The Bayeux Tapestry and the Vikings - Peregrinations
The Bayeux Tapestry and the Vikings - Peregrinations
The Bayeux Tapestry and the Vikings - Peregrinations
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used closely resemble those in <strong>the</strong> ship-building scene in <strong>the</strong> Embroidery. <strong>The</strong> felling<br />
axe, <strong>the</strong> broad axe, <strong>the</strong> small shaping axe, <strong>the</strong> spoon drill (breast auger), <strong>and</strong> adze were all<br />
similar to those attested in <strong>the</strong> Embroidery. <strong>The</strong> depiction of <strong>the</strong> stemsmith checking <strong>the</strong><br />
lines of <strong>the</strong> boat by eye suggested <strong>the</strong> importance of <strong>the</strong> use of <strong>the</strong> eye to align <strong>the</strong> pieces<br />
<strong>and</strong> to check measurements.<br />
Figure 24: Eye-measuring in <strong>the</strong> <strong>Tapestry</strong>. Detail from <strong>the</strong> <strong>Bayeux</strong> <strong>Tapestry</strong> – 11th<br />
Century by special permission of <strong>the</strong> City of <strong>Bayeux</strong>.<br />
<strong>The</strong> sea performance of <strong>the</strong> vessel was perfect. Roar Ege has been described as “a<br />
voyager through time <strong>and</strong> a tangible reminder of <strong>the</strong> spirit of an amazing age.” 29<br />
29 Henrik Juel, Roar’s Circle – a Viking Ship returns to <strong>the</strong> Sea (Cambridge: Lutterworth Press, 2006).<br />
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