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ad libitum 2011 englisch - NAPEX

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Winfried Böhler Cultural Foundation<br />

Composition Competition<br />

Contemporary Music for Amateur or Semiprofessional<br />

Orchestras, Ensembles and<br />

Soloists<br />

Preliminary Notes<br />

The contemporary repertoire for amateurs or young musicians is very limited. The few works available are<br />

often technically too difficult, the instrumentation is inappropriate or not flexible enough.<br />

The Winfried Böhler Cultural Foundation would like to help make an attractive, playable repertoire of<br />

artistically high quality, contemporary music of all genres available to children, young people and <strong>ad</strong>ult<br />

amateurs.<br />

As part of their initiative, the composition competition “<strong>ad</strong> <strong>libitum</strong> <strong>2011</strong>”, the Winfried Böhler Cultural<br />

Foundation is offering prizes for compositions. The challenge of the compositions lies in combining a high<br />

quality which is musically demanding, flexibility in the instrumentation and technical practicability for<br />

amateurs or semi-professionals.<br />

The Winfried Böhler Foundation was founded in 2003 and has been involved with social relief projects,<br />

development aid, child and youth welfare, and cultural art projects for several years. Because of this<br />

network of activities, the foundation is also an important contact for artists and cultural institutions in the<br />

Stuttgart area, including Netzwerk Süd. In 2007, to further support these activities, Winfried Böhler founded<br />

the Winfried Böhler Cultural Foundation which is running the composition competition “<strong>ad</strong> <strong>libitum</strong>” and<br />

offering the composition prizes.<br />

Criteria<br />

The only criteria for the selection of a piece by the jury are the quality of the composition and the<br />

practicability for amateurs or semi-professional orchestras and ensembles. Pieces of all different types,<br />

solos, chamber music, choral works, pieces for ensembles and orchestral works for all ages will be<br />

welcomed. The length should not exceed 15 minutes.<br />

Flexibility of instrumentation is important, especially in the large scale works. Hardly any amateur groups,<br />

whether a school orchestra or amateur choir, have a balanced group of participants. Often there is an<br />

imbalance in particular instrument groups, for example in the woodwind section or the strings (an excess of<br />

flutes and clarinets or violins respectively), or a complete lack of certain instrument groups. Choirs often<br />

lack tenors.


Since amateur musicians within a group often vary in ability level, it may be <strong>ad</strong>visable to vary the difficulty<br />

level for different parts, for example the first violin part could be more difficult than the second violin part.<br />

Variable instrumentation is therefore an <strong>ad</strong>vantage, especially when the instruments can be substituted by<br />

others according to the circumstances within the group.<br />

More demanding solo parts are possible, as is the use of <strong>ad</strong> hoc performances by musicians not bound to<br />

any one instrument.<br />

Jury, Rehearsal and Performance<br />

A Jury judges the submitted works and awards prizes with a total value of €12,000.<br />

The prize-winning pieces are planned to be performed in <strong>2011</strong> by selected amateur or semi-professional<br />

orchestras and ensembles as part of the events calendar of Musik der Jahrhunderte/Netzwerk Süd in<br />

various venues around the Stuttgart area. The programming is the responsibility of Musik der<br />

Jahrhunderte/Netzwerk Süd.<br />

Application<br />

1. Only one entry per composer will be accepted.<br />

2. Submissions m<strong>ad</strong>e by publishers and agents must be accompanied by the written consent of the<br />

composer.<br />

3. All submissions must include the following:<br />

a. Three copies of the score<br />

b. A short biography of the composer in German or English (max. 3,000 characters)<br />

c. Postal and email <strong>ad</strong>dresses of the composer (Link to a personal website or Link to the<br />

publisher/agent, if available)<br />

d. A recording of the work (Audio-CD, mp3 or wav-Files), if available<br />

e. Commentary on the work in German or English (max. 4,000 characters)<br />

f. Year of composition and length of the work<br />

g. All the necessary information and documentation for the jury (e.g. recordings, system<br />

descriptions, technical requirements, list of equipment)<br />

4. The closing date is 15 th December 2010 (postmark)<br />

5. Applications should be sent to:<br />

Netzwerk Süd c/o Musik der Jahrhunderte, Siemensstraße 13, D-70469 Stuttgart<br />

6. The performance material (score and parts) should be provided by the composer until March <strong>2011</strong>.<br />

7. All applications will be handled with great care. However, the organiser holds no responsibility for any<br />

losses or damage caused to the submitted material.<br />

8. The submitted material will not be returned unless expressly requested. Postal charges will not be<br />

accepted.<br />

Submissions which do not fulfil these conditions will not be considered.

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