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“Cold Frosty Morning”<br />

for Mountain <strong>Dulcimer</strong><br />

Arranged by Lois Hornbostel<br />

from <strong>Dulcimer</strong> Fiddle Tunes, MB 93713BCD<br />

Brrrrrr! Here’s a delightful, rhythmic old-time tune<br />

to warm us on those cold mornings. I learned it<br />

from fiddlers in North Carolina, and its early<br />

origins may go back to a Scottish song from the<br />

Jacobite Rebellion called “Johnny Cope.”<br />

Tuning & Playing Tips:<br />

The usual key fiddlers play <strong>this</strong> in is A Dorian.<br />

A very nice way to play in <strong>this</strong> mode on a<br />

mountain dulcimer is to tune your dulcimer to DGd<br />

tuning and attach a capo* at the first fret.<br />

To be in the same key and scale as them I tune<br />

my dulcimer to DGd tuning and attach a capo at<br />

the first fret. This provides a Dorian scale starting<br />

at the 4th fret on your treble or bass strings.<br />

I’ve suggested the left-hand fingerings I use; feel<br />

free to adjust for yourself. Strum across all the<br />

strings.<br />

The sound file that accompanies the tablature and chord letters below is played at a<br />

moderate teaching tempo. First you’ll hear the lead (chord/melody) version, and after it<br />

just the accompaniment chords. This method first gives you an opportunity to play the lead<br />

part along with the chords on the recording. Listening to the chords also presents a sense<br />

of the tune’ chord progressions.<br />

*If you don’t have a capo yet, you can find out where to get one in <strong>this</strong><br />

<strong>Dulcimer</strong><strong>Sessions</strong>.com article: http://www.dulcimersessions.com/dec05/capos.html


Listen to “Cold Frosty Morning”<br />

“Cold Frosty Morning”<br />

Arranged by Lois Hornbostel from<br />

<strong>Mel</strong> Bay’s <strong>Dulcimer</strong> Fiddle Tunes, © 1981 by <strong>Mel</strong> Bay Publications<br />

Key: A modal<br />

Tuning: DGd and capo fret 1 (EAe Dorian)<br />

Strum across all strings.


As usual with 3 strings, we use some abbreviated chords. This is in keeping with the modal<br />

fiddle tune sounds as well. If you’d like to try accompaniment, here are some I like:<br />

A part:<br />

Am G Em<br />

Bass string: 4 (A) 5 (B) 0 (E)<br />

Middle string: 3 (C) 4 (D) 5 (E)<br />

Treble string: 0 (E) 3 (G) 0 (E)<br />

B part:<br />

AMaj. C D High E<br />

Bass string: 4 (A) 6 (C) 7 (D) 8 (E)<br />

Middle string: 5 (E) 7 (G) 8 (A) 9 (B)<br />

Treble string: 4 (A) 6 (C) 7 (D) 8 (E)<br />

Am C D E<br />

4 0 4 5<br />

0 3 4 5<br />

0 0 1 0<br />

Some musicians start <strong>this</strong> tune with the second (B) part, and that’s easy to adapt to.<br />

Stay warm!

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