01.08.2013 Views

Back Matter (PDF) - Musical Quarterly

Back Matter (PDF) - Musical Quarterly

Back Matter (PDF) - Musical Quarterly

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

PENDERECKI<br />

conducts<br />

PENDERECKI<br />

POLISH REQUIEM<br />

- Live Recording -<br />

2 CDS 429 720-2<br />

PENDERECKI POLNISCHES REQUIEM<br />

ingrid HauDold • Grazyna Winogrodska • Zacfios Terzakis • Malcolm Smith<br />

NDR-Chor & Cnor des Bayerischen Rundfunks<br />

NDRSinfonieorcnester<br />

PENO€R£CKi<br />

NEW RELEASE<br />

DEUTSCHE GRAMMOPHON<br />

ytimmnwphvn<br />

A Tradition of Excellence<br />

For a full colour catalogue featuring all Deutsche Grarnmophon's<br />

outstanding recordings of twentieth century repertoire, write to:<br />

Deutsche Grammophon, 1 Sussex Place. London W6 9XS


Schirmer<br />

1791: MOZART'S LAST YEAR<br />

H.C. ROBBINS LANDON<br />

Cuts through the myth of intrigue andAmadeus to<br />

examine Mozart^ last months.<br />

ISBN 0-02S71315-X • Paper • $13.95<br />

THE MOZART COMPENDIUM<br />

H.C. ROBBINS LANDON<br />

Landon and a team of the greatest Mozart scholars<br />

explore the composer^ life and work.<br />

ISBN 0-02-8713S1-4 • Cloth • $34.95<br />

BRAHMS<br />

MALCOLM MACDONALD<br />

"... the most up-to-date and stimulating life-andworks<br />

of Brahms in English." —Walter M. Frisch,<br />

Columbia Unix<br />

ISBN 0-02-871393-1 • Cloth • $29.95<br />

THE MUSIC OF<br />

JOHANN SEBASTIAN BACH<br />

ROBERT L. MARSHALL<br />

This collection of essays explores Bach^ music and<br />

sheds new light on his life and personality.<br />

ISBN 0-02-871782-1 • Riper • $16.95<br />

TRISTANISSIMO<br />

The Authorized Biography of<br />

Heroic Tenor Lauritz Melchior<br />

SHIRLEE EMMONS<br />

Here is a major reevaluation of the life and artistry<br />

of one of the leading operatic figures of this century.<br />

ISBN 0-02S7SO6O- 7- Cloth • $24.95<br />

At all bookstores, or order direct (800) 323-7445.<br />

Have your credit card handy<br />

Macmillan Publishing Co. • 866 Third Ave. • New York, NY 10022


"N§w and "P^ptablefrom<br />

SCHIRMER BOOKS<br />

PHRASE RHYTHM IN TONAL MUSIC<br />

WILLIAM ROTHSTEIN<br />

Based on ten years of original research on the implications<br />

of Schenkerian theory, this brilliant study clarifies the<br />

function of large-scale rhythmic processes in tonal music.<br />

ISBN 0-02-872191-8 • 1990 • $34.95<br />

TRENDS IN SCHENKERIAN RESEARCH<br />

ALLAN CADWALLADER, Editor<br />

This collection of essays written especially for this publication<br />

focuses on the application and adaptation of<br />

Heinrich Schenkers ideas on motivic structure, rhythmic<br />

organization, and formal principles.<br />

ISBN 0-02-870551-3 • 1990 • $42.95<br />

THE TIME OF MUSIC<br />

JONATHAN D. KRAMER<br />

This provocative, original, and lucid book presents a<br />

comprehensive study of musical time written from philosophical<br />

and analytical perspectives.<br />

ISBN 0-02-872590-5 • 1988 • $39.95<br />

COUNTERPOINT<br />

A Translation of KONTRAPUNKT by Heinrich Schenker<br />

JOHN ROTHGEB and JURGEN THYM<br />

ISBN 0-02-873220-0 • 2-volume set, slipcased • $95.00<br />

Heinrich Schenker's FREE COMPOSITION<br />

Editor/Translator ERNST OSTER.<br />

ISBN0-02-873180-8• 2-vdumeset, slipcased -$50.00<br />

Heinrich Schenker's J.S. BACH'S<br />

CHROMATIC FANTASY AND FUGUE<br />

Critical Edition with Commentary<br />

Editor/Translator HEDISIEGEL<br />

ISBN 0-02-873240-5 -1984 •$36.95<br />

TONAL HARMONY FOR THE KEYBOARD<br />

GARY E. WITTUCH and DEBORAH S. MARTIN<br />

ISBN 0-02-870130-5'1988'$24.95<br />

BASICS OF MUSIC: OPUS 1<br />

MICHAEL A. ZINN and ROBERT HOGENSON<br />

ISBN 0-02-873010-0 '1987'$22.95<br />

SCHIRMER BOOKS • Macmillan Publishing Company<br />

866 THIRD AVENUE • NEW YORK, NY 10022<br />

ATTENTION: DAVE HORVATH<br />

Or call toll-free 1-800-323-7445 to place your credit card order.


Aaron Copland<br />

1900 - 1990<br />

Leonard Bernstein


AARON COPLAND<br />

RECENT ADDITIONS TO THE BOOSEY & HAWKES CATALOGUE<br />

Four Early Songs - a fascinating insight into the musical thoughts of the young<br />

Copland. Written when he was eighteen years old, the first three songs are settings<br />

of poems by Aaron Schaffer, who described the music as having "sudden changes<br />

of key and occasional discords a la Debussy and Ravel". The fourth song, Alone,<br />

was written some years later (1922) while Copland was studying with Nadia<br />

Boulanger in Paris.<br />

8605 Four Early Songs (Voice and Piano) £ 3.75<br />

Movement for String Quartet - also from the Boulanger years. This pocket score of<br />

the 4''2 minute work includes a helpful and informative introduction by its<br />

dedicatee Vivian Perlis, together with editorial suggestions by the Alexander<br />

String Quartet who gave the world premiere in October 1984.<br />

8774 Movement for String Quartet (HPS 1126) £ 3.50<br />

Ceremonial Music - a useful new pocket score containing some of Copland's best<br />

known music commissioned for special occasions: titles include Fanfare for the<br />

Common Man (1942), Jubilee Variation (1945), Preamble for a Solemn Occasion (1949),<br />

Ceremonial Fanfare (1969) and Inaugural Fanfare (1969).<br />

8773 Ceremonial Music (HPS 1125) £ 7.95<br />

Sonata for Clarinet and Piano - a transcription of the Sonata for Violin and Piano<br />

of 1942-43 which Copland wrote in memory of his friend Harry H. Dunham who<br />

was killed in action in the South Pacific in 1943. The original work has here been<br />

transposed down a major third to exploit the clarinet's rich chalumeau register.<br />

8518 Sonata for Clarinet and Piano £ 4.95<br />

For further information about Boosey and Hawkes' extensive Copland catalogue,<br />

please contact the Marketing Department at the address below.<br />

Boosey & Hawkes Music Publishers Ltd.<br />

The Hyde, Edgware Road, London NW9 6JN. Tel: 081-205 3861


Boosey & Hawkes Music Publishers Limited<br />

John Adams<br />

John Adams's new opera The Death of Klinghoffer receives its world premiere on<br />

19 March 1991 at the Theatre Royal de la Monnaie in Brussels: libretto by Alice Goodman,<br />

production by Peter Sellars, conducted by Kent Nagano.<br />

New Works Transcriptions<br />

Fearful Symmetries (1988) Busoni Berceuse elegiaque (1989)<br />

for orchestra or chamber orchestra arranged for chamber orchestra<br />

Unavailable in France, Germany and Colombia<br />

The Wound-Dresser (1989)<br />

for baritone voice and orchestra Liszt La lugubre gondola No. 2 (1989)<br />

or chamber orchestra arranged for orchestra or chamber orchestra<br />

Eros Piano (1989)<br />

for piano and orchestra or<br />

chamber orchestra<br />

Liszt Wlegenlled (1989)<br />

arranged for orchestra or chamber orchestra<br />

295 Regent Street, London W1R 8JH Telephone 071-580 2060<br />

24 East 21st Street, New York, NY 10010 7200 Telephone (212) 228 3300<br />

Boosey & Hawkes Music Publishers Limited<br />

Michael Torke<br />

New Works<br />

Slate (1989)<br />

for concertante group and orchestra<br />

Rust (1989)<br />

for piano and winds<br />

Mass (1990)<br />

for baritone, chorus and chamber orchestra<br />

Bronze (1990)<br />

for piano and orchestra<br />

1"\ HENDON MUSIC<br />

DO)a<br />

295 Regent Street, London W1R 8JH Telephone 071-580 2060<br />

24 East 21st Street, New York, NY 10010 7200 Telephone (212) 228 3300<br />

Photograph • Marcel Prins


Cambridge University Jhress<br />

Music and Society<br />

The Politics of Composition,<br />

Performance and Reception<br />

Richard Leppert and<br />

Susan McClary, Editors<br />

"This is an important book, crowded<br />

... with new ideas and arguments that<br />

challenge many of our assumptions."<br />

—The <strong>Musical</strong> Times<br />

A provocative volume of essays that<br />

looks at the ways in which music and<br />

society interact across socio-cultural<br />

boundaries.<br />

S14.95 Paper<br />

Blues Fell This Morning<br />

Meaning in the Blues<br />

Second Edition<br />

Paul Oliver<br />

Foreword by Richard Wright<br />

"The fruit of a fantastic scholarship...<br />

an essential component of any serious<br />

library of writings on jazz or American<br />

folk music. And it's beautifully,<br />

feelingly written, too.'' —Down Beat<br />

$14.95 Piper $39.50 Hardcover<br />

Rock Music<br />

Culture, Aesthetics, and Sociology<br />

PeterWicke<br />

"...this is one of the most interesting,<br />

stimulating, and rich analyses of rock<br />

culture that has yet been produced.<br />

And it is required reading for any<br />

future attempt to continue Wicke's<br />

project of finding a way to write rock's<br />

own history.<br />

—World Beat: An International Journal<br />

of Popular Music<br />

$14.95 Paper $44.50 Hardcover<br />

American Experimental<br />

Music 1890-1940<br />

David Nicholls<br />

"... musicians will enjoy seeing a<br />

British composer/scholar trace an<br />

American experimental movement<br />

with an objectivity that only a<br />

transatlantic outsider could muster."<br />

-KyleGtmn, Voice<br />

David Nicholls analyzes the music and<br />

ideas of Charles Ives, Charles Secger,<br />

Ruth Crawford, Henry Cowell and the<br />

young John Cage, explaining the compositional<br />

techniques invented and<br />

employed by them and the historical<br />

and cultural context in which they<br />

emerged.<br />

$49.50Hardcovcr<br />

Satie the Composer<br />

RobertOrleage<br />

Dr. Orledge reveals what made Satie<br />

"tick" as a composer, dealing with<br />

every aspect of Satie's complex career<br />

and relating his achievement to the<br />

other arts and to the society in which<br />

he lived.<br />

$75.00 Hardcover<br />

Bach Interpretation<br />

Articulation Marks in Primary<br />

Sources of J.S. Bach<br />

John Butt<br />

The author analyzes the role of articulation<br />

markings in the compositional<br />

process, their relation to baroque<br />

norms of articulation, and the ways in<br />

which their study allows a deeper<br />

understanding and evaluation of<br />

Bach's style.<br />

$54.50 Hardcover<br />

Available in bookstores or write:<br />

CAMBRIDGE UNIVERSITY PRESS<br />

40 Wfest 20th Street, New York, NY 10011. Call toD-fire 800-872-7423.<br />

MastcrCard/VTSA accepted. Pnces subject to change


^Harwood Academic Publishers<br />

CONTEMPORARY MUSIC REVIEW<br />

Editor in Chief: Nigel Osborne, UK<br />

Contemporary Music Review is a contemporary musicians' journal. It<br />

provides a forum where new tendencies in composition can be<br />

discussed in both breadth and depth. Each issue will focus on a specific<br />

topic. The main concern of the journal is composition today in all its<br />

aspects - its techniques, aesthetics, technology and its relationship with<br />

other disciplines and currents of thought. The publication may also serve<br />

as a vehicle to communicate actual musical materials.<br />

Forthcoming Issues: US Issue on Pop Versus Serious Contemporary Music •<br />

New Uses of Tonality • New Electronic Instruments and Live Electronics •<br />

Computer Music • Italian Contemporary Music • Australian Issue • Opera •<br />

Music and Time • Development of the Orchestra • New Music and Dance •<br />

Tradition and Innovation in Russian Music • Tonality • Percussion in<br />

Performance • Contemporary German Music • New Music in France •<br />

Contemporary Vocal Techniques • Music and Biological Science • Music,<br />

Society and Imagination in Contemporary France • New British Music •<br />

Flute and Shakuhachi<br />

• Each issue is available separately as well as on subscription<br />

Subscription Information:<br />

Approx 346pp per volume • ISSN: 0749-4467 • Current Subscription: Volume 6 (1990) • Base<br />

list price per volume: £44.00* • The £ price is applicable in the UK only. Customers in other<br />

territories should contact the publisher for prices • Base list price* is applicable to individuals<br />

only and is inclusive of postage and handling • Special multiple user rates also exist for<br />

corporate and academic institutions • *Please contact the publisher for further details.<br />

CONTEMPORARY MUSIC STUDIES<br />

The rapid expansion and diversification of contemporary music is<br />

explored in this international series of books for contemporary<br />

musicians. Leading experts and practitioners present composition today in<br />

all its aspects. Trie series also features monographs on significant<br />

twentieth century composers not extensively documented in the existing<br />

literature.<br />

Current Titles: Charles Koechlin (1867-1950): His Life and Works • Pierre<br />

Boulez: A World of Harmony • Bruno Maderna • Please contact the publisher for<br />

prices and further details<br />

Forthcoming Titles: Milton Babbitt • Twentieth Century Italian Music and<br />

Opera • Hanns Eisler • Stefan Wolpe • The Other Webern • Soviet Music<br />

Since 1960 • New Music Notation • Music, Myth and Nature<br />

HARWOOD ACADEMIC PUBLISHERS, c/o STBS, Marketing DepL, PO Box 90, Reading,<br />

Berkshire RG1 8JL, UK or PO Box 786 Cooper Station, New York, NY T0276, USA


STUDIES IN ETHNOMUSICOLOGY<br />

Comparative Musicology<br />

and Anthropology<br />

of Music<br />

ESSAYS ON THE HISTORY<br />

OF ETHNOMUSICOLOGY<br />

Edited by Bruno Nettl<br />

and Philip V. Bohlman<br />

Nineteen scholars from five countries<br />

explore significant issues in the history of<br />

ethnomusicology and its methodological<br />

and theoretical foundations, while providing<br />

a critique of the discipline.<br />

"These essays represent importantly<br />

a discipline's self-examination in an effort<br />

to go beyond conventional assumptions,<br />

inherited methods and mythic pasts."<br />

—Daniel M. Neuman, University of<br />

Washington<br />

Paper $17.50 400pages<br />

11 line drawings, 5 halftones, 2 tables<br />

Library cloth edition $49.95<br />

CHICAGO STUDIES IN ETHNOMUSICOLOGY<br />

The Analysis and<br />

Cognition of Basic<br />

Melodic Structures<br />

THE IMPLICATION-REALIZATION<br />

MODEL<br />

Eugene Narmour<br />

In this monumental work, Narmour formulates<br />

a comprehensive theory<br />

of melodic syntax to explain cognitive<br />

relations between melodic tones at their<br />

most basic level using context-free<br />

theoretical constants that are applicable<br />

to all styles of melody.<br />

Cloth $60.00 480 pages<br />

208 musical examples<br />

On Concepts and<br />

Classifications of<br />

<strong>Musical</strong> Instruments<br />

Margaret J. Kartomi<br />

Kartomi first moves through a culturespecific<br />

inspection of several societies<br />

in Europe, Asia, and Africa, and then,<br />

synthesizing current ethnomusicological<br />

trends, proceeds to make a large-scale<br />

comparative study of classification<br />

schemes and the concepts which<br />

govern them.<br />

Paper $21.95 350pages<br />

67 line drawings, 2 halftones<br />

Library cloth edition $49.95<br />

CHICAGO STUDIES IN ETHNOMUSICOLOGY<br />

Forthcoming—<br />

Sweet Mother<br />

MODERN AFRICAN MUSIC<br />

Wolfgang Bender<br />

Translated by Wolfgang Freis<br />

Comprehensive and copiously illustrated,<br />

Sweet Mother offers<br />

the first cultural history of modern<br />

African music. In this accessible<br />

and authoritative work, Wolfgang<br />

Bender describes the whole range<br />

of African musical genres and locates<br />

each in its social, political,<br />

and historical context. An extensive<br />

discography and bibliography<br />

accompanies the text.<br />

Paper $14.95 248pages<br />

Library cloth edition $39.95<br />

60 halftones<br />

CHICAGO STUDIES IN ETHNOMUSICOLOGY<br />

THE UNIVERSITY OF CHICAGO PRESS<br />

5801 SOUTH ELLIS AVENUE CHICAGO, IL 60637


^ Oxford<br />

A Century of<br />

Russian Ballet<br />

Documents and<br />

Accounts, 1810-1910<br />

ROLAND JOHN<br />

WILEY, University of<br />

Michigan, Ann Arbor<br />

This book is an account<br />

of a century of Russian<br />

ballet, drawing on the<br />

printed libretti of<br />

Didelot, Taglioni,<br />

Perrot, St-Leon, Petipa, and Fokine, which<br />

present an accurate outline of balletic<br />

conventions in nineteenth-century Russia.<br />

1991 464 pp. $65.00<br />

The Listener's<br />

<strong>Musical</strong> Companion<br />

Sixth Edition<br />

BERNARD H. HAGGIN<br />

Edited by THOMAS HATHAWAY<br />

Praise for previous editions:<br />

"This delightfully printed, conveniently<br />

arranged book talks candidly and intelligently,<br />

with discrimination and affection,<br />

about an extraordinary number of things...<br />

Haggin [was] one of the best, most courageous,<br />

and most individual critics alive,<br />

this is a unique book, one that will be a<br />

help and joy to manypeople." — Randall<br />

Jarrell, TheNew York Times. "[Haggin] talks<br />

about the major composers and what they<br />

are up to, and he beautifully conveys what<br />

is most difficult to convey — how they are<br />

good... .Thebook is a pleasure to read."<br />

— The New Yorker<br />

July 1991 464 pp. paper $14.95<br />

cloth $38.00<br />

A Catalogue of French<br />

Harpsichord Music 1699-1780<br />

BRUCE GUSTAFSON, Franklin and<br />

Marshall College, and DAVID FULLER,<br />

State University of New York Buffalo<br />

This catalogue, the most complete bibliography<br />

of its kind, contains entries for all<br />

printed harpsichord music known to have<br />

existed in France in the period 1699-1780,<br />

including over 230 volumes and 150 manuscripts.<br />

It offers precise transcriptions of<br />

title pages, full contents, dating, locations,<br />

editions, facsimiles, evaluations in the<br />

contemporary press, identifications of<br />

dedicatees, and stylistic comments.<br />

1990 472 pp. $98.00<br />

Tomaso Albinoni<br />

The Venetian Composer and His World<br />

MICHAEL TALBOT, University of Liverpool<br />

Tomaso Albinoni (1671-1751) is familiar as<br />

a Venetian composer, a contemporary of<br />

Vivaldi's, and as one of the first composers<br />

of concertos, many of which are frequently<br />

performed today. His vocal music, however,<br />

has been unjustly neglected. This book<br />

presents new information on Albinoni's<br />

unusual life and interesting details of the<br />

Venetian environment andmusic at the time.<br />

1990 304 pp. $65.00<br />

New in paperback!<br />

Portrait of Walton<br />

MICHAEL KENNEDY<br />

"Compulsively readable... .This is the first<br />

study of Walton fully to exploit relevant<br />

correspondence... .Brilliantly told in the<br />

crispest detail." — The Listener. "Likely to<br />

remain the standard biography for some<br />

time."—Music and Musicians. Drawing on<br />

the composer's correspondence with<br />

friends and colleagues — including Britten,<br />

Malcolm Arnold, and Andre' Previn, and<br />

assessing his compositions, Kennedy<br />

provides a compassionate and perceptive<br />

study of the life and music of this notable<br />

twentieth-century artist.<br />

Paper 1990 376 pp. paper $15.95<br />

cloth $39.95<br />

New in paperback!<br />

Named an Outstanding<br />

Academic Book of 1989-<br />

1990 by Choice<br />

Popular Musics<br />

of the Non-<br />

Western World<br />

An Introductory Survey<br />

PETER MANUEL<br />

Columbia University<br />

"Because he's gathered<br />

his facts so intelligently<br />

and presented them so clearly, he's<br />

always readable and often fascinating. You<br />

don't have to kid yourself into enjoying all<br />

these alien genres to love their stones<br />

Anybody with a yen to expound on the<br />

dehumanizing depredations of the culture<br />

industry should be forced to read this book.<br />

And so should anybody who believes<br />

the world is one big global village after all."<br />

— Robert Christgau, The Village Voice<br />

Paper 1990 314 pp. paper $12.95


Mozart's<br />

Symphonies<br />

Context, Performance<br />

Practice,<br />

Reception<br />

NEAL ZASLAW,<br />

Cornell University<br />

"Zaslaw's exhaustive,<br />

far-ranging,<br />

and critical examination<br />

of Mozart's<br />

symphonic repertoire<br />

not only makes a most significant<br />

contribution to modern Mozart scholarship<br />

but also represents a major achievement in<br />

the study of symphony as an instrumental<br />

genre rising to particular prominence in<br />

the late 18th century." — Christoph Wolff,<br />

Harvard University. "This exhaustively<br />

researched work delivers a plethora of<br />

details about the symphonies and the<br />

composer's personal and professional life."<br />

-Symphony 1990 660 pp. $59.00<br />

Tchaikovsky's<br />

Ballets<br />

Swan Lake, Sleeping<br />

Beauty, Nutcracker<br />

ROLAND JOHN WILEY,<br />

University of Michigan<br />

"An authoritative,<br />

important, useful<br />

book on dance,<br />

based on primary<br />

source materials, meticulously researched,<br />

and intelligently presented Tchaikovsky's<br />

Ballets inevitably forces us to reassess our<br />

views... and Tchaikovsky must be recognized<br />

as the virtual creator of modern ballet."<br />

— New Criterion. "On the ballets themselves<br />

Wiley's performance is first-rate. He knows<br />

how to illuminate musical procedures in a<br />

way that makes the ballets come alive as theatre<br />

And his work has already had an effect on<br />

current theatre practice. —Neiv Yorker<br />

1991 448 pp. paper$24.95 doth $65.00<br />

The Mozart-Da Ponte Operas<br />

The Cultural and <strong>Musical</strong> <strong>Back</strong>ground to<br />

Le nozze di Figaro, Don Giovanni, and<br />

Cosi fan tutte<br />

ANDREW STEPTOE, University of London<br />

"The most important book about Mozart to<br />

appear in manyyears It should become<br />

a classic." —H.C Robbins Landon, <strong>Musical</strong><br />

Times. "Steptoe has drawn a clear picture<br />

of Mozart's surroundings, both personal<br />

and musical, before and during the composition<br />

of his three most popular operas. He<br />

enlivens his discourse by drawing on contemporary<br />

accounts and on later studies.<br />

His knowledge of 18th-century Viennese<br />

opera allows nim to make comparisons that<br />

clarify Mozart's contribution" — Choice<br />

1990 304 pp. paper $18.95 cloth $55.00<br />

Nezv in paperback!<br />

Geometry, Proportion,<br />

and the Art of Lutherie<br />

KEVIN COATES<br />

"A milestone in geometrical analysis of<br />

instrument shapes What is important<br />

about this book is its comprehensiveness,<br />

eclecticism, and reasonableness.. .an<br />

attractive tour deforce... an excellent book to<br />

have and read." — Early Music. "A magnificent<br />

collection of drawings, observations,<br />

and mathematical analysis." — The Strad<br />

Paper 1991 192 pp. paper $55.00<br />

Prices are subject to change and apply only tnthtU S.<br />

To order, send check or money order to' Humanities Marketing^ Dept MG<br />

To order by phone using major credit cards please call (212) 679-7300, ext. 7106<br />

Oxford University Press<br />

—— 200 Madison Avenue • New York, NY 10016 ^ =<br />

Rock Culture in Liverpool<br />

SARA COHEN, Liverpool University<br />

Rock bands have been an important part of<br />

Liverpool's culture and identity since the<br />

1950s, and a 1980 survey discovered the<br />

existence of over 1,000 bands in the city.<br />

This book delineates and discusses rock<br />

culture in Liverpool as a way or style of life,<br />

highlighting its associated conventions,<br />

rituals, norms, and beliefs at a particular<br />

point in time, within the city's own unique<br />

social, economic, cultural, and political<br />

environment. 1991 256 pp. $35.00<br />

C.P.E. Bach<br />

HANS-GUNTER OTTENBERG,<br />

Technical University of Dresden<br />

Translated by PHILIP WHITMORE<br />

"There has been a need for a new, comprehensive<br />

life and works survey of C.P.E.<br />

Bach. It is good to be able to report that<br />

Hans-Gunter Ottenberg's book fills that<br />

need admirably His book is both<br />

scholarly and readable This is a book<br />

that students of eighteenth-century music<br />

will find useful and stimulating for years<br />

to come."—Music & Letters<br />

Paper 1991 304 pp. paper $19.95<br />

cloth $65.00


= Oxford =<br />

Bliss on Music<br />

Selected Writings of Arthur Bliss, 1920-1975<br />

ARTHUR BLISS<br />

Edited by GREGORY ROSCOW,<br />

University ofKeele<br />

Sir Arthur Bliss, a leading figure in British<br />

music for five decades, was also a prolific<br />

writer of articles, reviews, lectures, and<br />

broadcasts, which provide a vivid commentary<br />

on twentieth-century music, the<br />

English <strong>Musical</strong> Renaissance in particular,<br />

and display the characteristic vigor and<br />

vitality in keeping with his enfant terrible<br />

image of the 1920s.<br />

June 1991 304 pp. $39.95<br />

Art and the Everyday<br />

Popular Entertainment and the<br />

Circle of Eric Satie<br />

NANCY PERLOFF,<br />

University of California, Los Angeles<br />

This book examines the early twentiethcentury<br />

movement that was sparked by the<br />

premiere of Erik Satie's ballet Parade in May<br />

1917. Perloff argues that Satie and his colleagues,<br />

including Darius Millhaud, Max<br />

Jacob, and Jean Cocteau, led French music<br />

away from Impressionism by infusing their<br />

compositions with French and American<br />

popular idioms.<br />

May 1991 240 pp. $39.95<br />

Euryanthe and Carl Maria<br />

von Weber's Dramaturgy of<br />

German Opera<br />

MICHAEL C.TUSA,<br />

University of Texas, Austin<br />

In this book, Tusa provides the first fulllength<br />

study of Euryanthe ever made and<br />

firmly stakes out the claim that it is<br />

"arguably the key work for understanding<br />

Weber's operatic aims." Along with close<br />

scrutiny of its dramatic aims and compositional<br />

planning, Tusa provides insight into<br />

its genre and reception history. The result<br />

is a book that not only deepens our understanding<br />

of a major neglected work but<br />

may help to restore it to its true place in the<br />

history of romantic opera.<br />

June 1991 312 pp. $49.95<br />

The Concept of Music<br />

ROBIN MACONIE<br />

What is music for? How does it work? What<br />

can it teach us? In this brilliant and thoughtprovoking<br />

book Maconie seeks the answers<br />

to these and other fundamental questions<br />

about music, integrating music and appropriate<br />

scientific research in a new evaluation<br />

of his topic. In so doing, he argues<br />

passionately for a reappraisal of music, not<br />

as mere entertainment, but as something<br />

basic to our experience of listening and<br />

communicating in sound, and an art which<br />

has exerted a profound influence on society.<br />

1991 200 pp. $49.95<br />

Gesualdo Second Edition<br />

The Man and His Music<br />

GLENN WATKINS,<br />

University of Michigan, Ann Arbor<br />

Carlo Gesualdo, Prince of Venosa, is equally<br />

celebrated as the composer of madrigals of<br />

great power and tortured complexity and<br />

as the murderer of his wife and her lover in<br />

flagrante delicto. His neurotic sensibility found<br />

an ideal outlet in the mannerist tendencies<br />

of late Renaissance music, and his works<br />

are the most extreme examples of those<br />

tendencies. Alongside detailed analysis of<br />

Gesualdo's remarkable madrigals and of<br />

the few works in other genres. This book<br />

contains much new biographical material,<br />

particularly on the latter part of the<br />

composer's life.<br />

June 1991 438 pp. paper $19.95<br />

New in paperback!<br />

C.P.E. Bach Studies<br />

Edited by STEPHEN L. CLARK<br />

"The fifteen essays.. .radiate enthusiasm<br />

and fascination for the topic."—<strong>Musical</strong><br />

Times. "The range of subjects in this collection<br />

of essays is considerable and reflects not<br />

only the diversity of Bach's musical output<br />

but the rich cultural milieu associated with<br />

him. C.P.E. Bach Studies provides a<br />

welcome focus on current scholarly opinion<br />

and will undoubtedly stimulate much<br />

interest in the composer."—Music & Letters<br />

Paper 1991 368 pp. paper $29.95<br />

cloth $82.00<br />

Prices are subject to change and apply only in the U.S.<br />

To order, send check or money order to: Humanities Marketing, Dept. MC<br />

To order by phone using major credit cards please call (212) 679-7300, ext. 7106<br />

Oxford University Press<br />

= = 200 Madison Avenue • New York, NY 10016 — —


HARMONIE<br />

PARK<br />

PRESS<br />

Publishers of:<br />

• THE MUSIC INDEX<br />

• Detroit Studies in Mask Bibliography<br />

• Detroit Monographs in Maskology/<br />

Studies in Musk<br />

• Bibliographies in American Music<br />

Harmonie Park Press<br />

23630 Pinewood<br />

Warren, Michigan 48091<br />

Phone: 313/755-3080<br />

Fax: 313/755-4213<br />

To order or request a complete list<br />

of publications, call or write.<br />

SELECTED MUSICAL TERMS<br />

OF NON-WESTERN CULTURES:<br />

A NOTEBOOK-GLOSSARY<br />

by Walter Kaufmann<br />

The fifteen years Walter Kaufmann spent in India,<br />

plus his varied background as musicologist,<br />

composer, and conductor, uniquely qualified him to<br />

compile this major contribution to World Music.<br />

The notebook pulls together a wealth of<br />

terminology gleaned from performing musicians and<br />

other sources, offering even dialectal and other<br />

distorted forms which have not previously appeared<br />

in print.<br />

DETROIT STUDIES IN MUSIC BIBLIOGRAPHY, No. 65<br />

1990 x, 807pp ISBN 0-89990-039-9 $75.00<br />

VICTORIAN MUSIC PUBLISHERS:<br />

AN ANNOTATED LIST<br />

by John A. Parkinson<br />

The Victorian period witnessed a vast expansion in<br />

the field of music publishing and this first<br />

comprehensive directory of nineteenth-century British<br />

publishers illustrates the extent of the industry's<br />

development. A representative example of each<br />

publisher's work is given with particular attention to<br />

lithographed title pages.<br />

DETROIT STUDIES IN MUSIC BIBLIOGRAPHY, No. 64<br />

1990 xii, 3I5pp ISBN 0-89990-05IS $40.00<br />

THE CHARLES IVES TUNEBOOK<br />

by Clayton W. Henderson<br />

The purpose of the Tunebook is to preserve in one<br />

source book those tunes that Ives quoted extensively<br />

throughout his creative life. Since he was primarily<br />

interested in the melody of his sources, that is<br />

the only music element usually given, with every<br />

effort made to provide the models as Ives probably<br />

knew them.<br />

BIBLIOGRAPHIES IN AMERICAN MUSIC, No. 14<br />

1990 xvi, 293pp ISBN 0-89990-050-X $50.00


Celebrate the Martinu Centenary<br />

in the Best Possible Way...<br />

SUP 3611-2<br />

The Greek Passion<br />

Brno Sta te/ Mackerras<br />

1 SUP 0098-2<br />

5 Serenades<br />

Prague Chamber Orchestra<br />

— %a^T 'H SUF 0374 " 2<br />

' ' 1 *2EJMr' I Rhapsody Concerto for Viola & Orchestra<br />

Piano Concerto No 3<br />

Suk/Palenicek/CPO/Neumann<br />

SUP 0373-2<br />

Sinfonietta Giocosa/ Divertimento<br />

Panenka /Prague Chamber Orchestra /Gregor<br />

310 107<br />

Flute Trio/Cello Sonata/Flute Sonata<br />

Renggli/Brady/Hedinger<br />

CTH2013<br />

Triple Concerto/Concertino/La Bagarre<br />

GoebelTrio/Pomorska Phil/Ukigaya<br />

KOCH International Corp<br />

INTERNATIONAL 177 Cantiague Rock Road<br />

Westbury. NY 11590


Le Grand Clavier<br />

"VI At F* &l Si VI Mi Fa Sol Si Vt Mi F» Sol Si Vt Ml Fi Sol Si<br />

t R» Jdi F» So) L» Si Yt Bit Mi Fa Sol .U Si Vt Re Mi Fa Sol L» Si Vt R* Mi Fa SU L» Si Vt'<br />

volume III<br />

JACQUES DUPHLY<br />

Pieces de Clavecin avec Violon (1756)<br />

edited by Olivier Baumont<br />

price 240 FF<br />

EDITIONS DE L'OISEAU-LYRE K. BP 515 MC-98015 MONACO<br />

J. J. FROBERGER<br />

Two Motets<br />

edited by Yves Ruggeri<br />

price 130 FF<br />

These works, for Soprano, Tenor, Bass, two violins and organ,<br />

have never been published before. Parts are included.<br />

EDITIONS DE L'OISEAU-LYRE & BP 515 MC-98015 MONACO


EDIZIONI TORRE D'ORFEO<br />

Direzione Editorials e deposito:<br />

Via Ruggero Bonghi, 36/38<br />

Tel. (06) 73.48.38-Fax 73.15.311<br />

00184 ROMA<br />

A mministrazione:<br />

Via Roberto Alessandri, 50<br />

Tel. (06) 73.73.85<br />

00151 ROMA<br />

COLLANE DELL'ISTITUTO DI PALEOGRAFIA MUSICALE<br />

dirette da O. Cattin, F. Luiii, A. Ziino<br />

(Autori: I. Otctr MiichiUi; 2. CHnko Fibril; 3. Francesco Lnlii; 4. Alberto Turco; 5. Patriao Barbleri;<br />

6. Remo Oiazoao)<br />

ISTTTUTO DI PALEOGRAFIA MUSICALE<br />

ISTTTUTO PONTIFICIO DI MUSICA SACRA<br />

CoUant «MUSICA ITALIAE LITURGICAB,<br />

diretu da Bonifacio 0. Baroffio, Giulio Cattin, Francesco Luis<br />

(1. Antifoaario Romano amko, BAV, S. Ptetro B79)<br />

MISCELLANEA MUSICOLOGICA<br />

(Atti di Coovcjni: 1. RfSPO Calabria; 2. NapoH; 3. Marine 4. Lccce; 3. Ovidak)<br />

BIBLIOTECA MUSICOLOGICA<br />

(Studi e Ricerche: 1. Ubrettistica boiojncK; 2. Mbfiofrafia deOt open da mmictei rcronesO<br />

«STUDI GREGORIANL><br />

RMttt dirttt* dnH'<br />

[ntcr Tt * T * < ^* a ^ Studi di Ctnto Qreforitao dirrm da Nino Albaroa, daJ 1983<br />

CATALOGHI DI FONDI MUSICALI ITALIANI<br />

a curt dclla Sodeti Italians di Musicologia in collaborazicme coo il RISM<br />

(Foodi: 6. Roma • S. Pmntaleo; 7. Torino - Foi e Giordano; 8. Editori e hbrari a Roma; 9. Ancoaa - Bibl. Comnnak;<br />

10. Verona - Malaqrfna; 11. Adria - Capttolaie)<br />

ICONOGRAFIA MUSICALE IN ITALIA<br />

a cura ddla Sodeti Italians di Musicologia<br />

(1. VaDc D'Aoiu)<br />

THE<br />

fARTERLY<br />

FOUNDED IN KB<br />

Now published by<br />

Oxford University Press!<br />

Q Phase enter my one-year subscription to The <strong>Musical</strong><br />

<strong>Quarterly</strong>. Volume 75, 1991 (4 issues) at $34.00.<br />

Acct no.<br />

Signsure<br />

Exp. date<br />

The h istory of The <strong>Musical</strong> <strong>Quarterly</strong><br />

is the history of musicology in America.<br />

Founded in 1915, MQ rapidly established<br />

itself as the country's premier<br />

musicological journal.<br />

Each issue contains approximately<br />

six original articles covering the entire<br />

range of musical composition and<br />

performance, from early music to the<br />

Classical-Romantic tradition to twentieth-century<br />

jazz and pop to the latest<br />

developments in theory and practice.<br />

Regular features include reviews of<br />

significant new books and recordings.<br />

Name<br />

D I Hiclose my check payable to Oxford University Press Address.<br />

D Please bfll my D MasterCard • VISA<br />

O American Express<br />

City/State/Zip -<br />

Send your order to tbc Journals Department, Oxford<br />

University Press, 2001 Evans Road, Cary. NC 27513.


Fondazione Giorgio Cini Venezia<br />

ISTITUTO ITALIANO ANTONIO VTVALDI<br />

THE NEW CRITICAL EDITION<br />

OF THE WORKS OF<br />

ANTONIO VIVALDI<br />

Editorial Committee: tDenis Arnold, Francesco Degrade,<br />

Gianfranco folena, Peter Ryom, Reinhard Strohm, Michael Talbot<br />

A new critical edition, including around 120 titles, that will complete<br />

the publication of the opera omnia of Antonio Vivaldi, comprising<br />

instrumental works, Cantatas, Motets and<br />

Introductions, Psalms, Hymns, Antiphons, Mass<br />

sections etc.<br />

Issued:<br />

13 Sonatas<br />

(RV 3,12, 757, 755, 759, 758, 6,22,17a, 760, 756, 754,51)<br />

3 Concerti<br />

(RV 761, 763, 765)<br />

Introduction and Gloria RV 639, 639a, 588<br />

Psalm 112 RV600; Psalm 113 RV 604; Psalmll6 RV 606<br />

Salve Regina, Antiphon RV 617<br />

3 Hymns<br />

(RV 612, 613, 620)<br />

10 Motets<br />

(RV 623, 625, 626, 627, 629, 630, 631, 632, 633, 634)<br />

7 Introductions<br />

( RV 635, 636, 637, 638, 640, 641,642)<br />

16 Cantatas<br />

(RV 649, 650, 651, 652, 654, 660, 661, 664, 668, 670, 671,<br />

680, 683, 684-684a, 685, 686)<br />

Distribution in the U.S.A.<br />

Hal Leonard Publishing Co.,<br />

Milwaukee


Sb.95<br />

£6.00<br />

ISBN 0-19-507071

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!