Crossing Boundaries - BFI - British Film Institute

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………………………… 2 tom fleming / creative consultancy UK <strong>Film</strong> Council in association with Arts Council England and the Arts and Humanities Research Council
Sheffield Showroom
Page 1: Crossing Boundaries The role of cro
Page 5 and 6: 3. Broadening the Value Range and C
Page 7 and 8: Executive Summary This Study by Tom
Page 9 and 10: Creative Infrastructure The venues
Page 11 and 12: 3. Can the venues establish effecti
Page 13 and 14: 1. Introduction “London can stake
Page 15 and 16: This Study sets out an overview of:
Page 17 and 18: Introduction 17 tom fleming / creat
Page 19 and 20: 1.1.2 Creative Economy How the venu
Page 21 and 22: Cross-Art-Form and Media Venues - A
Page 23 and 24: Currently, as will be shown, the ve
Page 25 and 26: video rental. While these figures m
Page 27 and 28: 1.2.2 Convergence: Life in the Age
Page 29 and 30: elationships with audiences on to a
Page 31 and 32: 1.4 Cultural Intermediaries Current
Page 33 and 34: This signals a clear set of opportu
Page 35 and 36: Liverpool FACT Introduction 35 tom
Page 37 and 38: Cornerhouse, Manchester www.cornerh
Page 39 and 40: Tyneside Cinema, Newcastle-upon-Tyn
Page 41 and 42: 2.1 Creative Place-Making “There
Page 43 and 44: The reason this pressure seems part
Page 45 and 46: Moreover, the extent to which simil
Page 47 and 48: expansion of their digital footprin
Page 49 and 50: innovator’ 16 a statement that on
Page 51 and 52: of relationship and new ways of own
Page 53 and 54:
Public Value, Cinema and Culture Pu
Page 55 and 56:
“(T)he increasing importance of c
Page 57 and 58:
and India. The project in the UK sa
Page 59 and 60:
2.2.2 Business Support and Mentorin
Page 61 and 62:
partners in exploring whether the c
Page 63 and 64:
economy. Collaboration is not achie
Page 65 and 66:
project in 2007. This is a web- and
Page 67 and 68:
2.2.4 Showcasing and Engaging: Supp
Page 69 and 70:
image. This process attracted a dif
Page 71 and 72:
social space that exists to serve t
Page 73 and 74:
presentation of specialised film ar
Page 75 and 76:
More research is required to explor
Page 77 and 78:
The six venues have extensive progr
Page 79 and 80:
Figure 3.Public Policy Map for Cros
Page 81 and 82:
3. Broadening the Value Range and C
Page 83 and 84:
- As reflectors of changes in lifes
Page 85 and 86:
edevelopment and redesign of Broadw
Page 87 and 88:
Tyneside Cinema pre-redevelopment B
Page 89 and 90:
There are three critical questions
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- The extent to which the end user
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- The venues currently lack the req
Page 95 and 96:
Manchester Cornerhouse Fit-for-Purp
Page 97 and 98:
2. Manchester & Liverpool: Cornerho
Page 99 and 100:
5. Sheffield: Showroom Ian Wild - D
Page 101 and 102:
Appendix 2 - Venue Structure All si
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Crossing Boundaries - BFI - British Film Institute

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