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6 - THE GALLERY April 27, 2012 — <strong>Antiques</strong> <strong>and</strong> The <strong>Arts</strong> Weekly<br />
‘White on White’ Opens At<br />
The Bruce Museum June 30<br />
GREENWICH, CONN. — “White on White: Churches<br />
of Rural New Engl<strong>and</strong>” is a visual journey through <strong>the</strong><br />
New Engl<strong>and</strong> l<strong>and</strong>scape of <strong>the</strong> Eighteenth <strong>and</strong> Nineteenth<br />
Centuries as viewed through <strong>the</strong> lens of architectural design<br />
<strong>and</strong> historic preservation. The show opens June 30 at <strong>the</strong><br />
Bruce Museum, One Museum Drive, <strong>and</strong> will continue<br />
<strong>the</strong>re through September 23.<br />
Organized by Historic New Engl<strong>and</strong> of Boston, Mass.,<br />
this exhibition presents 40 photographs of iconic New Engl<strong>and</strong><br />
churches taken by renowned architectural photographer<br />
Steve Rosenthal.<br />
These remarkable small-town, white country structures<br />
were erected by local builders, joiners <strong>and</strong> occasionally by<br />
itinerant master carpenters. With no trained architects or<br />
schools of architecture in <strong>the</strong> country at <strong>the</strong> time, inspiration<br />
came from traditional designs <strong>and</strong> pattern books.<br />
Steve Rosenthal began photographing <strong>the</strong> churches in <strong>the</strong><br />
1960s <strong>and</strong> <strong>the</strong> project gradually became a personal quest.<br />
His affinity for <strong>the</strong> subject is apparent in <strong>the</strong> luminous black<br />
<strong>and</strong> white photographs that capture <strong>the</strong> effect of light on<br />
three-dimensional forms <strong>and</strong> <strong>the</strong> abstract patterns of shingles<br />
<strong>and</strong> shutters. His work, which displays <strong>the</strong> intrinsic<br />
beauty of <strong>the</strong> architecture while creating a world of rich<br />
order <strong>and</strong> rational light, allows <strong>the</strong> viewer to follow <strong>the</strong> evolution<br />
of church styles from <strong>the</strong> early meetinghouse through<br />
<strong>the</strong> changing patterns of Greek <strong>and</strong> Gothic revivals.<br />
“These are <strong>the</strong> buildings which give New Engl<strong>and</strong> towns<br />
<strong>and</strong> villages a unique sense of place <strong>and</strong> define, in many<br />
minds, <strong>the</strong> New Engl<strong>and</strong> character,” Rosenthal explains.<br />
“Collectively, <strong>the</strong>y are as important to <strong>the</strong> cultural <strong>and</strong><br />
architectural history of <strong>the</strong>se villages as are <strong>the</strong> great ca<strong>the</strong>drals<br />
to <strong>the</strong> cities of Europe.”<br />
Revered for <strong>the</strong>ir physical beauty, simplicity <strong>and</strong> elegance<br />
— <strong>and</strong> for <strong>the</strong>ir role in <strong>the</strong> early history of this country, <strong>the</strong><br />
early churches of New Engl<strong>and</strong> hold a special place in <strong>the</strong><br />
American consciousness. Rosenthal, who trained as an<br />
architect <strong>and</strong> is an accomplished architectural photographer,<br />
has traveled throughout <strong>the</strong> Nor<strong>the</strong>ast capturing what<br />
remains of <strong>the</strong>se architectural gems. The photographs in<br />
“White on White: Churches of Rural New Engl<strong>and</strong>” are<br />
personally selected by Rosenthal from his book of <strong>the</strong> same<br />
name.<br />
According to Anne Von Stuelpnagel, director of exhibitions<br />
at <strong>the</strong> Bruce Museum, <strong>the</strong> exhibition is likely to appeal<br />
to a broad audience. “There is <strong>the</strong> artistry of <strong>the</strong> photographs.<br />
And <strong>the</strong> subject matter will connect with many peo-<br />
Exhibition Features Steve Rosenthal’s Photographs<br />
Of Historic New Engl<strong>and</strong> Churches<br />
Steve Rosenthal, “Old First Church, Old Bennington, Vermont, 1805,” photograph. ©2005 Steve Rosenthal.<br />
Steve Rosenthal, “South Ferry Church, Narragansett, Rhode Isl<strong>and</strong>, 1850,” photograph.<br />
©2005 Steve Rosenthal.<br />
Steve Rosenthal, “Washington Congregational Church,<br />
1840, Schoolhouse, 1843, <strong>and</strong> Town Hall, 1787, Washington,<br />
New Hampshire,” photograph. ©2002 Steve<br />
Rosenthal.<br />
ple who live in this area, which may also inspire a bit of<br />
exploration throughout New Engl<strong>and</strong> for a first-h<strong>and</strong> look<br />
at <strong>the</strong>se historic structures.”<br />
Steve Rosenthal began to photograph architecture while<br />
working as an architect in Cambridge, Mass., in <strong>the</strong> late<br />
1960s. Not long afterward, he turned to architectural photography<br />
as a full-time career <strong>and</strong> very quickly established<br />
himself at <strong>the</strong> top of his field in New Engl<strong>and</strong>. He has won<br />
numerous awards including a medal given by <strong>the</strong> American<br />
Institute of Architects for “distinguished achievements that<br />
enhance or influence <strong>the</strong> environment <strong>and</strong> <strong>the</strong> architectural<br />
profession.” His book White on White: Churches of Rural<br />
New Engl<strong>and</strong>, photographs by Steve Rosenthal with an essay<br />
by Verlyn Klinkenborg <strong>and</strong> an afterword by Robert Campbell,<br />
is available through Historic New Engl<strong>and</strong>. [Hard<br />
cover, 14 by 12 inches, 136 pages, 80 large black <strong>and</strong> white<br />
photographs, $85.] For more information or to order, call<br />
617-227-3956 or visit www.HistoricNewEngl<strong>and</strong>.org.<br />
“White on White” is one of Historic New Engl<strong>and</strong>’s traveling<br />
exhibitions. Historic New Engl<strong>and</strong> is <strong>the</strong> oldest,<br />
regional heritage organization in <strong>the</strong> nation. They bring history<br />
to life while preserving <strong>the</strong> past for everyone interested<br />
in exploring New Engl<strong>and</strong> from <strong>the</strong> Seventeenth Century<br />
to today. Historic New Engl<strong>and</strong> owns <strong>and</strong> operates 36 historic<br />
homes <strong>and</strong> l<strong>and</strong>scapes spanning five states. They share<br />
<strong>the</strong> region’s history through vast collections, publications,<br />
public programs, museum properties, archives, <strong>and</strong> family<br />
stories that document more than 400 years of life in New<br />
Engl<strong>and</strong>.<br />
The Bruce Museum is open Tuesday through Saturday<br />
from 10 am to 5 pm <strong>and</strong> Sunday from 1 pm to 5 pm;<br />
closed Mondays <strong>and</strong> major holidays. Admission is $7 for<br />
adults, $6 for seniors <strong>and</strong> students up to 22 years <strong>and</strong> free<br />
for members <strong>and</strong> children under 5 years old. Individual<br />
admission is free on Tuesday. Free on-site parking is available<br />
<strong>and</strong> <strong>the</strong> museum is accessible to individuals with disabilities.<br />
For additional museum information, call 203-869-<br />
0376 or visit www.brucemuseum.org.<br />
Steve Rosenthal, “Old Trinity Episcopal Church, Brooklyn, Connecticut, 1771,”<br />
photograph. ©2004 Steve Rosenthal.