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Satire in the 18th Century NEH Summer Institute ... - Moravian College

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8. “My pr<strong>in</strong>cipal Design was to <strong>in</strong>form and not to amuse <strong>the</strong>e….my sole Intention was<br />

<strong>the</strong> PUBLIC GOOD,” Gulliver tells his Gentle Reader (chap. 12). What good does Swift,<br />

through his character Gulliver, <strong>in</strong>tend to effect?<br />

Class 6: Hogarth<br />

How to make <strong>the</strong> transition from Gulliver to Hogarth, from a literary genre to a visual one?<br />

Perhaps <strong>in</strong> <strong>the</strong> previous discussions of Gulliver <strong>the</strong> teacher could show some eighteenth-century<br />

illustrations of scenes from Swift’s book. Although I haven’t yet exam<strong>in</strong>ed this book, see John<br />

F. Sena, “Gulliver’s Travels and <strong>the</strong> Genre of <strong>the</strong> Illustrated Book,” <strong>in</strong> The Genres of “Gulliver’s<br />

Travels,” ed. Frederik N. Smith (Newark, DE: University of Delaware Press/London: Associated<br />

University Presses, 1992 [1990]), 101-38.<br />

Or one could just plunge <strong>in</strong>to Hogarth. (I cont<strong>in</strong>ually re-learn that high school students<br />

need less of a logical l<strong>in</strong>k or transition between one lesson and <strong>the</strong> next than <strong>the</strong>ir teachers do!)<br />

Aga<strong>in</strong>, one could beg<strong>in</strong> with some background <strong>in</strong>formation on Hogarth. Good sources of<br />

<strong>in</strong>formation are:<br />

Hogarth, Michael Rosenthal (London: Jupiter Books, 1980)<br />

Hogarth, Lawrence Gow<strong>in</strong>g (London: Tate Gallery, 1971)<br />

Hogarth, Ronald Paulson, 3 vols. (New Brunswick: Rutger’s, 1992)<br />

Hogarth's Graphic Works, 3rd rev. ed., Ronald Paulson London: The Pr<strong>in</strong>t Room, 1989)<br />

Hogarth's Progress, Peter Quennell (New York: Vik<strong>in</strong>g Press, 1955)<br />

9

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