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The Shadow of God - Dr. Wesley Muhammad

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2.2. <strong>The</strong> High Priestly Garments and Divine Glory<br />

<strong>The</strong> chromatic homology between the Tabernacle drappings and the high priestly garments has been<br />

noted. In a number <strong>of</strong> ancient texts veil and garment are equated. 118 As the Syriac saint Ephrem (d. 373)<br />

wrote: “<strong>The</strong> Firstborn wrapped Himself in a body, as a veil (to hide) His glory; the immortal bride (the<br />

soul) shines out in that robe.” 119 “Garment” is a common metaphor for body in Jewish, Samaratain,<br />

Christian, and Gnostic literature and the “body as garment <strong>of</strong> the soul” motif was widespread in late<br />

antiquity. 120 <strong>The</strong>re is no explicit indication in the Pentateuch that P intended this metaphor. <strong>The</strong>re are<br />

suggestive hints, however.<br />

Firstly, as we have noted, these garments are the Israelite version <strong>of</strong> the ANE „garment <strong>of</strong> the gods.‟ 121<br />

<strong>The</strong> high priestly dark blue robe (me’îl) and ephod with gold appliqué work bring to mind the sapphirc skygarment<br />

<strong>of</strong> the pagan gods. 122 In the ANE and cognate Indian tradition this garment had somatic<br />

significance: it represented the body or skin <strong>of</strong> the deity, the stars covering the garment signifying rays <strong>of</strong><br />

celestial light emanating from the hair-pores <strong>of</strong> the divine skin. This light seems to have produced a<br />

„surrounding splendor‟ described as a „cloud.‟ Thus, the Akkadian nalbaš šamê („sky garment‟)<br />

“denotes…the star-spangled sky…and the cloud-covered sky.” 123 „Sky garment‟ and „cloud‟ are therefore<br />

metaphors for the divine body surrounded by splendor.<br />

<strong>The</strong> high-priestly garments were given by <strong>God</strong> to be for “glory (דובכ) and beauty (תראפת) (Ex. 28:2,<br />

40).” In P these terms have special significance denoting the fiery, anthropomorphic form <strong>of</strong> Yahweh<br />

hidden behind a black cloud (ןנעו ךשׁח). 124 Elsewhere in the HB דובכ kābôd and its synonyms (דוה, רדה,<br />

תואג etc.) are described as garments <strong>of</strong> the divine (Ps. 93:1; 104:1f). In the Akkadian pulÉu melammu “awe-<br />

Prot. Jas. v. New Testament Apocrypha, Volume I: Gospels and Related Writings, edd. Wilhelm Schneemelcher and R. Mcl. Wilson<br />

(Cambridge and Louisville, KY: James Clarke & Co. Ltd and Westminster/John Know Press, 1991) 421-439; Harm Reinder Smid,<br />

Protevangelium Jacobi: A Commentary (Assen, 1965), esp. 75-83. For this reading <strong>of</strong> the Prot. Jas. v. Nicholas Constas‟ discussion,<br />

“<strong>The</strong> Purple Thread and the Veil <strong>of</strong> the Flesh: Symbols <strong>of</strong> Weaving in the Sermons <strong>of</strong> Proclus,” in idem, Proclus <strong>of</strong> Constantinople<br />

and the Cult <strong>of</strong> the Virgin in Late Antiquity (Leiden: Brill, 2003) 325-27; Margaret Barker, “<strong>The</strong> Veil as the Boundary,” in idem,<br />

the Great High Priest: <strong>The</strong> Temple Roots <strong>of</strong> Christian Liturgy (London: T&T Clark, 2003) 211. On the temple veil and<br />

incarnation in Christian theology and iconography v. Hélène Papastavrou, “Le voile, symbol de l‟Incarnation: Contribution à une<br />

etude sémantique,” Cahiers Archeologiques 41 (1993): 141-168.<br />

118 In the Testament <strong>of</strong> Levi 10, 3, for instance, the temple is personified as an angel and the veil is its ενδυμα. See Marinus DeJonge,<br />

<strong>The</strong> Testament <strong>of</strong> the XII Patriarchs, 124; idem, “Two Interesting Interpretations”; Bonner, “Two Problems.” For other examples <strong>of</strong><br />

this veil=garment motif in ancient literature v. Blake Ostler, “Clothed Upon: A Unique Aspect <strong>of</strong> Christian Antiquity,” BYU Studies<br />

22 (1982): 35-6. On the homology between the ephod and Tabernacle veil see Menahem Haran, “<strong>The</strong> Priestly Image <strong>of</strong> the<br />

Tabernacle,” HUCA 36 (1965): 208ff.<br />

119 Nisibis 43:21, trns by Brock, Luminous Eye, 95.<br />

120 Jung Hoon Kim, <strong>The</strong> Significance <strong>of</strong> Clothing Imagery in the Pauline Corpus (London and New York: T&T Clark International,<br />

2004); Nils Alstrup Dahl and David Hellholm, “Garment-Metaphors: the Old and the New Human Being,” Adela Yarbro Collins and<br />

Margaret M. Mitchell (edd.), Antiquity and Humanity. Essays on Ancient Religion and Philosophy Presented to Hans Dieter Betz<br />

on His 70 th Birthday (Tübingen: Mohr Siebeck, 2001) 139-158; April D. De Conick and Jarl Fossum, “Stripped before <strong>God</strong>: A New<br />

Interpretation <strong>of</strong> Logion 37 in the Gospel <strong>of</strong> Thomas,” VC 45 (1991): 123-150; April D. De Conick, “<strong>The</strong> Dialogue <strong>of</strong> the Savior and<br />

the Mystical Sayings <strong>of</strong> Jesus,” VC 50 (1996): 190-2; S. David Garber, “Symbolism <strong>of</strong> Heavenly Robes in the New Testament in<br />

Comparison with Gnostic Thought” (Ph.D diss., Princeton University, 1974); see also above.<br />

121 See above nn. 31, 33-4.<br />

122 In some later representations <strong>of</strong> Aaron the robe and ephod are depicted in such a way as to recall the association with sapphiric<br />

heavens. In the mosaic from the synagogue in Sepphoris (ca. fifth century) Aaron‟s robe is depicted dark blue with golden dots and in<br />

a wall-painting at Dura Europos (3 cent. CE.) Aaron dons a wine-colored, jewel-studded cape, which some scholars take to be a<br />

representation <strong>of</strong> the robe or ephod (See Ze‟ev Weiss and Ehud Netzer, Promise and Redemption: A Synagogue Mosaic from<br />

Sepphoris [Jerusalem: <strong>The</strong> Israel Museum, 1996], 20ff; Swartz, “<strong>The</strong> Semiotics <strong>of</strong> the Priestly Vestments,” 63 n. 16; C.H. Kraeling,<br />

<strong>The</strong> Excavations at Dura Europos: <strong>The</strong> Synagogue [Final Report vol. 8 Part 1] [New Haven: Yale University Press, 1956; repr. New<br />

York: Ktav, 1979] 127; Erwin R. Goodenough, “Cosmic Judaism: <strong>The</strong> Temple <strong>of</strong> Aaron,” in his Jewish Symbols, 9:16). <strong>The</strong> yellow<br />

jewels are similar to the gold dots on the priestly robe in the Sepphoris mosaic and both suggests the stars on the divine „sky-garment.‟<br />

See Swartz, “<strong>The</strong> Semiotics <strong>of</strong> the Priestly Vestments,” 63 n. 16; Weiss and Netzer, Promise and Redemption, 45 n. 31. <strong>The</strong> parallel<br />

between lapis lazuli, the ANE „sky-garment,‟ and these depictions <strong>of</strong> the high-priestly vestments is unmistakable.<br />

123 Oppenheim, “Golden Garments,” 187 n. 25. See also Parpola, Sky-Garment, 35-37.<br />

124 On the relation between the divine and priestly דובכ and תפארתsee John A. Davies, A Royal Priesthood: Literary and<br />

Intertextual Perspective on an Image <strong>of</strong> Israel in Exodus 19.6 (London: T&T Clark International, 2004) 158-9. On the<br />

anthropomorphic kābôd <strong>of</strong> P and priestly tradition v. Moshe Weinfeld (Deuteronomy and the Deuteronomic School [Oxford: <strong>The</strong><br />

Clarendon Press, 1972] 191-209, esp. 200-206; idem, TDOT 7:31-33 s.v. דובכ; Tryggve N.D. Mettinger, <strong>The</strong> Dethronement <strong>of</strong><br />

Sabaoth: Studies in the Shem and Kavod <strong>The</strong>ologies (CWK Gleerup, 1982) Chapters Three and Four; J. E. Fossum, “Glory,” DDD<br />

348-52; Rimmon Kasher, “Anthropomorphism, Holiness and the Cult: A New look at Ezekiel 40-48,” ZAW 110 (1998): 192-208;<br />

Andrei A. Orlov, “Ex 33 on <strong>God</strong>‟s Face: A Lesson from the Enoch Tradition,” SBL Seminar Papers 39 (2000): 130-147.

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