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Press-Release - David Garrett

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Island Records announce the release on 3rd September 2012 of a special 25th<br />

Anniversary edition of Freddie Mercury and Montserrat Caballé’s classic ‘Barcelona’<br />

album.<br />

“I’m moving into opera now. Forget rock and roll”. Freddie Mercury. 1987.<br />

25 years after the original release of the lead single, Queen singer Freddie Mercury’s<br />

most self-defining and personal work, his ‘Barcelona’ album recorded in collaboration<br />

with Spanish operatic soprano Montserrat Caballé, is to have a special re-release in an<br />

entirely newly orchestrated re-working.<br />

The special anniversary version of the album ‘Barcelona – The Special Edition’ is<br />

released September 3, coming around what would have been the singer’s 66 th<br />

birthday.<br />

The original Barcelona album, named after the Spanish city who would host the<br />

Olympics in 1992 and for which Mercury had been asked to write the theme song, was<br />

to become the final solo work Mercury would complete.<br />

The title was also a tribute to the home city of his beloved recording partner Montserrat<br />

Caballé with whom Freddie was captivated and had planned to perform the title song<br />

with at the opening of the 1992 Olympics opening ceremony. Sadly Mercury passed<br />

away eight months before this could happen.<br />

But the album gave Mercury a million selling record and posthumously a chart topping<br />

single when the song Barcelona was chosen by BBC TV as its title music to its<br />

coverage of the Olympics.


One of the most audacious, and groundbreaking musical collaborations of the 80’s,<br />

‘Barcelona’ was for Freddie the embodiment of his long held fantasy of combining rock<br />

and opera and realizing his dream of collaborating with the woman of whom he said<br />

after first seeing her performing at London’s Royal Opera House in 1981, ‘I have now<br />

heard the best voice in the world’.<br />

Freddie had gone to the Opera House to see Luciano Pavarotti in Verdi’s ‘Un ballo in<br />

maschera’. Freddie had heard him on record but never seen him live. However, as<br />

impressive as Pavarotti clearly was, it was the mezzo soprano who blew Freddie away.<br />

He was later to play his manager Jim Beach a record of Montserrat Caballé. “I wish to<br />

record with her”, Freddie told an astonished Jim. “Please arrange it.”<br />

Beach arranged a first meeting, at the Ritz hotel in Barcelona.<br />

Freddie took with him pianist / arranger, Mike Moran, together with a demo recording<br />

they had prepared for Montserrat entitled “Exercises in Free Love” which Freddie had<br />

sung in falsetto imitating her voice. Freddie’s team had arranged for a massive PA<br />

system to be installed in the garden at the Ritz where they met and Freddie played his<br />

demo to Montserrat the moment she arrived. “Could I sing it next Sunday at my recital<br />

at Covent Garden?” Montserrat asked on hearing it. They rehearsed it then and there<br />

and the album Barcelona was born.<br />

Nicely completing the circle between that first encounter between Freddie and<br />

Montserrat, this new edition brings to the album for the first time as an extra track<br />

Freddie’s original vocal performance of ‘Exercises in Free Love’ which Montserrat<br />

heard in the garden of the Ritz and formed the seed of their collaboration.<br />

The ‘Barcelona’ Special Edition album will be at the centre of a new groundswell of<br />

interest in the work of the late singer who died in November 1991 and in whose<br />

memory his birthday is now marked each year with the HIV AIDS fundraising day,<br />

‘Freddie For A Day’.<br />

Arriving at the same time will be a major new documentary “The Great Pretender” and<br />

a freshly authored and illustrated book, “Freddie Mercury: The Great Pretender - A Life<br />

in Pictures” which is released on September 3 rd (Goodman,£25).<br />

The re-created Barcelona album is being hailed as the version Mercury would have<br />

wanted to make at the time had he felt able to work with a full symphony orchestra<br />

Mercury recorded his original album almost entirely on keyboards. This 2012 special<br />

edition replaces Mercury and co-writer and producer Mike Moran’s synthesized<br />

arrangements with a full symphonic orchestral score performed by the eighty piece<br />

FILMharmonic Orchestra, Prague, one of the most sought after recording orchestras in<br />

Central Europe, featuring leading members from Czech foremost orchestras (Czech<br />

Philharmonic, Prague Symphony).<br />

Called on to transcribe and re-orchestrate the Mercury and Montserrat Caballé tracks<br />

which featured on the original album was arranger and music director Stuart Morley<br />

whose connection with Queen and Mercury lie in his MD role of the band’s hit musical<br />

We Will Rock You. Morley is at the heart of this new special edition of the album;<br />

alongside Queen sound engineer Kris Fredriksson, Morley is also its producer.<br />

Morley set about creating a new score by “basically listening to the album over and<br />

over in short sections and noting down the harmonic structure, lead orchestral lines<br />

and instrumental voicings along with the vocal lines. I then proceeded to expand into<br />

making a full orchestral score (with a 2B pencil, ruler and erases –the old fashioned<br />

way) working at the piano and constantly referring back to the original recordings to


make sure the work I was doing remained faithful to Freddie and Mike Moran’s original<br />

intentions.”<br />

Morley also cites as important references along the way: “Rimsky Korsakov's treatise<br />

on orchestration as well as various orchestral scores including Tchaikovsky's 4th<br />

symphony, Scheherzade and Dubussy's La Mer. It was important to me,” he says,<br />

“that the re-orchestration was constructed and voiced in an authentic classical style<br />

whilst remaining faithful to the sound world of the original album.”<br />

After months at the pencil and eraser, Morley arrived at the first day of recording in<br />

Prague. “I remember feeling a mixture of nerves and excitement when I made the short<br />

walk from the hotel to the studio. Hearing just over 80 people tune up before striking<br />

the first notes when the conductor gives their first downbeat is always slightly nerve<br />

racking for an arranger, but these feeling were amplified ten-fold because of my<br />

knowledge, respect and admiration of the original album and its creators.<br />

“I'll never forget the wave of emotion that hit me later on that day when I was handed<br />

the headphones while we were recording one of the tutti sections from ‘The Fallen<br />

Priest’ (which was incidentally the biggest and most challenging orchestration to<br />

complete) and I felt the sheer power of the orchestra giving it their all, with Freddie and<br />

Montserrat soaring over the top of it. That was the moment I knew that we were a part<br />

of something really special.”<br />

In addition to the orchestral score performed by the Prague FILMharmonic Orchestra,<br />

other live instruments have been added for the first time. Naoko Kikuchi, one of the few<br />

koto players in the western world, flew especially to London to add the ancient oriental<br />

instrument to ‘La Japonaise’. Rufus Taylor, Queen band member Roger Taylor’s son,<br />

has replaced the drum machines on ‘The Golden Boy’ and ‘How Can Go On’ with live<br />

percussion. The latter song also boasts a new violin solo from classical violinist <strong>David</strong><br />

<strong>Garrett</strong> joining Queen’s John Deacon’s original bass part.<br />

‘Barcelona - The Special Edition’ is finally the album it should have been. The world will<br />

undoubtedly rediscover and fall in love with it all over again. The only downside is that<br />

the visionary behind this masterpiece is sadly not around to hear it too.<br />

The album will be available in CD & Deluxe CD and Digital formats to include bonus<br />

audio and DVD extras. See track listings.<br />

‘Barcelona- The Special Edition’ album release is accompanied by a brand new<br />

TV/DVD documentary ‘The Great Pretender’ (Eagle Rock) focusing on Freddie’s solo<br />

career and life outside Queen produced and directed by Rhys Thomas. The<br />

documentary features never-before-seen footage of Freddie, including hilarious and<br />

emotional interviews re-discovered in the Queen archives for the first time recently.<br />

‘The Great Pretender’ is released on DVD & Blu-ray on September 24.<br />

The illustrated book ‘Freddie Mercury The Great Pretender: A Life In Pictures’<br />

(Goodman) containing captivating shots of Freddie and revealing the many sides of his<br />

colourful life is published September 5. The book package also includes additional CD<br />

of a rare interview by Mary Turner in which Freddie candidly discusses his life of<br />

stardom.<br />

www.freddiemercury.com www.freddieforaday.com<br />

BARCELONA FORMATS


CD & Deluxe CD and Digital<br />

BARCELONA – THE SPECIAL EDITION<br />

NEW ORCHESTRATED ALBUM<br />

1. Barcelona<br />

2. La Japonaise<br />

3. The Fallen Priest<br />

4. Ensueno<br />

5. The Golden Boy<br />

6. Guide Me Home<br />

7. How Can I Go On<br />

8. Exercises In Free Love<br />

9. Overture Piccante<br />

Bonus Track<br />

10. How Can I Go On Feat. <strong>David</strong> <strong>Garrett</strong><br />

DELUXE ALBUM – 3 CD DISCS & 1 DVD<br />

Disc 1 – Barcelona – The Special Edition – New Orchestrated album<br />

1. Barcelona<br />

2. La Japonaise<br />

3. The Fallen Priest<br />

4. Ensueno<br />

5. The Golden Boy<br />

6. Guide Me Home<br />

7. How Can I Go On<br />

8. Exercises In Free Love<br />

9. Overture Piccante<br />

Bonus Track<br />

10. How Can I Go On Feat. <strong>David</strong> <strong>Garrett</strong><br />

Disc 2: The Best of the Rarities & Session Out-takes<br />

1. Exercises In Free Love (1987 B-side)<br />

2. Barcelona (Early Version: Freddie's Demo Vocal)<br />

3. La Japonaise (Early Version: Freddie's Demo Vocal)<br />

4. Rachmaninov's Revenge (The Fallen Priest) (Later Version: Freddie's Demo Vocal)<br />

5. Ensueno - Monsterrat's Live Takes<br />

6.The Golden Boy (Early Version: Freddie's Demo Vocal)<br />

7.Guide Me Home / How Can I Go On (Alternative Versions)<br />

8.How Can I Go On (Alternative Piano Version)<br />

Disc 3: – DVD Disc<br />

1.Ku Club Ibiza Performance – Barcelona<br />

2. La Nit Barcelona Performance - Barcelona (5m46s)<br />

How Can I Go On (3m58s)<br />

The Golden Boy (5m58s)<br />

3. Barcelona – Classic Video 4m25s<br />

4. Barcelona – The Special Edition EPK<br />

5. Barcelona – 2012 edit by Rhys Thomas 4m49s


Disc 4: – Barcelona – The Special Edition Album Orchestral Version<br />

BARCELONA – The Special Edition<br />

Credits (edited):<br />

Orchestrations by Stuart Morley.<br />

Based on the original arrangements by Mike Moran and Freddie Mercury.<br />

FILMharmonic Orchestra, Prague.<br />

Conducted by Adam Klemens.<br />

Music Contractor: Petr Pycha.<br />

except ‘Exercises In Free Love’ Conducted by Stuart Morley.<br />

Produced by Kris Fredriksson and Stuart Morley.<br />

Original production by Freddie Mercury, Mike Moran and <strong>David</strong> Richards, except<br />

‘Exercises In Free Love’ original production by Mike Moran.<br />

All songs written and composed by Freddie Mercury and Mike Moran except lyrics on<br />

‘Ensueño’ by Montserrat Caballé and lyrics on ‘The Fallen Priest’ and ‘The Golden Boy’<br />

by Tim Rice.<br />

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