The Skunk River Review - DMACC
The Skunk River Review - DMACC
The Skunk River Review - DMACC
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“Lynne’s Paradise Café – Louisville, Kentucky,” and “Notice - No Whining,” round out some of his<br />
interests and tell of his policy regarding complainers.<br />
<strong>The</strong> shutter of the camera controls the amount of time light is allowed to pass through the<br />
aperture to the sensor plane (Stahr, Digital Photography). Just as a finger pressing down on the<br />
shutter button controls the capturing of an event, so has Curt took charge of his destiny, showing<br />
time and time again that he is an entrepreneur who has built a career around his passions. Curt<br />
has taught at <strong>DMACC</strong> since 1990. He has trained and inspired many. His students have gone on<br />
to work for the likes of: <strong>The</strong> San Francisco Chronicle, <strong>The</strong> Des Moines Register, Annie Leibowitz,<br />
ELLE Magazine, freelancers that work for National Geographic, some of the biggest and best<br />
commercial photographers in town, and others who travel all over the world shooting for<br />
magazines. He photographs weddings, does commercial work for magazines, develops visual<br />
programs for corporations, and creates visual calendars for major companies around the United<br />
States. He has exhibited in sixty-four invited or juried art shows, twenty-two one-man art shows,<br />
and received twenty-one purchase awards. Additionally, he has been listed in: American Artists<br />
of Renown, Marquis Who’s Who in America, Marquis Who’s Who in the World, and Who’s Who<br />
in Photography.<br />
Curt speaks candidly of his personal sojourn. “Happiness is pretty elusive. Some<br />
days it’s there, and some days it’s not. Some days it’s there for ten years, and all of a<br />
sudden it’s gone again. You can never underestimate it.” In reflecting on further, he<br />
divulges his mantra, “No regrets. And that’s what it’s going to say on my tombstone.<br />
I’ve loved a lot of women and let a lot of them go ⎯ no regrets.”<br />
xxviii