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‘News From The Pews’<br />

Issue No.16, 23 <strong>July</strong> <strong>1999</strong>, St Stephen’s Cathedral<br />

Check the ‘News From The Pews’ web site: www.ozemail.com.au/~trps<br />

“Moral Confusion …”<br />

“… And last year was a watershed in the<br />

Australian church, with a 22-page Statement<br />

of Conclusions issued jointly by Vatican<br />

officials and the Australian bishops reporting<br />

that a “crisis of faith” had enveloped the<br />

Australian church. It bore the undeniable<br />

imprint of the John Paul/Ratzinger<br />

worldview, explaining how and why the<br />

“crisis” had led to declining attendances,<br />

theological dissent, and widespread moral<br />

confusion …”. (Of Cardinal Importance,<br />

Paul Gray, Courier Mail, 10 <strong>July</strong> <strong>1999</strong>, p. 19)<br />

Nowhere in Australia is this moral confusion<br />

more in evidence than in Brisbane’s St<br />

Stephen’s Cathedral and in its cross-cultural<br />

“mystery” shrine “The Human Search For<br />

God” – a shrine which archbishop John<br />

Bathersby appears incapable of either<br />

defending or explaining.<br />

So, how did the shrine get into St Stephen’s<br />

in the first place? Why was it put it there?<br />

Why does Archbishop Bathersby not have it<br />

removed? And, why does the archbishop<br />

fail to publicly explain or defend the shrine?<br />

These are the questions we examine in this<br />

and coming issues.<br />

The Evidence<br />

Over the past year or so, in examining the St<br />

Stephen’s Cathedral shrine “The Human<br />

Search For God”, we have seen how the<br />

artwork in the shrine is embedded with<br />

hidden occult and sexual meanings and is<br />

deeply offensive to traditional Aboriginal and<br />

Catholic spirituality.<br />

In previous issues, “News From The Pews”<br />

has shown:<br />

• that its presence in St Stephen’s is in<br />

breach of church law<br />

• the “Eliza Fraser Heads 4 Trouble” reading<br />

• the mocking “black cock/_a_too” reading<br />

• the “L_u_c_i_f_e_r” reading<br />

• the “C _ _ _” reading<br />

• the secret-sacred “K_u_n_a/_pipi” reading<br />

• how the sign complements these readings<br />

• how Cathedral artist Ms Fiona Foley<br />

breached Aboriginal customary law in a<br />

number of ways, including appropriating<br />

and inappropriately re-working ritual<br />

knowledge from her earlier works, “Moon<br />

Fish”, “Gunabibi 3” & “Maningrida”<br />

• how Ms Foley cross-matched that ritual<br />

knowledge with the demonic ritual<br />

knowledge of the “hard core” western<br />

occultist Aleister Crowley, making specific<br />

reference to –<br />

- “witchcraft”<br />

- “the false moon of the sorceress”, and<br />

- Crowley’s “Liber Samekh”/<br />

“Congressus cum Daemone” ritual.<br />

Archbishop’s Claim<br />

Perhaps the most curious element of the<br />

whole affair has been the claim made in a<br />

statement by Archbishop Bathersby that he,<br />

“… is very happy that it (the shrine) is there.<br />

It is a fitting tribute to the Aboriginal people<br />

who originally owned the land on which the<br />

Cathedral is built. As well it acknowledges<br />

the Aboriginal people’s search for God.”<br />

(Archbishop’s Statement, 29 June 1998)<br />

So, why does no-one come forward to<br />

support His Grace’s claim?<br />

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Traditional Owners<br />

There are a number of reasons why no<br />

traditional owners of “the land on which the<br />

Cathedral is built” have come out in support<br />

of His Grace’s “tribute” claim, including:<br />

1. There are the shrine’s breaches of<br />

Aboriginal customary law, to which we have<br />

referred a number of times. No traditional<br />

owner will come forward to support a<br />

“tribute” which itself breaches Aboriginal law.<br />

2. In similar vein, there is the calculated<br />

mockery of traditional Aboriginal law and<br />

spirituality, (see NFTP No. 14). No<br />

traditional owner can support the mockery of<br />

another traditional owner’s law or spirituality.<br />

3. Aboriginal art is about land. The art itself<br />

contains a land claim element. Mixing a<br />

land claim relating to the Brisbane<br />

archdiocese with a reference to “Kunapipi”<br />

(appropriated from the Northern Territory) is,<br />

in Aboriginal terms, grossly and calculatingly<br />

offensive.<br />

4. We have previously seen that the “shrine”<br />

expresses a certain kind of “New Age” Koori<br />

perspective. This perspective is one which<br />

finds acceptable a mixing of Aboriginal<br />

beliefs and practices with those from the<br />

western occult, including the likes of Aleister<br />

Crowley. This perspective is deeply<br />

offensive to traditional Aboriginal people. In<br />

supporting the presentation of this<br />

perspective in St Stephen’s, Archbishop<br />

Bathersby is staking out a divisive position in<br />

relation to the Aboriginal community.<br />

“Tribute” and Aboriginal Protocol<br />

For a “tribute” to be acceptable to traditional<br />

Aboriginal owners, the owners would have<br />

had to be involved in the tribute from the<br />

outset. Their permission would have been<br />

essential. Considerable discussion,<br />

consultation and negotiation would have<br />

been necessary, both between the church<br />

and the traditional owners and within the<br />

traditional owning community.<br />

The Brisbane archdiocese has a wealth of<br />

knowledge about Aborigines and Aboriginal<br />

culture. It is not remotely likely that the<br />

church somehow naively overlooked<br />

Aboriginal protocol when it installed the<br />

shrine.<br />

A “New Age” Koori Perspective<br />

One of the more intriguing aspects of the<br />

shrine is the particular “New Age” Koori<br />

perspective which it expresses. As we have<br />

seen, this particular perspective does not<br />

respect traditional Aboriginal spirituality nor<br />

Christian spirituality nor the Catholic Church.<br />

“New Age” influences in the Catholic church<br />

are not a new phenomenon. The “New Age”<br />

in the church is a known quantity. A great<br />

deal has been written about the subject.<br />

What is unusual about this shrine, however,<br />

is that the “New Age” content is specifically<br />

sourced, via Crowley’s unique codes and<br />

numerology, to Crowley himself and his cult.<br />

If you know how Crowley’s codes work, the<br />

meaning of this otherwise obscure shrine is<br />

laid bare. This is not your average or run-ofthe-mill<br />

“New Age” influence. This is from<br />

the hard core “Crowleyan” occult – and it is<br />

on public display in St Stephen’s.<br />

“Moral Confusion”<br />

Now that we are all able to see the nature of<br />

the “mystery” shrine in St Stephen’s, the key<br />

question has become one of where<br />

Archbishop Bathersby himself stands.<br />

• Why has His Grace not denied any of<br />

NFTP revelations?<br />

• How can he allow such an offensive shrine<br />

to stay in place?<br />

• Does he stand with Crowley’s<br />

“spirituality”?<br />

• Does he stand with the other disparaged<br />

parties - the traditional Aborigines and the<br />

Catholic Church?<br />

• Or, is His Grace nowhere to be seen?<br />

Tim Pemble-Smith<br />

3 – 111 Central Avenue, Indooroopilly Q 4068<br />

after hours: (07) 3871 2047<br />

Want NFTP by mail or e-mail? For e-mail, let<br />

NFTP know at: trps@ozemail.com.au<br />

Current & all back issues are available on the<br />

Internet at the ‘News From The Pews’ web site:<br />

www.ozemail.com.au/~trps<br />

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