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“Cold Frosty Morning”<br />
for Mountain <strong>Dulcimer</strong><br />
Arranged by Lois Hornbostel<br />
from <strong>Dulcimer</strong> Fiddle Tunes, MB 93713BCD<br />
Brrrrrr! Here’s a delightful, rhythmic old-time tune<br />
to warm us on those cold mornings. I learned it<br />
from fiddlers in North Carolina, and its early<br />
origins may go back to a Scottish song from the<br />
Jacobite Rebellion called “Johnny Cope.”<br />
Tuning & Playing Tips:<br />
The usual key fiddlers play <strong>this</strong> in is A Dorian.<br />
A very nice way to play in <strong>this</strong> mode on a<br />
mountain dulcimer is to tune your dulcimer to DGd<br />
tuning and attach a capo* at the first fret.<br />
To be in the same key and scale as them I tune<br />
my dulcimer to DGd tuning and attach a capo at<br />
the first fret. This provides a Dorian scale starting<br />
at the 4th fret on your treble or bass strings.<br />
I’ve suggested the left-hand fingerings I use; feel<br />
free to adjust for yourself. Strum across all the<br />
strings.<br />
The sound file that accompanies the tablature and chord letters below is played at a<br />
moderate teaching tempo. First you’ll hear the lead (chord/melody) version, and after it<br />
just the accompaniment chords. This method first gives you an opportunity to play the lead<br />
part along with the chords on the recording. Listening to the chords also presents a sense<br />
of the tune’ chord progressions.<br />
*If you don’t have a capo yet, you can find out where to get one in <strong>this</strong><br />
<strong>Dulcimer</strong><strong>Sessions</strong>.com article: http://www.dulcimersessions.com/dec05/capos.html
Listen to “Cold Frosty Morning”<br />
“Cold Frosty Morning”<br />
Arranged by Lois Hornbostel from<br />
<strong>Mel</strong> Bay’s <strong>Dulcimer</strong> Fiddle Tunes, © 1981 by <strong>Mel</strong> Bay Publications<br />
Key: A modal<br />
Tuning: DGd and capo fret 1 (EAe Dorian)<br />
Strum across all strings.
As usual with 3 strings, we use some abbreviated chords. This is in keeping with the modal<br />
fiddle tune sounds as well. If you’d like to try accompaniment, here are some I like:<br />
A part:<br />
Am G Em<br />
Bass string: 4 (A) 5 (B) 0 (E)<br />
Middle string: 3 (C) 4 (D) 5 (E)<br />
Treble string: 0 (E) 3 (G) 0 (E)<br />
B part:<br />
AMaj. C D High E<br />
Bass string: 4 (A) 6 (C) 7 (D) 8 (E)<br />
Middle string: 5 (E) 7 (G) 8 (A) 9 (B)<br />
Treble string: 4 (A) 6 (C) 7 (D) 8 (E)<br />
Am C D E<br />
4 0 4 5<br />
0 3 4 5<br />
0 0 1 0<br />
Some musicians start <strong>this</strong> tune with the second (B) part, and that’s easy to adapt to.<br />
Stay warm!