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2 - THE GALLERY April 27, 2012 — <strong>Antiques</strong> <strong>and</strong> The <strong>Arts</strong> Weekly<br />
THE GALLERY THE GALLERY THE GALLERY THE GALLERY<br />
THE GALLERY THE GALLERY THE GALLERY THE GALLERY<br />
Anne Seelbach, “Troubled Waters,” 2010, oil on canvas, 26 by 26 inches.<br />
Photograph by Joe Damone Photography.<br />
MODERNIST IN<br />
THE MOUNTAINS<br />
May 26 & 27, 1-5 PM<br />
The Most Sophisticated Designs ever Created<br />
1930s-1960s<br />
Andes Art <strong>and</strong> <strong>Antiques</strong><br />
This Important Group of Mid-Century Furniture, Objects & Art from<br />
American & International Collections, has been brought toge<strong>the</strong>r for <strong>the</strong> first<br />
time in this Important Modernist Show in <strong>the</strong> Catskill Mountains.<br />
Andes Art <strong>and</strong> <strong>Antiques</strong>, welcomes your calls <strong>and</strong> inquiries<br />
even before <strong>the</strong> opening Memorial Day Weekend.<br />
173 Main Street, Andes, New York 13731<br />
Gallery hours: 11:00AM - 5:00PM<br />
Call: 845-676-3420<br />
Popper<strong>Arts</strong>y2@aol.com | www.AndesArt<strong>and</strong><strong>Antiques</strong>.com<br />
R. Scudder Smith, Executive Publisher & Editor<br />
Carol Sims, Gallery Editor<br />
Pamela Ashbahian, Production Director<br />
Tel.203-426-8036 or 426-3141 or Fax. 203-426-1394<br />
www.<strong>Antiques</strong><strong>and</strong>The<strong>Arts</strong>.com<br />
email - carols@<strong>the</strong>bee.com<br />
Published by The Bee Publishing Company, Box 5503, Newtown Connecticut 06470<br />
‘Troubled Waters’<br />
STAMFORD, CONN. — PMW Gallery will feature <strong>the</strong> work of painter Anne Seelbach from<br />
May 20 to July 1 in an exhibition titled “Troubled Waters.” There will be an artist’s reception on<br />
Sunday, May 20, from noon to 4 pm, at <strong>the</strong> <strong>gallery</strong>, 530 Roxbury Road. There will also be an<br />
artist’s walk <strong>and</strong> talk on June 17 at noon.<br />
Seelbach has long been concerned about <strong>the</strong> toll of industry on <strong>the</strong> environment, <strong>and</strong> <strong>the</strong><br />
abstract paintings in this exhibition explore <strong>the</strong> topic with a sophisticated <strong>and</strong> emotional response.<br />
The artist describes her artistic vision as, “My work addresses <strong>the</strong> pollution that is in many of<br />
our water systems. Toxic chemicals <strong>and</strong> industrial waste contaminate streams, lakes, bays <strong>and</strong><br />
oceans. The “Troubled Waters” paintings reflect this conflict between <strong>the</strong> laws of nature <strong>and</strong> artificial<br />
attempts to control <strong>the</strong> environment. Gaskets <strong>and</strong> o<strong>the</strong>r mechanical shapes are incorporated<br />
into <strong>the</strong> paintings, representing human presence <strong>and</strong> industrial waste. Debris crowds <strong>the</strong> waters.<br />
Fish mutate into imaginary forms. A change is taking place as nature reacts to this disruption.”<br />
A recurring <strong>the</strong>me in Seelbach’s work is water <strong>and</strong> <strong>the</strong> shoreline, along with its wildlife <strong>and</strong> detritus.<br />
The artist says, “Breaking away from <strong>the</strong> four edges of a painting, <strong>the</strong> cutout paper pieces create<br />
shapes <strong>and</strong> spaces that are immediate <strong>and</strong> expressive of this new underwater world.”<br />
The familiar distinctive shape of a horseshoe crab, blue washes symbolic of water or perhaps sky<br />
reflected in water, bold outlines <strong>and</strong> balanced compositions are Seelbach hallmarks. She said, “I<br />
am interested in <strong>the</strong> tension between representation <strong>and</strong> abstraction; perspective drawing versus<br />
free-form washes <strong>and</strong> geometric shapes versus atmospheric color fields. I use <strong>the</strong>se oppositions to<br />
create a tension between three-dimensional illusion <strong>and</strong> a flattening of space. Gestural brushwork<br />
<strong>and</strong> rich colors are dominant. Layered paint creates subtle colors <strong>and</strong> textures.”<br />
Seelbach’s work is included in <strong>the</strong> permanent collections of <strong>the</strong> Newark (N.J.) Museum, <strong>the</strong><br />
Lyman Allyn Museum, New London, Conn. <strong>and</strong> <strong>the</strong> Frauenmuseum, Germany. She is also represented<br />
in many corporate collections including Pfizer Inc, Prudential Insurance, <strong>and</strong> XTO Energy,<br />
as well as many private collections in <strong>the</strong> United States <strong>and</strong> Europe.<br />
Gallery visitation is by appointment. Contact dealer Patsy Whitman for information or for an<br />
appointment at 203-322-5427 or patsystar@pmw<strong>gallery</strong>.com. The <strong>gallery</strong> website is www.pmw<strong>gallery</strong>.com.<br />
CHARLES FREDERICK ULRICH<br />
(American 1858-1908)<br />
The Sculptor’s Studio, circa 1886-1890<br />
Oil on panel, 13 3/4 x 15 1/4 inches, Signed u.r.<br />
111 Old Quarry Road, Guilford, CT 06437 ~ (203) 453-2449<br />
1000 Madison Avenue, New York, NY 10075 ~ (212) 879-9259<br />
www.thomascolville.com<br />
www.thomascolville.com <strong>and</strong><br />
<strong>and</strong> www.artnet.com/tcolville.html<br />
www.artnet.com/tcolville.html<br />
By appointment<br />
By appointment