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6 - THE GALLERY April 27, 2012 — <strong>Antiques</strong> <strong>and</strong> The <strong>Arts</strong> Weekly<br />

‘White on White’ Opens At<br />

The Bruce Museum June 30<br />

GREENWICH, CONN. — “White on White: Churches<br />

of Rural New Engl<strong>and</strong>” is a visual journey through <strong>the</strong><br />

New Engl<strong>and</strong> l<strong>and</strong>scape of <strong>the</strong> Eighteenth <strong>and</strong> Nineteenth<br />

Centuries as viewed through <strong>the</strong> lens of architectural design<br />

<strong>and</strong> historic preservation. The show opens June 30 at <strong>the</strong><br />

Bruce Museum, One Museum Drive, <strong>and</strong> will continue<br />

<strong>the</strong>re through September 23.<br />

Organized by Historic New Engl<strong>and</strong> of Boston, Mass.,<br />

this exhibition presents 40 photographs of iconic New Engl<strong>and</strong><br />

churches taken by renowned architectural photographer<br />

Steve Rosenthal.<br />

These remarkable small-town, white country structures<br />

were erected by local builders, joiners <strong>and</strong> occasionally by<br />

itinerant master carpenters. With no trained architects or<br />

schools of architecture in <strong>the</strong> country at <strong>the</strong> time, inspiration<br />

came from traditional designs <strong>and</strong> pattern books.<br />

Steve Rosenthal began photographing <strong>the</strong> churches in <strong>the</strong><br />

1960s <strong>and</strong> <strong>the</strong> project gradually became a personal quest.<br />

His affinity for <strong>the</strong> subject is apparent in <strong>the</strong> luminous black<br />

<strong>and</strong> white photographs that capture <strong>the</strong> effect of light on<br />

three-dimensional forms <strong>and</strong> <strong>the</strong> abstract patterns of shingles<br />

<strong>and</strong> shutters. His work, which displays <strong>the</strong> intrinsic<br />

beauty of <strong>the</strong> architecture while creating a world of rich<br />

order <strong>and</strong> rational light, allows <strong>the</strong> viewer to follow <strong>the</strong> evolution<br />

of church styles from <strong>the</strong> early meetinghouse through<br />

<strong>the</strong> changing patterns of Greek <strong>and</strong> Gothic revivals.<br />

“These are <strong>the</strong> buildings which give New Engl<strong>and</strong> towns<br />

<strong>and</strong> villages a unique sense of place <strong>and</strong> define, in many<br />

minds, <strong>the</strong> New Engl<strong>and</strong> character,” Rosenthal explains.<br />

“Collectively, <strong>the</strong>y are as important to <strong>the</strong> cultural <strong>and</strong><br />

architectural history of <strong>the</strong>se villages as are <strong>the</strong> great ca<strong>the</strong>drals<br />

to <strong>the</strong> cities of Europe.”<br />

Revered for <strong>the</strong>ir physical beauty, simplicity <strong>and</strong> elegance<br />

— <strong>and</strong> for <strong>the</strong>ir role in <strong>the</strong> early history of this country, <strong>the</strong><br />

early churches of New Engl<strong>and</strong> hold a special place in <strong>the</strong><br />

American consciousness. Rosenthal, who trained as an<br />

architect <strong>and</strong> is an accomplished architectural photographer,<br />

has traveled throughout <strong>the</strong> Nor<strong>the</strong>ast capturing what<br />

remains of <strong>the</strong>se architectural gems. The photographs in<br />

“White on White: Churches of Rural New Engl<strong>and</strong>” are<br />

personally selected by Rosenthal from his book of <strong>the</strong> same<br />

name.<br />

According to Anne Von Stuelpnagel, director of exhibitions<br />

at <strong>the</strong> Bruce Museum, <strong>the</strong> exhibition is likely to appeal<br />

to a broad audience. “There is <strong>the</strong> artistry of <strong>the</strong> photographs.<br />

And <strong>the</strong> subject matter will connect with many peo-<br />

Exhibition Features Steve Rosenthal’s Photographs<br />

Of Historic New Engl<strong>and</strong> Churches<br />

Steve Rosenthal, “Old First Church, Old Bennington, Vermont, 1805,” photograph. ©2005 Steve Rosenthal.<br />

Steve Rosenthal, “South Ferry Church, Narragansett, Rhode Isl<strong>and</strong>, 1850,” photograph.<br />

©2005 Steve Rosenthal.<br />

Steve Rosenthal, “Washington Congregational Church,<br />

1840, Schoolhouse, 1843, <strong>and</strong> Town Hall, 1787, Washington,<br />

New Hampshire,” photograph. ©2002 Steve<br />

Rosenthal.<br />

ple who live in this area, which may also inspire a bit of<br />

exploration throughout New Engl<strong>and</strong> for a first-h<strong>and</strong> look<br />

at <strong>the</strong>se historic structures.”<br />

Steve Rosenthal began to photograph architecture while<br />

working as an architect in Cambridge, Mass., in <strong>the</strong> late<br />

1960s. Not long afterward, he turned to architectural photography<br />

as a full-time career <strong>and</strong> very quickly established<br />

himself at <strong>the</strong> top of his field in New Engl<strong>and</strong>. He has won<br />

numerous awards including a medal given by <strong>the</strong> American<br />

Institute of Architects for “distinguished achievements that<br />

enhance or influence <strong>the</strong> environment <strong>and</strong> <strong>the</strong> architectural<br />

profession.” His book White on White: Churches of Rural<br />

New Engl<strong>and</strong>, photographs by Steve Rosenthal with an essay<br />

by Verlyn Klinkenborg <strong>and</strong> an afterword by Robert Campbell,<br />

is available through Historic New Engl<strong>and</strong>. [Hard<br />

cover, 14 by 12 inches, 136 pages, 80 large black <strong>and</strong> white<br />

photographs, $85.] For more information or to order, call<br />

617-227-3956 or visit www.HistoricNewEngl<strong>and</strong>.org.<br />

“White on White” is one of Historic New Engl<strong>and</strong>’s traveling<br />

exhibitions. Historic New Engl<strong>and</strong> is <strong>the</strong> oldest,<br />

regional heritage organization in <strong>the</strong> nation. They bring history<br />

to life while preserving <strong>the</strong> past for everyone interested<br />

in exploring New Engl<strong>and</strong> from <strong>the</strong> Seventeenth Century<br />

to today. Historic New Engl<strong>and</strong> owns <strong>and</strong> operates 36 historic<br />

homes <strong>and</strong> l<strong>and</strong>scapes spanning five states. They share<br />

<strong>the</strong> region’s history through vast collections, publications,<br />

public programs, museum properties, archives, <strong>and</strong> family<br />

stories that document more than 400 years of life in New<br />

Engl<strong>and</strong>.<br />

The Bruce Museum is open Tuesday through Saturday<br />

from 10 am to 5 pm <strong>and</strong> Sunday from 1 pm to 5 pm;<br />

closed Mondays <strong>and</strong> major holidays. Admission is $7 for<br />

adults, $6 for seniors <strong>and</strong> students up to 22 years <strong>and</strong> free<br />

for members <strong>and</strong> children under 5 years old. Individual<br />

admission is free on Tuesday. Free on-site parking is available<br />

<strong>and</strong> <strong>the</strong> museum is accessible to individuals with disabilities.<br />

For additional museum information, call 203-869-<br />

0376 or visit www.brucemuseum.org.<br />

Steve Rosenthal, “Old Trinity Episcopal Church, Brooklyn, Connecticut, 1771,”<br />

photograph. ©2004 Steve Rosenthal.

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