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pronounced them as the corresponding Akkadian words. They also kept the phonetic values but<br />

extended them far beyond the original Sumerian inventory of simple types. Many more complex<br />

syllabic values of Sumerian logograms were transferred to the phonetic level, and polyphony became<br />

an increasingly serious complication in Akkadian cuneiform.<br />

King Hammurabi of Babylon (died 1750 BC) unified all of southern Mesopotamia. Babylonia<br />

thus became the great and influential center of Mesopotamian culture. The Code of Hammurabi is<br />

written in Old Babylonian cuneiform, which developed throughout the shifting and less brilliant later<br />

eras of Babylonian history into Middle and New Babylonian types.<br />

The expansion of cuneiform writing outside Mesopotamia began in the 3rd millennium, when<br />

the country of Elam in southwestern Iran was in contact with Mesopotamian culture and adopted the<br />

system of writing. The Elamite sideline of cuneiform continued far into the 1st millennium BC,<br />

when it presumably provided the Indo-European Persians with the external model for creating a new<br />

simplified quasi-alphabetic cuneiform writing for the Old Persian language<br />

In the 2nd millennium the Akkadian of Babylonia, frequently in somewhat distorted and<br />

barbarous varieties, became a lingua franca of international intercourse in the entire Middle East, and<br />

cuneiform writing thus became a universal medium of written communication.<br />

DERIVED SCRIPTS<br />

Complexity of the system prompted simplified versions of the script ! Old Persian was written in a<br />

subset of simplified cuneiform characters known as Old Persian Cuneiform.<br />

DECIPHERMENT<br />

• 17th century (1618): European travelers return from Persia with records of inscriptions in<br />

Old Persian on walls of ancient Persepolis, the capital of Darius and the Persian kings of the<br />

Achaemenid dynasty<br />

• 18th century: 1) Carsten Niebuhr noticed that many of the (new and more) inscriptions<br />

were duplicated, enabling him to check one set of readings against another. He confirmed<br />

the left-to-right direction of the writing. He was able to distinguish 3 unique scripts.<br />

• knowledge of cuneiform was lost until 1835 when Henry Rawlinson found the Behistun<br />

inscriptions in Persia.<br />

• inscription consist of identical texts in 3 official languages of the empire: Old Persian,<br />

Babylonian, and Elamite (3300-500BC), helped in decipherment of cuneiform.<br />

IMPORTANT PEOPLE<br />

• Carsten Niebuhr – a Danish traveler who noticed that t<strong>here</strong> were 3 different cuneiform<br />

scripts at Persepolis<br />

• Grotefend – a German high school teacher who took the first serious step towards<br />

decipherment; attempted to decipher Old Persian cuneiform; concluded that the single<br />

slanting wedges must be word dividers and the system must be alphabetic; although not<br />

wholly correct, it served well in identifying names which were indeed spelt alphabetically;<br />

complied an alphabet of Old Persian, many proved wrong esp when he tried to extend his<br />

system beyond proper name; he attempted decipherment of Old Persian as an alphabet. In<br />

fact, the script is partially syllabic; many of his values were t<strong>here</strong>fore incorrect, particularly<br />

w<strong>here</strong> he allocated more than one sign to a single sound value and more than one sound<br />

value to a single sign<br />

• Henry Rawlinson—the person who copied the entire Behistun inscription; generally credited<br />

with decipherment of Babylonian cuneiform, but never explained how he did it, recent study<br />

of his notebooks suggests that he borrowed the work of the scholar Edward Hicks w/o giving<br />

him credit; knowledge of Avestan and Sanskirt, he expected consistent relationship btw<br />

words of the same meaning in Avestan, Sanskirt and Old Persian ! decipherment of the<br />

Behistun inscription in Old Persian; he came across different Babylonian signs for<br />

ba,bi,bu,ab,ib,ub, he at first regarded the all as diff ways of writing b (homophonous);<br />

conversely, he accepted that vertain signs could stand for more than one sound (polyphonic);

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