics, 2008), William<br />
Beck (Aquarium for viola, t<strong>here</strong>min, and tape, 2002), and Robert Coburn (Fragile Horizons for<br />
viola, video, voice, and computer, 2007). Recent projects include performances <strong>of</strong> Rohde’s Double<br />
Trouble at <strong>the</strong> Ojai Festival, San Francisco, and Los Angeles; a world premiere recording <strong>of</strong> Thomas<br />
Stiegler’s Unisono for two solo violas and ensemble; <strong>the</strong> West Coast premiere <strong>of</strong> Frances White’s<br />
A Veil Barely Seen for viola and tape; and performances <strong>of</strong> Campion’s Melt me with thy delicious<br />
numbers and Ortiz’s Le vrai tango argentin in S<strong>to</strong>ckholm, Sweden.<br />
Rose holds degrees in performance from <strong>the</strong> Juilliard School and <strong>the</strong> Northwest German <strong>Music</strong><br />
Academy in Detmold, Germany, as well as a bachelor’s degree with honors in English and<br />
American his<strong>to</strong>ry and literature from Harvard University. Her teachers have included Heidi<br />
Castleman, Nobuko Imai, Marcus Thompson, and Karen Tuttle. She is on <strong>the</strong> instrumental faculty<br />
at <strong>UC</strong> <strong>Davis</strong> and <strong>UC</strong> Berkeley and has also taught at <strong>the</strong> University <strong>of</strong> <strong>the</strong> Pacific.