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4 - THE GALLERY April 27, 2012 — <strong>Antiques</strong> <strong>and</strong> The <strong>Arts</strong> Weekly<br />

BOSTON, MASS. — Co-producers<br />

Tony Fusco <strong>and</strong> Robert Four have<br />

announced that <strong>the</strong> 16th Annual<br />

Boston International Fine Art Show<br />

(BIFAS) will take place Thursday<br />

through Sunday, November 15–18,<br />

at <strong>the</strong> Cyclorama at <strong>the</strong> Boston Center<br />

for <strong>the</strong> <strong>Arts</strong>, 539 Tremont Street,<br />

in Boston’s South End. Both traditional<br />

<strong>and</strong> contemporary galleries<br />

from <strong>the</strong> United States <strong>and</strong> Europe<br />

will offer more than 3,000 original<br />

works of art.<br />

The show opens with <strong>the</strong> gala preview<br />

on Thursday, November 15,<br />

from 5:30 to 8:30 pm. Weekend<br />

hours are Friday, 1 to 8 pm; Saturday,<br />

11 am to 8 pm; <strong>and</strong> Sunday, 11<br />

am-5 pm. Tickets are $15, under 12<br />

free. Friday evening November 16<br />

will be “New Collectors’ Night,” <strong>and</strong><br />

guest lectures will take place<br />

throughout <strong>the</strong> weekend.<br />

The only show of its kind in New<br />

Engl<strong>and</strong>, BIFAS has no restrictions<br />

on <strong>the</strong> type of work that may be<br />

shown. Works on offer range from<br />

fine original prints priced at a few<br />

hundred dollars to museum-quality<br />

masterpiece paintings priced in <strong>the</strong><br />

millions. The show enjoys a stunning<br />

mix of both blue chip traditional<br />

works <strong>and</strong> today’s outst<strong>and</strong>ing contemporary<br />

artists. According to show<br />

promoters, close to 3,000 people<br />

attended <strong>the</strong> Boston International<br />

Fine Art Show last year, which also<br />

saw very strong sales.<br />

“We are thrilled to be announcing<br />

our 16th year,” noted Tony Fusco.<br />

“As always we will offer our special<br />

programs throughout <strong>the</strong> weekend,<br />

which encourages many people to<br />

come back to <strong>the</strong> show day after day<br />

<strong>and</strong> discover renewed interests <strong>and</strong><br />

new passions. We will have some very<br />

special announcements to make this<br />

year in terms of our programming<br />

that will enhance our reputation as a<br />

destination show for collectors.”<br />

The gala preview, bolstered by <strong>the</strong><br />

show’s honorary committee, has<br />

blossomed into one of Boston’s pre-<br />

Boston International Fine Art Show<br />

Slated For Nov. 15–18<br />

mier social <strong>and</strong> cultural events. In addition to Governor Deval L. Patrick <strong>and</strong><br />

Boston Mayor Thomas M. Menino, <strong>the</strong> honorary committee has attracted <strong>the</strong><br />

participation of numerous museum directors, including Brian T. Allen, director,<br />

Addison Gallery of American Art; Ka<strong>the</strong>rine French, director, Danforth Museum;<br />

Dennis Kois, director, DeCordova Museum; Thomas Lentz, director, Harvard Art<br />

Museums; Nancy Netzer, director, McMullen Museum of Art; Malcolm Rogers,<br />

director, MFA Boston; Matthias Waschek, Worcester Art Museum; <strong>and</strong> well-<br />

known Boston area museum curators<br />

Dr Elliot Bostwick-Davis, David<br />

Dearinger, Erica Hirshler <strong>and</strong> o<strong>the</strong>rs.<br />

“We couldn’t be more thrilled with<br />

<strong>the</strong> support that <strong>the</strong> show has<br />

received from <strong>the</strong> museum community<br />

in New Engl<strong>and</strong>,” stated Fusco.<br />

“It has meant a lot in attracting collectors<br />

<strong>and</strong> in making <strong>the</strong> show a destination<br />

for art patrons who also<br />

travel here to see <strong>the</strong> new wing at <strong>the</strong><br />

Museum of Fine <strong>Arts</strong>, <strong>the</strong> new addition<br />

at <strong>the</strong> Isabella Stewart Gardner<br />

Museum <strong>and</strong> <strong>the</strong> Institute of Contemporary<br />

Art on <strong>the</strong> waterfront.”<br />

Last year at <strong>the</strong> Cyclorama, Fusco<br />

& Four also relaunched “The Ellis<br />

Boston <strong>Antiques</strong> Show,” which had<br />

been on hiatus since 2008. The company’s<br />

spring show, AD20/21: Art &<br />

Design of <strong>the</strong> Twentieth <strong>and</strong> Twenty-<br />

First Centuries recently celebrated its<br />

fifth anniversary.<br />

The Cyclorama provides <strong>the</strong> ideal<br />

venue for all three shows. A large circular<br />

rotunda <strong>and</strong> adjacent salons<br />

encourage visitors to both linger <strong>and</strong><br />

w<strong>and</strong>er. The historic structure is<br />

located in <strong>the</strong> heart of <strong>the</strong> BCA complex,<br />

which boasts four <strong>the</strong>atres, a<br />

<strong>gallery</strong>, <strong>the</strong> Boston Ballet School, 50<br />

artist studios <strong>and</strong> o<strong>the</strong>r facilities.<br />

There are more than a dozen restaurants<br />

<strong>and</strong> nightspots within a fiveminute<br />

walk, making it a focal point<br />

for cultural life in <strong>the</strong> city.<br />

It is fitting that <strong>the</strong> shows take place<br />

at <strong>the</strong> Cyclorama, which was built in<br />

1884 for <strong>the</strong> express purpose of<br />

housing a huge circular painting —<br />

“The Battle of Gettysburg” — 400<br />

feet in circumference <strong>and</strong> 50 feet<br />

high, executed by French artist Paul<br />

Philippoteaux. Cyclorama paintings<br />

were enormously popular in <strong>the</strong><br />

Nineteenth Century. It is estimated<br />

that from 1884 until it was withdrawn<br />

in 1892, more than 200,000<br />

people viewed Philippoteaux’s huge<br />

canvas. Following a $12 million<br />

restoration started in 2005 by Olin<br />

Conservation of Great Falls, Va., <strong>the</strong><br />

painting was installed in <strong>the</strong> Gettysburg<br />

Museum <strong>and</strong> Visitor Center in Gettysburg, where it reopened in September<br />

2008.<br />

“Our shows have grown up with <strong>the</strong> evolution of <strong>the</strong> Boston Center for <strong>the</strong> <strong>Arts</strong>,<br />

<strong>the</strong> art market in Boston <strong>and</strong> <strong>the</strong> changing demographics of <strong>the</strong> South End, Back<br />

Bay, Downtown <strong>and</strong> o<strong>the</strong>r neighborhoods of Boston,” Fusco commented.<br />

For additional information <strong>and</strong> exhibitor registration for all three Boston shows,<br />

visit www.BostonArtFairs.com or call 617-363-0405.<br />

View of <strong>the</strong> 15th Annual Boston International Fine Art Show 2011. Image courtesy of<br />

Joni Lohr.<br />

William Vareika Fine <strong>Arts</strong> of Newport, R.I., featured two panels by John La Farge<br />

(1835–1910) at <strong>the</strong> 2011 BIFAS. Image courtesy of Robert Four.<br />

Marine <strong>Arts</strong> Gallery, Salem, Mass., at <strong>the</strong> 2011 BIFAS. Image Courtesy of Robert<br />

Four.

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