Don Quixote - Past Cushing Exhibits - Texas A&M University

Recommendations

Info

1 - D Q I - researching the role and function of iconography in narrative, and curious readers interested in seeing and appreciating for the fi rst time a rich artistic tradition. Notes Iconografía de Don Quixote; reproducción heliográfi ca y foto-tipográfi ca de 101 láminas elegidas entre las 60 ediciones, diversamente ilustradas, que se han publicado durante 257 años…destinadas a la primera edición de Don Quĳ ote (Barcelona: P. Riera, 1879); H. S. Ashbee, An Iconography of Don Quixote, 1605-1895. Illustrated Monographs issued by the Bibliographical Society III (London: Printed for the Author at the University Press, Aberdeen, and Issued by the Bibliographical Society, 1895). A er Ashbee’s death in 1900, a portion of his collection of books and engravings was donated to the British Library, but the 4,000 Quixote illustrations were later acquired in 1908 by Archer Huntington for The Hispanic Society of America (see note 5 below, Lenaghan 121-23). His descriptive catalogue is a detailed and comprehensive record about the iconography of the Quixote and it remains even now an indispensable work of reference. Other exhibit catalogues include Catálogo de la exposición celebrada en la Biblioteca Nacional en el tercer centenario de la publicación del Quĳ ote (Madrid, 1905); Exposición cervantina en la Biblioteca Nacional para conmemorar el CCCXXX aniversario de la muerte de Miguel de Cervantes Saavedra (Madrid, 1946); Juan Givanel Mas, Catálogo de la exposición de iconografía cervantina (Barcelona, 1944). 2 Manuel Henrich, Iconografía de las ediciones del Quĳ ote de Miguel de Cervantes: Reproducción en facsímile de las portadas de 611 ediciones con notas bibliográfi cas… (Barcelona: Henrich y Cía., 1905), 3 vols; Juan Givanel Mas y Gaziel, Historia gráfi ca de Cervantes y del Quĳ ote (Madrid: Editorial Plus-Ultra, 1946). 3 4 I am referring, in particular, to the edition illustrated by Tony Johannot (Paris: Dubochet, 1836-1837), which includes 800 xylography engravings and vigne es. Johannes Hartau, Don Quĳ ote in der Kunst: Wandlungen einer Symbolfi gur (Berlin: Mann, 1987); Ronald Paulson, Don Quixote in England: the Aesthetics of Laughter (Baltimore: The Johns Hopkins UP, 1998); and Rachel Schmidt, Critical Images: The Canonization of Don Quixote through Illustrated Editions of the Eighteenth Century (Montreal: McGill-Queen’s UP, 1999). 5 Patrick Lenaghan, en colaboración con Javier Blas y José Manuel Matilla, Imágenes - 8 -
- D Q I - del Quĳ ote: Modelos de representación en las ediciones de los siglos XVII a XIX (Madrid: The Hispanic Society of America-Museo Nacional del Prado-Real Academia de Bellas Artes de San Fernando, Calcografía Nacional, 2003). This catalogue includes several introductory scholarly studies as well as brief critical essays by Lenaghan about each of the illustrated editions selected. The exhibit later traveled to the Museo de Bellas Artes, Seville, in 2004, and another exhibition also curated by Lenaghan, “Images of Don Quixote: The Art of Illustration and Printmaking,” opened at The Hispanic Society of America in New York, December 9, 2004 to February 21, 2005. It includes over forty works and examines the changing visual interpretation of the Quixote through illustrations dating from the 17th through the early 20th centuries. See also the related catalogue prepared for the exhibit, El Quĳ ote ilustrado: Modelos de representación en las ediciones españolas del siglo XVIII y comienzos del XIX (Madrid: Ministerio de Educación, Cultura y Deporte-Real Academia de Bellas Artes de San Fernando, 2003), which visited Texas A&M University in March-April 2004 during the celebration of Spain Week. 6 For the contributions of our research group in this area see, “Iconografía textual del Quĳ ote: repaso y nueva aproximación de cara al IV centenario,” Le mappe nascoste di Cervantes, Carlos Romero, ed. Actas Coloquio Internacional de la Associazione Cervantina di Venecia, 2003 (Treviso: Edizioni Santi Quaranta, 2004) 103-14; “Iconografía textual e historia visual del Quĳ ote,” Cervantes y el pensamiento moderno, José M. Paz Gago, ed. (Madrid: Sociedad Estatal de Conmemoraciones, 2004) (in press); “Texts, Images, Knowledge: Visualizing Cervantes and Picasso.” Proceedings Knowledges Conference, John Frow, ed. (University of Edinburgh: Institute for Advanced Studies in the Humanities, 2003), h p://webdb.ucs.ed.ac.uk/malts/other/ VKC/dsp-all-papers.cfm; and “The Grangerized Copy of John Bowle’s Edition of Don Quixote at the Cushing Memorial Library of Texas A&M University,” Cervantes: Bulletin of the Cervantes Society of America 23.2 (2003): 85-118. 7 An initial sample of our collection and digital images can be seen at h p: //www.csdl.tamu.edu/cervantes/V2/CPI/images/intro-en.html. The Centro de Estudios Cervantinos in Alcalá de Henares (Spain), under the scholarly leadership of José Manuel Lucía Megías, has recently announced that it is also preparing an electronic “Banco de imágenes del Quĳ ote, 1605-1905,” dedicated to the illustrations of the Quixote; h p://www.centroestudioscervantinos.es/05_Inv/02_BanIma/ BancoIma.htm. 8 The Cátedra Cervantes was established in 2003 at the Universidad de Castilla-La Mancha with funding from the Banco de Santander (Spain). - 9 -
Page 3: Don Quixote Illustrated An Exhibit
Page 7 and 8: - D Q I - P This catalogue and the
Page 9: - D Q I - Van der Gutch, Doré, Cru
Page 13 and 14: - D Q I - I Eduardo Urbina Director
Page 15 and 16: - D Q I - their principal value and
Page 17: - D Q I - research to advance the g
Page 21 and 22: 1 2 - D Q I - T E U C P C Cushing M
Page 23 and 24: 6 7 - D Q I - Vida y hechos del Ing
Page 25 and 26: 9 - D Q I - Les principales Avantur
Page 27 and 28: - D Q I - El ingenioso hidalgo Don
Page 29 and 30: - D Q I - Henry Fielding. The Histo
Page 31 and 32: - D Q I - Don Quixote af la Mancha,
Page 33 and 34: - D Q I - El ingenioso hidalgo don
Page 35 and 36: - D Q I - Den sindrüge adelsmand D
Page 37 and 38: - D Q I - Don Qvixote of the Mancha
Page 39 and 40: 39 40 - D Q I - L’ingénieux hida
Page 41: - D Q I - Miguel Cervantes Saavedra
Page 44 and 45: - D Q I - 7. The History of the Mos
Page 46 and 47: - D Q I - 22. The History of the Re
Page 48 and 49: - D Q I - 40. El ingenioso hidalgo
Page 50 and 51: - D Q I - 59. Histoire de l’admir
Page 52 and 53: - D Q I - 77. The History and Adven
Page 54 and 55: - D Q I - 95. The History of the In
Page 56 and 57: - D Q I - 112. G. Almar. Don Quixot
Page 58 and 59: - D Q I - 129. Don Quixote de la Ma
Page 60 and 61: - D Q I - 148. Adventures of Don Qu
Page 62 and 63: - D Q I - 167. Leben und Thaten des
Page 64 and 65: - D Q I - 187. El ingenioso hidalgo
Page 66 and 67: - D Q I - 203. L’ingénieux hidal
Page 68 and 69:
- D Q I - 222. The Adventures of th
Page 70 and 71:
- D Q I - 240. Manuel Henrich. Icon
Page 72 and 73:
- D Q I - 258. Fahrten und Abenteur
Page 74 and 75:
- D Q I - 275. Leben und taten des
Page 76 and 77:
- D Q I - 294. Don Quichotte de la
Page 78 and 79:
- D Q I - 312. Don Kikhot. Yiddish
Page 80 and 81:
- D Q I - 333. Don Quixote de la Ma
show all

Don Quixote - Past Cushing Exhibits - Texas A&M University

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?