- Page 4 and 5: Content 1. Introduction ...........
- Page 6: 9.2.2 Deconstructing Reality: The A
- Page 9 and 10: all literature, directly or by impl
- Page 11 and 12: madness provide an informing princi
- Page 13 and 14: more prone to going insane due to t
- Page 15 and 16: moral corruption, God's punishment
- Page 17 and 18: the treatment of those designated a
- Page 19 and 20: would be able to cure them generate
- Page 21 and 22: was merely part of a paternalist tr
- Page 23 and 24: elements of his theory. Together wi
- Page 25 and 26: withdraw from social contact and lo
- Page 27 and 28: disembodied mind, which becomes the
- Page 29 and 30: themselves. In transferring the bur
- Page 31 and 32: madness may be a form in which "oft
- Page 33 and 34: Another point of criticism which ha
- Page 35 and 36: theory using linguistic and semiolo
- Page 37 and 38: Extending Freud's theories now by i
- Page 39 and 40: modes of psychic errancy in the flo
- Page 41 and 42: Derrida makes a similar point on a
- Page 43 and 44: context for the discussion of insan
- Page 45 and 46: 3. Colonial Madness 3.1 The Chronic
- Page 47 and 48: Both Moodie and her sister Catherin
- Page 49 and 50: an important vehicle for the formul
- Page 51 and 52: In all-consuming desire to be reven
- Page 53 and 54:
"you witness the destruction of you
- Page 55 and 56:
dangers of the environment at bay.
- Page 57 and 58:
with"2. In their effort to retain t
- Page 59 and 60:
is why all "discussion of the liter
- Page 61 and 62:
settlers remain spiritually alienat
- Page 63 and 64:
man. Blind with rage he tells her b
- Page 65 and 66:
inspect it, a Judith says, "to assu
- Page 67 and 68:
morality Grove is offering us inste
- Page 69 and 70:
Amundsen's farm is a model of human
- Page 71 and 72:
dinner; nothing but the turbines an
- Page 73 and 74:
women who were most often "trapped
- Page 75 and 76:
smother of dust upon his throat and
- Page 77 and 78:
Street mockery of his origins but a
- Page 79 and 80:
and I could feel it even on the pil
- Page 81 and 82:
I speak or laugh, and suddenly in m
- Page 83 and 84:
with mental health. Consequently, t
- Page 85 and 86:
especially when this assimilation l
- Page 87 and 88:
He had come, begging to know, to un
- Page 89 and 90:
horrified, into her death-glazed ey
- Page 91 and 92:
to Callaghan's explorations of the
- Page 93 and 94:
destruction of the innocent. This r
- Page 95 and 96:
quest, I agree with Pacey and McPhe
- Page 97 and 98:
6. Madness as Escape 6.1. Madness a
- Page 99 and 100:
The necklace breaking, the hotly bl
- Page 101 and 102:
that Flor's "cheeky outbursts, fit
- Page 103 and 104:
the city to try and fill a prescrip
- Page 105 and 106:
6.1.2 Margaret Laurence's "Horses o
- Page 107 and 108:
He is ignoring his shrieking sister
- Page 109 and 110:
The protagonist as he is presented
- Page 111 and 112:
ather impressive in his awareness a
- Page 113 and 114:
all that my family believes in. Whe
- Page 115 and 116:
states that she "had never known an
- Page 117 and 118:
I don't want to die an old fag alon
- Page 119 and 120:
eing an outsider oneself. An aspect
- Page 121 and 122:
who commits suicide shortly after i
- Page 123 and 124:
6.2.2.4 "The Butterfly Ward" In the
- Page 125 and 126:
collection of autobiographical acco
- Page 127 and 128:
Great wits are sure to madness near
- Page 129 and 130:
the soul, as an act of courage and
- Page 131 and 132:
Inevitably it also happens that the
- Page 133 and 134:
different responses to it. Sallie p
- Page 135 and 136:
he breeds a freak strain out of "or
- Page 137 and 138:
of Buddy Bolden is blended even mor
- Page 139 and 140:
Bolden after he has run off in pani
- Page 141 and 142:
vitiation of the sense of controlle
- Page 143 and 144:
8. Women and Madness 8.1 Female Mad
- Page 145 and 146:
essentially true for traditional Me
- Page 147 and 148:
hysteria insofar as these monotonou
- Page 149 and 150:
Nina Baym, taking a radically anti-
- Page 151 and 152:
the age of five to seventeen - year
- Page 153 and 154:
She recalls the family's trip acros
- Page 155 and 156:
evisit the scene of her loss in an
- Page 157 and 158:
Thus on the way to my grandfather's
- Page 159 and 160:
Audrey Thomas is a good writer, but
- Page 161 and 162:
my mother, and pledged that when I
- Page 163 and 164:
most interesting and revealing as t
- Page 165 and 166:
she has always strictly adhered. In
- Page 167 and 168:
Rapunzel and the tower are the same
- Page 169 and 170:
and Peter's subsequent hunting stor
- Page 171 and 172:
"automatically, as though she was t
- Page 173 and 174:
emotionally"146. Eating becomes "a
- Page 175 and 176:
him as she has no-one else to turn
- Page 177 and 178:
accommodation and a new lover, she
- Page 179 and 180:
or shadow ego, which often leads to
- Page 181 and 182:
she, who had already been split by
- Page 183 and 184:
activities as an amateur archaeolog
- Page 185 and 186:
left, they set up this barrier. The
- Page 187 and 188:
does, as "no resurrection, but just
- Page 189 and 190:
9. The Postmodernist Approach to Ma
- Page 191 and 192:
deconstructing the structure of a w
- Page 193 and 194:
egional.15 On the contrary, the pos
- Page 195 and 196:
A popular misconception is that we
- Page 197 and 198:
history. Near the novel's end Pierr
- Page 199 and 200:
egarded as "Mr. Canadian Postmodern
- Page 201 and 202:
who are into the whole notion of co
- Page 203 and 204:
Eugene Utter, Hazard eventually tur
- Page 205 and 206:
The narrator, who once guaranteed t
- Page 207 and 208:
our common symbolisation of everyda
- Page 209 and 210:
10. The Mad Worlds of Timothy Findl
- Page 211 and 212:
Renalda and the strong and courageo
- Page 213 and 214:
All family members are individually
- Page 215 and 216:
Against the backdrop of a house con
- Page 217 and 218:
Not in the least afraid of him, it
- Page 219 and 220:
Living long after Robert's death, a
- Page 221 and 222:
sham rhetoric that surrounds the wa
- Page 223 and 224:
Asked by Margaret Laurence why the
- Page 225 and 226:
She heard the crash upstairs and th
- Page 227 and 228:
"What does it mean - to kill your c
- Page 229 and 230:
So little was known and so much rum
- Page 231 and 232:
milligrams."100 Above all, however,
- Page 233 and 234:
them could be classified as dangero
- Page 235 and 236:
made father suffers from impotence,
- Page 237 and 238:
Wars, this sacrifice is portrayed i
- Page 239 and 240:
front of his friend. While his word
- Page 241 and 242:
more. Run until you drop. Run until
- Page 243 and 244:
Whether the source for the picture
- Page 245 and 246:
11. Concluding Remarks When dealing
- Page 247 and 248:
a fashionable interest in the psych
- Page 249 and 250:
Next to this approach we find the c
- Page 251 and 252:
write each other's lives - by means
- Page 253 and 254:
Findley, Timothy: Inside Memory: Pa
- Page 255 and 256:
Thomas, Audrey: Real Mothers.- Vanc
- Page 257 and 258:
Bart, Pauline: Portney's Mother's C
- Page 259 and 260:
Böker, W and Häfner, H.: Gewaltta
- Page 261 and 262:
Powerlessness/ ed. by Vivian Gornic
- Page 263 and 264:
Davey, Frank: Alternate Stories: Th
- Page 265 and 266:
Edelson, Marshall: Language and Int
- Page 267 and 268:
Furst, Lilian R. & Skrine, Peter N.
- Page 269 and 270:
Grove, Frederick Philip: It Needs t
- Page 271 and 272:
Hutcheon, Linda (ed.): Double Talki
- Page 273 and 274:
Keith, W.J.: Wild Geese: The Death
- Page 275 and 276:
Landis, Carney (ed.): Varieties of
- Page 277 and 278:
Mathews, Robin: Morley Callaghan an
- Page 279 and 280:
Monkman, Leslie: Richardson's India
- Page 281 and 282:
Pacey, Desmond: Fiction 1920-1940.-
- Page 283 and 284:
Roffman, Peter; Purdy, Jim: The Hol
- Page 285 and 286:
Shapiro, Laura: Perfection Salad: W
- Page 287 and 288:
Stephens, J. H. et. al.: Long-term
- Page 289 and 290:
Wachtel, Eleanor: The Guts of Mrs.