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Satire in the 18th Century NEH Summer Institute ... - Moravian College

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4. Tom’s sometime girlfriend, Sarah Young, reappears <strong>in</strong> several of <strong>the</strong> pa<strong>in</strong>t<strong>in</strong>gs. The<br />

students might be asked to study <strong>the</strong>se and decide what she comes to stand for <strong>in</strong> <strong>the</strong> series.<br />

(There is a good discussion of <strong>the</strong> role of Sarah Young <strong>in</strong> <strong>the</strong> series <strong>in</strong> Paulson’s book, vol. 2.)<br />

today?<br />

5. The students could debate whe<strong>the</strong>r A Rake’s Progress is Horatian or Juvenalian satire.<br />

6. Whom would Hogarth choose to satirize today? What is <strong>the</strong> equivalent of a rake<br />

7. Students talented <strong>in</strong> art might choose to draw or pa<strong>in</strong>t a scene from a modern-day<br />

“rake’s progress.”<br />

8. If <strong>the</strong>re is time and <strong>in</strong>terest, play some of Strav<strong>in</strong>sky’s opera, The Rake’s Progress, for<br />

<strong>the</strong> class and discuss how <strong>the</strong> music (and libretto) br<strong>in</strong>gs out <strong>the</strong> satire.<br />

9. Aga<strong>in</strong>, if time, br<strong>in</strong>g <strong>in</strong> o<strong>the</strong>r examples of eighteenth-century pictorial satire: o<strong>the</strong>r<br />

pictures by Hogarth, or by Thomas Rowlandson (1756-1827) or James Gillray (1756-1815).<br />

Class 7: The Coffee Cantata<br />

Prelim<strong>in</strong>ary steps:<br />

1. Brief outl<strong>in</strong>e of Bach’s life. Use, for example, James R. Ga<strong>in</strong>es, Even<strong>in</strong>g <strong>in</strong> <strong>the</strong> Palace<br />

of Reason: Bach Meets Frederick <strong>the</strong> Great <strong>in</strong> <strong>the</strong> Age of Enlightenment.<br />

2. Brief <strong>in</strong>troduction to Baroque style. Use, for example, one of <strong>the</strong> harpsichord concerti<br />

(BWV 1052-1065). Discuss style, polyphony, <strong>in</strong>strumentation.<br />

11

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